1. Head On was a post-grunge/hard rock band from Chicago, Illinois, compose… Read Full Bio ↴1. Head On was a post-grunge/hard rock band from Chicago, Illinois, composed of Lawrence Renault (vocals), Tony McQuaid (guitar), Sean Barnes (bass), and Anthony Mysliwiec (drums).
As a kid growing up on the south side of Chicago, Lawrence Renault was always less interested in building forts and reading comic books than in spending afternoons with Elvis Presley, Robert Plant and Ozzy Osbourne. "My father was a musician," he recalls. "So we always had music playing around the house. By age seven, I was singing along to Hank Williams, Elvis, Led Zeppelin and Kiss. My favorite album was Black Sabbath's We Sold Our Souls for Rock and Roll. I would play 'Sabbath Bloody Sabbath' over and over, trying to harmonize with Ozzy. I drove my poor mother crazy. But," he laughs, "I taught myself how to sing in the process."
Twenty years later, Renault's home schooling has paid off: he's now the lead vocalist of Head On, a Chicago quartet channeling the spirit of rock's glory days, and bringing miles of style to a chilly digital scene starved for a little raw old school flavor.
Inside, the foursome's Columbia Records debut, recalls the days when rock bands walked with a certain swagger, played with passion, and had frontmen who could actually sing. No wonder the group was signed after only two gigs.
Here's how it went down: a little over a year and a half ago, Windy City scenesters Renault and drummer Anthony "Tadpole" Mysliwiec recruited (read: stole) guitarist Tony McQuaid (a childhood buddy of Renault's) and bassist Sean Barnes from a rival group. They hunkered down in a local studio and spent the next several months juicing their high voltage sound. They collaborated on a few dozen songs and emerged with a self-produced demo. The tape made its way to Columbia Records and a contract was inked two showcases later. Within a few weeks, the members of Head On were doing pre-production work on Inside.
"I'll put this band up against anybody," says Renault. "But even I was amazed at how fast things happened for us."
Produced by Johnny K (Disturbed) and mixed by Jay Baumgardner (Papa Roach, Hoobastank, Godsmack), the perfectly paced Inside hits the ground running with hard-driving rock tracks like "Nice To Meet You," "Better Day," "Four Letter Word," and "Just Like You." This is an album that rocks the blues with hard-to-shake choruses and air-guitar-worthy hooks.
McQuaid, whether pushing riffs to speaker-shredding extremes or using amp noise and guitar wizardry to craft subtle sound effects, fuels the album's blast furnace edge.
According to McQuaid, "The goal was to create layers of texture, so that you hear something new each time you listen to the album. On some songs, I have as many as 16 or 17 tracks of guitar going. It's very cool."
How does he plan to recreate that sound live? "I'm not worried about it," he laughs. "Look at bands like Alice In Chains and Soundgarden. They textured the shit out of their records and had tons of stuff going on. But live it was just four guys on stage and they pulled it off. So do we."
The album's monster groove is anchored by the rock-solid rhythm section of Barnes and Mysliwiec, who lock in with the force of a drill press. "They're incredible," says McQuaid. "It's an amazing feeling to walk onto a stage or into a studio knowing that you've got a tight, solid rhythm section that can play just about anything and play it extremely well."
At the center of it all is the soulful Renault, lending atmosphere and tone to songs of reflection, observation and solitude. On Inside, he sings of unresolved relationships ("Just Like You"), broken hearts ("Whatever Happened") and unsettled emotions ("Sometimes").
On the blistering "Nice To Meet You," he remembers a crumbled friendship. "I used to live with a guitar player who was a heroin addict," says Renault, recalling the song's inspiration. "It got so bad I couldn't trust him. One night we were flying to New York to do a major showcase, and on the plane he told me he had pawned my guitar. We did the show, came home and the minute we stepped off the plane I told him, 'Either get my guitar back by tomorrow morning, or you're going to jail and getting your ass kicked.' I got my guitar back, but it was sad to see this guy lose himself to drugs. Such a waste of talent."
