Radric Davis (born February 12, 1980 in Birmingham, Alabama), better known … Read Full Bio ↴Radric Davis (born February 12, 1980 in Birmingham, Alabama), better known by his stage name Gucci Mane, is an American rapper and CEO of 1017 Brick Squad Records. In 2005 he released his independent debut album, Trap House, which featured the successful single "Icy" that he recorded with Young Jeezy. He has since released a further three albums including 2006's Hard To Kill, 2007's Trap-A-Thon and 2007's Back To The Trap House. His sixth studio album, The State vs Radric Davis, was released in December 2009, just weeks after he was sent back to prison for 12 months for violating his probation. He was released in May 2010 and will now release his seventh studio album, The Appeal: Georgia's Most Wanted, sometime at the end of 2010.
It’s said that art mirrors life. In hip-hop’s case, there’s always been a deliberate entanglement of perception and reality. Fans demand their MCs be real…but never too real. Successful hip-hop is about the hint of the danger, the tease of it, the mystique. Hip-hop is about balance.
Gucci Mane is an artist striving for that balance, volatility versus musicality. Controversy, including a feud with former collaborator Young Jeezy, has grabbed the headlines, with insufficient regard paid to his considerable mic skills, raw talent, and business acumen. Gucci is looking to wrest his name from public speculation and let his own words do the talking.
“I wish everybody well who’s making money in this rap game,” the Atlanta-raised rapper says, dismissing the controversy that followed him in the past. “My own rap game is going so good, I’ve got so many things on my plate at my label, that I don’t got time for other people’s business.” With a deal with Asylum Records as the boss of his own label, So Icey Entertainment, Gucci does indeed have a full schedule with no time to dwell on the past.
“I live my life with no regrets. I just wish that a lot of things never happened, but anybody can wish,” says Gucci. Sounds like a man with his eyes on the prize. And you’d expect nothing less from an artist who ground his way to the top via the hustle of independent records. Signing to Big Cat Records in the wake of his local single “Black Tee,” he dropped his debut record, Trap House, in May 2005. The independent album moved an impressive 140,000 units, largely on the strength of the “Icy” single, featuring Jeezy. Clamor over song rights sparked dispute, and the resulting rift grew.
Controversy notwithstanding, Mane’s independence was cemented: “I was on the independent scene for about two years,” he recalls. “It’s crazy! You gotta go into your own pocket to support your craft. You need other avenues to have money coming in, to support your stuff. You might win, you might lose, and it’s a gamble out there with the independent circuit. One thing you’d better have is good music because without that, you go downhill fast in the independent game.”
Good music firmly in hand, Gucci was fast approaching stardom when more tragedy befell him. But let’s backtrack; how did the man born Radric Davis in Bessemer, Alabama, become Gucci Mane, mouthpiece for Atlanta stuntin’? Mane remembers little from his time in Alabama, just that it was rural, and that it’s changed dramatically since he left at the age of nine. “I gotta shout out Alabama though, because they holdin’ it down,” he affirms. “Every time I go there to do a show, I’m impressed with how hip-hop culture has taken root.”
Mane’s identity coalesced when he moved with his mother to Atlanta. “I lived all of my adolescent and adult life in Atlanta,” he explains. “I’m from East Atlanta Zone Six; it was hard, man, it was real rough. I grew up in the Starter jacket era: they’d take your Starter jacket, your 8Ball jacket, they’d take your hat, your shoes. It was just no holds barred on the streets, dog eat dog. If you missed the bus, you had to be crewed up or you’d get jumped. It was wild when I came up.”
It’s a bleak portrait. When asked to describe his home life more vividly, Mane offers a look into his contemplative side, a side honed as a schoolyard poet. “I was just a young dude in a single parent house most of my life. I can’t complain that much. I would guess it’s like any black child growing up in a single parent household. There are a lot of people who know how that is. I didn’t have a lot coming up; but what I did have, I appreciated. I was blessed to have a caring mother to raise me right and to help me with my business ventures; she’s been there through the whole struggle. There’s a lot that goes along with that; it made me who I am today.”
