Malian guitarist Habib Koité is one of Africa's most popular and recognized… Read Full Bio ↴Malian guitarist Habib Koité is one of Africa's most popular and recognized musicians.
Habib Koité was born in 1958 in Thiès, a Senegalese town situated on the railway line connecting Dakar to the river Niger, where his father worked on the construction of the tracks. Six months after his birth, the Koité family returned to the regional capital of west Mali, Kayes, and then to Bamako. Habib comes from a noble line of Khassonké griots, traditional troubadors who provide wit, wisdom and musical entertainment at social gatherings and special events. Habib grew up surrounded by seventeen brothers and sisters, and developed his unique guitar style accompanying his griot mother. He inherited his passion for music from his paternal grandfather who played the kamele n'goni, a traditional four-stringed instrument associated with hunters from the Wassolou region of Mali. "Nobody really taught me to sing or to play the guitar," explains Habib, "I watched my parents, and it washed off on me."
Habib was headed for a career as an engineer, but on the insistence of his uncle, who recognized Habib's musical talent, he enrolled at the National Institute of Arts (INA) in Bamako, Mali. In 1978, after only six months, he was made conductor of INA Star, the school's prestigious band. He studied music for four years, graduating at the top of his class in 1982. (In fact his talent was so impressive, that upon graduation, the INA hired him as a guitar teacher). During his studies, Habib had the opportunity to perform and play with a series of recognized Malian artists, including Kélétigui Diabaté and Toumani Diabaté. He sang and played on Toumani Diabaté's 1991 release Shake the World (Sony), and Kélétigui Diabaté is now a full-time member of Habib's band.
Habib takes some unique approaches to playing the guitar. He tunes his instrument to the pentatonic scale and plays on open strings as one would on a kamale n'goni. At other times Habib plays music that sounds closer to the blues or flamenco, two styles he studied under Khalilou Traoré a veteran of the legendary Afro-Cuban band Maravillas du Mali. Unlike the griots, his singing style is restrained and intimate with varying cadenced rhythms and melodies.
Mali has rich and diverse musical traditions, which have many regional variations and styles that are particular to the local cultures. Habib is unique because he brings together different styles, creating a new pan-Malian approach that reflects his open-minded interest in all types of music. The predominant style played by Habib is based on the danssa, a popular rhythm from his native city of Keyes. He calls his version danssa doso, a Bambara term he coined that combines the name of the popular rhythm with the word for hunter's music (doso), one of Mali's most powerful and ancient musical traditions. "I put these two words together to symbolize the music of all ethnic groups in Mali. I'm curious about all the music in the world, but I make music from Mali. In my country, we have so many beautiful rhythms and melodies. Many villages and communities have their own kind of music. Usually, Malian musicians play only their own ethnic music, but me, I go everywhere. My job is to take all these traditions and to make something with them, to use them in my music."
In 1988, Habib formed his own group, Bamada (a nickname for residents of Bamako that roughly translates "in the mouth of the crocodile"), with young Malian musicians who had been friends since childhood. In 1991, Habib won first prize at the Voxpole Festival in Perpignan, France, which earned him enough money to finance the production of two songs. One of those tracks, "Cigarette A Bana (The Cigarette is Finished)" was a hit throughout West Africa. After the release of another successful single entitled, "Nanalé (The Swallow)," Habib received the prestigious Radio France International (RFI) Discoveries prize. This award made it possible for the group to undertake their first tour outside of Africa during the summer of 1994.
In January 1995, Habib met his current manager, Belgian Michel De Bock, who, along with his partner Geneviève Bruyndonckx, are the directors of the management and production company Contre-Jour.
Working together, they recorded his first album Muso Ko. Upon its release the album quickly reached #2 in the European World Music Charts. From that point forward, Habib became a fixture on the European festival circuit and began to spread his infectious music and high energy shows around the world. Habib has played at most of Europe's major venues and festivals, including the Montreaux Jazz Festival, WOMAD, and the World Roots Festival. In the spring 2000, he even toured Europe and Turkey as an invited guest with the legendary avant-garde jazz group, the Art Ensemble of Chicago.
Habib's second album, Ma Ya, was released in Europe in 1998 to widespread acclaim. It spent an amazing three months at the top spot on the World Charts Europe. A subtle production which revealed a more acoustic, introspective side of Habib's music, Ma Ya was released in North America by Putumayo World Music in early 1999 and quickly helped establish Habib as one of world music's most exciting new figures.
