Hammock is an American musical project of composers Marc Byrd and Andrew Th… Read Full Bio ↴Hammock is an American musical project of composers Marc Byrd and Andrew Thompson from Nashville, Tennessee, USA; formed in 2004. The project initially developed out of informal recording sessions between songwriting projects, and at present the band is a leading light in instrumental music with a unique, atmospheric sound that effortlessly melds elements of ambient, electronic, post-rock and neoclassical.
With no agenda, expectations, or even intention to release music, guitarists Marc Byrd and Andrew Thompson began getting together as a way of letting the sounds inside of them find their way out into the open. Byrd describes it this way: "There are times when the need to create a thing begins to interrupt your life. And if you don't give in to it, everything else starts to suffer."
After about a year of sporadic sessions, Byrd and Thompson began to gather up all of the recordings - which were strewn about on everything from cassette recorders to hard drives to two-inch tape - and were surprised to discover that they had around forty pieces of music. Out of this pool of songs came their 2005 debut Kenotic, which introduced audiences to their densely textured aesthetic and shimmering guitar-driven compositions. Theirs is a unique sound - it is “sleepier” than the often-brash crescendos of their post-rocker cousins, drawing from the ethereal minimalism of Stars of the Lid and reminiscent of 80's Brian Eno and Nick McCabe of the band The Verve. Byrd and Thompson describe it simply as "Southern Ambient", citing the wide-open spaces of the South's rural landscape as an all-pervading influence in their music (Byrd's nickname in Arkansas was "Marc Marc Marc" because of his delay-drenched guitar sounds).
Although hailed as a classic in the Shoegaze genre, Kenotic revealed a band inspired by many different musical styles, from Electronic, Ambient, Minimalism-Drone to Post-Rock. Byrd and Thompson expanded on their unique amalgam of these sounds on their next release, the July 2005 EP Stranded Under Endless Sky. What followed eight months later was somewhat of a stylistic turn for the band, the heavily conceptual longform drone-influenced album The Sleepover Series, Vol. 1 (Remastered). November 2006 saw the release of the band's proper sophomore LP, Raising Your Voice...Trying to Stop an Echo, an album frequently hailed for its canny fusion of melodic accessibility and intrepid experimentalism. The band was attracting consistent acclaim from influential media such as Pitchfork, BBC, The Wire, and NPR, but most meaningfully to Byrd and Thompson, also from artists they admired like Mark Eitzel (solo and AMC), Brian McBride and Adam Bryanbaum Wiltzie (Stars of the Lid), Steve Kilbey and Tim Powles (The Church), BT, The Antlers, and Jonsi and Alex.
In Fall 2007, Hammock was invited by Jonsi Birgisson (Sigur Ros, solo artist, Jonsi & Alex) and Alex Somers (Parachutes and Jonsi & Alex) to perform at the overseas debut of their art collaboration, Riceboy Sleeps. This created confluence of firsts for all four artists, as it was to be Hammock's first-ever live show. Byrd and Thompson wrote new music especially for the occasion, and these songs would ultimately become Maybe They Will Sing for Us Tomorrow, a "studio performance" album of the music they played at the Riceboy Sleeps premiere. Birgisson and Somers as Riceboy Sleeps created the artwork for the release.
Chasing After Shadows...Living With the Ghosts followed in May 2010, along with a freestanding four-song Outtakes EP. Darker, heavier, and more massive sonically than Hammock's previous releases, the album was mixed by Tim Powles of The Church and features the duo's first usage of a horn section, string quartet, and live drums. David Altobelli's influential video for “"Breathturn"” was released in late March 2010. Chasing... was praised by BBC as "one of the most beautiful albums of the year" and received accolades from Pitchfork and PRI-syndicated show "Echoes", where it was named #1 in its "Best Albums of the Year" list.
On December 14, the duo released the EP Longest Year, a beat-less and wordless "mini-album" held for release until the dead of winter and whose title referenced the band's difficult 2010 (which included the near-total destruction of Byrd's home by an epic flood the likes of which had not been seen in Nashville in over 100 years).
The aforementioned digital-only EP of outtakes from the May 2010 LP, Chasing After Shadows...Living With the Ghosts, contained four songs, two of which were tagged with "instrumental" in the titles even though no other versions existed. That changed on October 25, 2011 with the release of the EP Asleep in the Downlights, which features vocals and lyrics from Steve Kilbey and Tim Powles of The Church and two new songs from Hammock.
