Heavy D & the Boyz were the first group signed to Uptown Records; their debut, Living Large, was released in 1987 (see 1987 in music). The album was a commercial success, though Big Tyme (1989, 1989 in music) was a breakthrough that included four hits. Trouble T. Roy died at age 22 in a fall on 15 July 1990 in Indianapolis (see 1990 in music). Dixon fell 30 feet from a third-level ramp at Market Square Arena while roughhousing with another member of the group. Police said Dixon jumped onto a retaining wall to avoid a barrel rolling toward him and lost his balance. He died the next day. Dixon's passing led to a tribute on the follow-up platinum album, Peaceful Journey (1991, 1991 in music). Pete Rock & CL Smooth created a tribute to Trouble T. Roy called "They Reminisce Over You (T.R.O.Y.)" which is regarded as a hip-hop classic.
Heavy D & the Boyz gained even more fame by singing the theme song for the television program In Living Color and also MADtv, and Heavy D performed the rap on Michael Jackson's hit single "Jam." However, the group's next album, Blue Funk, was a critical and commercial failure compared to their previous success. Heavy D then began focusing on his acting, appearing in the television shows Roc and Living Single before returning the music charts with Nuttin' But Love (1994, 1994 in music). After appearing in the off-Broadway play Riff Raff at Circle Repertory Company, Heavy D returned to recording with the hit Waterbed Hev.
He then appeared in the motion pictures Life, before joining the cast of the television show Boston Public. In 2002, Heavy D had a supporting role as an FBI agent along side Omar Epps in the movie adaptation of Dave Barry's novel Big Trouble. In 2003 he starred in the supporting cast for the sit-com The Tracy Morgan Show as Bernard. In 1997, Heavy D collaborated with B.B. King on his duets album Deuces Wild rapping in the song "Keep It Coming." A new Heavy D & the Boyz album is slated for 2007.
SHAKE IT
Heavy D Lyrics
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What, what? Uptown, get down
Check me out y'all - ya don't stop (go 'head baby)
A hear me out y'all - ya don't stop (go 'head baby)
Ya don't stop check me out y'all (go 'head baby)
And you can't stop - hear me out y'all (go 'head baby)
Ah say what y'all (yeah go 'head baby)
Now feel me out boo-boo (go 'head baby)
Yeah, uhh
From the introduction, you know my funk was all up in ya
Deep in ya creep when you walk, I dig that
Split your wig back, now grab the bedpost
Move in real close, I feel what you doin', true'n
No need no Dom P, no need no Crist'y
All you need is me, Hev D, naturally
Rough rider, "Mr. Big Stuff," up inside her
Multiple provider, the fly divider
Romeo, jiggalo, high-yellow niggaro
From the sound of Mount V., by the way of J-A
I don't play, I insist, on the back twist
Handcuffs and stuff, for those who like it rough
Go 'head baby
[Chorus]
Shake it, shake it (go 'head baby)
Break it, break it (go 'head baby)
I hear you talkin' mama (go 'head baby)
And you'll always wanna sing this Heavy D song
Whipped cream dreams I fulfill with my schemes
Down low like R. Kelly, lickin' on yo' belly
Make you shake like jelly, the fat man, battin' a thousand
I play it safe, carry horses just in case
Good to the, last drop da-da
Don't stop is what you tell me, anything to swell me
Private dancin', romancin' the soul
On the telephone you be like "poppa come home"
Right now I got 30 minutes of foreplay
Thirty minutes of straight sex, nine minutes of rest, now add that up
Mink rugs, bearhugs, hot tubs
Get lifty off the bubs, is what she loves
Go 'head baby
[Chorus]
Shorty blender, fender bender, back twirler
Boo twister, officially, sexually
I'm Mr. me be always ready, in jacuzzi
Ahh, baby, do me, do me
Fantastic, romantic, none equivalent
To my tactics, get at this, who want it?
Some get champagne, you know how they be trippin'
But the joke really on you boo, cause sippin' keep you strippin'
(Go 'head baby) Now dance for me, keep romancin' me
You got no chance with me, but you want my hands to be
(right here) Say what, and when you want it
(right now) Say what, and where you want it
(right here) Yeah, know why?
'Cause you'll always be singin' this Heavy D song
[Girl] Oooh, right there
That's right
I hear you talkin' mama (go 'head baby)
And you'll always wanna sing this Heavy D song
Shake it, shake it (go 'head baby)
I hear you talkin' boo-boo (go 'head baby)
Feel me out y'all (go 'head baby)
And you'll always wanna sing this Heavy D song
Shake it, shake it (go 'head baby)
Move it momma (go 'head baby)
Shake it, shake it (go 'head baby)
Break it, break it (go 'head baby)
Shake it, shake it (go 'head baby)
Move it momma (go 'head baby)
The lyrics to Heavy D's song "Shake It" are a celebration of physical intimacy and the pleasures of the body. The song is essentially a call to the dance floor, inviting listeners to move their bodies and let loose. Heavy D's lyrics are playful and provocative, filled with sexual innuendo and references to his own prowess as a lover. He brags about his ability to fulfill his partner's desires, promising to make her shake like jelly and bat a thousand. He also uses imagery like whipped cream dreams and mink rugs to conjure up a luxurious and indulgent atmosphere.
Despite the overtly sexual themes, there is a sense of lightheartedness and fun to the song. Heavy D's voice has a playful, teasing quality as he encourages his partner to let go and enjoy herself. The chorus, with its repeated refrain of "Shake it, shake it, break it, break it," is catchy and upbeat, creating a party vibe that is sure to get people moving.
