Henry (Hank) Mobley (July 7, 1930 – May 30, 1986) was an American hard bop … Read Full Bio ↴Henry (Hank) Mobley (July 7, 1930 – May 30, 1986) was an American hard bop and soul jazz tenor saxophonist and composer. Mobley was described by Leonard Feather as the "middleweight champion of the tenor saxophone", a metaphor used to describe his tone that was neither as aggressive as John Coltrane nor as mellow as Stan Getz. His style was laid-back, subtle and melodic, especially in contrast with players like Sonny Rollins and John Coltrane, and it took many jazz connoisseurs until after his demise to fully appreciate his talent.
Mobley was born in Eastman, Georgia, but was raised in Elizabeth, New Jersey, near Newark. Early in his career, he worked with Dizzy Gillespie and Max Roach. He took part in one of the landmark hard bop sessions, alongside Art Blakey, Horace Silver, Doug Watkins and trumpeter Kenny Dorham. The results of these sessions were released as Horace Silver & the Jazz Messengers. They contrasted with the classical pretensions of cool jazz, with Mobley's rich lyricism being bluesier, alongside the funky approach of Horace Silver. When The Jazz Messengers split in 1956, Mobley continued on with pianist Horace Silver for a short time, although he did work again with Blakey some years later, when the drummer appeared on Mobley's albums in the early 60s.
During the 1960s, he worked chiefly as a leader, recording 25 albums for Blue Note Records, including Soul Station and Roll Call, between 1955 and 1970. He performed with many of the most important hard bop players, such as Grant Green, Freddie Hubbard, Sonny Clark, Wynton Kelly and Philly Joe Jones, and formed a particularly productive partnership with trumpeter Lee Morgan. Mobley is widely recognized as one of the great composers of originals in the hard-bop era, with interesting chord changes and room for soloists to spread out.
His 1961 album, Another Workout, while considered an instant classic, was inexplicably not released until 1985.
Mobley also spent a brief time in 1961 with Miles Davis, during the trumpeter's search for a replacement for John Coltrane. He is heard on the album Someday My Prince Will Come (alongside Coltrane, who returned for the recording of some tracks), and some live recordings (Miles Davis - In Person Friday And Saturday Nights At The Blackhawk, Complete and At Carnegie Hall). Though considered by some as not having the improvisational fire of Coltrane, Mobley was still a major voice on tenor saxophone, known for his melodic playing.
Mobley was forced to retire in the mid-1970s due to lung problems. He worked briefly with Duke Jordan before his death from pneumonia in 1986.
Mobley was born in Eastman, Georgia, but was raised in Elizabeth, New Jersey, near Newark. Early in his career, he worked with Dizzy Gillespie and Max Roach. He took part in one of the landmark hard bop sessions, alongside Art Blakey, Horace Silver, Doug Watkins and trumpeter Kenny Dorham. The results of these sessions were released as Horace Silver & the Jazz Messengers. They contrasted with the classical pretensions of cool jazz, with Mobley's rich lyricism being bluesier, alongside the funky approach of Horace Silver. When The Jazz Messengers split in 1956, Mobley continued on with pianist Horace Silver for a short time, although he did work again with Blakey some years later, when the drummer appeared on Mobley's albums in the early 60s.
During the 1960s, he worked chiefly as a leader, recording 25 albums for Blue Note Records, including Soul Station and Roll Call, between 1955 and 1970. He performed with many of the most important hard bop players, such as Grant Green, Freddie Hubbard, Sonny Clark, Wynton Kelly and Philly Joe Jones, and formed a particularly productive partnership with trumpeter Lee Morgan. Mobley is widely recognized as one of the great composers of originals in the hard-bop era, with interesting chord changes and room for soloists to spread out.
His 1961 album, Another Workout, while considered an instant classic, was inexplicably not released until 1985.
Mobley also spent a brief time in 1961 with Miles Davis, during the trumpeter's search for a replacement for John Coltrane. He is heard on the album Someday My Prince Will Come (alongside Coltrane, who returned for the recording of some tracks), and some live recordings (Miles Davis - In Person Friday And Saturday Nights At The Blackhawk, Complete and At Carnegie Hall). Though considered by some as not having the improvisational fire of Coltrane, Mobley was still a major voice on tenor saxophone, known for his melodic playing.
Mobley was forced to retire in the mid-1970s due to lung problems. He worked briefly with Duke Jordan before his death from pneumonia in 1986.
More Genres
No Artists Found
More Artists
Load All
No Albums Found
More Albums
Load All
No Tracks Found
Genre not found
Artist not found
Album not found
Search results not found
Song not found
@williamgregory1848
Hank Mobley is one of the saddest stories in jazz. He struggled with heroin addiction for most of his career and was forced to retire in the mid-1970s, due to lung problems. He then became homeless in his later years and struggled to stay in touch with his fellow musicians.
@lequinntessential
Reminds of me Dave Brubeck's music - cool jazz. Light, breezy and a real treat for a lazy day.
@parker550
His biography/discography is well worth the time to read and gather up some of his more esoteric recordings, HE is in my opinion the most melodic improvisor of the Blue Note era.... Sadly dying a lonesome under valued player, of which there were many eg, Ike Quebec's 'Blue & Sentimental' recording also a must have, but Hank really stood out, his solo recordings along with those played with nearly all notables of the time, genius jazz giants..... Lee Morgan especially... I'll shut up😞🎷👍
@FinnbarrGoesFast
You've inspired me to dig in to this guy, cheers internet stranger
@kwamezulushabazz
thanks for this.
@prilljazzatlanta5070
Amen to every single thing you said
@waldolydecker8118
Marvelous comments
@pv1038
Which esoteric Recordings are you Talking about?
@foxdaleprincess
So melodic and such a smooth gorgeous tone, love this solo!
@harryhannow6467
These are maybe my 4 favorite jazz musicians for their respective instruments... Unbelievably enjoyable... whenever I hear some music I don't like and it upsets me, I pull out this album to remind myself of the wonders of jazz. So purifying. Such joy.