Departure Songs, the band's first double album and fifth LP, was announced with the release of "Tape Recorder", a video from David Altobelli, which premiered at PAPERMAG on July 9, 2012. Officially released on October 2, the album was mixed by Tim Powles (The Church), mastered by Taylor Deupree (solo artist, 12K label), and features contributions from Keith Kenniff (Helios, Goldmund). Not as fragile as previous efforts, Departure Songs shows Hammock going massive as they meditate on grand themes of death and loss, retaining their signature approach to music-making, but this time out, heralding their muse in all capital letters. The album was frequently mentioned in 2012 "best-of" lists and held the top slot at Sputnik Music (across all genres) and was named as the #1 album of the year by the PRI-syndicated show "Echoes", Hammock's second such honor in the last three years.
On November 26, Hammock released Oblivion Hymns, their most ambitious recording to date. Hammock reaches as far as they ever have, adding a string quartet, children’s choir, accordion, French horn, glockenspiel, and more to their growing arsenal of instrumentation. Coupled with their familiar bank of guitars and effects, the end result is a special kind of magic waiting to be experienced, not simply listened to. Oblivion Hymns redefines what listeners have come to expect from a Hammock record, leaving all traces of traditional rock or pop far behind and introducing the band’s unique take on neoclassical music. Bathed in intricate layers of sweeping strings, strident horns, and delicately pressed keys, Oblivion Hymns rides a cascade of sound to the farthest-reaching corners of your heart and delivers a deep emotional connection, capable of ferreting out the most precious of memories. Oblivion Hymns is best described as an expedition across sight and sound. You won’t know where you’re headed, and you’re bound to feel drained by the end, but wherever you arrive, the journey will have been unforgettable.
With no agenda, expectations, or even intention to release music, guitarists Marc Byrd and Andrew Thompson began getting together as a way of letting the sounds inside of them find their way out into the open. Byrd describes it this way: "There are times when the need to create a thing begins to interrupt your life. And if you don't give in to it, everything else starts to suffer."
After about a year of sporadic sessions, Byrd and Thompson began to gather up all of the recordings - which were strewn about on everything from cassette recorders to hard drives to two-inch tape - and were surprised to discover that they had around forty pieces of music. Out of this pool of songs came their 2005 debut Kenotic, which introduced audiences to their densely textured aesthetic and shimmering guitar-driven compositions. Theirs is a unique sound - it is “sleepier” than the often-brash crescendos of their post-rocker cousins, drawing from the ethereal minimalism of Stars of the Lid and reminiscent of 80's Brian Eno and Nick McCabe of the band The Verve. Byrd and Thompson describe it simply as "Southern Ambient", citing the wide-open spaces of the South's rural landscape as an all-pervading influence in their music (Byrd's nickname in Arkansas was "Marc Marc Marc" because of his delay-drenched guitar sounds).
Although hailed as a classic in the Shoegaze genre, Kenotic revealed a band inspired by many different musical styles, from Electronic, Ambient, Minimalism-Drone to Post-Rock. Byrd and Thompson expanded on their unique amalgam of these sounds on their next release, the July 2005 EP Stranded Under Endless Sky. What followed eight months later was somewhat of a stylistic turn for the band, the heavily conceptual longform drone-influenced album The Sleepover Series, Vol. 1 (Remastered). November 2006 saw the release of the band's proper sophomore LP, Raising Your Voice...Trying to Stop an Echo, an album frequently hailed for its canny fusion of melodic accessibility and intrepid experimentalism. The band was attracting consistent acclaim from influential media such as Pitchfork, BBC, The Wire, and NPR, but most meaningfully to Byrd and Thompson, also from artists they admired like Mark Eitzel (solo and AMC), Brian McBride and Adam Bryanbaum Wiltzie (Stars of the Lid), Steve Kilbey and Tim Powles (The Church), BT, The Antlers, and Jonsi and Alex.
In Fall 2007, Hammock was invited by Jonsi Birgisson (Sigur Ros, solo artist, Jonsi & Alex) and Alex Somers (Parachutes and Jonsi & Alex) to perform at the overseas debut of their art collaboration, Riceboy Sleeps. This created confluence of firsts for all four artists, as it was to be Hammock's first-ever live show. Byrd and Thompson wrote new music especially for the occasion, and these songs would ultimately become Maybe They Will Sing for Us Tomorrow, a "studio performance" album of the music they played at the Riceboy Sleeps premiere. Birgisson and Somers as Riceboy Sleeps created the artwork for the release.
