Guesch Patti is a French singer, dancer, choreographer and actress. To date… Read Full Bio ↴Guesch Patti is a French singer, dancer, choreographer and actress. To date she has recorded five albums. Guesch Patti started her musical career in 1987 with the release of the notorious hit single 'Etienne'.

Guesch Patti was born on 19 March 1946 as Patricia Porasse, she was nicknamed Guesch (a Basque name) as a child, Patti is a pet name for Patricia. Her father, Jean Porasse, worked as an artistic director for the record company HMV-Pathé-Marconi, taking care of Gilbert Bécaud and later as an impresario for people like Eric Charden, Jean-Jacques Debout and Nino Ferrer. Aged 9 she danced the role of the Little Rat at the Paris Opera. When she was 19 she had a brief flirtation with singing as one half of the duo Yves et Patricia, a venture she was talked into by her father. They released 2 singles on the Philips label.

In the seventies she frequently worked for television as a dancer, for example in shows with Nana Mouskouri and Silvie Vartan. Later she moved into contemporary dance and became first dancer in Carolyn Carson's group, Prima Ballerina at the Scala in Milan and guest performer with Roland Petit and Maurice Béjart. She worked on the choreography for performances set to the music of Silvano Bussoti, Luigi Nono and Karlheinz Stockhausen. She also worked with the German choreographer Pina Bausch, practised Jazz dance with Michael Peter and worked on Robert Hossein's staging of Les Misérables.

In 1984 she teamed up with Lydie Callier and another girl to form the trio DaCapo. Virgin Records released one single, but declined to take it further. 1987 saw her emerge as a solo artist with the release of the single Étienne. It charted in 9 European countries, accompanied by a video that caused some controversy due to its erotic nature. It ended up winning Best Video awards in several countries. The success was remarkable because at that time modern French pop\rock music was rarely successful in non-French speaking territories. The international success of Étienne landed her an album recording contract with EMI, the band Encore was formed around her and together they produced her first album Labyrinthe, released in 1988. A second album Nomades followed in 1990. After an (amicable) split with Encore, a third album Gobe saw the light in 1992. Sales of Gobe were disappointing, Gobe was to be her last album for EMI.

After a period of reflection she met Étienne Daho, this contributed to a renewed interest in creating music. She teamed up with independent French label XIIIBis Records (now defunct) which resulted in the 1995 release of Blonde. Songs from this album were also used for the Peter Greenaway film The Pillow Book. Her most recent album is Dernieres Nouvelles, released in November 2000.

In recent years she has also appeared in film and television productions, most notably a co-starring role in the 1997 movie Elles where she appeared alongside Marthe Keller and Miou - Miou. 2001 saw her re-emerge as a dancer on stage in the production She smiles through tears. , Her latest work is the Dernieres Nouvelles DVD, released in February 2002 it features a video illustration of the music of the CD with the same title.

Heroine
Guesch Patti Lyrics

Jump to: Overall Meaning ↴ Line by Line Meaning ↴

Dansons à la démesure
Cousine des appoggiatures
Héroïne
Dansons au cas de figure

Blanche sorcière
Fée des sorcelleries
Des mélodies

Enfant de la démesure
Enfant jusqu'à la cassure

Fée des mystères
Blanche sorcellerie
Des mélodies

Entrons dans les aventures
Cousine des chemins futurs
Belle héroïne

Blanche sorcière
Des mélodies
Fée des sorcelleries

Dansons à la déchirure
Héroïne
Cousine de tous les murmures
Dire

Blanche sorcière
Fée des sorcelleries
Des paradis

Enfant de la déchirure
Enfant d'un monde insécure
Belle héroïne

Fée des mystères
Blanche sorcellerie
Douce moquerie

Dansons à la démesure
Cousine des appoggiatures

Belle héroïne
Des paradis

Overall Meaning

The song "Héroïne" by Guesch Patti is a poetic and introspective piece that speaks about the nature of addiction and the allure of substance abuse. The lyrics are couched in metaphors and symbolism, making the meaning of the song open to interpretation. Essentially, the song talks about dancing to excess, being drawn in by the magic of drugs, and the destructive nature of addiction.

One interpretation of the lyrics is that the singer is addressing heroin as a person. The lyrics invite the listener to dance to the extremes, to indulge in the magic of music and drugs, and to embrace the unknown. The use of terms like "blanche sorcière" and "fée des sorcelleries" exemplifies the transformative power of heroin, as it can transport the user to another world entirely, with its captivating charm and mysterious nature.

However, there is a darker side to the song, as it hints at the addictiveness of heroin and the resulting demise of the user. The lyrics "enfant jusqu'à la cassure" and "enfant d'un monde insécure" point to the fact that the addictive nature of heroin can be all-encompassing, leading to the destruction of one's inner and outer world. Ultimately, the song serves as a cautionary tale about the dangers of addiction and substance abuse.

Line by Line Meaning

Dansons à la démesure
Let's dance to excess

Cousine des appoggiatures
Cousin of appoggiaturas (ornamental notes)

Héroïne
Heroine

Dansons au cas de figure
Let's dance to all possibilities

Blanche sorcière
White witch

Fée des sorcelleries
Fairy of sorceries

Des mélodies
Of melodies

Enfant de la démesure
Child of excess

Enfant jusqu'à la cassure
Child until the breaking point

Fée des mystères
Fairy of mysteries

Entrons dans les aventures
Let's enter the adventures