Gryphon are a progressive rock band from the UK formed in 1971, notable for… Read Full Bio ↴Gryphon are a progressive rock band from the UK formed in 1971, notable for their unusual sound and instrumentation.
Multi-instrumentalist Richard Harvey and his fellow Royal Academy of Music graduate Brian Gulland, a woodwind player, began the group as an all-acoustic ensemble that mixed traditional English folk music with medieval and Renaissance influences. After their self-titled debut, they expanded their sound to include electric guitars and keyboards as well as wind instruments, such as bassoons and crumhorns, not often found in rock music. Gryphon's music often sounded as much like rural English folk or Renaissance chansons as it did rock, at least on their early recordings. After their third album (Red Queen to Gryphon Three) and the subsequent tour as a supporting act for Yes, their instrumentation became more conventional and the use of non-standard instruments was reduced. Fans and critics generally regard Midnight Mushrumps and the all-instrumental Red Queen to Gryphon Three as their finest albums.
In 1974, the group's publicist Martin Lewis arranged for the band to be commissioned to write and record the music for a major stage production of Shakespeare's The Tempest at Britain's National Theatre directed by Sir Peter Hall. It opened at the historic Old Vic theatre in April 1974. The music the band wrote and recorded for the stage production inspired the 21-minute fantasia "Midnight Mushrumps" (a phrase heard in The Tempest) which became the title track of their second album. Following the successful premiere of the play and acclaim for its music, Lewis arranged for Gryphon to give a Sunday evening concert at the Old Vic in July 1974—the first-ever rock concert held at Britain's National Theatre. At the concert the band performed "Midnight Mushrumps". The concert was considered a major breakthrough for progressive music. Rumors have abounded that there are audio tapes of the fabled concert but none have yet surfaced.
Their last output, until now, was 1977's Treason.
In September 2007 it was announced on Gryphon's website that, after a silence of 31 years, the band had finally decided to produce a new album. Whether the new Gryphon album will be a modern progressive and commercial sounding offering like their later albums, or a return to the predominantly medieval-based themes of their earlier works, has yet to be announced. Whilst there was no timescale planned, it was envisaged that it would be released in the Summer of 2008 with a one-off London concert date also suggested, although not confirmed. On 15 September 2008, Gryphon announced via their website that the album was still in production "albeit slowly".
The reunion concert has been confirmed for Saturday 6th June 2009 at The Queen Elizabeth Hall, London.
Members:
Brian Gulland — Bassoon, Crumhorn, Recorder, Keyboards, Vocals
Richard Harvey — Recorder, Crumhorn, Mandolin, Keyboards, Vocals
David Oberlé — Drums, Percussion, Lead Vocals
Graeme Taylor — Guitars, Vocals (through Raindance)
Philip Nestor — Bass guitar, Vocals (Midnight Mushrumps and Red Queen to Gryphon Three)
Malcolm Bennett — Bass guitar, Flute (Raindance)
Jonathan Davie — Bass guitar (Treason)
Bob Foster — Guitar (Treason)
Multi-instrumentalist Richard Harvey and his fellow Royal Academy of Music graduate Brian Gulland, a woodwind player, began the group as an all-acoustic ensemble that mixed traditional English folk music with medieval and Renaissance influences. After their self-titled debut, they expanded their sound to include electric guitars and keyboards as well as wind instruments, such as bassoons and crumhorns, not often found in rock music. Gryphon's music often sounded as much like rural English folk or Renaissance chansons as it did rock, at least on their early recordings. After their third album (Red Queen to Gryphon Three) and the subsequent tour as a supporting act for Yes, their instrumentation became more conventional and the use of non-standard instruments was reduced. Fans and critics generally regard Midnight Mushrumps and the all-instrumental Red Queen to Gryphon Three as their finest albums.