Chasing After Shadows...Living With the Ghosts followed in May 2010, along with a freestanding four-song Outtakes EP. Darker, heavier, and more massive sonically than Hammock's previous releases, the album was mixed by Tim Powles of The Church and features the duo's first usage of a horn section, string quartet, and live drums. David Altobelli's influential video for “"Breathturn"” was released in late March 2010. Chasing... was praised by BBC as "one of the most beautiful albums of the year" and received accolades from Pitchfork and PRI-syndicated show "Echoes", where it was named #1 in its "Best Albums of the Year" list.
On December 14, the duo released the EP Longest Year, a beat-less and wordless "mini-album" held for release until the dead of winter and whose title referenced the band's difficult 2010 (which included the near-total destruction of Byrd's home by an epic flood the likes of which had not been seen in Nashville in over 100 years).
The aforementioned digital-only EP of outtakes from the May 2010 LP, Chasing After Shadows...Living With the Ghosts, contained four songs, two of which were tagged with "instrumental" in the titles even though no other versions existed. That changed on October 25, 2011 with the release of the EP Asleep in the Downlights, which features vocals and lyrics from Steve Kilbey and Tim Powles of The Church and two new songs from Hammock.
Departure Songs, the band's first double album and fifth LP, was announced with the release of "Tape Recorder", a video from David Altobelli, which premiered at PAPERMAG on July 9, 2012. Officially released on October 2, the album was mixed by Tim Powles (The Church), mastered by Taylor Deupree (solo artist, 12K label), and features contributions from Keith Kenniff (Helios, Goldmund). Not as fragile as previous efforts, Departure Songs shows Hammock going massive as they meditate on grand themes of death and loss, retaining their signature approach to music-making, but this time out, heralding their muse in all capital letters. The album was frequently mentioned in 2012 "best-of" lists and held the top slot at Sputnik Music (across all genres) and was named as the #1 album of the year by the PRI-syndicated show "Echoes", Hammock's second such honor in the last three years.
On November 26, Hammock released Oblivion Hymns, their most ambitious recording to date. Hammock reaches as far as they ever have, adding a string quartet, children’s choir, accordion, French horn, glockenspiel, and more to their growing arsenal of instrumentation. Coupled with their familiar bank of guitars and effects, the end result is a special kind of magic waiting to be experienced, not simply listened to. Oblivion Hymns redefines what listeners have come to expect from a Hammock record, leaving all traces of traditional rock or pop far behind and introducing the band’s unique take on neoclassical music. Bathed in intricate layers of sweeping strings, strident horns, and delicately pressed keys, Oblivion Hymns rides a cascade of sound to the farthest-reaching corners of your heart and delivers a deep emotional connection, capable of ferreting out the most precious of memories. Oblivion Hymns is best described as an expedition across sight and sound. You won’t know where you’re headed, and you’re bound to feel drained by the end, but wherever you arrive, the journey will have been unforgettable.
East
Hammock Lyrics
We have lyrics for 'East' by these artists:
1989-03-16 Hah, pray for all you bitch ass niggas Thank You Fizzle I…
Andy Mara a.k.a All Wheel Drive Oh, wait for me, I fell behind three signs for…
Bridal And I can't sleep What's on the tv Stay in bed Have your…
Captains of Sea and War Eventhough the spiders are gone... Evenafter all the last wa…
croosh Brought the California vibes to the east And I met a…
Dogs Exit right off of 95 into Hampton giving my friends…
E.Y.E. Saavun mestoil panssaroituna ku armadillo Miskan biitit tule…
Earl Sweatshirt Double back when you got it made Thirty racks of weed,…
East - Sages Po They gave me hassle back when we used to capsule…
Gaeko intro) 좋은 차 추잡한 농담 호텔 모텔 크레딧 카드 발렛파킹 pole dance…
Gaza When it ends, when heaven comes angels are executioners, a…
Goya Odkąd zabrał Cię złego losu gniew, w samotności trwam wpa…
J-Mane भाई तेरा लेके आया east side flow, please side lo Subspace…
Jon East of the sun and west of the moon We'll build…
Joony Yeah Peng lil jawn wanna chill up in east Yeah Lowe that mov…
K-Beatz yeah, this shit feel like a movie..... the spotlight is…
Lancey Foux Out Now bands in the east A lot of ice in…
M.S.I. P Chorus: Now these West Coast players and we love to ball... …
