Grover Washington, Jr. (December 12, 1943 - December 17, 1999) has been con… Read Full Bio ↴Grover Washington, Jr. (December 12, 1943 - December 17, 1999) has been considered by many to be the founding father of smooth jazz and a master of the jazz funk genre, working as a prominent songwriter and talented saxophonist. Throughout the 1970s and 1980s, Washington made some of the genre's most memorable hits. These include "Mister Magic", Black Frost", and "The Best is Yet to Come" (with Patti LaBelle on guest vocals).
In addition, he performed very frequently with other artists, including Bill Withers on "Just the Two of Us" (a song still in regular rotation on radio today) and Phyllis Hyman on "Sacred Kind of Love". He is also remembered for his take on a Dave Brubeck classic, called "Take Another Five", as well as for his hit "Soulful Strut". His work continues to inspire jazz artists even today.
Washington was born in Buffalo, New York, 12 December 1943. Regarded as one of the revolutionaries in jazz music and is considered one of the greatest saxophone players in modern jazz history. He led many others to follow in his footsteps.
Washington's history was music-filled. His mother was a church chorister, and his father was a collector of old jazz 78s and a saxophonist as well, so music was everywhere in the home. He grew up with the great jazz men and big band leaders like Benny Goodman, Fletcher Henderson, and others like them. At the age of 8, with the desire for him to be more than he could be, Grover Sr. gave Jr. a saxophone. He practiced and sneaked into clubs to see famous Buffalo blues musicians.
He left Buffalo and played with a mid-west group called the Four Clefs. He was drafted into the US Army shortly thereafter, but this was to be to his advantage, as he met drummer Billy Cobham. Cobham, a mainstay in New York City, introduced Washington to many New York musicians. After leaving the Army, Washington freelanced his talents around New York City, eventually landing in Philadelphia in 1967.
Grover's big break came at the expense of another artist. Alto sax man Hank Crawford was unable to make a recording date with Prestige Records, and Washington took his place, even though he was a backup. This led to his first album, Inner City Blues. He was talented, and displayed heart and soul with soprano, alto, tenor, and baritone saxophones. Refreshing for his time, he made headway into the jazz mainstream. His fifth album, 1974's Mister Magic was a commercial success, and introduced guitarist Eric Gale in as a near-permanent member in Washington's arsenal.
A string of acclaimed records brought Washington through the 1970s, which culminated in the signature piece for everything Washington would do from then on. 1980's Winelight was the album that defined everything Washington was about. The album was smooth, fused with R and B and easy listening feel. Washington's love of basketball, especially the Philadelphia 76ers, led him to dedicate his first track, Let It Flow to Julius Erving (Dr. J). The highlight of the album, and a main staple of radio airplay everywhere, was his great collaboration with soul artist Bill Withers, Just The Two of Us. It was also the final step away from Motown, landing him on Elektra Records and into a new era of jazz excellence. The album went platinum in 1981, and also won Grammy Awards in 1982 for Best R and B Song ("Just The Two of Us"), and Best Jazz Fusion Performance ("Winelight"). "Winelight" was also nominated for Record of the Year and Song of the Year.
From that point, Washington is credited (or scorned, as some may say) for giving rise to a new batch of talent that would make its mark in the late 80s and early 90s. He is blamed for bringing Kenny G to the forefront, but also credited with bringing such smooth jazz artists as Walter Beasley, Steve Cole, Pamela Williams, Najee, George Howard, and The Philadelphia Experiment into popular attention.
The tragedy and irony of Washington's life was that while he was able to get his big break from another artist's absence, Washington lived long enough to bring smooth jazz to the last points of the old millennium, but didn't outlive Hank Crawford, whose absence gave him his big break (and is still alive, as of 2005). On December 17th, 1999, while waiting in the green room after taping four songs for the The Early Show, at CBS Studios in New York City, Washington collapsed. He was taken to St. Luke's-Roosevelt Hospital, where he was pronounced dead at about 7:30 p.m. His doctors determined that he had suffered a massive heart attack.
Grover Washington Jr.'s legacy lives on in the futures of up-and-coming jazz artists, and his life is celebrated from college campuses all around the nation to the hallowed streets of his own Philadelphia, his adopted hometown.
In addition, he performed very frequently with other artists, including Bill Withers on "Just the Two of Us" (a song still in regular rotation on radio today) and Phyllis Hyman on "Sacred Kind of Love". He is also remembered for his take on a Dave Brubeck classic, called "Take Another Five", as well as for his hit "Soulful Strut". His work continues to inspire jazz artists even today.
Washington was born in Buffalo, New York, 12 December 1943. Regarded as one of the revolutionaries in jazz music and is considered one of the greatest saxophone players in modern jazz history. He led many others to follow in his footsteps.
Washington's history was music-filled. His mother was a church chorister, and his father was a collector of old jazz 78s and a saxophonist as well, so music was everywhere in the home. He grew up with the great jazz men and big band leaders like Benny Goodman, Fletcher Henderson, and others like them. At the age of 8, with the desire for him to be more than he could be, Grover Sr. gave Jr. a saxophone. He practiced and sneaked into clubs to see famous Buffalo blues musicians.