Ma Ya spent 20 weeks in the top 20 of the College Music Journal New World music chart, and broke new ground at AAA rock radio, spending several months in regular rotation on commercial stations across the country. The album held the number one spot on the World Charts Europe for an amazing three months. Ma Ya has sold over 60,000 units in North America and over 100,000 worldwide, which is a tremendous success for a new world music artist.
The critical and commercial response to Ma Ya was tremendous. Habib was featured in hundreds of newspapers and magazines including People Magazine, Rolling Stone, Le Monde, Songlines, De Standaard, Le Soir and the cover of Global Rhythm magazine, to name a few. In the years since, he has also been featured in the US on National Public Radio's All Things Considered, WXPN's World Café, PRI's The World, the House of Blues Radio Hour "Mali to Memphis" special, prestigious international programs such as CNN WorldBeat, and in June 2007 was the subject of a two-page photo spread in Vanity Fair magazine. In 2001, Habib Koité and Bamada became one the few African artists to appear on Late Night with David Letterman one of America's most popular television variety shows.
Habib's artistry and powerful personality earned him the adoration of fans such as Jackson Browne and Bonnie Raitt, both of whom ended up visiting Habib in Mali. They have both done a great deal to support Habib's music, by promoting private events designed to attract new audiences and even performing live with Habib on stage. Habib and his band even made a guest appearance on Bonnie Raitt's 2002 album Silver Lining, in which Bonnie and Habib performed a duet on the co-written song "Back Around."
Habib Koite & Bamada released their third album, Baro, in 2001 on Putumayo. The recording was also a huge success, selling more than 100,000 copies worldwide and further expanding Habib's global audience.
One of the keys to Habib's success has been is dedication to touring. A true road warrior, Habib Koite & Bamada have performed nearly 1000 shows since 1994 and appeared on some of the world's most prestigious concert stages. Habib has also participated in a number of memorable theme tours alongside other artists. In February 1999, Habib and American bluesman Eric Bibb toured in support of the Putumayo compilation Mali to Memphis, which highlighted the connections between Malian and American blues music. In the fall of 2000, Habib participated in the "Voices of Mali" tour with Oumou Sangare, one of West Africa's most renowned artists. Habib has also taken part in the Desert Blues project with fellow Malians Tartit and Afel Boucoum and the Putumayo Presents Acoustic Africa tour with South African troubadour Vusi Mahlasela and the rising young star Dobet Gnahoré from the Ivory Coast.
Habib Koite & Bamada's transfixing performances have endeared them to an ever-growing audience, and in 2003 they released Fôly! , a double CD of live material.
Devoted fans have waited a long time for Habib to return to the recording studio. As with many craftsmen, Habib is a perfectionist, and spends a great deal of time composing and arranging his material. Recorded in Mali, Belgium and Vermont, Afriki finds Habib exploring new musical directions. The overarching theme of Afriki, which means "Africa" in the Malian Bambara language, is about the strengths and challenges of the African continent. "People here in Africa are willing to risk death trying to leave for Europe or the USA, but they are not willing to take that risk staying to develop something here in Africa," says Habib. "Life can be really good or really bad wherever you live. People need to understand that. Even though Mali is poor, we still have good quality of life: You can walk outside and smile and someone will smile back. I have thought about it a lot, and I am not sure if poor countries have a worse quality of life."
Habib Koité was born in 1958 in Thiès, a Senegalese town situated on the railway line connecting Dakar to the river Niger, where his father worked on the construction of the tracks. Six months after his birth, the Koité family returned to the regional capital of west Mali, Kayes, and then to Bamako. Habib comes from a noble line of Khassonké griots, traditional troubadors who provide wit, wisdom and musical entertainment at social gatherings and special events. Habib grew up surrounded by seventeen brothers and sisters, and developed his unique guitar style accompanying his griot mother. He inherited his passion for music from his paternal grandfather who played the kamele n'goni, a traditional four-stringed instrument associated with hunters from the Wassolou region of Mali. "Nobody really taught me to sing or to play the guitar," explains Habib, "I watched my parents, and it washed off on me."