He pauses and adds, "That's the great thing about this band--everyone's on the same page and hungry for the same goals. When we were recording the album, I'd take the rough mixes home with me and pull up to the studio the next day cranking the songs. Everyone would be looking at me and I was like, 'This band kicks ass--and it's mine! Sometimes I have to pinch myself; I'm playing music for a living and signed to an incredible label. I'm living every musician's dream."
2. Head On was started by James Ray, a guitar player transplanted from New Mexico to the San Francisco Bay Area. He soon recruited Mark Berglund, a Bay Area native, as lead vocalist and song writer. Together with Ray, Mark wrote a majority of Head On's material. Rick Tweed and Howard Teman (bass guitar and drums respectively) were soon added as was lead guitarist Frank Wilsey.
Working their way through and eventually dominating the San Francisco club scene, Head On went on to support such bands as Ted Nugent, Cheap Trick, Joe Perry, Y&T, Motรถrhead, Aldo Nova, Kix, Shooting Star and others. Noted for their lively and outrageous shows, Head On was likened to such bands as the New York Dolls and Aerosmith.
During its brief career (1980โ1984) Head On released several independent collections that were sold at local retailers in the San Francisco Bay Area. They were featured and landed covers on local underground publications as well as being reviewed in the well known British rock magazine Kerrang! Their music was played on local radio stations and the band made guest appearances on local TV.
As San Francisco became a hot bed for underground metal, Head On often found themselves mismatched and headlining metal shows with openers like Anvil Chorus, Lรครคz Rockit and Trauma (which featured future Metalica bass player, Cliff Burton). As a result of the rise in metal popularity, bookings began to slow and Los Angeles soon emerged as the mecca for the glam revival music Head On had championed in the Bay Area. Head On soon discovered however that Los Angeles at the time had little appreciation for San Francisco bands to the point that club owners refused to book them. On one notable occasion while attempting to secure a show at LA's Madame Wong's West they were told, โI donโt care if you are the Beatles, if you are from San Francisco, no one in LA will come to your show.โ
[edit] Career
Throughout their short but illustrious career, Head On had both incredible luck and almost comical misfortune.
* During their peak, Head On regularly headlined San Francisco's premier nightclubs including; Bill Graham's Old Waldorf, Mabuhay Gardens, The On Broadway and The Stone.
* Although releases were independent and mostly available only in the San Francisco area, copies of their various compilations circulated and were available as far away as the UK.
* After a fiery performance opening for the Joe Perry project in San Francisco, Paul Stanley of Kiss was spotted meeting with the band. Rumors spread that either Head On was being considered for an opening spot on the Creatures of the Night tour or Kiss was shopping for a new guitar player, neither was ever confirmed.
* While opening for Ted Nugent, Carmine Appice (drummer extraordinaire for everyone from Vanilla Fudge and Rod Stewart to Jeff Beck) recognized the band after hearing about them through his friend Sheila Rene' (80's syndicated radio interviewer) who called Head On her 'Baby Band'.
* During a video shoot for Viacom, one of Head On's 50 gallon fog machines exploded causing a complete 'white out' of dry ice fog and the flooding of the Viacom studio.
* While attempting to cross the border into Canada for a small Canadian tour, the band was denied entry and sent home (they were actually too young to obtain work visas and attempted to forge their birthdates to obtain the required visas). Unfortunately, the band planned on returning home using the money they would make in Canada and could only come back as far as Portland Oregon.
* Head On played with Y&T so many times that when Y&T's studio was robbed, the culprits, unable to fence the equipment, contacted Head On to arrange its return (Y&T reciprocated by introducing Head On at a special performance well documented on the 'Live at The Old Waldorf' bootleg video.)
* Rick Tweed's final show with Head On was in June 1983 for a sold out San Francisco crowd; Randy Hansen opened. After Rick's departure, DJ Nicholson was added to the lineup on bass and remained with Head On until its demise in March 1984.
* Comedian Rob Schneider actually got his start opening for Head On in San Francisco while still in high school (his older brother John was Head On's manager).
* Most of the band's promotional photos were taken by San Francisco photographer Dennis Callahan, who's 30+ year working relationship with Tom Petty and the Heartbreakers has resulted in countless classic album covers and magazine shots.
