Reddy became one of the world's most successful female singers of the 1970s music scene, scoring many certified gold hit records, including three #1 singles and fifteen Top 40 pop singles on Billboard Hot 100 singles chart and has sold more than 15 million albums and 10 million singles domestically and 25 million albums worldwide.
She also became the first Australian to have a #1 single in the United States, win a Grammy Award, and host her own variety show on United States television. Born and raised in Australia, Reddy became a naturalized United States citizen in 1974. In 2002, she retired from performing concerts and recording and now resides in Sydney, Australia and was inducted into the Australian Recording Industry Association (ARIA) Hall of Fame in 2006.
Early years
Reddy was born into a well-known Australian show business family in Melbourne, Victoria. Her mother, Stella (née Lamond), was an actress, and her father, Max Reddy, was a writer, producer, and actor.
Her parents performed on the Australian vaudeville circuit. Reddy began performing on stage with her parents at just four years of age. In her late teens, after being briefly married to an older musician, she had a daughter, Traci. In 1968, Helen married longtime friend and soon-to-be producer and manager Jeffrey Wald and in 1974 her then-preteen daughter would record the bookend sequences for another of her mother's top-10 hits titled "You and Me Against the World." The Love Song for Jeffrey album, on which the song appeared, was dedicated to her then-husband, with whom she had a son, Jordan. They divorced in 1983.
After beginning her career in radio and television in Australia, she won a talent contest on the Australian pop music TV show Bandstand, which enabled her to move to the United States in 1966. Settling initially in New York, she met Jeff Wald, then an agent with the William Morris Agency; after living together for only four days, she and Wald married; he subsequently became her manager.
After a stint in Chicago, the family moved to Los Angeles, California, where Reddy tried to establish herself as a recording artist. Twenty-seven labels rejected her before she was finally signed to a contract with Capitol Records in 1970.
After years of trying to get her name out, Helen Reddy's first Top 40 U.S. hit (1971) was a cover of "I Don't Know How To Love Him" (from the first Rice & Webber collaboration Jesus Christ Superstar rock opera). After it reached #13 in mid-1971, the music industry and record buying public began to take notice.
In 1972, Reddy co-wrote, with Australian musician Ray Burton, the song "I Am Woman," which became a worldwide feminist anthem, worldwide hit, and her first U.S #1 hit on the Billboard Hot 100 singles chart. Reddy has attributed the impetus for writing "I Am Woman" and her early awareness of the women's movement to expatriate Australian rock critic and pioneer feminist Lillian Roxon. Reddy is quoted in Fred Bronson's The Billboard Book of Number One Hits as saying that she was looking for songs to record which reflected the positive self-image she had gained from joining the women's movement, but couldn't find any, so "I realized that the song I was looking for didn't exist, and I was going to have to write it myself." The single actually barely dented the charts on its initial release in the summer of 1972, but it wasn't long before female listeners adopted the song as an anthem and began requesting it from their local radio stations in droves, spurring it on to re-enter the charts in September and become a hit. "I Am Woman" earned a Grammy Award for Female Pop Vocal Performance and at the awards ceremony she concluded her acceptance speech by famously thanking God "because She makes everything possible".
Over the next five years, she had more than a dozen other U.S. Top 40 hits including two more #1 hits. These included the Alex Harvey country ballad "Delta Dawn" (#1, 1973), "Leave Me Alone (Ruby Red Dress)" (#3), "Keep on Singing" (#15, 1974), "You and Me Against the World" (written by Paul Williams and featuring daughter Traci reciting the spoken bookends) (#9), "Emotion" (an English version of the French tune "Amoureuse"), "Peaceful" (#12), "Angie Baby" (#1), "Ain't No Way To Treat A Lady" (#8, 1975), Richard Kerr-Will Jennings-penned "Somewhere in the Night" (#19; later a bigger hit for Barry Manilow), and the Carole King-Gerry Goffin song "I Can't Hear You No More" (1976). Her last Top 20 record was a 1977 revival of Cilla Black's 1964 hit "You're My World", co-produced by Kim Fowley. Reddy's final chart record was "I Can't Say Goodbye To You" in 1981. She was most successful on the Adult Contemporary charts, scoring eight #1 hits there over a three-year span, from "Delta Dawn" to "I Can't Hear You No More."
