Razah made his rap debut in the early 90s as a founding member of the Sunz of Man along with Killah Priest, Shabazz the Disciple, Prodigal Sunn, Supreme, 7th Ambassador and 60 Second Assassin. The group have released three albums to date ("The Last Shall Be First", "The First Testament" and "Saviorz Day")
As a solo artist, Razah has released a slew of mixtapes (most of which are available online) aswell as five studio albums - When All Hell Breaks Loose (2001, re-released in 2008), Freedom of Speech (2004, with 4th Disciple), Renaissance Child (2007), Razah's Ladder (2007, with Blue Sky Black Death) and his most recent album Heaven Razah (2010).
Razah is also a member the group T.H.U.G. Angelz, with Shabazz The Disciple and have released one album "Welcome To Red Hook Houses" in 2008.
In 2010 Razah suffered a brain aneurysm but miraculously recovered!
His album "Heaven Razah" was released around this period, and since his recovery Razah has continued to make music under this moniker.
A documentary was filmed about his recovery entitled "Risen". More information can be found here http://www.risendocumentary.com/
Runaway Sambo
Hell Razah Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Run, man... hurry up, hurry up
They coming, they coming, man!
Keep going, keep going
Move, move, move, move, hurry up
Move, move... don't stop, don't stop
Hurry up, man... move, move, move, move
They gon' kill us, hurry up... uh
[Hook: Hell Razah]
They got a bounty on my head and a tag for your toe
I'm here to sing a song, til they let my people go
Real about, turn about, my chrome forty four
Everytime I pull it out, it's fuck Jim Crow...
[Hell Razah:]
It's like Moses and Pharaoh, now it's the Big Apple
I'm just a runaway slave, these devils can't tackle
We slippin' out of handcuffs and breaking out of shackles
I'm Nat Turner in the mind of a time capsule
We not no Buckwheats or Little Rascals
Or Diff'rent Strokes, or whatever have you (watch your mouth)
A lil' fame... a record deal don't make your freedom
If man don't live by bread alone, how we gonna feed him
So I choose to bring the truth about the seed of Edem
But they swift with cunning words, and they still deceive 'em
Your best rapper swinging 'yes, master', when they beat 'em
Chris Columbus came with a fungus, recognize ya'll in strength in numbers
They went from cowboys to bounty hounters, the FBI's hopping out of Hummers
Taking your kids and your grandmothers
Your niece and nephews, and your baby brothers
Abraham Lincoln's and nigga lovers...
[Interlude: Hell Razah]
No matter how you see it
[Chorus: Hell Razah]
They try'nna tell me I can't blow, cause I ain't tapdancing like Sambo
My pants low from that Black Market commando
I stand poor righteneous, truth and straight facts
Whoever ain't runaway slaves'll get snatched
[Interlude: Hell Razah]
Keep going... keep going...
[Hell Razah:]
While it's wars in Lebanon, I write it like King David in psalms
See I was born to the horns of Sara Von
It's Ariel Sharon, the suicide bomb
Nat Turner nightmares and chasing Uncle Toms
El Raziel, codename, be Metatron
I got 'em open like dope veins from methadon
Without a right to bare arms, I'm mentally the don
You can't fuck with the God, he's seven bars beyond
They love to hate it, and translate it and read it wrong
My definition is non-fiction, I rhyme different
Than your every day rap gimmick, design image
You invented a clone, a DNA digit, digit, digit
[Chorus]
[Interlude: Hell Razah]
Boo! Hurry up, hurry up, man
Hurry up, man
[Hook]
[Outro: Hell Razah]
We gotta make it out of here, man
Who are me, when are we gonna stop it?
And on that night (we gotta stop somewhere, man)
Seven men escaped... nowhere to be traced, nowhere to be found
Go north, go north, they gon' hear us
They took the shackles off they hands
They took the chains off they feet
And they ran... and they escaped the wilderness
In "Runaway Sambo," Hell Razah raps about the oppression of Black people in America and the struggle to break free from the chains of slavery, even in modern times. He compares himself to Moses, leading his people out of Egypt, and Nat Turner, who led a slave rebellion in 1831. Hell Razah also references the bounty on his head and the tag on the toe of his fellow Black man, both symbolizing the ways in which white supremacy seeks to control and subjugate his people. He notes the importance of speaking the truth and educating others about the real history of the world, particularly the story of the seed of Edem, rather than perpetuating the lies spread by those in power. Throughout the song, Hell Razah's lyrics are a call to action, urging his listeners to stand up for themselves and for their rights, and to never give up in the face of adversity.
Line by Line Meaning
Run, man... hurry up, hurry up
Quickly run away from the incoming danger
They coming, they coming, man!