Habib was headed for a career as an engineer, but on the insistence of his uncle, who recognized Habib's musical talent, he enrolled at the National Institute of Arts (INA) in Bamako, Mali. In 1978, after only six months, he was made conductor of INA Star, the school's prestigious band. He studied music for four years, graduating at the top of his class in 1982. (In fact his talent was so impressive, that upon graduation, the INA hired him as a guitar teacher). During his studies, Habib had the opportunity to perform and play with a series of recognized Malian artists, including Kélétigui Diabaté and Toumani Diabaté. He sang and played on Toumani Diabaté's 1991 release Shake the World (Sony), and Kélétigui Diabaté is now a full-time member of Habib's band.
Habib takes some unique approaches to playing the guitar. He tunes his instrument to the pentatonic scale and plays on open strings as one would on a kamale n'goni. At other times Habib plays music that sounds closer to the blues or flamenco, two styles he studied under Khalilou Traoré a veteran of the legendary Afro-Cuban band Maravillas du Mali. Unlike the griots, his singing style is restrained and intimate with varying cadenced rhythms and melodies.
Mali has rich and diverse musical traditions, which have many regional variations and styles that are particular to the local cultures. Habib is unique because he brings together different styles, creating a new pan-Malian approach that reflects his open-minded interest in all types of music. The predominant style played by Habib is based on the danssa, a popular rhythm from his native city of Keyes. He calls his version danssa doso, a Bambara term he coined that combines the name of the popular rhythm with the word for hunter's music (doso), one of Mali's most powerful and ancient musical traditions. "I put these two words together to symbolize the music of all ethnic groups in Mali. I'm curious about all the music in the world, but I make music from Mali. In my country, we have so many beautiful rhythms and melodies. Many villages and communities have their own kind of music. Usually, Malian musicians play only their own ethnic music, but me, I go everywhere. My job is to take all these traditions and to make something with them, to use them in my music."
In 1988, Habib formed his own group, Bamada (a nickname for residents of Bamako that roughly translates "in the mouth of the crocodile"), with young Malian musicians who had been friends since childhood. In 1991, Habib won first prize at the Voxpole Festival in Perpignan, France, which earned him enough money to finance the production of two songs. One of those tracks, "Cigarette A Bana (The Cigarette is Finished)" was a hit throughout West Africa. After the release of another successful single entitled, "Nanalé (The Swallow)," Habib received the prestigious Radio France International (RFI) Discoveries prize. This award made it possible for the group to undertake their first tour outside of Africa during the summer of 1994.
In January 1995, Habib met his current manager, Belgian Michel De Bock, who, along with his partner Geneviève Bruyndonckx, are the directors of the management and production company Contre-Jour.
Working together, they recorded his first album Muso Ko. Upon its release the album quickly reached #2 in the European World Music Charts. From that point forward, Habib became a fixture on the European festival circuit and began to spread his infectious music and high energy shows around the world. Habib has played at most of Europe's major venues and festivals, including the Montreaux Jazz Festival, WOMAD, and the World Roots Festival. In the spring 2000, he even toured Europe and Turkey as an invited guest with the legendary avant-garde jazz group, the Art Ensemble of Chicago.
Habib's second album, Ma Ya, was released in Europe in 1998 to widespread acclaim. It spent an amazing three months at the top spot on the World Charts Europe. A subtle production which revealed a more acoustic, introspective side of Habib's music, Ma Ya was released in North America by Putumayo World Music in early 1999 and quickly helped establish Habib as one of world music's most exciting new figures.
Ma Ya spent 20 weeks in the top 20 of the College Music Journal New World music chart, and broke new ground at AAA rock radio, spending several months in regular rotation on commercial stations across the country. The album held the number one spot on the World Charts Europe for an amazing three months. Ma Ya has sold over 60,000 units in North America and over 100,000 worldwide, which is a tremendous success for a new world music artist.
The critical and commercial response to Ma Ya was tremendous. Habib was featured in hundreds of newspapers and magazines including People Magazine, Rolling Stone, Le Monde, Songlines, De Standaard, Le Soir and the cover of Global Rhythm magazine, to name a few. In the years since, he has also been featured in the US on National Public Radio's All Things Considered, WXPN's World Café, PRI's The World, the House of Blues Radio Hour "Mali to Memphis" special, prestigious international programs such as CNN WorldBeat, and in June 2007 was the subject of a two-page photo spread in Vanity Fair magazine. In 2001, Habib Koité and Bamada became one the few African artists to appear on Late Night with David Letterman one of America's most popular television variety shows.