In 1974, the group's publicist Martin Lewis arranged for the band to be commissioned to write and record the music for a major stage production of Shakespeare's The Tempest at Britain's National Theatre directed by Sir Peter Hall. It opened at the historic Old Vic theatre in April 1974. The music the band wrote and recorded for the stage production inspired the 21-minute fantasia "Midnight Mushrumps" (a phrase heard in The Tempest) which became the title track of their second album. Following the successful premiere of the play and acclaim for its music, Lewis arranged for Gryphon to give a Sunday evening concert at the Old Vic in July 1974—the first-ever rock concert held at Britain's National Theatre. At the concert the band performed "Midnight Mushrumps". The concert was considered a major breakthrough for progressive music. Rumors have abounded that there are audio tapes of the fabled concert but none have yet surfaced.
Their last output, until now, was 1977's Treason.
In September 2007 it was announced on Gryphon's website that, after a silence of 31 years, the band had finally decided to produce a new album. Whether the new Gryphon album will be a modern progressive and commercial sounding offering like their later albums, or a return to the predominantly medieval-based themes of their earlier works, has yet to be announced. Whilst there was no timescale planned, it was envisaged that it would be released in the Summer of 2008 with a one-off London concert date also suggested, although not confirmed. On 15 September 2008, Gryphon announced via their website that the album was still in production "albeit slowly".
The reunion concert has been confirmed for Saturday 6th June 2009 at The Queen Elizabeth Hall, London.
Members:
Brian Gulland — Bassoon, Crumhorn, Recorder, Keyboards, Vocals
Richard Harvey — Recorder, Crumhorn, Mandolin, Keyboards, Vocals
David Oberlé — Drums, Percussion, Lead Vocals
Graeme Taylor — Guitars, Vocals (through Raindance)
Philip Nestor — Bass guitar, Vocals (Midnight Mushrumps and Red Queen to Gryphon Three)
Malcolm Bennett — Bass guitar, Flute (Raindance)
Jonathan Davie — Bass guitar (Treason)
Bob Foster — Guitar (Treason)
Crossing the Styles
Gryphon Lyrics
We have lyrics for these tracks by Gryphon:
"Le Cabrioleur Est Dans Le Mouchoir" Order D'accord (Yeah but I couldn't help it) (Right n…
"Le Cambrioleur Est Dans le Mouchoir" Order D'accord (Yeah but I couldn't help it) (Right now) L…
"Le Cambrioleur Est Dans Le Mouchoir'' Order D'accord (Yeah but I couldn't help it) (Right n…
06. The Unquiet Grave Cold blows the wind to my true love and gently…
Astrologer It's of a bold astrologer in London town did dwell At…
Don't Say Go What a - thing to say - don't say -…
Fontinental Version Tidy the turdion watch for the fontanelFollow the photo gra…
Le Cambrioleur Est Dans Le Mouchoir Order D'accord (Yeah but I couldn't help it) (Right n…
Midnight Mushrumps [Instrumental]…
Ploughboy's Dream I am a ploughboy stout and strong as ever drove…
Raindance While the rain comes down I'll make some noise And when you'…
Sir Gavin Grimbold High on mountains and low between the trees Sir Gavin Grimb…
Spring Song One dozen bees buzzing, Spring fever, pure ether, scent is …
The Astrologer It's of a bold astrologer in London town did dwell At…
The Devil And The Farmer's Wife There was an old man who lived near Hell's gate What…
The Plough Boys Dream I am a ploughboy stout and strong as ever drove…
The Unquiet Grave Cold blows the wind to my true love and gently…
Three Jolly Butchers It's of three jolly butchers as I've heard many say They…
Unquiet Grave Cold blows the wind to my true love and gently…
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
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Bill Rowland
I came across these clips as part of a geocaching puzzle. Most of them aren't quite my "cup of tea"; but loved this one. Because I'm a guitarist, I guess. Like the jazz chords that get sprinkled in here and there. (Hence the song title, I guess...)
OreadNYC
My parents had a copy of this album when I was a child (we spent three years living in the UK in the 70s) and I bought it on CD years later. If I recall correctly (and I usually do!), the liner notes indicated that this piece was loosely based on old Renaissance-era pieces for harpsichord...and if you listen closely, I think you'll realize that some of the accompanying chords do have a tone to them which is vaguely reminiscent of a harpsichord.
Lucio Campione
amazing