He left Buffalo and played with a mid-west group called the Four Clefs. He was drafted into the US Army shortly thereafter, but this was to be to his advantage, as he met drummer Billy Cobham. Cobham, a mainstay in New York City, introduced Washington to many New York musicians. After leaving the Army, Washington freelanced his talents around New York City, eventually landing in Philadelphia in 1967.
Grover's big break came at the expense of another artist. Alto sax man Hank Crawford was unable to make a recording date with Prestige Records, and Washington took his place, even though he was a backup. This led to his first album, Inner City Blues. He was talented, and displayed heart and soul with soprano, alto, tenor, and baritone saxophones. Refreshing for his time, he made headway into the jazz mainstream. His fifth album, 1974's Mister Magic was a commercial success, and introduced guitarist Eric Gale in as a near-permanent member in Washington's arsenal.
A string of acclaimed records brought Washington through the 1970s, which culminated in the signature piece for everything Washington would do from then on. 1980's Winelight was the album that defined everything Washington was about. The album was smooth, fused with R and B and easy listening feel. Washington's love of basketball, especially the Philadelphia 76ers, led him to dedicate his first track, Let It Flow to Julius Erving (Dr. J). The highlight of the album, and a main staple of radio airplay everywhere, was his great collaboration with soul artist Bill Withers, Just The Two of Us. It was also the final step away from Motown, landing him on Elektra Records and into a new era of jazz excellence. The album went platinum in 1981, and also won Grammy Awards in 1982 for Best R and B Song ("Just The Two of Us"), and Best Jazz Fusion Performance ("Winelight"). "Winelight" was also nominated for Record of the Year and Song of the Year.
From that point, Washington is credited (or scorned, as some may say) for giving rise to a new batch of talent that would make its mark in the late 80s and early 90s. He is blamed for bringing Kenny G to the forefront, but also credited with bringing such smooth jazz artists as Walter Beasley, Steve Cole, Pamela Williams, Najee, George Howard, and The Philadelphia Experiment into popular attention.
The tragedy and irony of Washington's life was that while he was able to get his big break from another artist's absence, Washington lived long enough to bring smooth jazz to the last points of the old millennium, but didn't outlive Hank Crawford, whose absence gave him his big break (and is still alive, as of 2005). On December 17th, 1999, while waiting in the green room after taping four songs for the The Early Show, at CBS Studios in New York City, Washington collapsed. He was taken to St. Luke's-Roosevelt Hospital, where he was pronounced dead at about 7:30 p.m. His doctors determined that he had suffered a massive heart attack.
Grover Washington Jr.'s legacy lives on in the futures of up-and-coming jazz artists, and his life is celebrated from college campuses all around the nation to the hallowed streets of his own Philadelphia, his adopted hometown.
Only For You
Grover Washington Jr. Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
only for you (repeat)
siempre para ti
only for you
siempre para ti
only for you
The lyrics to Grover Washington Jr.'s song Only For You are simple and straightforward, but they convey a powerful message of love and devotion. The repetition of the phrase "only for you" and the Spanish translation "siempre para ti" reinforce this message and emphasize the song's central theme.
The lyrics suggest that the singer is willing to do anything for their loved one, to go to great lengths and make great sacrifices just to make them happy. This is a common sentiment in love songs, but the simplicity and directness of the lyrics make it especially poignant here. The song is a testament to the power of love, and its ability to inspire us to be our best selves and to put the needs of others ahead of our own.
Overall, the lyrics to Only For You are a beautiful expression of love and devotion, and they will resonate with anyone who has ever been in love or felt the depth of a strong emotional connection.
Line by Line Meaning
Only for you
Exclusively meant for you, my love. This is to signify how much you mean to me.
Siempre para ti
In every moment, till eternity, I pledge to be there for you, for you are the sole reason for my existence.
Only for you
My love, my devotion, my commitment, and my passion; each of these strands of my being, I weave together to create this beautiful present, just for you.
Lyrics © O/B/O APRA AMCOS
Written by: GROVER JR. WASHINGTON, RICHARD STEACKER
Lyrics Licensed & Provided by LyricFind
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esther razo
Grover Washington is one of my all time favorite jazz musicians. I remember this, played it over and over at times! Thank you for sharing, made my night!
mikeyrue
Sometimes you just want to hear a song you haven't heard in a long time. This fits the bill, big time. A master jazz/salsa fusion song.
chicagosaxsam
Just like Grover the Master that he is (his music is still Alive)) so Smooth and Amazing! (RIP). Grover
gsutton78
LOVE this song. Especially the salsa montuno in the background!
COL. Enrique Armand Cesar Cruz, USA Ret.
Siempre para ti ... Viva la musica ! Vaya con Dios Grover.
Ramone Golden
Finally found it after 25 long years!!!! I'm so freaking happy now!!!!!!đ đ đ đ đ
Phill C - azexperiment
Wow! Awesome job Ruben. The bass has always been my favorite instrument on this track...especially the note slur on 4:30! What kind of bass is it? It sounds so perfect to be Acoustic.
InFilms & Design
Love it! Takes me away. Thank you.
Demarco Jackson
I would play this song for hours on end.
PR to USA!
michelle elmore
I remember hearing this in Tower Records and bought the cd đż that day đ„°