A stepfather would enter the picture during Mane’s adolescence, introducing not only a male figure, but also inspiration for Mane’s unusual moniker. “My father came in, the original Gucci Mane; that’s what people in the neighborhood called him, and that’s where I get my name from. From then on, I grew up the son of a hustler and a schoolteacher; it was the best of both worlds because I was educated twice.” Drawing inspiration from a pantheon of rappers before him –Big Daddy Kane, LL Cool J, Ice Cube, the Beastie Boys, N.W.A—Mane went on to release Trap House, a lethal brew of his signature sound: “I call my music straight Gucci: going hard and whatever beats you make you for me, if I’m feeling it, if I’m rocking with it, I’m gonna crush it. When you hear me, you hear a lot of pain, a lot of hood; you hear what’s going on in the inner city in Atlanta.”
Unfortunately, Trap House was ill timed; the month of its release, Gucci was accused of murder and jailed for two days. Eventually deemed to be acting in self-defense, and without sufficient evidence to hold him, Mane was exonerated. But the ordeal left an indelible imprint on the man. “I learned to keep better company, watch where I go, and be mindful of my surroundings at all times,” he reveals. “Watch what I say, watch what I do and how I do it, just keep myself out of the wrong crowd.”
“I always stand up man,” he continues. “I’m one of the toughest guys I know. It’ll take a lot more than that to break me down.” Undeterred, Mane was back in the studio, preparing 2006’s eerily apropos Hard To Kill. The buzz from Hard To Kill vaulted Gucci Mane from regional commodity to national treasure, and major labels responded accordingly: “There was a bidding war going on, and I liked Atlantic’s approach. They made it known that they wanted me, they felt where I was going and that I could grow with them.”
Asylum/Atlantic Records welcomed Gucci Mane in early ’07, granting him his own imprint, So Icey Entertainment. With it comes an entire stable of artists, the So Icey Boyz. As the Boyz ready for their own exposure –“I got them in training; they be in the weight room, pumping iron, doing pushups, shopping at the mall, buying ice”—Gucci is focused on his magnum opus, Back to the Trap House. “I started working on the album, and by the third song, I was like ‘This is going back to the Trap House.’ I started feeling the same way I did when I made my first album. It had the same feel to it, the same freshness. And I had the same hunger and desire I had when I first started rapping.”
“Since I went major, I want everybody to know I’m still keeping it street, keeping it hood,” Gucci maintains. “I’m trying to take it back to all my fans that I had when I first started my career. And at the same time, I’m trying to open up my new album to a new fan base. So it’s a mix for everybody coming together, like my first album was.” Gucci has always prided himself on his innate ability, and his refusal to let guest appearances dictate the tone of his records. “I just want people to know I’m a great songwriter, man,” he asserts. “I’m passionate about what I do, and it’s choreographed strategically when I do it. I bring a lot of experience, creative wordplay, and a crazy style. And my albums, I record most of the songs without writing them down; it’s a God-given gift and I just get paid for it. It come from God, it’s like wondering what makes a bird fly. He made me a poet like the great poets of the past.”
But don’t mistake Gucci’s confidence for self-absorption. The vicissitudes of his career have dictated a longer view. Lyrics aside, he’s less preoccupied with visible means and more so with acting as an emissary from his under-repped block. “I’m not the one to glorify what goes on in the hood,” he insists. “We have everything there, the whole range from violence to people getting on the bus and going to work. There’s a lot more to the hood than just drugs. It’s a bigger story, there’s a big picture. I went to school in that neighborhood, I worked there, I trapped there, I hustled there, and I got my name there. I’m proud to be from East Atlanta Zone Six, and I claim there. I hold that on my back and carry that, to be the first one from there to really rock.”
And Gucci’s professional aims have matured as well. While other rappers stress platinum plaques, Gucci hasn’t forgotten the route he took to stardom. “I made a lot of CDs on my own. People fucked with me and supported me, and just made me the man I am today. That’s my blueprint right there, and I stay mindful of it. So now, my only concern is that people feel my music; at the end of the day, I do it for people to feel it. If one person feel it, two people feel it, I feel like my job’s been done.”