At the height of her fame in the late 1970s, Helen Reddy was a headliner, with a full chorus of backup singers and dancers to standing-room-only crowds on The Strip in Las Vegas. Reddy's opening acts were the then-up-and-coming Barry Manilow, and Joan Rivers. In 1976, Reddy covered the Beatles song "Fool on the Hill" for the musical documentary All This and World War II.
Reddy was also instrumental in furthering the career of Olivia Newton-John as she encouraged her friend to move from Britain to the United States in the early 1970s. At a subsequent party at Reddy's house after a chance meeting with Allan Carr, the film's producer, Newton-John won the starring role in the hit film version of the musical Grease as result.
Reddy has lent her acting and singing talents to many stage, movie and television productions.
Her film career includes roles in Airport 1975 and Walt Disney's Pete's Dragon (in which she sang "Candle on the Water," which has become one of her best-known songs despite only charting on the A/C charts). For her part in Airport 1975, Roddy was nominated for a Golden Globe for Most Promising Newcomer - Female.
Reddy appeared as a guest on numerous television specials and variety shows, and a guest star on episodes of numerous television series, including Love Boat, Fantasy Island, BeastMaster and others.
Reddy was a host and performer, between 1973 and 1975, on some episodes of the late-night variety television show The Midnight Special. She also hosted her own variety television program, The Helen Reddy Show, in the summer of 1973.
Reddy became a naturalised American citizen in 1974. In 2007, Reddy had a voice cameo as herself in the Family Guy television show's Star Wars parody "Blue Harvest". She played a 'red' themed ('Red'-dy) member of the Red Squadron alongside Red Five (Chris Griffin), Red Buttons, Redd Foxx, Big Red, Red October, Simply Red and others.
Reddy's stage credits include performances in Anything Goes, Call Me Madam, The Mystery of Edwin Drood, and works by British playwright Willy Russell. Reddy appeared both on Broadway and in the West End of London in the musical Blood Brothers, and in four productions of Shirley Valentine.
Active in community affairs, Reddy served as the state of California's Parks and Recreation commissioner for three years. In 2002, she retired from performing and moved from Santa Monica, California, to Norfolk Island.
Reddy published an autobiography, The Woman I Am, and appeared on the Today show in 2006. She was also added to the ARIA Hall Of Fame, with a tribute performance by Vanessa Amorosi of "I Am Woman" at the ceremony.
For several years, Reddy maintained that she would not return to the stage. In 2012, Reddy decided to return to performing after being buoyed by the warm reception she received when she sang at her sister's 80th birthday party. On 12 July 2012, Reddy returned to the musical stage at Croce's Jazz Bar in San Diego and for a benefit concert for the arts at St. Genevieve High School in Panorama City, a neighborhood of Los Angeles.
Reddy suffered from Addison's disease, a failure of the adrenal glands, and dementia in her later years.s
I don't know why
Helen Reddy Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
What to do, how to move him
I've been changed, yes really changed
In these past few days when I see myself
I seem like someone else
I don't know how to take this
I don't see why he moves me
And I've had so many men before
In very many ways, he's just one more
Should I bring him down?
Should I scream and shout?
Should I speak of love?
Let my feelings out
I never thought I'd come to this
What's it all about
Don't you think it's rather funny
I should be in this position?
I'm the one who's always been
So calm, so cool, no lover's fool
Running every show, he scares me so
I never thought I'd come to this
What's it all about?
What's it all about?