Marah This evening the pigeons turned to bars of gold In the…
midnight jaguar I've been running on the East Coast I'm a sidewalk guy You…
Mr Love & Justice Should I go north? (NO!) Should I go south? (NO!)…
Nate In Public Oh, I awoke with all the words dripping from my…
O.C.G..KolumbiecaShoshoStanc [Intro Diane Gordon] (chanting ahh) [Verse…
Ofln - Earl Sweatshirt Double back when you got it made Thirty racks of weed,…
Oshun E I O E East Side daily ding dong Baby this the…
otesla You are a function of this total galaxy The real deep…
Peter Kater & R. Carlos Nakai I'm parked deep on the east side You know I'm from…
Proda E I O E East Side daily ding dong Baby this the…
R. Carlos Nakai/Peter Kater I'm parked deep on the east side You know I'm from…
S1/S.K.P. presents Oh, wait for me, I fell behind three signs for…
Sainté Yeah Peng lil jawn wanna chill up in east Yeah Lowe that mov…
Sleeping at Last i set out to rule the world with only a paper…
Systems Officer There are secrets buried inside That you ought to know Tha…
The Cat Empire I see the summer in a little green leaf now One…
The Cruxshadows Go go east Go go east Go Too many the questions Where …
The Crüxshadows Go go east Go go east Go Too many the questions Where answe…
The High & Mighty Mad Skillz Smut Peddlers Eastern Conf. All-Stars East of the sun and west of the moon We'll build…
The Power & the Glory East Bay, all day Oakland all the way East bay, all day Oakl…
The Smashing Pumpkins Tried to tell her who I really am But I'm not…
Toello When the sun goes down in the east When the sun…
Unknown T (Gotcha) (R14) Listen East, that's H-A-C-K We hold the rope…
Vallis Alps I've been waiting on tonight Crystallize, crystallize I've b…
Velvet Acid Christ Well it may sound absurd I want to be a wreck…
We have lyrics for these tracks by Hammock:
(Tonight) We Burn Like Stars That Never Die We're all dreaming, We're all dreaming, We could die chasing…
... Like Starlight Into Day You say your time is over You seek but never find And…
Black Metallic I've never seen you when you're smiling It really gets under…
Cold Front Now you're so gone And it's so wrong Did I know you? I…
Dissonance I′ve been drinking Just to settle down We keep sinking Into …
Everything and Nothing We′re satellites Everything and nothing We're so alive Endle…
Glassy Blue Lose myself In glassy blue No one else Just me and you Stars…
Hiding But Nobody Missed You How could I forget your smile? (Secrets hidden in your eyes…
I Would Give My Breath Away Wish I could heal Your broken wings To fly Make every song C…
No Agenda A song within a song You get lost I go wrong We…
Parkers Chapel Moonlight glows on my skin The stars fill up the sky Remem…
Raising Your Voice... Trying to Stop an Echo You swore you'd never be them You're just like them You're…
Shipwrecked On a cold night We lay down Under starlight We break down…
Sinking Inside Yourself Every time you wake up Too gone to see Every time you…
Still Secrets Remaining The words that you wasted They're spoken no more Your smile …
Ten Thousand Years Won't Save Your Life It takes so long for you to realize, Ten thousand years…
The Air Between Us Why you crying? I can't wait... Why you crying?…
This Is Not Enough This is not enough There is not enough Time fades away This …
Tres Dominé Tres dominé, my soul's become mas freo. Tres dominé, my soul…
Unspoken So hard Letting go My love now Like birds who flew away So f…
What Heaven Allows Take a little jump in the back of your mind, Take…
While All the Stars Are Falling Down Let′s kiss while all the stars are falling down Tonight we…
You Lost the Starlight in Your Eyes All the nights we tried and tried to find the starlight…
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
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The World Beyond
RIP Robin Williams, how prophetic...
TrickyJebus
the build up to 1:11 just is wow. Speechless.
MLChampion
What is super weird is that I saw this wallpaper and thought, 'Man, that really reminds me of 'What Dreams May Come'. I had NO IDEA that it was from the movie!!!
A B
@Justin K Bruh o_0
Justin K
@Infinite Sky not only is Robin the main character but the plot is about him dying.
Infinite Sky
What's even weirder to me is that I unknowingly uploaded it less than a month before Robin's actual death!
Jaba
Dreaming soul
Dridi Chadi
East west north south
Put them all together and it will be a phylosophy's lesson
Aether Gwangwa
Yo, this artwork is something else......does anyone know where it is from?
저스틴 학습 한국어
@Aether Gwangwa Staring Robin Williams, a movie about him dying..uploaded right before he died.