Fortunately for Gucci, he should be prepared to welcome an army of new fans with Back to the Trap House. But longstanding fans shouldn’t fear; they’ll recognize “Freaky Gurl,” reprised from its previous appearance from Hard To Kill. Luda, upon hearing the joint, asked for a guest spot on the remix. Said remix now appears as the lead single on Back to the Trap House, following in Gucci’s theme of mating old and new. Over a bouncing, meandering beat from Cyber Sapp, the two cook up the requisite concoction of whips, chips, and chicks. Also look out for “Bird Flu,” the album’s number two single, laced by New-York based Supa Sonics. Elsewhere, firm guest verses from Rich Boy and Pimp C of UGK round out Gucci’s regional flavor, while Bay-area producer Zaytoven (of “Icy” renown) locks down Gucci’s West Coast appeal.
Gucci Mane has something for everyone, and with the struggles of the past in his rearview, Gucci is settled in for his ride to the top. “I’m best known for controversy but I’m trying to gain respect as a songwriter and entertainer. I plan to hit them so hard with this album; who knows what the future will bring. I’ll be banging them out till I can’t bang no more.”
It’s said that art mirrors life. In hip-hop’s case, there’s always been a deliberate entanglement of perception and reality. Fans demand their MCs be real…but never too real. Successful hip-hop is about the hint of the danger, the tease of it, the mystique. Hip-hop is about balance.
Gucci Mane is an artist striving for that balance, volatility versus musicality. Controversy, including a feud with former collaborator Young Jeezy, has grabbed the headlines, with insufficient regard paid to his considerable mic skills, raw talent, and business acumen. Gucci is looking to wrest his name from public speculation and let his own words do the talking.
“I wish everybody well who’s making money in this rap game,” the Atlanta-raised rapper says, dismissing the controversy that followed him in the past. “My own rap game is going so good, I’ve got so many things on my plate at my label, that I don’t got time for other people’s business.” With a deal with Asylum Records as the boss of his own label, So Icey Entertainment, Gucci does indeed have a full schedule with no time to dwell on the past.
“I live my life with no regrets. I just wish that a lot of things never happened, but anybody can wish,” says Gucci. Sounds like a man with his eyes on the prize. And you’d expect nothing less from an artist who ground his way to the top via the hustle of independent records. Signing to Big Cat Records in the wake of his local single “Black Tee,” he dropped his debut record, Trap House, in May 2005. The independent album moved an impressive 140,000 units, largely on the strength of the “Icy” single, featuring Jeezy. Clamor over song rights sparked dispute, and the resulting rift grew.
Controversy notwithstanding, Mane’s independence was cemented: “I was on the independent scene for about two years,” he recalls. “It’s crazy! You gotta go into your own pocket to support your craft. You need other avenues to have money coming in, to support your stuff. You might win, you might lose, and it’s a gamble out there with the independent circuit. One thing you’d better have is good music because without that, you go downhill fast in the independent game.”
Good music firmly in hand, Gucci was fast approaching stardom when more tragedy befell him. But let’s backtrack; how did the man born Radric Davis in Bessemer, Alabama, become Gucci Mane, mouthpiece for Atlanta stuntin’? Mane remembers little from his time in Alabama, just that it was rural, and that it’s changed dramatically since he left at the age of nine. “I gotta shout out Alabama though, because they holdin’ it down,” he affirms. “Every time I go there to do a show, I’m impressed with how hip-hop culture has taken root.”
Mane’s identity coalesced when he moved with his mother to Atlanta. “I lived all of my adolescent and adult life in Atlanta,” he explains. “I’m from East Atlanta Zone Six; it was hard, man, it was real rough. I grew up in the Starter jacket era: they’d take your Starter jacket, your 8Ball jacket, they’d take your hat, your shoes. It was just no holds barred on the streets, dog eat dog. If you missed the bus, you had to be crewed up or you’d get jumped. It was wild when I came up.”