Head On show regulars
Prior to becoming successful themselves, the following people could be spotted at Head On shows in San Francisco:
* Juan Alderete - Mars Volta, Racer X
* Michael Raphael- Neve, Jailhouse, independent producer
* Fernie Rod - Jetboy
* Billy Rowe - Jetboy
* Greg Steele - Faster Pussycat
* Mike Varney - Founder Shrapnel Records, record producer, music publisher
* Rob Schneider - Actor, comedian
* Ginger Coyote - Publisher Punk Globe Magazine
* Sheila Rene' - Radio interviewer, host of 'Live Wire' on KSJO (San Jose CA) and the syndicated interview show 'Backstage'
Break-up
Record contract negotiations stalled when attempts to change the band's sound and lineup were met with opposition. After several ill-fated record contract negotiations, Head On disbanded in March 1984.
[edit] Post Head On
Post Head On, Mark Berglund worked on a modern rock project with future Mars Volta and Racer X bassist Juan Alderete then changed his name to Miro Berglund and joined a short lived San Francisco band lead by Randy Jackson of American Idol fame and Italian producer Corrado Rustici called Holiday of Hands. Through his relationship with Rustici, Mark (Miro) contributed songs to various recording artists in Italy during the 80's and 90's including Loredana Berte, Gianluigi De Franco, Enzo Avitabile and Corrado Rustici's own solo effort. Mark can also be heard singing background vocals on the Narada Michael Walden album Divine Emotion.
James Ray continued performing and writing in several bands following Head On including Sybil and Mother Jones completing independent album releases for both. Joining forces with comedian Rob Schneider and Rob's brother John, James managed the successful South of Market nightclub DNA in San Francisco.
After moving to Los Angeles, Howard Teman worked with Guns 'N Roses on the Lies and Use Your Illusion albums as well as becoming a prominent graphic artist focusing on celebrity and music related works. While continuing his graphic art work, he now has become one of the most sought after tattoo artists in Los Angeles and owns and operates T-Man Tattoo.
Frank Wilsey (aka Frankie Wilsex) went on to perform with the Sea Hags in San Francisco before moving to Los Angeles and joining Arcade followed by a long musical relationship with Stephen Pearcy and various incarnations of Ratt.
Collaborations
In 2002 an effort was made by Rob Schneider's manager (and brother) John to reunite the writing team of James Ray and Mark Berglund. Mark and James were asked to write some original music for the then up-coming Rob Schneider film, 'The Hot Chick'. The re-connection proved to be successful and not only resulted in a collection of new material but re-established Mark and James' collaborative musical relationship.
2010 reunion
On August 28, 2010, the five original members of Head On regrouped and played their first show together in 25 years. The sell out San Francisco crowd greeted the band with open arms and sang along while Head On charged through a powerful and sometimes emotional set. From the first note, the audience seemed to gel into a single mass hanging on the band's every move. The band did not disappoint, displaying their notorious ability to capture and entertain an audience. The shear fact that the audience knew the words to songs they had only heard played in clubs a quarter of a century before was a testament to this band's impact on the 1980's San Francisco music scene. Given the crowd's response and the quality of the bandโs music and performance, it seems a shame that Head On was never given the opportunity to share itself with the rest of the world.
[edit] Members
* Mark Berglund โ vocals, keyboards, guitar
* James Ray โ guitar, vocals
* Howard Teman โ drums
* Rick Tweed โ bass (1980โ1983)
* Frank Wilsey โ guitar, vocals
Head-On were formed by four friends who share a passion for heavy metal, wrestling and stupidity in general. Since forming in 2003, they have earned themselves the reputation as being one of the UKs most energetic and devastating live acts. With their demo 03 they got demo of the month in Metal Hammer magazine. and were hand picked to appear in the movie Colour me Kubrick. as well as lending two songs to the soundtrack which will sit next to songs by Bryan Adams. The movie will be out in cinemas 2007 and it stars John Malkovich. The band went on to tour the UK with Fozzy (WWE Superstar Chris Jericho on vocals), Stuck Mojo & Skid Row throughout 2005 as well as receiving rave reviews for the self released album XXL. This led to the band being signed by A&R legends, Derek Oliver and Dante Bonutto, to their label, Grind That Axe Records.
