She started her career in 1970s, but achieved a chart success in the 1980s working with the famous Stock Aitken Waterman team. Dean was elected three times as the 'Best Live Performer' by the Federation of American Dance Clubs (U.S.), and twice as a 'Best British Performer' by Club Mirror awards (UK). She participated twice in the A Song for Europe contest. In 1976, she took eighth place (out of twelve) with the ballad, "I Couldn't Live Without You for a Day", written by contest veteran Paul Curtis. 1984 saw Dean finish in seventh place of eight, with another dramatic ballad, "Stay In My Life", which she wrote herself. She also provided backing vocals for Samantha Janus in 1991's Eurovision Song Contest.
In February 1984 she entered the UK Singles Chart with the double A-sided single, "Evergreen" / "Jealous Love" which peaked at #63.Two months later however, she scored her first Top 10 hit with the re-release of "Searchin' (I Gotta Find A Man)", which peaked at No 6. Dean then released the follow-up "Whatever I Do (Wherever I Go)" (produced by Stock Aitken Waterman) in August which hit No 4. "Whatever I Do" was originally recorded by Michael Prince as "Dance Your Love Away", but the song was re-written by Mike Stock and Matt Aitken because Dean disliked the chorus. Its No. 4 placing gave Stock Aitken Waterman their first Top 10 hit. Further singles, "Back In My Arms (Once Again)" and "No Fool (For Love)" both peaked at No 41. These singles were included on her debut mainstream pop album, "Heart First", which did not sell well and failed to chart.
In 1985 Dean signed with label EMI Records, releasing the single "They Say It's Gonna Rain", which reached No 58 on the UK Singles Chart, although she secured a No 1 single in South Africa with this Stock Aitken Waterman produced single. Subsequent singles fared worse with "ESP", "Stand Up" and "Always (Doesn't Mean Forever)" failing to reach the UK Top 75. In early 1988 however, she achieved her biggest hit in four years with "Who's Leaving Who", which reached No 4. The follow-ups, "Maybe (We Should Call it a Day)", made #15, and "Turn It Into Love" (which was originally recorded by Kylie Minogue and included on her debut album, Kylie) peaked at No 21. Her second album Always (Hazell Dean album) was released in late 1988 and featured many of the singles from the past 3 years, as well as new material. The album charted at No 38 in the UK.
Dean left EMI and signed with Lisson Records, releasing two singles for the label. The first was a cover of Yvonne Elliman's "Love Pains" in 1989, produced by PWL producers Phil Harding and Ian Curnow. It reached #48 on the UK Singles Chart. It was nearly two years before she released her next single, the SAW penned and produced "Better Off Without You", which was originally recorded by Lonnie Gordon. The song peaked at #72. After the failure of these two singles, Dean no longer continued to work with Stock Aitken Waterman and began working with Ian Levine who had previously remixed and produced tracks with her in the mid 1980s.
During this time, Dean produced and wrote songs for Bad Boys Inc, Bona Riah (produced "House of Rising Sun"), Miquel Brown (produced "It's a Sin"), MEN 2 B (co-wrote "Love Satisfaction"), Upside Down and Sandra Feva.
1996 saw the release of Dean's next album, The Winner Takes It All, which was released on Carlton Records. This album contained covers of ABBA songs. The title track was released as a single. In 1999, Dean released a cover version of Bon Jovi's "Living On A Prayer" and, in 2001, a remixed version of "Who's Leaving Who" was released. Neither of these singles charted.
In 2007, Dean returned to record with Ian Levine, completing the track "Trade Him for a Newer Model" for the album Disco 2008. The music video for Trade Him for a Newer Model was released on YouTube by Levine in 2007. In 2009, a number of songs (that have never before been available on any Dean album in their original form) were released on iTunes, including some never before released remixes, while Cherry Red Records re-issued Dean's first mainstream pop album "Heart First" in early 2010.
2010 saw Hazell Dean sign to the dance label, Energise Records, who also have The Three Degrees, Sonia, Tina Charles and Nicki French signed to them. With Energise, Dean recorded an updated version of her 1980s single, "They Say It's Gonna Rain". The new track was produced by KlubKidz and has remixes from the Sleazesisters, Glamma and PMG. She also released the singles "Shattered Glass", "In The Name Of Love", "This Is My Life", "We Belong/Can You Feel It" & I Close My Eyes & Count To Ten" In 2013, she released an album entitled "In The Name Of...".
Cherry Red Records released a Deluxe Edition of Always on 23 April 2012. On 10 September 2012, a new 21 track greatest hits collection called Evergreen: The Very Best of Hazell Dean was released through Music Club Deluxe Records. The CD pressing features a bonus disc of 11 remixes and rare extended mixes of Dean's 1980s hits. On 21 December 2012, Dean performed at the Stock Aitken Waterman "Hit Factory Live" reunion concert at London's O2 Arena, along with many other former SAW acts.
2015 saw Hazell Dean release the single "24 Hours" through Energise. The single included mixes by Dean & Ware, and Matt Pop. Also included was the 2015 version of her classic Top 5 smash, Whatever I Do (Wherever I Go).
After the success of "Searchin'", Dean made her gay club début at Heaven in London and has subsequently enjoyed a large homosexual following. Always acknowledging the support she has received from the gay community throughout her career, Dean frequently performs at Gay Pride events both in the UK and abroad.