Habib's artistry and powerful personality earned him the adoration of fans such as Jackson Browne and Bonnie Raitt, both of whom ended up visiting Habib in Mali. They have both done a great deal to support Habib's music, by promoting private events designed to attract new audiences and even performing live with Habib on stage. Habib and his band even made a guest appearance on Bonnie Raitt's 2002 album Silver Lining, in which Bonnie and Habib performed a duet on the co-written song "Back Around."
Habib Koite & Bamada released their third album, Baro, in 2001 on Putumayo. The recording was also a huge success, selling more than 100,000 copies worldwide and further expanding Habib's global audience.
One of the keys to Habib's success has been is dedication to touring. A true road warrior, Habib Koite & Bamada have performed nearly 1000 shows since 1994 and appeared on some of the world's most prestigious concert stages. Habib has also participated in a number of memorable theme tours alongside other artists. In February 1999, Habib and American bluesman Eric Bibb toured in support of the Putumayo compilation Mali to Memphis, which highlighted the connections between Malian and American blues music. In the fall of 2000, Habib participated in the "Voices of Mali" tour with Oumou Sangare, one of West Africa's most renowned artists. Habib has also taken part in the Desert Blues project with fellow Malians Tartit and Afel Boucoum and the Putumayo Presents Acoustic Africa tour with South African troubadour Vusi Mahlasela and the rising young star Dobet Gnahoré from the Ivory Coast.
Habib Koite & Bamada's transfixing performances have endeared them to an ever-growing audience, and in 2003 they released Fôly! , a double CD of live material.
Devoted fans have waited a long time for Habib to return to the recording studio. As with many craftsmen, Habib is a perfectionist, and spends a great deal of time composing and arranging his material. Recorded in Mali, Belgium and Vermont, Afriki finds Habib exploring new musical directions. The overarching theme of Afriki, which means "Africa" in the Malian Bambara language, is about the strengths and challenges of the African continent. "People here in Africa are willing to risk death trying to leave for Europe or the USA, but they are not willing to take that risk staying to develop something here in Africa," says Habib. "Life can be really good or really bad wherever you live. People need to understand that. Even though Mali is poor, we still have good quality of life: You can walk outside and smile and someone will smile back. I have thought about it a lot, and I am not sure if poor countries have a worse quality of life."
Blowin' in the Wind
Habib Koité Lyrics
We have lyrics for 'Blowin' in the Wind' by these artists:
- Bob Dylan How many roads must a man walk down Before you call…
A.P.P.L.E. I know I'm getting' older No wiser and less bolder I'm not…
betsy & chris How many roads must a man walk down Before you call…
Bob Dylan & Joan Baez How many roads must a man walk down Before you call…
Bob Dylan & Mark Knopfler How many roads must a man walk down Before you call…
Bob Dylan & The Band How many roads must a man walk down Before you call…
Bob Dylan & The Rolling Thunder Revue How many roads must a man walk down Before you call…
Bob Dylan & Tom Petty How many roads must a man walk down Before you call…
Bob Dylan & Tom Petty and The Heartbreakers How Many Roads Must A Man Walk Down? Before You Call…
Bob Dylan (Cover) How many roads must a man walk down Before you call…
Bob Dylan (live bootlegs) Go 'way from my window, Leave at your own chosen speed. I'…
Bob Dylan - www.musicasparabaixar.org How many roads must a man walk down Before you call…
Bob Dylan and various How many roads must a man walk down Before you call…
Bob Dylan feat. Joan Baez How many roads must a man walk down Before you call…
Bob Dylan feat. Stevie Wonder & Peter Paul & Mary How many roads must a man walk down Before they call…
Bob Dylan feat. Stevie Wonder & Peter, Paul & Mary How many roads must a man walk down Before you call…
Bob Dylan(巴布狄倫) How many roads must a man walk down Before you call…
Bob Dylan/To Cry/ll Night) How many roads must a man walk down Before you call…
Bob Dylan;Leon Russell;George Harrison;Ringo Starr How many roads must a man walk down Before you call…
Bob Dylan爀 Go 'way from my window, Leave at your own chosen speed. I'…
Bobby Bare How many roads must a man walk down Before you call…
Bobby Darin How many roads must a man walk down Before you call…