As a kid growing up on the south side of Chicago, Lawrence Renault was always less interested in building forts and reading comic books than in spending afternoons with Elvis Presley, Robert Plant and Ozzy Osbourne. "My father was a musician," he recalls. "So we always had music playing around the house. By age seven, I was singing along to Hank Williams, Elvis, Led Zeppelin and Kiss. My favorite album was Black Sabbath's We Sold Our Souls for Rock and Roll. I would play 'Sabbath Bloody Sabbath' over and over, trying to harmonize with Ozzy. I drove my poor mother crazy. But," he laughs, "I taught myself how to sing in the process."
Twenty years later, Renault's home schooling has paid off: he's now the lead vocalist of Head On, a Chicago quartet channeling the spirit of rock's glory days, and bringing miles of style to a chilly digital scene starved for a little raw old school flavor.
Inside, the foursome's Columbia Records debut, recalls the days when rock bands walked with a certain swagger, played with passion, and had frontmen who could actually sing. No wonder the group was signed after only two gigs.
Here's how it went down: a little over a year and a half ago, Windy City scenesters Renault and drummer Anthony "Tadpole" Mysliwiec recruited (read: stole) guitarist Tony McQuaid (a childhood buddy of Renault's) and bassist Sean Barnes from a rival group. They hunkered down in a local studio and spent the next several months juicing their high voltage sound. They collaborated on a few dozen songs and emerged with a self-produced demo. The tape made its way to Columbia Records and a contract was inked two showcases later. Within a few weeks, the members of Head On were doing pre-production work on Inside.
"I'll put this band up against anybody," says Renault. "But even I was amazed at how fast things happened for us."
Produced by Johnny K (Disturbed) and mixed by Jay Baumgardner (Papa Roach, Hoobastank, Godsmack), the perfectly paced Inside hits the ground running with hard-driving rock tracks like "Nice To Meet You," "Better Day," "Four Letter Word," and "Just Like You." This is an album that rocks the blues with hard-to-shake choruses and air-guitar-worthy hooks.
McQuaid, whether pushing riffs to speaker-shredding extremes or using amp noise and guitar wizardry to craft subtle sound effects, fuels the album's blast furnace edge.
According to McQuaid, "The goal was to create layers of texture, so that you hear something new each time you listen to the album. On some songs, I have as many as 16 or 17 tracks of guitar going. It's very cool."
How does he plan to recreate that sound live? "I'm not worried about it," he laughs. "Look at bands like Alice In Chains and Soundgarden. They textured the shit out of their records and had tons of stuff going on. But live it was just four guys on stage and they pulled it off. So do we."
The album's monster groove is anchored by the rock-solid rhythm section of Barnes and Mysliwiec, who lock in with the force of a drill press. "They're incredible," says McQuaid. "It's an amazing feeling to walk onto a stage or into a studio knowing that you've got a tight, solid rhythm section that can play just about anything and play it extremely well."
At the center of it all is the soulful Renault, lending atmosphere and tone to songs of reflection, observation and solitude. On Inside, he sings of unresolved relationships ("Just Like You"), broken hearts ("Whatever Happened") and unsettled emotions ("Sometimes").
On the blistering "Nice To Meet You," he remembers a crumbled friendship. "I used to live with a guitar player who was a heroin addict," says Renault, recalling the song's inspiration. "It got so bad I couldn't trust him. One night we were flying to New York to do a major showcase, and on the plane he told me he had pawned my guitar. We did the show, came home and the minute we stepped off the plane I told him, 'Either get my guitar back by tomorrow morning, or you're going to jail and getting your ass kicked.' I got my guitar back, but it was sad to see this guy lose himself to drugs. Such a waste of talent."
He pauses and adds, "That's the great thing about this band--everyone's on the same page and hungry for the same goals. When we were recording the album, I'd take the rough mixes home with me and pull up to the studio the next day cranking the songs. Everyone would be looking at me and I was like, 'This band kicks ass--and it's mine! Sometimes I have to pinch myself; I'm playing music for a living and signed to an incredible label. I'm living every musician's dream."