Dean continues to perform live and records with various producers, with tracks appearing via her official website.
Maybe
Hazell Dean Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Run through the ruins where the land mines lay.
When will this nightmare cease? when will we find a lasting peace?
Maybe in a million years. maybe in a million years.
Maybe in a million years. maybe in a million years.
Maybe in a million years. we will overcome our fears.
We'll have shed a billion tears.
Satellite dishes sweeping the sky.
Searching for answers patiently awaiting their reply.
When will salvation come? when will all suffering be done?
Maybe in a million years. maybe in a million years.
Maybe in a million years. maybe in a million years.
Maybe in a million years. we will overcome our fears.
We'll have shed a billion tears.
Mountains and valleys, rivers and seas.
Eons go by as they change by gradual degrees.
If earth can evolve into something new, maybe there's hope for mankind too.
Maybe in a million years. maybe in a million years.
Maybe in a million years. maybe in a million years.
Maybe in a million years. we will overcome our fears.
We'll have shed a billion tears.
The song "Maybe" by Hazell Dean is a powerful and thought-provoking anthem about the endless cycle of suffering, war, and desperation in the world. The opening lines of the song set the stage with the vivid image of "urchins and ragamuffins" playing amidst the ruins of a war-torn society where landmines still pose a real threat. In this context, the question arises: when will this nightmare end? When will there be lasting peace? The answer, according to the song, is not anytime soon. When the chorus repeats the phrase "Maybe in a million years," it is clear that the situation is dire and that we cannot expect a quick or easy resolution to the world's problems.
The second verse shifts the focus to the technological advancements of our time, with satellite dishes scanning the sky in search of answers. The desperation in the lyrics is palpable as they ask the question: when will salvation come? Hazell Dean is suggesting here that despite our technological prowess and our attempts to find answers through science, there is still a sense of hopelessness and despair that pervades human existence. The song's final verse ties this theme together with a more optimistic note, pointing out that the natural world around us is constantly evolving and changing. If the earth can undergo such vast transformations over long periods of time, perhaps there is hope for humanity too. Despite the fact that we may never experience true peace or an end to suffering in our lifetime, there is still the possibility that someday, maybe in a million years, we will overcome our fears and shed a billion tears.
Line by Line Meaning
Urchins and ragamuffins, see how they play.
Observe the children who are poor and unkempt as they engage in carefree activities.
Run through the ruins where the land mines lay.
Children play in the midst of a war-torn landscape, ignorantly risking their lives on unstable ground.
When will this nightmare cease? when will we find a lasting peace?
When will the chaos and violence end? When will humanity achieve true and long-lasting harmony?
Maybe in a million years. maybe in a million years.
It might take a significantly long time, perhaps a million years or more.
Maybe in a million years. we will overcome our fears.
Perhaps, after a great deal of time, we will be able to conquer our anxieties and apprehensions.
We'll have shed a billion tears.
We will have wept countless tears through the difficult journeys we will have had to undertake.
Satellite dishes sweeping the sky.
Antennas are positioned high in the heavens, searching for answers.
Searching for answers patiently awaiting their reply.
Eagerly and with great restraint, patiently waiting for answers to appear.
When will salvation come? when will all suffering be done?
When will a time arrive when suffering will end, and humanity will be rescued from its turmoil?
Mountains and valleys, rivers and seas.
Observe the peaks and valleys, the waterways and oceans.
Eons go by as they change by gradual degrees.
Over time, significant transformations take place as the Earth evolves gradually.
If earth can evolve into something new, maybe there's hope for mankind too.
If the planet can develop into something new over time, then there is a possibility that humanity may also transform and prosper in a similar way.
Lyrics © O/B/O APRA AMCOS
Lyrics Licensed & Provided by LyricFind
@mark2.0
Such a great song. The 80s was the best Music era. We interviewed 80s Pop Star Taco on our podcast this week. Such a great guy. The Podcast is on our YouTube channel. Thanks for keeping the 80s alive.
@danfrost3043
She's like a little energizer bunny, never stops, very entertaining to watch, Good song as well.
@leesusan9073
Yeah your right she's a dance commander a true queen of hi nrg!!
@addersdewinter7495
I did like this song but wished she had released " walk in my shoes" before this one.
Btw " they say its gonna rain" is a real classic that should have been her number 1 in the UK 🇬🇧
@adrianwick4926
EXCELSIOR 🎶❤️
@madquest8
Good banging material, just need a time machine.
@halloweenville1
It would be great if you could upload recent performance of The Mac band on TOTP singing Roses are red, such a shock to see this song live on the show, didn't know it existed. Understand if Copyright won't allow it, Thanks
@leesusan9073
W O W!! That Lady is Commanding those people to dance!! She's a dance commander and she's got spades of Stage presence!
This is not awful as other commenters have iterated, This is really quite good, i know she could get my Attention!!
Hazell dean is a stunning singer who really had the it factor! No wonder she Won america's Mirror award for best dance artist no less than three times!!!!!!! Consecutively, gotta luv hazy xoxo
@MarkMuddimer
A total paradox. 80s love full of regret.
@phillipphillippson8456
I’m gonna ask this as a pop question on Children Of The 1980’s and 1990’s on FB