Line by Line Meaning
Freakazoid robot, please report to the dance floor
Heavy D is calling out to everyone who can dance well to come and show off their skills
What, what? Uptown, get down
Heavy D is hyping up the crowd to get on the dance floor and show off their moves
Check me out y'all - ya don't stop (go 'head baby)
Heavy D wants everyone to pay attention to him and not stop the music
A hear me out y'all - ya don't stop (go 'head baby)
The artist is asking the people to hear him out while he sings and not stop moving to the music
Ya don't stop check me out y'all (go 'head baby)
Heavy D wants everyone to keep dancing and pay attention to him while he performs
And you can't stop - hear me out y'all (go 'head baby)
The artist is telling the audience that the music won't stop and they should keep listening to him
Ah say what y'all (yeah go 'head baby)
The artist is commanding the crowd to pay attention to him and keep dancing
I hear you talkin' mama (go 'head baby)
The artist is acknowledging the women in the audience who are flirting with him and asking them to continue doing so
Now feel me out boo-boo (go 'head baby)
Heavy D wants people to connect with him and his music on a deeper level and continue to dance and sing with him
From the introduction, you know my funk was all up in ya
The artist is telling the audience that his music has already touched their souls from the moment he started playing
Deep in ya creep when you walk, I dig that
The artist likes the way the audience is moving to his music and wants them to keep going
Split your wig back, now grab the bedpost
This line is a cheesy way of saying that the artist wants the audience to enjoy his music and let loose
Move in real close, I feel what you doin', true'n
The artist wants the audience to really listen and connect with his music
No need no Dom P, no need no Crist'y
The artist doesn't care about expensive wines and champagnes and is only focused on the music and the joy it brings
All you need is me, Hev D, naturally
The artist is confident that his music is all the audience needs to have a good time
Rough rider, 'Mr. Big Stuff,' up inside her
Here, the artist is using sexual innuendo to describe himself as a ladies' man
Multiple provider, the fly divider
The artist is saying that he has many talents and can take on any role
Romeo, jiggalo, high-yellow niggaro
The artist is highlighting his sex appeal and success with women
From the sound of Mount V., by the way of J-A
The artist is referencing his Jamaican roots and upbringing in Mount Vernon, New York
I don't play, I insist, on the back twist
Heavy D is insisting that the audience keep dancing and enjoy the music
Handcuffs and stuff, for those who like it rough
The artist is suggesting a little bit of bondage for those who like it kinky
Whipped cream dreams I fulfill with my schemes
Heavy D is using this line to suggest that he can fulfill any fantasy with his music alone
Down low like R. Kelly, lickin' on yo' belly
The artist is using a simile to describe his sexual prowess and appeal to women
Make you shake like jelly, the fat man, battin' a thousand
Heavy D is suggesting that he is a pro at making women shake and have a good time
I play it safe, carry horses just in case
The artist is making a joke using a double entendre, suggesting he carries protection while also being prepared for any occasion
Good to the, last drop da-da
This line is referencing the Maxwell House coffee slogan while suggesting that the artist's music will keep the audience dancing until the very end
Don't stop is what you tell me, anything to swell me
The artist wants the crowd to keep dancing and have fun all night long
Private dancin', romancin' the soul
Heavy D is making a romantic gesture with his music, saying it can be a private dance and connect with the audience on a deeper level
On the telephone you be like 'poppa come home'
This line is referencing phone sex and the idea that the artist's music can be enticing even while not physically present
Right now I got 30 minutes of foreplay
The artist is teasing the audience with the idea of a long, fun night
Thirty minutes of straight sex, nine minutes of rest, now add that up
The artist is once again teasing the audience, and using math to imply that he can give them a long, satisfying night of good music and fun
Mink rugs, bearhugs, hot tubs
The songwriter is listing some luxurious and sexy things that the music can bring to the audience
Get lifty off the bubs, is what she loves
Here, Heavy D is using more sexual innuendo to suggest that his music can make women feel good
Shorty blender, fender bender, back twirler
The artist is describing people on the dance floor and their different styles while using rhyming words
Boo twister, officially, sexually
This line is another pun on sexual activity, and suggesting that the artist's music can play a role in intimate situations
I'm Mr. me be always ready, in jacuzzi
The writer is talking about how he's always prepared, even in a Jacuzzi, and is ready to perform anytime, anywhere
Ahh, baby, do me, do me
This line is using sexual innuendo to say that the music can make people feel good
Fantastic, romantic, none equivalent
Here the artist is saying his music is fantastic and unlike anything else
To my tactics, get at this, who want it?
The writer is bragging about his music and inviting people to enjoy it with him
Some get champagne, you know how they be trippin'
The songwriter is making a joke about how some people get too drunk on expensive champagne instead of just enjoying the music
But the joke really on you boo, cause sippin' keep you strippin'
This line suggests that Heavy D's music can be just as enticing as alcohol, if not more so
Now dance for me, keep romancin' me
The artist is commanding the audience to keep dancing and listen to his music
You got no chance with me, but you want my hands to be (right here)
Heavy D is suggesting that he is in high demand and everyone wants his attention, but the music is all they get
Say what, and when you want it (right now)
Heavy D is saying that his music is always available and worth dancing to at any moment
Yeah, know why? 'Cause you'll always be singin' this Heavy D song
The songwriter is saying that the audience will never forget his music and will always come back to relive the good times
Lyrics © BMG Rights Management, Universal Music Publishing Group
Written by: EDWARD JAMES BADEN-POWELL, KWAME AMANKWA KWATEN, STEVE MARSTON, SARAH ANNE WEBB, SEBASTIAN ALLEN
Lyrics Licensed & Provided by LyricFind