It’s a bleak portrait. When asked to describe his home life more vividly, Mane offers a look into his contemplative side, a side honed as a schoolyard poet. “I was just a young dude in a single parent house most of my life. I can’t complain that much. I would guess it’s like any black child growing up in a single parent household. There are a lot of people who know how that is. I didn’t have a lot coming up; but what I did have, I appreciated. I was blessed to have a caring mother to raise me right and to help me with my business ventures; she’s been there through the whole struggle. There’s a lot that goes along with that; it made me who I am today.”
A stepfather would enter the picture during Mane’s adolescence, introducing not only a male figure, but also inspiration for Mane’s unusual moniker. “My father came in, the original Gucci Mane; that’s what people in the neighborhood called him, and that’s where I get my name from. From then on, I grew up the son of a hustler and a schoolteacher; it was the best of both worlds because I was educated twice.” Drawing inspiration from a pantheon of rappers before him –Big Daddy Kane, LL Cool J, Ice Cube, the Beastie Boys, N.W.A—Mane went on to release Trap House, a lethal brew of his signature sound: “I call my music straight Gucci: going hard and whatever beats you make you for me, if I’m feeling it, if I’m rocking with it, I’m gonna crush it. When you hear me, you hear a lot of pain, a lot of hood; you hear what’s going on in the inner city in Atlanta.”
Unfortunately, Trap House was ill timed; the month of its release, Gucci was accused of murder and jailed for two days. Eventually deemed to be acting in self-defense, and without sufficient evidence to hold him, Mane was exonerated. But the ordeal left an indelible imprint on the man. “I learned to keep better company, watch where I go, and be mindful of my surroundings at all times,” he reveals. “Watch what I say, watch what I do and how I do it, just keep myself out of the wrong crowd.”
“I always stand up man,” he continues. “I’m one of the toughest guys I know. It’ll take a lot more than that to break me down.” Undeterred, Mane was back in the studio, preparing 2006’s eerily apropos Hard To Kill. The buzz from Hard To Kill vaulted Gucci Mane from regional commodity to national treasure, and major labels responded accordingly: “There was a bidding war going on, and I liked Atlantic’s approach. They made it known that they wanted me, they felt where I was going and that I could grow with them.”
Asylum/Atlantic Records welcomed Gucci Mane in early ’07, granting him his own imprint, So Icey Entertainment. With it comes an entire stable of artists, the So Icey Boyz. As the Boyz ready for their own exposure –“I got them in training; they be in the weight room, pumping iron, doing pushups, shopping at the mall, buying ice”—Gucci is focused on his magnum opus, Back to the Trap House. “I started working on the album, and by the third song, I was like ‘This is going back to the Trap House.’ I started feeling the same way I did when I made my first album. It had the same feel to it, the same freshness. And I had the same hunger and desire I had when I first started rapping.”
“Since I went major, I want everybody to know I’m still keeping it street, keeping it hood,” Gucci maintains. “I’m trying to take it back to all my fans that I had when I first started my career. And at the same time, I’m trying to open up my new album to a new fan base. So it’s a mix for everybody coming together, like my first album was.” Gucci has always prided himself on his innate ability, and his refusal to let guest appearances dictate the tone of his records. “I just want people to know I’m a great songwriter, man,” he asserts. “I’m passionate about what I do, and it’s choreographed strategically when I do it. I bring a lot of experience, creative wordplay, and a crazy style. And my albums, I record most of the songs without writing them down; it’s a God-given gift and I just get paid for it. It come from God, it’s like wondering what makes a bird fly. He made me a poet like the great poets of the past.”
But don’t mistake Gucci’s confidence for self-absorption. The vicissitudes of his career have dictated a longer view. Lyrics aside, he’s less preoccupied with visible means and more so with acting as an emissary from his under-repped block. “I’m not the one to glorify what goes on in the hood,” he insists. “We have everything there, the whole range from violence to people getting on the bus and going to work. There’s a lot more to the hood than just drugs. It’s a bigger story, there’s a big picture. I went to school in that neighborhood, I worked there, I trapped there, I hustled there, and I got my name there. I’m proud to be from East Atlanta Zone Six, and I claim there. I hold that on my back and carry that, to be the first one from there to really rock.”