brian hyland How many roads must a man walk down Before they call…
Browns How many roads must a man walk down Before they call…
Bruce Springsteen How many roads must a man walk down Before you call…
C. J. Johnson I know I'm getting' older No wiser and less bolder I'm not…
Chad Mitchell Trio How many roads must a man walk down Before you'll call…
Charlie Landsborough How many roads most a man walk down Before you call…
Chris Thile/Dolly Parton/Nickel Creek/Sara Watkins/Sean Watkins How many roads must a man walk down Before you call…
Clarence Paul How many roads must a man walk down Before you call…
Cloves How many roads must a man walk down Before you can…
Craig Cardiff How many roads must a man walk down Before you call…
Crosby Stills & Nash Feeling out of body Haven't been myself lately Stacking up t…
D. O. C. Sound I thought I heard you - or was it just…
Dai Hirai How many roads must a man walk down Before you call…
David Roth How many roads Must a man walk down Before they call Him a…
Diana Ross and the Supremes How many roads Must a man walk down Before they call him…
Dionne Warwick How many roads most a man walk down Before you call…
Dolly Parton How many roads must a man walk down Before you call…
Dolly Parton featuring Nickel Creek How many roads must a man walk down Before you call…
Don Carlos How many roads must a man walk down Before you call…
Doom & Kane In any home, in any town, in any given place There's…
Duke Ellington How many roads must a man walk down Before you call…
Duke Ellington Orchestra How many roads must a man walk down Before you call…
Dylan Bob & The Rolling Thunder Review How many roads must a man walk down Before you call…
Elvis Presley How many roads must a man walk down, Before you call…
Etta James How many roads must a man walk down Before you call…
Frankie & The S.E.M.M. Feeble awaken Hands on her face and Praying to god I wake…
Frankie Valli & the Four Seasons How many roads must a man walk down Before you call…
Graeme Allwright Blowin' in the Wind Lyrics How many roads must a man…
Grateful Dead & Joan Baez How many roads must a man walk down Before you call…
Hollies How many roads must a man walk down Before you…
House Of Fools How many roads must a man walk down, Before you call…
I Muvrini How many roads must a man walk down Before you call…
James Last And His Orchestra Last night we met And I dream of you yet With…
Jay Brannan How many roads must a man walk down Before you call…
Joan Baez How many roads must a man walk down Before you call…
Johnny Tillotson How many roads must a man walk down before they…
Jr. Walker & The All Stars I Just Watched My Savior …
Judy Collins How many roads must a man walk down Before they call…
Katie Melua ( Live / Bob Dylan Cover ) How many roads must…
KITCHEN 1 - Bob Dylan How many roads must a man walk down Before you call…
KITCHEN 1 - Stevie Wonder You know it's blowin' (blowin') Blowin' (blowin') It's blowi…
KITCHEN + 1 - Bob Dylan How many roads must a man walk down Before you call…
KITCHEN + 1 - Stevie Wonder You know it's blowin' (blowin') Blowin' (blowin') It's blowi…
KITCHEN - Bob Dylan How many roads must a man walk down Before you call…
KnightsBridge I close my eyes, only for a moment, and the…
Lester Flatt & Earl Scruggs The answer my friend is blowing in the wind How many…
Low How many roads must a man walk down Before they call…
M.F.A.T.G.G. Back in the days was kinda crazy, kid I started…
Marianne Faithfull How many roads must a man walk down Before you can…
Marie Laforêt How many roads must a man walk down Before they call…
Marlene Dietrich How many roads must a man walk down Before you call…
Marley Ziggy How many roads must a man walk down Before you call…
Max Romeo How many road must a man walk down Before they call…
Me First and the Gimme Gimmes How... how... how... how... how? No man, it's goes like this…
Mountain How many years can a mountain exist Before it is washed…
Neil Young How many roads must a man walk down Before you call…
Nena Blowin' in the wind How many roads must a man walk…
New World Singers How many roads must a man walk down Before they call…
New York Choral Society; Peter Paul and Mary How many roads must a man walk down Before you can…
Odetta How many roads most a man walk down Before you call…
P.P.M Charging Up and out-I been out to get it Yes I'm cautious…
Paul and Mary Peter How many roads must a man walk down Before they call…
Pete Seeger How many roads most a man walk down Before you call…
Peter & Paul How many roads must a man walk down Before they call…
