Hank Ballard (November 18, 1936 – March 2, 2003), born John Henry Kendricks… Read Full Bio ↴Hank Ballard (November 18, 1936 – March 2, 2003), born John Henry Kendricks, was a rhythm and blues singer and songwriter, the lead vocalist of Hank Ballard and The Midnighters and one of the first rock 'n' roll artists to emerge in the early 1950s. He played an integral part in the development of the genre, releasing the hit singles "Work With Me, Annie" and answer songs "Annie Had a Baby" and "Annie's Aunt Fannie" with his Midnighters. He later wrote and recorded "The Twist" which spread the popularity of the dance and was notably covered by Chubby Checker. He was inducted into the Rock and Roll Hall of Fame in 1990.

Born John Henry Kendricks in Detroit, Michigan, Ballard along with his brother, Dove Ballard, grew up and attended school in Bessemer, Alabama after the death of their father. He lived with his paternal aunt and her husband, and began singing in church. His major vocal inspiration during his formative years was the "Singing Cowboy", Gene Autry, and in particular, his signature song, "Back in the Saddle Again". Ballard returned to Detroit in his teens and later worked on the assembly line for Ford.

In 1953, Ballard joined doo-wop group The Royals, which had previously been discovered by Johnny Otis and signed to Federal Records, (a division of King Records), in Cincinnati. Ballard joined Henry Booth, Charles Sutton, Sonny Woods and Alonzo Tucker in the group, replacing previous singer Lawson Smith.
The Royals released "Get It" (1953), an R&B song with possibly sexually oriented lyrics, which some radio stations refused to play, although it still made it to number 6 on the Billboard R&B chart.
The group then changed its name to The Midnighters to avoid confusion with The "5" Royales. In 1954, Ballard wrote a song called "Work with Me, Annie" that was drawn from "Get It". It became The Midnighters' first major R&B hit, spending seven weeks at number 1 on the R&B charts and also selling well in mainstream markets, along with the answer songs "Annie Had a Baby" and "Annie's Aunt Fannie"; all were banned by the FCC from radio air play. Their third major hit was "Sexy Ways", a song that cemented the band's reputation as one of the most risqué groups of the time.
They had four other R&B chart hits in 1954–55, but no others until 1959, by which time the group was billed as "Hank Ballard and The Midnighters" with their label changed from Federal to King, the parent label. Between 1959 and 1961 they had several more both on the R&B and Pop charts, starting with "Teardrops on Your Letter", a number 4 R&B hit in 1960 that had as its B-side the Ballard-written song "The Twist". A few months later, Chubby Checker's cover version of the song went to number 1 on the pop charts. It would return to the top of the charts again in 1962–the only song in the rock'n'roll era to reach number 1 in two different years.
Ballard & the Midnighters had several other hit singles through 1961, including the Grammy-nominated "Finger Poppin' Time" and "Let's Go, Let's Go, Let's Go" which hit number 7 and number 6, respectively, on the Billboard pop charts. They did not reach the charts again after 1962 and dissolved in 1965.

After the Midnighters disbanded, Ballard launched a solo career. His 1968 single, "How You Gonna Get Respect (When You Haven't Cut Your Process Yet)", was his biggest post-Midnighters hit, peaking at number 15 on the R&B chart. James Brown produced Ballard's 1969 album You Can't Keep a Good Man Down. A 1972 single, "From the Love Side", credited to Hank Ballard and the Midnight Lighters, went to number 43 on the R&B chart. Ballard also appeared on Brown's 1972 album Get on the Good Foot, in a track ("Recitation By Hank Ballard") that features Ballard describing Brown and the album.
During the 1960s, Ballard's cousin, Florence Ballard, was a member of the Detroit girl group The Supremes.
In the mid-1980s, Ballard re-formed The Midnighters and the group performed till 2002.
In 1990, Ballard was inducted into the Rock and Roll Hall of Fame; the other Midnighters were inducted in 2012.
On March 2, 2003, he died at age 66 of throat cancer in his Los Angeles home. He was buried at Greenwood Cemetery in Atlanta, Georgia.
Ballard was the great uncle of NFL player Christian Ballard.

Keep On Dancing
Hank Ballard & The Midnighters Lyrics

Jump to: Overall Meaning ↴ Line by Line Meaning ↴

Keep on dancing
Til your feet get sore
Keep on dancing
Til your feet get sore

Keep on dancing
Til your feet get sore
Take off your shoes

And dance some more

Oh, little boy blue
Come and blow your horn
Sheep in the meadows
Cows in the corn

Slow and easy now
Haste makes waste
Keep on dancing
All over the place

Woah, keep on dancing
I like it like this
Keep on dancing
I like it like this

You can′t lose with
That kind of groove
I just love to see you move

Gather round everybody and see
This young lady's killing me
Moving so fast, it′s a crying shame
Does anybody here know her name

Keep on dancing now
Til your feet get sore
Keep on dancing, dancing
Til your feet get sore

Keep on dancing
Til your feet get sore
Take off your shoes
And dance some more

Keep on dancing now
Til your feet get sore
Keep on dancing, dancing
Til your feet get sore

Keep on dancing
Til your feet get sore
Take off your shoes
And dance some more

Oh, little boy blue
Come and blow your horn
Sheep in the meadows
Cows in the corn

Slow and easy now
Haste makes waste

Keep on dancing
All over the place

Overall Meaning

The song "Keep On Dancing" by Hank Ballard & The Midnighters is an upbeat track that encourages listeners to dance their feet off. The repetition of the phrase "Keep on dancing 'til your feet get sore" creates a sense of urgency and excitement, urging listeners to keep moving. The song's lyrics also contain playful references to the nursery rhyme "Little Boy Blue" and the children's song "Old MacDonald Had a Farm," singing "Sheep in the meadows/Cows in the corn." This adds to the fun, lighthearted tone of the song, making it feel like a joyous celebration.

The song also celebrates the power of dance to bring people together and create a sense of community. The repeated lines "I just love to see you move/Gather round everybody and see" invite everyone to join in the dancing and enjoy themselves. The song suggests that dancing is an action that can be enjoyed by all, regardless of age, background, or skill level. The final repetition of "Take off your shoes and dance some more" invites listeners to let go of their inhibitions and immerse themselves fully in the experience of dancing.

Overall, "Keep On Dancing" is a song that celebrates the joy of movement and encourages listeners to lose themselves in the music.

Line by Line Meaning

Keep on dancing
Continue to dance

Til your feet get sore
Dance until your feet ache

Take off your shoes
Remove your footwear

And dance some more
Continue dancing despite sore feet

Oh, little boy blue
An address to a boy playing a trumpet

Come and blow your horn
Play your trumpet

Sheep in the meadows
A description of a countryside scene

Cows in the corn
A livestock scene in the countryside

Slow and easy now
Dance at a relaxed pace

Haste makes waste
Rushing may lead to mistakes