Reddy became one of the world's most successful female singers of the 1970s music scene, scoring many certified gold hit records, including three #1 singles and fifteen Top 40 pop singles on Billboard Hot 100 singles chart and has sold more than 15 million albums and 10 million singles domestically and 25 million albums worldwide.
She also became the first Australian to have a #1 single in the United States, win a Grammy Award, and host her own variety show on United States television. Born and raised in Australia, Reddy became a naturalized United States citizen in 1974. In 2002, she retired from performing concerts and recording and now resides in Sydney, Australia and was inducted into the Australian Recording Industry Association (ARIA) Hall of Fame in 2006.
Early years
Reddy was born into a well-known Australian show business family in Melbourne, Victoria. Her mother, Stella (née Lamond), was an actress, and her father, Max Reddy, was a writer, producer, and actor.
Her parents performed on the Australian vaudeville circuit. Reddy began performing on stage with her parents at just four years of age. In her late teens, after being briefly married to an older musician, she had a daughter, Traci. In 1968, Helen married longtime friend and soon-to-be producer and manager Jeffrey Wald and in 1974 her then-preteen daughter would record the bookend sequences for another of her mother's top-10 hits titled "You and Me Against the World." The Love Song for Jeffrey album, on which the song appeared, was dedicated to her then-husband, with whom she had a son, Jordan. They divorced in 1983.
After beginning her career in radio and television in Australia, she won a talent contest on the Australian pop music TV show Bandstand, which enabled her to move to the United States in 1966. Settling initially in New York, she met Jeff Wald, then an agent with the William Morris Agency; after living together for only four days, she and Wald married; he subsequently became her manager.
After a stint in Chicago, the family moved to Los Angeles, California, where Reddy tried to establish herself as a recording artist. Twenty-seven labels rejected her before she was finally signed to a contract with Capitol Records in 1970.
After years of trying to get her name out, Helen Reddy's first Top 40 U.S. hit (1971) was a cover of "I Don't Know How To Love Him" (from the first Rice & Webber collaboration Jesus Christ Superstar rock opera). After it reached #13 in mid-1971, the music industry and record buying public began to take notice.
In 1972, Reddy co-wrote, with Australian musician Ray Burton, the song "I Am Woman," which became a worldwide feminist anthem, worldwide hit, and her first U.S #1 hit on the Billboard Hot 100 singles chart. Reddy has attributed the impetus for writing "I Am Woman" and her early awareness of the women's movement to expatriate Australian rock critic and pioneer feminist Lillian Roxon. Reddy is quoted in Fred Bronson's The Billboard Book of Number One Hits as saying that she was looking for songs to record which reflected the positive self-image she had gained from joining the women's movement, but couldn't find any, so "I realized that the song I was looking for didn't exist, and I was going to have to write it myself." The single actually barely dented the charts on its initial release in the summer of 1972, but it wasn't long before female listeners adopted the song as an anthem and began requesting it from their local radio stations in droves, spurring it on to re-enter the charts in September and become a hit. "I Am Woman" earned a Grammy Award for Female Pop Vocal Performance and at the awards ceremony she concluded her acceptance speech by famously thanking God "because She makes everything possible".
Over the next five years, she had more than a dozen other U.S. Top 40 hits including two more #1 hits. These included the Alex Harvey country ballad "Delta Dawn" (#1, 1973), "Leave Me Alone (Ruby Red Dress)" (#3), "Keep on Singing" (#15, 1974), "You and Me Against the World" (written by Paul Williams and featuring daughter Traci reciting the spoken bookends) (#9), "Emotion" (an English version of the French tune "Amoureuse"), "Peaceful" (#12), "Angie Baby" (#1), "Ain't No Way To Treat A Lady" (#8, 1975), Richard Kerr-Will Jennings-penned "Somewhere in the Night" (#19; later a bigger hit for Barry Manilow), and the Carole King-Gerry Goffin song "I Can't Hear You No More" (1976). Her last Top 20 record was a 1977 revival of Cilla Black's 1964 hit "You're My World", co-produced by Kim Fowley. Reddy's final chart record was "I Can't Say Goodbye To You" in 1981. She was most successful on the Adult Contemporary charts, scoring eight #1 hits there over a three-year span, from "Delta Dawn" to "I Can't Hear You No More."
At the height of her fame in the late 1970s, Helen Reddy was a headliner, with a full chorus of backup singers and dancers to standing-room-only crowds on The Strip in Las Vegas. Reddy's opening acts were the then-up-and-coming Barry Manilow, and Joan Rivers. In 1976, Reddy covered the Beatles song "Fool on the Hill" for the musical documentary All This and World War II.
Reddy was also instrumental in furthering the career of Olivia Newton-John as she encouraged her friend to move from Britain to the United States in the early 1970s. At a subsequent party at Reddy's house after a chance meeting with Allan Carr, the film's producer, Newton-John won the starring role in the hit film version of the musical Grease as result.
Reddy has lent her acting and singing talents to many stage, movie and television productions.
Her film career includes roles in Airport 1975 and Walt Disney's Pete's Dragon (in which she sang "Candle on the Water," which has become one of her best-known songs despite only charting on the A/C charts). For her part in Airport 1975, Roddy was nominated for a Golden Globe for Most Promising Newcomer - Female.