And Gucci’s professional aims have matured as well. While other rappers stress platinum plaques, Gucci hasn’t forgotten the route he took to stardom. “I made a lot of CDs on my own. People fucked with me and supported me, and just made me the man I am today. That’s my blueprint right there, and I stay mindful of it. So now, my only concern is that people feel my music; at the end of the day, I do it for people to feel it. If one person feel it, two people feel it, I feel like my job’s been done.”
Fortunately for Gucci, he should be prepared to welcome an army of new fans with Back to the Trap House. But longstanding fans shouldn’t fear; they’ll recognize “Freaky Gurl,” reprised from its previous appearance from Hard To Kill. Luda, upon hearing the joint, asked for a guest spot on the remix. Said remix now appears as the lead single on Back to the Trap House, following in Gucci’s theme of mating old and new. Over a bouncing, meandering beat from Cyber Sapp, the two cook up the requisite concoction of whips, chips, and chicks. Also look out for “Bird Flu,” the album’s number two single, laced by New-York based Supa Sonics. Elsewhere, firm guest verses from Rich Boy and Pimp C of UGK round out Gucci’s regional flavor, while Bay-area producer Zaytoven (of “Icy” renown) locks down Gucci’s West Coast appeal.
Gucci Mane has something for everyone, and with the struggles of the past in his rearview, Gucci is settled in for his ride to the top. “I’m best known for controversy but I’m trying to gain respect as a songwriter and entertainer. I plan to hit them so hard with this album; who knows what the future will bring. I’ll be banging them out till I can’t bang no more.”
Stupid
Gucci Mane Lyrics
Jump to: Overall Meaning ↴
Oh, oh
Gucci! Whats happenin'
Gucci! Burr, burr, burr
On fire, you say you more fire then nigga you a lie
Homie you and I, know the trooper
That's between you and I
Stupid jewelry on me then
Stupid jewelry on me now
If you think you finna shit on Gucci
Then just show me how
Someone dis me yesterday
What I'm 'posed to do, go cry?
With my money chasin' million dollar mission on the side
Just a chicken in my Lambo'
Bought two drumsticks and a thigh
I'm so hood right now
Of course switchin' gears while getting high
Stupid wild, stupid stupid wild
Homie that's my style
Girls fightin'
Hoes fish fightin'
Just to touch my tie
Get smart, smart
I ain't been this hard in a while
Blow cho chaw
I ain't been this hard in a while
Stupid wild, stupid stupid wild
Homie that's my style
Stupid wild, stupid stupid wild
Homie that's my style
Stupid wild, stupid stupid wild
Homie that's my style
Stupid wild, stupid stupid wild
Homie that's my style
Every single night I'm ballin',
Sippin' on that drank, rims crawlin'
Mostly every night I'm countin', countin',
Niggas wanna fight but I'm shootin', shootin'
Niggas wanna fight but I'm shootin', shootin'
Wilder than a jaguar
Wilin' in a Jaguar
Please don't play with me
I'll put that pistol on your grandpa
I swear I'm so wild
I think I just may need a zan' bar
And if she on my team
I bet that bitch know who she playin' for
Mr. Coach Carter
Or Mr. Go Harder
And I like my kush dry
Like a fish with no water
Swagger stupid perfect
I might as well surf it
And if she ain't fucking
She get the voice mail service
Tell it like it be
Bitch I do it for the bloods
And every fucking time I say
"Soo woop" it's for the bloods
With you just like I love
I do it like I does
And if you wanna fight
Then come on you can fight my guns haha
Weezy man, young money
Stupid wild, stupid stupid wild
Homie that's my style
Stupid wild, stupid stupid wild
Homie that's my style
Stupid wild, stupid stupid wild
Homie that's my style
Stupid wild, stupid stupid wild
Homie that's my style
Every single night I'm ballin'
Sippin' on that drank, rims crawlin'
Mostly every night I'm countin', countin',
Niggas wanna fight but I'm shootin', shootin'
Niggas wanna fight but I'm shootin', shootin'
Let's do the furs, his and hers
Started gettin' on my nerves so I hit her with a "Burr!"