2. Head On was started by James Ray, a guitar player transplanted from New Mexico to the San Francisco Bay Area. He soon recruited Mark Berglund, a Bay Area native, as lead vocalist and song writer. Together with Ray, Mark wrote a majority of Head On's material. Rick Tweed and Howard Teman (bass guitar and drums respectively) were soon added as was lead guitarist Frank Wilsey.
Working their way through and eventually dominating the San Francisco club scene, Head On went on to support such bands as Ted Nugent, Cheap Trick, Joe Perry, Y&T, Motรถrhead, Aldo Nova, Kix, Shooting Star and others. Noted for their lively and outrageous shows, Head On was likened to such bands as the New York Dolls and Aerosmith.
During its brief career (1980โ1984) Head On released several independent collections that were sold at local retailers in the San Francisco Bay Area. They were featured and landed covers on local underground publications as well as being reviewed in the well known British rock magazine Kerrang! Their music was played on local radio stations and the band made guest appearances on local TV.
As San Francisco became a hot bed for underground metal, Head On often found themselves mismatched and headlining metal shows with openers like Anvil Chorus, Lรครคz Rockit and Trauma (which featured future Metalica bass player, Cliff Burton). As a result of the rise in metal popularity, bookings began to slow and Los Angeles soon emerged as the mecca for the glam revival music Head On had championed in the Bay Area. Head On soon discovered however that Los Angeles at the time had little appreciation for San Francisco bands to the point that club owners refused to book them. On one notable occasion while attempting to secure a show at LA's Madame Wong's West they were told, โI donโt care if you are the Beatles, if you are from San Francisco, no one in LA will come to your show.โ
[edit] Career
Throughout their short but illustrious career, Head On had both incredible luck and almost comical misfortune.
* During their peak, Head On regularly headlined San Francisco's premier nightclubs including; Bill Graham's Old Waldorf, Mabuhay Gardens, The On Broadway and The Stone.
* Although releases were independent and mostly available only in the San Francisco area, copies of their various compilations circulated and were available as far away as the UK.
* After a fiery performance opening for the Joe Perry project in San Francisco, Paul Stanley of Kiss was spotted meeting with the band. Rumors spread that either Head On was being considered for an opening spot on the Creatures of the Night tour or Kiss was shopping for a new guitar player, neither was ever confirmed.
* While opening for Ted Nugent, Carmine Appice (drummer extraordinaire for everyone from Vanilla Fudge and Rod Stewart to Jeff Beck) recognized the band after hearing about them through his friend Sheila Rene' (80's syndicated radio interviewer) who called Head On her 'Baby Band'.
* During a video shoot for Viacom, one of Head On's 50 gallon fog machines exploded causing a complete 'white out' of dry ice fog and the flooding of the Viacom studio.
* While attempting to cross the border into Canada for a small Canadian tour, the band was denied entry and sent home (they were actually too young to obtain work visas and attempted to forge their birthdates to obtain the required visas). Unfortunately, the band planned on returning home using the money they would make in Canada and could only come back as far as Portland Oregon.
* Head On played with Y&T so many times that when Y&T's studio was robbed, the culprits, unable to fence the equipment, contacted Head On to arrange its return (Y&T reciprocated by introducing Head On at a special performance well documented on the 'Live at The Old Waldorf' bootleg video.)
* Rick Tweed's final show with Head On was in June 1983 for a sold out San Francisco crowd; Randy Hansen opened. After Rick's departure, DJ Nicholson was added to the lineup on bass and remained with Head On until its demise in March 1984.
* Comedian Rob Schneider actually got his start opening for Head On in San Francisco while still in high school (his older brother John was Head On's manager).
* Most of the band's promotional photos were taken by San Francisco photographer Dennis Callahan, who's 30+ year working relationship with Tom Petty and the Heartbreakers has resulted in countless classic album covers and magazine shots.
Head On show regulars
Prior to becoming successful themselves, the following people could be spotted at Head On shows in San Francisco:
* Juan Alderete - Mars Volta, Racer X
* Michael Raphael- Neve, Jailhouse, independent producer
* Fernie Rod - Jetboy
* Billy Rowe - Jetboy
* Greg Steele - Faster Pussycat
* Mike Varney - Founder Shrapnel Records, record producer, music publisher
* Rob Schneider - Actor, comedian
* Ginger Coyote - Publisher Punk Globe Magazine
* Sheila Rene' - Radio interviewer, host of 'Live Wire' on KSJO (San Jose CA) and the syndicated interview show 'Backstage'
Break-up
Record contract negotiations stalled when attempts to change the band's sound and lineup were met with opposition. After several ill-fated record contract negotiations, Head On disbanded in March 1984.