Peter Bursch Peter Miscellaneous Blowin′ In The Wind Blowin' in the Wind …
peter paul mary Blowin' In The Wind Performer:Peter, Paul & Mary Composer …
Peter Paul and Mary How many roads must a man walk down Before they call…
Peter Paul and Mary The Chad Mitchell Trio Blowin' In The Wind Performer:Peter, Paul & Mary Composer …
Peter Paul And Mary With Symphony Orchestra How many roads must a man walk down Before they call…
Peter Saltzman How many roads must a man walk down Before you call…
Peter Tevis & Ennio Morricone The wind was in another country, cnd the day had…
Peter Yarrow/Noel Paul Stookey/Mary Travers How many roads must a man walk down Before you call…
Peter, Paul & Mary Blowin’ in the wind How many roads must a man walk…
Peter. Paul and Mary How many roads must a man walk down Before they call…
Peter/Paul/Mary How many roads must a man walk down Before they can…
Peter, Paul And Mary How many roads must a man walk down Before they call…
Power-Haus Christian Reindl & Lloren How many roads must a man walk down Before you call…
Ray Conniff Verse 1 How many roads must a man walk down Before you…
Robert Hazard How many seas must a white dove sail Before she sleeps…
Rolling Thunder Revue How many roads must a man walk down Before you call…
RZA & Flatbush Zombies Blow, blow, blow, blowin' in the wind I'm, I'm, I'm, just,…
Sam Cooke How many roads must a man walk down before he's…
Seekers The How many roads must a man walk down Before he's called…
Sete Vidas Vol. 2 I'm blowing big, big, big, big, big gas And I be…
Stereopony Nagaku mo mijikaku mo nai Ima made sugoshita michi de Ikanda…
Stevie Wonder How many roads must a man walk down before they…
Stevie Wonder & Clarence Paul You know it's blowin' (blowin') Blowin' (blowin') It's blowi…
STUE - Bob Dylan How many roads must a man walk down Before you call…
The Brothers Four How many roads must a man walk down, Before they call…
The Browns How many roads must a man walk down Before they call…
The Byrds Sign said cold beer, I pulled in there Pulled up a…
The Chad Mitchell Trio How many roads must a man walk down Before you'll call…
The Comptones How many roads must a man walk down Before you call…
The Fureys You’re losing me to your cost You’re losing me to your…
The Hit Crew I close my eyes, only for a moment, and the…
The Hollies How many roads must a man walk down Before you…
The Houghton Weavers How many roads must a man walk down before you…
The New Christy Minstrels biteulbiteul georeoganeun naui dari oneuldo uimieopsneun tto…
The New World Singers How many roads must a man walk down Before they call…
The North Chain in the wind I just wanna be alright I wanna feel…
The Searchers How many roads most a man walk down Before you call…
The Seekers How many roads must a man walk down Before he's called…
The Starbugs How many roads must a man walk down Before you can…
The Supremes How many roads Must a man walk down Before they call him…
The Waterboys Wake lady wake The hills are in flood And the road we…
Theuns Jordaan How many roads must a man walk down Before you call…
Thomas A. Dorsey Forgive me lord I done sinned again Grinding for that Cash I…
Trini Lopez How many roads must a man walk down Before you can…
Vains of Jenna How many roads must a man walk down Before you call…
Various Artists Blowin' In The Wind - Bob Dylan How many roads must…
Ziggy Marley How many roads must a man walk down Before you call…
ステレオポニー 長くも短くもない 今まで過ごした道で 浮かんだハテナマークを 掴める日が来るのかな? Blowin' in the wi…
We have lyrics for these tracks by Habib Koité:
Africa The sons of Africa wanted to walk... An adventure that took…
Baro Malidenw ne kaw ma aw ni san I kera fan o…
Batoumambe A Batoumanbé wï koro Batoumanbé A Batoumanbé wï koro Batouma…
Cigarette Abana se de quien le gusta despertar feliz como cafe otros prefier…
Den Ko Ouuu tu vaàa Ou tu paasse La ou il y'a la guerre…
I Mada I mada i mada ah Ali nimi mada gné moi je…
Imada I mada mada Ali nimi mada n'gné Moi je t'aime Kounou sogoma …
Kumbin Meeting Life, I love life But fear a world too similar Life,…
Mali Ba Abira deya fo Maliba biko touramissi Missi min chi biko sano…
N'Tesse Téssé sala Douba kounko téssé salal neyi bolo A té sala Diam…
Namania I go to my little black girl My little Moorish girl…
Sirata Don kadian a sebalite Sira diangna a na ban dondola Koulou m…
Wari Tidiani nikomi mbaw kiye Bi don ka kailai ne ma Allakai iki…
Wassiye Wassiye wassiye ne la diya souro Wassiye den kourani dine ma…
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
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