Reddy appeared as a guest on numerous television specials and variety shows, and a guest star on episodes of numerous television series, including Love Boat, Fantasy Island, BeastMaster and others.
Reddy was a host and performer, between 1973 and 1975, on some episodes of the late-night variety television show The Midnight Special. She also hosted her own variety television program, The Helen Reddy Show, in the summer of 1973.
Reddy became a naturalised American citizen in 1974. In 2007, Reddy had a voice cameo as herself in the Family Guy television show's Star Wars parody "Blue Harvest". She played a 'red' themed ('Red'-dy) member of the Red Squadron alongside Red Five (Chris Griffin), Red Buttons, Redd Foxx, Big Red, Red October, Simply Red and others.
Reddy's stage credits include performances in Anything Goes, Call Me Madam, The Mystery of Edwin Drood, and works by British playwright Willy Russell. Reddy appeared both on Broadway and in the West End of London in the musical Blood Brothers, and in four productions of Shirley Valentine.
Active in community affairs, Reddy served as the state of California's Parks and Recreation commissioner for three years. In 2002, she retired from performing and moved from Santa Monica, California, to Norfolk Island.
Reddy published an autobiography, The Woman I Am, and appeared on the Today show in 2006. She was also added to the ARIA Hall Of Fame, with a tribute performance by Vanessa Amorosi of "I Am Woman" at the ceremony.
For several years, Reddy maintained that she would not return to the stage. In 2012, Reddy decided to return to performing after being buoyed by the warm reception she received when she sang at her sister's 80th birthday party. On 12 July 2012, Reddy returned to the musical stage at Croce's Jazz Bar in San Diego and for a benefit concert for the arts at St. Genevieve High School in Panorama City, a neighborhood of Los Angeles.
Reddy suffered from Addison's disease, a failure of the adrenal glands, and dementia in her later years.s
Bluebird
Helen Reddy Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
The icy wind is howling out your name
Desolation lingers like a fog
The fire is growing dimmer in the wind
I'm out in the rain
The moon has gone behind the cloud again
And I can't stand to live another day
Cause my bluebird went away
No escape no way to get away
And my only connection with tomorrow
Is hoping that you might decide to not stay away
Oh, I'm out on a limb
If I could only find sweet love again
And I can't stand to live another day
Can't find my bluebird anywhere anywhere anywhere
Oh I'm lost in the night
The icy wind is howling out your name
And I can't stand to live another day
Bluebird why did you go away
Bluebird why did you go away
Oh, little bluebird, why did you go away
Won't you tell me
In Helen Reddy's song Bluebird, the lyrics paint a vivid picture of heartbreak and despair. The singer is lost in the night, feeling the icy wind howling out the name of their lost love. The imagery of desolation and fog emphasize the feelings of loneliness and confusion that come with heartbreak. The fire is growing dimmer in the wind, emphasizing the singer's fading hope for reconciliation.
As the song progresses, the singer's desperation grows. They feel trapped in their sorrow, with no escape or way to get away. They are out on a limb, longing for sweet love again. The bluebird, a symbol of hope and freedom, has flown away, leaving the singer feeling lost and alone. Through it all, the singer holds onto the slightest hope that their love might return, but as the song comes to a close, the singer begs the bluebird to tell them why they left.
Overall, the lyrics of Bluebird are a powerful depiction of heartbreak and the struggle to find hope in the midst of deep pain.
Line by Line Meaning
Yeah I'm lost in the night
The singer is feeling lost and alone in the dark.
The icy wind is howling out your name
The cold wind serves as a reminder of the person the singer is missing, as it sounds like they are calling out their name.
Desolation lingers like a fog
The feeling of emptiness and loneliness is overwhelming, just like dense fog that surrounds everything.
The fire is growing dimmer in the wind
The strength and warmth of the artist's emotions that once kept them going are slowly fading away.
I'm out in the rain
The weather seems to reflect the artist's mood, as they are left alone and exposed to the elements.
The moon has gone behind the cloud again
The singer feels that even the light of the moon, which might provide some comfort, has disappeared.
And I can't stand to live another day
The singer feels like they can't bear the pain of being without the person they love.
Cause my bluebird went away
The artist's sadness is because their 'bluebird' (the person they love) is no longer with them.
And I'm locked in this room with my sorrow
The artist is consumed by their grief, which holds them captive and prevents them from escaping their emotional pain.
No escape no way to get away
The artist feels trapped and sees no way to escape from their feelings.
And my only connection with tomorrow
The singer's hope for the future lies in the possibility that the person they love might return.
Is hoping that you might decide to not stay away
The artist is yearning for their loved one to come back and not stay away from their life forever.
Oh, I'm out on a limb
The singer feels like they're taking a risk putting themselves out there emotionally, vulnerable and exposed.
If I could only find sweet love again
The singer longs to find love again, suggesting that their bluebird was a previous love interest they lost.
Can't find my bluebird anywhere anywhere anywhere
The singer has been searching for their bluebird, but they can't seem to find them.
Bluebird why did you go away
The artist is questioning why their loved one chose to leave them.
Oh, little bluebird, why did you go away
The artist addresses their bluebird affectionately, expressing how much they miss them.
Won't you tell me
The singer is pleading with their loved one to explain why they left, hoping to get some closure.
Lyrics © Universal Music Publishing Group
Written by: Leon Russell
Lyrics Licensed & Provided by LyricFind