Attack of the Dungeon Witch
He Is Legend Lyrics

High Priestess you are the destruction
The singer addresses the High Priestess as the embodiment of destruction.

Of cities I sat in alone
The destruction caused by the High Priestess has left the singer alone in ruined cities.

With poisonous hands let me touch them
The singer willingly asks the High Priestess to harm them with her poisonous touch.

I'll have your throne
The artist desires to overthrow the High Priestess and take her place of power.

You've learned every song of the charmer
The High Priestess has mastered the art of manipulation and seduction.

You've tamed every beast in the sea
The High Priestess has gained control over even the wildest and most dangerous of creatures.

Bite marks have covered my armor
The singer has been wounded and damaged, symbolized by their armor being covered in bite marks.

Now come tame me
The artist challenges the High Priestess to try and tame them, despite their previous injuries.

Wake up, the moon is gone, I know you're to blame
The artist accuses the High Priestess of causing the disappearance of the moon.

Well I watched you sink it to the depths of your lake
The artist watched the High Priestess hide or destroy the moon in her own personal domain.

I knew the danger but I still said your name
The singer was aware of the danger of the High Priestess, but still pursued her anyway.

Behold the dances of the snake
The High Priestess' actions are compared to the hypnotic dance of a snake.

I know who started all the fires in this country
The singer claims to know who is responsible for all the destructive flames in the land.

I will be counting every breath that you take
The singer obsessively watches and keeps track of the High Priestess' every move.

I knew the danger but I still let you touch me
The singer was aware of the danger of the High Priestess, but still willingly allowed her to harm them.

Behold the dances of the snakes
The High Priestess' actions are again compared to the movement of snakes.

Well if you got the magic and I got the moves
The artist and High Priestess are compared, with the former having physical prowess and the latter having mystical power.

Then we'll see who will be hanging whom
A challenge is issued to see who will come out on top between the singer and High Priestess.

Must you leave your broom at
The singer questions the High Priestess' tendency to leave her broom by the side of their bed.

The side of my bed, the side of my bed
The artist emphasizes the nearness of the High Priestess to their sleeping area.

I can't let, you do that
The artist expresses an unwillingness to let the High Priestess cast spells on them.

Cast spells on my head
The artist specifically mentions their head as a target of the High Priestess' magic.

Then we'll see who wakes up next to whom
The singer rephrases the challenge to determine who will be the first to wake up beside the other.

Wake up, the moon is gone and you're not to blame
The artist realizes that the High Priestess is not responsible for the disappearance of the moon, but neglects to correct their previous accusation.

But I still left you at the base of your stake
Despite realizing their mistake, the singer has left the High Priestess at the metaphorical base of her execution stake.

Must you leave your broom at
The singer again questions the High Priestess' tendency to leave her broom by their bed.

The side of my bed
The singer again emphasizes the close proximity of the High Priestess to them.

I drank with the dungeon witch
The artist admits to having spent intimate time with the High Priestess.

Left my ring on her nightstand
The artist has given a symbolic token of their relationship to the High Priestess.

I woke with the dungeon witch
The singer has had sexual relations with the High Priestess.

And now she's got the upper hand
The singer has inadvertently given the High Priestess an advantage in their relationship.