If he said he loved me
I'd be lost, I'd be frightened
I couldn't cope, just couldn't cope
I'd turn my head, I'd back away
I wouldn't want to know
He scares me so
Oh, I want him so
I love him so
Helen Reddy's song "I Don't Know How to Love Him" is a touching ballad about a woman trying to come to terms with her feelings for a man she deeply desires, but is scared to love. The song is from the 1970 rock opera "Jesus Christ Superstar," which tells the story of Jesus Christ's final days before his crucifixion. The singer of the song is Mary Magdalene, a follower of Jesus and a former prostitute, who has fallen in love with him. The lyrics of the song express her struggles in coming to terms with her emotions towards Jesus.
In the first verse, Mary admits that she doesn't know how to love Jesus and doesn't understand why she's been changed by him. She feels like she's someone else and can't figure out how to move or approach him. In the second verse, Mary questions if she should bring Jesus down, scream and shout, or speak of love to let her feelings out. She's scared and confused, having never felt this way before. In the final verse, Mary confesses that if Jesus were to declare his love for her, she wouldn't know how to cope with it. She would turn away from him and back away because he scares her so much, although she loves him deeply.
The lyrics of "I Don't Know How to Love Him" tap into universal human emotions of love, fear, and vulnerability. Mary Magdalene's struggle to accept her feelings for Jesus is a relatable experience many people have gone through at one point in their lives. Despite Mary's fear of love, she cannot deny her affection for Jesus. The song tells a tale of an internal battle with one's heart.
Line by Line Meaning
I don't know how to love him
I am unsure of how to love him
What to do, how to move him
I am uncertain of how to impress or make him respond to me
I've been changed, yes really changed
I have undergone a significant transformation recently
In these past few days when I see myself
During recent days, I've perceived a change within myself
I seem like someone else
I appear to have become a different person
I don't know how to take this
I am uncertain how to handle this situation
I don't see why he moves me
I cannot understand why he attracts me
He's a man, he's just a man
He is merely a human being, a male
And I've had so many men before
I have experienced many men in the past
In very many ways, he's just one more
He is similar to many other men I have known
Should I bring him down?
Should I criticize him or belittle him?
Should I scream and shout?
Should I express my frustration or anger loudly?
Should I speak of love?
Should I confess my love to him?
Let my feelings out
Should I express my emotions openly?
I never thought I'd come to this
I never expected to be in this situation
What's it all about
What is the significance or meaning of all of this?
Don't you think it's rather funny
Do you not find it ironic?
I should be in this position?
I cannot believe I am in this circumstance
I'm the one who's always been
I am typically the one who is
So calm, so cool, no lover's fool
I am composed, collected, and not easily deceived in love
Running every show, he scares me so
I am usually in charge, but he intimidates me
If he said he loved me
If he were to confess his love for me
I'd be lost, I'd be frightened
I would feel confused and scared
I couldn't cope, just couldn't cope
I would be unable to handle it
I'd turn my head, I'd back away
I would avoid the situation and retreat
I wouldn't want to know
I would avoid hearing his confession of love
He scares me so
He intimidates and frightens me
Oh, I want him so
Despite all of this, I still have a strong desire for him
I love him so
I have strong romantic feelings for him
Lyrics © Universal Music Publishing Group, Warner Chappell Music, Inc.
Written by: Andrew Lloyd Webber, Tim Rice
Lyrics Licensed & Provided by LyricFind
midnight skies
Hello Joel. I appreciate your accomplishments and your working with Helen. But in my opinion, you did Helen a great dis-service. She's is no doubt an exceptional vocalist, but this (in my opinion) is one of her least appealing LPs.
Joel Diamond
Thank you so much for taking the time to write & I’m sorry it took so long to get back to you...I always try to add meaningful, loving, and many times interesting YouTube Links to my Channel...Please join my YouTube Channel by going to https://www.youtube.com/user/jdia1943 and hit “SUBSCRIBE” button” so you can always see all the new videos going up… thank you also passing this information on to your friends and relatives to join...Warmest regards and let’s stay in touch, Joel Diamond