Hammock is an American musical project of composers Marc Byrd and Andrew Th… Read Full Bio ↴Hammock is an American musical project of composers Marc Byrd and Andrew Thompson from Nashville, Tennessee, USA; formed in 2004. The project initially developed out of informal recording sessions between songwriting projects, and at present the band is a leading light in instrumental music with a unique, atmospheric sound that effortlessly melds elements of ambient, electronic, post-rock and neoclassical.

With no agenda, expectations, or even intention to release music, guitarists Marc Byrd and Andrew Thompson began getting together as a way of letting the sounds inside of them find their way out into the open. Byrd describes it this way: "There are times when the need to create a thing begins to interrupt your life. And if you don't give in to it, everything else starts to suffer."

After about a year of sporadic sessions, Byrd and Thompson began to gather up all of the recordings - which were strewn about on everything from cassette recorders to hard drives to two-inch tape - and were surprised to discover that they had around forty pieces of music. Out of this pool of songs came their 2005 debut Kenotic, which introduced audiences to their densely textured aesthetic and shimmering guitar-driven compositions. Theirs is a unique sound - it is “sleepier” than the often-brash crescendos of their post-rocker cousins, drawing from the ethereal minimalism of Stars of the Lid and reminiscent of 80's Brian Eno and Nick McCabe of the band The Verve. Byrd and Thompson describe it simply as "Southern Ambient", citing the wide-open spaces of the South's rural landscape as an all-pervading influence in their music (Byrd's nickname in Arkansas was "Marc Marc Marc" because of his delay-drenched guitar sounds).

Although hailed as a classic in the Shoegaze genre, Kenotic revealed a band inspired by many different musical styles, from Electronic, Ambient, Minimalism-Drone to Post-Rock. Byrd and Thompson expanded on their unique amalgam of these sounds on their next release, the July 2005 EP Stranded Under Endless Sky. What followed eight months later was somewhat of a stylistic turn for the band, the heavily conceptual longform drone-influenced album The Sleepover Series, Vol. 1 (Remastered). November 2006 saw the release of the band's proper sophomore LP, Raising Your Voice...Trying to Stop an Echo, an album frequently hailed for its canny fusion of melodic accessibility and intrepid experimentalism. The band was attracting consistent acclaim from influential media such as Pitchfork, BBC, The Wire, and NPR, but most meaningfully to Byrd and Thompson, also from artists they admired like Mark Eitzel (solo and AMC), Brian McBride and Adam Bryanbaum Wiltzie (Stars of the Lid), Steve Kilbey and Tim Powles (The Church), BT, The Antlers, and Jonsi and Alex.

In Fall 2007, Hammock was invited by Jonsi Birgisson (Sigur Ros, solo artist, Jonsi & Alex) and Alex Somers (Parachutes and Jonsi & Alex) to perform at the overseas debut of their art collaboration, Riceboy Sleeps. This created confluence of firsts for all four artists, as it was to be Hammock's first-ever live show. Byrd and Thompson wrote new music especially for the occasion, and these songs would ultimately become Maybe They Will Sing for Us Tomorrow, a "studio performance" album of the music they played at the Riceboy Sleeps premiere. Birgisson and Somers as Riceboy Sleeps created the artwork for the release.

Chasing After Shadows...Living With the Ghosts followed in May 2010, along with a freestanding four-song Outtakes EP. Darker, heavier, and more massive sonically than Hammock's previous releases, the album was mixed by Tim Powles of The Church and features the duo's first usage of a horn section, string quartet, and live drums. David Altobelli's influential video for “"Breathturn"” was released in late March 2010. Chasing... was praised by BBC as "one of the most beautiful albums of the year" and received accolades from Pitchfork and PRI-syndicated show "Echoes", where it was named #1 in its "Best Albums of the Year" list.

On December 14, the duo released the EP Longest Year, a beat-less and wordless "mini-album" held for release until the dead of winter and whose title referenced the band's difficult 2010 (which included the near-total destruction of Byrd's home by an epic flood the likes of which had not been seen in Nashville in over 100 years).

The aforementioned digital-only EP of outtakes from the May 2010 LP, Chasing After Shadows...Living With the Ghosts, contained four songs, two of which were tagged with "instrumental" in the titles even though no other versions existed. That changed on October 25, 2011 with the release of the EP Asleep in the Downlights, which features vocals and lyrics from Steve Kilbey and Tim Powles of The Church and two new songs from Hammock.