Hustlers love me, all the haters hate me
They brothers wanna fight me
They sisters wanna date me
I tell her bless it baby
You could be my bust it baby
But stay in your place, I need my space
Don't suffocate me, please
Back black approach us
Clack clack gats in holsters
Cops in black control us
Treat us like rats and roaches
But the blue Benz
Got the blue lamps
And your wifey
Well we use her for her food stamps
Ain't no big deal
But she keep the fridge filled
Eggs scrambled, cheese, grilled, cold juice and grits kill!
Don't forget veal
Italiano, Gallardo
Yea the big wheels
Like milk ya wig spilled
We'll rush in ya spot
Knock knock, snuff of the glock
It Gucci turn, huh?, You gon' suck it or not?
Stupid wild, stupid stupid wild
Homie that's my style
Stupid wild, stupid stupid wild
Homie that's my style
Stupid wild, stupid stupid wild
Homie that's my style
Stupid wild, stupid stupid wild
Homie that's my style
Every single night I'm ballin'
Sippin' on that drank, rims crawlin'
Mostly every night I'm countin', countin',
Niggas wanna fight but I'm shootin', shootin'
Niggas wanna fight but I'm shootin', shootin'
Bitches wanna fuck me, mainly
Cause I got the cash and I'm famous
I'm tryin to hold my head above water, water
Stack a million cash I just oughta, oughta
My chain cost a stack cause I'm Gucci
My wardrobe Gucci'd out like I'm boosting
I shine this all the time
Ya homie shine, shine
Wanna hate then get a ticket and join the line? Fine
It's Gucci
Gucci! Whats happenin'
Gucci! Burr, burr, burr
On fire, you say you more fire then nigga you a lie
Homie you and I, know the trooper
That's between you and I
Stupid jewelry on me then
If you think you finna shit on Gucci
Then just show me how
Someone dis me yesterday
What I'm 'posed to do, go cry?
With my money chasin' million dollar mission on the side
Just a chicken in my Lambo'
Bought two drumsticks and a thigh
I'm so hood right now
Of course switchin' gears while getting high
Stupid wild, stupid stupid wild
Homie that's my style
Girls fightin'
Hoes fish fightin'
Just to touch my tie
Get smart, smart
I ain't been this hard in a while
Blow cho chaw
I ain't been this hard in a while
Stupid wild, stupid stupid wild
Homie that's my style
Stupid wild, stupid stupid wild
Homie that's my style
Stupid wild, stupid stupid wild
Homie that's my style
Stupid wild, stupid stupid wild
Homie that's my style
Every single night I'm ballin',
Sippin' on that drank, rims crawlin'
Mostly every night I'm countin', countin',
Niggas wanna fight but I'm shootin', shootin'
Niggas wanna fight but I'm shootin', shootin'
Wilder than a jaguar
Wilin' in a Jaguar
Please don't play with me
I'll put that pistol on your grandpa
I swear I'm so wild
I think I just may need a zan' bar
And if she on my team
I bet that bitch know who she playin' for
Mr. Coach Carter
Or Mr. Go Harder
And I like my kush dry
Like a fish with no water
Swagger stupid perfect
I might as well surf it
And if she ain't fucking
She get the voice mail service
Tell it like it be
Bitch I do it for the bloods
And every fucking time I say
"Soo woop" it's for the bloods
With you just like I love
I do it like I does
And if you wanna fight
Then come on you can fight my guns haha
Weezy man, young money
Stupid wild, stupid stupid wild
Homie that's my style
Stupid wild, stupid stupid wild
Homie that's my style
Stupid wild, stupid stupid wild
Homie that's my style
Stupid wild, stupid stupid wild
Homie that's my style
Every single night I'm ballin'
Sippin' on that drank, rims crawlin'
Mostly every night I'm countin', countin',
Niggas wanna fight but I'm shootin', shootin'
Niggas wanna fight but I'm shootin', shootin'
Let's do the furs, his and hers
Started gettin' on my nerves so I hit her with a "Burr!"