[edit] Post Head On
Post Head On, Mark Berglund worked on a modern rock project with future Mars Volta and Racer X bassist Juan Alderete then changed his name to Miro Berglund and joined a short lived San Francisco band lead by Randy Jackson of American Idol fame and Italian producer Corrado Rustici called Holiday of Hands. Through his relationship with Rustici, Mark (Miro) contributed songs to various recording artists in Italy during the 80's and 90's including Loredana Berte, Gianluigi De Franco, Enzo Avitabile and Corrado Rustici's own solo effort. Mark can also be heard singing background vocals on the Narada Michael Walden album Divine Emotion.
James Ray continued performing and writing in several bands following Head On including Sybil and Mother Jones completing independent album releases for both. Joining forces with comedian Rob Schneider and Rob's brother John, James managed the successful South of Market nightclub DNA in San Francisco.
After moving to Los Angeles, Howard Teman worked with Guns 'N Roses on the Lies and Use Your Illusion albums as well as becoming a prominent graphic artist focusing on celebrity and music related works. While continuing his graphic art work, he now has become one of the most sought after tattoo artists in Los Angeles and owns and operates T-Man Tattoo.
Frank Wilsey (aka Frankie Wilsex) went on to perform with the Sea Hags in San Francisco before moving to Los Angeles and joining Arcade followed by a long musical relationship with Stephen Pearcy and various incarnations of Ratt.
Collaborations
In 2002 an effort was made by Rob Schneider's manager (and brother) John to reunite the writing team of James Ray and Mark Berglund. Mark and James were asked to write some original music for the then up-coming Rob Schneider film, 'The Hot Chick'. The re-connection proved to be successful and not only resulted in a collection of new material but re-established Mark and James' collaborative musical relationship.
2010 reunion
On August 28, 2010, the five original members of Head On regrouped and played their first show together in 25 years. The sell out San Francisco crowd greeted the band with open arms and sang along while Head On charged through a powerful and sometimes emotional set. From the first note, the audience seemed to gel into a single mass hanging on the band's every move. The band did not disappoint, displaying their notorious ability to capture and entertain an audience. The shear fact that the audience knew the words to songs they had only heard played in clubs a quarter of a century before was a testament to this band's impact on the 1980's San Francisco music scene. Given the crowd's response and the quality of the bandโs music and performance, it seems a shame that Head On was never given the opportunity to share itself with the rest of the world.
[edit] Members
* Mark Berglund โ vocals, keyboards, guitar
* James Ray โ guitar, vocals
* Howard Teman โ drums
* Rick Tweed โ bass (1980โ1983)
* Frank Wilsey โ guitar, vocals
Head-On were formed by four friends who share a passion for heavy metal, wrestling and stupidity in general. Since forming in 2003, they have earned themselves the reputation as being one of the UKs most energetic and devastating live acts. With their demo 03 they got demo of the month in Metal Hammer magazine. and were hand picked to appear in the movie Colour me Kubrick. as well as lending two songs to the soundtrack which will sit next to songs by Bryan Adams. The movie will be out in cinemas 2007 and it stars John Malkovich. The band went on to tour the UK with Fozzy (WWE Superstar Chris Jericho on vocals), Stuck Mojo & Skid Row throughout 2005 as well as receiving rave reviews for the self released album XXL. This led to the band being signed by A&R legends, Derek Oliver and Dante Bonutto, to their label, Grind That Axe Records.