Departure Songs, the band's first double album and fifth LP, was announced with the release of "Tape Recorder", a video from David Altobelli, which premiered at PAPERMAG on July 9, 2012. Officially released on October 2, the album was mixed by Tim Powles (The Church), mastered by Taylor Deupree (solo artist, 12K label), and features contributions from Keith Kenniff (Helios, Goldmund). Not as fragile as previous efforts, Departure Songs shows Hammock going massive as they meditate on grand themes of death and loss, retaining their signature approach to music-making, but this time out, heralding their muse in all capital letters. The album was frequently mentioned in 2012 "best-of" lists and held the top slot at Sputnik Music (across all genres) and was named as the #1 album of the year by the PRI-syndicated show "Echoes", Hammock's second such honor in the last three years.

On November 26, Hammock released Oblivion Hymns, their most ambitious recording to date. Hammock reaches as far as they ever have, adding a string quartet, children’s choir, accordion, French horn, glockenspiel, and more to their growing arsenal of instrumentation. Coupled with their familiar bank of guitars and effects, the end result is a special kind of magic waiting to be experienced, not simply listened to. Oblivion Hymns redefines what listeners have come to expect from a Hammock record, leaving all traces of traditional rock or pop far behind and introducing the band’s unique take on neoclassical music. Bathed in intricate layers of sweeping strings, strident horns, and delicately pressed keys, Oblivion Hymns rides a cascade of sound to the farthest-reaching corners of your heart and delivers a deep emotional connection, capable of ferreting out the most precious of memories. Oblivion Hymns is best described as an expedition across sight and sound. You won’t know where you’re headed, and you’re bound to feel drained by the end, but wherever you arrive, the journey will have been unforgettable.

... Like Starlight Into Day
Hammock Lyrics

Jump to: Overall Meaning ↴ Line by Line Meaning ↴

Like starlight into day...
So you throw yourself away

No more time for waiting
So you throw yourself away

You threw yourself away
You threw yourself away

Overall Meaning

The lyrics of Hammock's "Like Starlight Into Day" illustrate the struggle of a person who is feeling lost and hopeless, weary of waiting for something to happen or change. The opening lines speak of someone who has given up on their search for something, or perhaps even themselves, and is consumed by the turmoil in their own mind. The image of a cold wind on their shoulder adds to the sense of isolation and despair.

As the song progresses, the lyrics suggest that the singer has lost their faith and is losing the light that once guided them, represented by the metaphor of starlight fading into day. This shows the singer's state of mind and loss of hope. The chorus echoes the sentiment of someone who is done waiting and has given up on themselves, throwing themselves away. It's a sad, heart-wrenching song that speaks to the difficult moments in life when you feel like you just can't hold on any longer.

Line by Line Meaning

You say your time is over
You express that you feel that you've exhausted all the time you had and nothing good came out of it.

You seek but never find
Despite searching, you haven't been able to find what you're looking for.

And the cold wind on your shoulder
You feel the cold breeze touching your shoulders, almost like a companion or a burden.

A storm inside your mind
You have a lot going on in your head, like a chaotic storm that never calms down.

You say you're tired of waiting
You express that you're tired of waiting for something to happen or change.

You're weak and so ashamed
You feel weak, vulnerable, and embarrassed about your current situation.

And your faith is finally fading
You're losing your hope, belief, and trust in something or someone.

Like starlight into day...
Your faith is fading away gradually, just like how the stars fade away as the sun rises.

So you throw yourself away
You give up on yourself and what you truly want, and decide to just let go of everything.

No more time for waiting
You realize that waiting for something to happen is pointless and decide to take matters into your own hands.

You threw yourself away
You already gave up and have lost motivation to try again.

Contributed by Savannah S. Suggest a correction in the comments below.

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Most interesting comment from YouTube:

@unvrknow22

5y↑13

You say your time is over
You seek but never find
And the cold wind on your shoulder
A storm inside your mind

You say you're tired of waiting
You're weak and so ashamed
And your faith is finally fading
Like starlight into day...
So you throw yourself away

No more time for waiting
So you throw yourself away
You threw yourself away
You threw yourself away

All comments from YouTube:

@azzzzyyy

3y↑7

8 years ago I fell in love with Hammock in particular and post rock in common after listening to this song. Thank you guys for your work, it is a great comfort to know that there's such a good music