Hustlers love me, all the haters hate me
They brothers wanna fight me
They sisters wanna date me
I tell her bless it baby
You could be my bust it baby
But stay in your place, I need my space
Don't suffocate me, please
Back black approach us
Clack clack gats in holsters
Cops in black control us
Treat us like rats and roaches
But the blue Benz
Got the blue lamps
And your wifey
Well we use her for her food stamps
Ain't no big deal
But she keep the fridge filled
Eggs scrambled, cheese, grilled, cold juice and grits kill!
Don't forget veal
Italiano, Gallardo
Yea the big wheels
Like milk ya wig spilled
We'll rush in ya spot
Knock knock, snuff of the glock
It Gucci turn, huh?, You gon' suck it or not?
Stupid wild, stupid stupid wild
Homie that's my style
Stupid wild, stupid stupid wild
Homie that's my style
Stupid wild, stupid stupid wild
Homie that's my style
Stupid wild, stupid stupid wild
Homie that's my style
Every single night I'm ballin'
Sippin' on that drank, rims crawlin'
Mostly every night I'm countin', countin',
Niggas wanna fight but I'm shootin', shootin'
Niggas wanna fight but I'm shootin', shootin'
Bitches wanna fuck me, mainly
Cause I got the cash and I'm famous
I'm tryin to hold my head above water, water
Stack a million cash I just oughta, oughta
My chain cost a stack cause I'm Gucci
My wardrobe Gucci'd out like I'm boosting
I shine this all the time
Ya homie shine, shine
Wanna hate then get a ticket and join the line? Fine
It's Gucci
The song Stupid Wild by Gucci Mane feat. Lil Wayne and Cam'ron is a rap song that talks about their lavish lifestyles and their inability to let anyone bring them down. The lyrics talk about how they have expensive jewelry, cars, and designer clothes. The message seems to be that these rappers can't be stopped by anyone, and they are going to keep living their wild lives no matter what.
The opening lines of the song set the tone for the rest of the lyrics. Gucci Mane raps, "On fire, you say you more fire than a nigga you a lie. Homie, you and I know the truth, that's between you and I." Gucci Mane is calling out anyone who thinks they are better than him, and he is asserting that he is at the top of the game. He goes on to say that if anyone wants to compete with him, they need to show him how.
The lyrics are full of bragging and boasting, with lines like "Every single night I'm ballin' sippin' on that drank, rims crawlin'" and "My wardrobe Gucci'd out like I'm boosting." The rappers also talk about their willingness to defend themselves with violence, with lines like "Niggas wanna fight but I'm shootin', shootin'." Overall, the song portrays a lifestyle of excess and violence, with a sense of invincibility and defiance.
Lyrics © Warner Chappell Music, Inc.
Written by: Radric Davis, Dwayne Carter, Shondrae Crawford, Cameron Giles
Lyrics Licensed & Provided by LyricFind
To comment on or correct specific content, highlight it
More Genres
No Artists Found
More Artists
Load All
No Albums Found
More Albums
Load All
No Tracks Found
Genre not found
Artist not found
Album not found
Search results not found
Song not found
@500reg2
Still listening to this song 2023 🔥🔥
@nolimit3786
Gucci and Zaytoven were like the Shaq and Kobe of southern music during these times🔥🔥
@realauthentic3940
On my soul you ain’t neva lied
@Quincy556
It was a magnificent time
@danijasthestylist1991
Literally💯🙌🏾
@IKEEPIT2playa86
You ain’t said nothing but the truth
@dallasmayle1236
Yes indeed
@sheisty6317
Old gucci is a legend!! Like he use ta smash EVERY track he made...
@killadjango6995
#BIGFACTS 💯💯💯💯👍🏽
@Gh0zT-777
He still putting out bangers tho, he hot a goldmine with "get the bag'