This Time
Head On Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
I thought you had it all
It's agame that I just can call
Can you tell me what's behind that face
There's something here that I just can't trace
I thought you had it all
You and I'd be the perfect twins
Nice birds above the ground
But nothing is what it seems
I just don't get it
Something just ain't net
Nice birds Bright colours
Are the ones I can't trust
But this time you never told me what was behind that smile
This time there's something that I never get
I thought you had it all
You and I'd be the perfect twins
Nice birds above the ground
But nothing is what it seems
I just don't get it
Something just ain't net
Nice birds Bright colours
Are the ones I can't trust
But this time there is something that I never get
This time and I don't think it's worth another chance
This time worth another chance
It's agame that I just can call
Can you tell me what's behind that face
There's something here that I just can't trace
I thought you had it all
You and I'd be the perfect twins
Nice birds above the ground
I just don't get it
Something just ain't net
Nice birds Bright colours
Are the ones I can't trust
But this time you never told me what was behind that smile
This time there's something that I never get
I thought you had it all
You and I'd be the perfect twins
Nice birds above the ground
But nothing is what it seems
I just don't get it
Something just ain't net
Nice birds Bright colours
Are the ones I can't trust
But this time there is something that I never get
This time and I don't think it's worth another chance
This time worth another chance
In the song โThis Timeโ by Head On, the singer is expressing his confusion and frustration towards someone whom he thought had it all. The singer cannot understand what is going on behind the personโs surface, and he feels like he is playing a game he cannot win. He asks the person to reveal what is happening behind their smile as he feels something is off, and he cannot seem to understand what is going on. He thought they were perfect together, but he realizes that things are not always as they seem.
The singer's use of โNice birds bright colors are the ones I canโt trustโ is a metaphor for how people can be portrayed as perfect, but once you look further, there are always flaws. The singer is tired of being led on and left with unanswered questions, and he hints that he may not give this person another chance. The use of repetition in the lyrics, โI thought you had it all,โ shows the singer's disappointment and how he had high expectations for this person. It's a common feeling that everyone goes through in relationships, where a person sees what they want to see and misses the red flags that were brewing the whole time.
Line by Line Meaning
I thought you had it all
I believed you had everything figured out
It's a game that I just can call
It's a situation that I can't understand or control
Can you tell me what's behind that face
Can you reveal what you're really thinking or feeling
There's something here that I just can't trace
There's something hidden or unclear about this situation
You and I'd be the perfect twins
We were meant to be compatible or similar
Nice birds above the ground
Things seem pleasant or positive on the surface
But nothing is what it seems
The reality is different from what is apparent
Something just ain't net
Something isn't right or fair
Nice birds Bright colours
Things that are flashy or showy may not be trustworthy
Are the ones I can't trust
I can't rely on things that seem too perfect or superficial
But this time you never told me what was behind that smile
This time you didn't disclose your true intentions or feelings
This time there's something that I never get
This time there's something I can't comprehend or accept
And I don't think it's worth another chance
I don't believe it's worth trying again
This time worth another chance
This situation doesn't deserve a second opportunity
Lyrics ยฉ Warner Chappell Music, Inc.
Written by: LEROY BELL, CASEY JAMES
Lyrics Licensed & Provided by LyricFind
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Phoenix Robinson
8 years later I still love this song.
barriehomeboy
Honestly. I've watched this a thousand times just to listen to her voice.
Kia Kirkelund
I love Jasmin! She did amazing in this song<3 Can't wait to see mother mother live next time they come to the island. Amazing you guys did great!!
NooDLES411911
I am a big metal head and listen to a lot heavier vocals, but damn do I love that womans voice. Great song.
Syd Jay Lia
I am SO LATE but that woman is the amazing Jasmin Parkin who is a vocalist and keyboardist in the band Mother Mother which I HIGHLY RECCOMEND
Zylon Tex
"Modern Blues with one hell of an edge"
That's the perfect description for this music, it's just sublime, whatever it is.
Thanks and please hang on in there ; I'm looking forward to seeing you on the big screens playing with artists like Joe Bonamassa or Rival Sons
headoftheherdmusic
Thanks Shawn! Lovely to hear. I always have a riot playing with our drummer (Dave Gens). He's a monster on the kit! Good luck tracking down a band to play with my man. -neu
Coral Dawn Black
I love this! Their voices & the music are amazing.
headoftheherdmusic
Thanks Britt! I love singing with Jasmin, she's amazing. -Neu
Coral Dawn Black
Everytime I hear this, I love it even more. You guys are amazing!