The enemy is approaching fast
Keep going, keep going
Continue running away
Move, move, move, move, hurry up
Move quickly to escape the danger
Move, move... don't stop, don't stop
Keep moving forward without stopping
Hurry up, man... move, move, move, move
Quickly move away to avoid getting caught or killed
They gon' kill us, hurry up... uh
There is a threat of being killed, so move quickly
They got a bounty on my head and a tag for your toe
Both the artist and the listener are being hunted and have bounties on their heads
I'm here to sing a song, til they let my people go
The artist will use their voice to fight for the freedom of their people
Real about, turn about, my chrome forty four
The artist is prepared to use their firearm to defend themselves
Everytime I pull it out, it's fuck Jim Crow...
The singer is using their weapon to fight against the oppressive Jim Crow laws
It's like Moses and Pharaoh, now it's the Big Apple
The artist is drawing a comparison between the story of Moses and Pharaoh to their current situation in New York City
I'm just a runaway slave, these devils can't tackle
The singer identifies as a runaway slave and is hard to catch or trap
We slipping out of handcuffs and breaking out of shackles
The singer and their people are successfully escaping bondage through physical means
I'm Nat Turner in the mind of a time capsule
The singer imagines themselves as a historical figure who fought against slavery
We not no Buckwheats or Little Rascals
The artist rejects the stereotype of Black people as silly or unintelligent
Or Different Strokes, or whatever have you (watch your mouth)
The artist rejects these types of shows as being unrealistic or not representative of Black people
A lil' fame... a record deal don't make your freedom
The singer cautions that financial success or popularity does not guarantee freedom from oppression
If man don't live by bread alone, how we gonna feed him
The singer questions how people can survive on basic necessities alone and underscores the need for liberation
So I choose to bring the truth about the seed of Edem
The artist feels it is their duty to educate others about the origins of humanity
But they swift with cunning words, and they still deceive 'em
The artist acknowledges that those in power use manipulative language to deceive others
Your best rapper swinging 'yes, master', when they beat 'em
The artist critiques rappers who submit to the oppressive authority of record labels by using subservient language
Chris Columbus came with a fungus, recognize y'all in strength in numbers
The singer critiques Christopher Columbus for poisoning Native Americans, and encourages collective resistance
They went from cowboys to bounty hounters, the FBI's hopping out of Hummers
The artist critiques the shift in popular culture from cowboys to police-like figures who are rewarded for capturing Black people
Taking your kids and your grandmothers
The singer refers to the historical practice of separating families during slavery
Your niece and nephews, and your baby brothers
The singer acknowledges that everyone is at risk of being taken or captured, regardless of age or gender
Abraham Lincoln's and nigga lovers...
The singer questions the legacy of Abraham Lincoln, pointing out his mixed motives and complicated attitude towards Black people
While it's wars in Lebanon, I write it like King David in psalms
The artist compares their writing to the Biblical Psalms in its emotional and spiritual depth
See I was born to the horns of Sara Von
The artist references an ancient Jewish mystical tradition that associates the sound of a shofar with being born again
It's Ariel Sharon, the suicide bomb
The singer critiques Ariel Sharon, a controversial Israeli leader known for aggression and violence
Nat Turner nightmares and chasing Uncle Toms
The singer references Nat Turner, a Black leader who fought against slavery, and Uncle Tom, a pejorative term for Black people who are seen as subservient to white authority
El Raziel, codename, be Metatron
The artist references Jewish mysticism and angels in their self-identification
I got 'em open like dope veins from methadon
The artist is having a profound spiritual impact on their listeners
Without a right to bare arms, I'm mentally the don
The artist feels empowered and powerful without needing to rely on weapons
You can't fuck with the God, he's seven bars beyond
The singer is highly skilled and confident in their craft
They love to hate it, and translate it and read it wrong
The artist is aware that their message may be misunderstood or misinterpreted by dominant culture
My definition is non-fiction, I rhyme different
The singer sees themselves as unique and independent, and their work is based on reality rather than imagination
Than your every day rap gimmick, design image
The singer critiques mainstream rap for being formulaic and commercial
You invented a clone, a DNA digit, digit, digit
The singer critiques the trend of creating artificial and commodified versions of Blackness
We gotta make it out of here, man
The artist is focused on survival and escape
Who are me, when are we gonna stop it?
The artist questions the current state of oppression and the need for collective action to end it
And on that night (we gotta stop somewhere, man)
The singer references an event in history when several slaves escaped and encourages further action
Seven men escaped... nowhere to be traced, nowhere to be found
The singer references the successful escape of a group of slaves and inspires hope for further action
Go north, go north, they gon' hear us
The artist encourages their people to move towards freedom and speak out against oppression
They took the shackles off they hands
The artist celebrates the removal of bondage and slavery
They took the chains off they feet
The artist celebrates the newfound freedom to move and travel
And they ran... and they escaped the wilderness
The singer celebrates the successful escape of their people from slavery and oppression
Contributed by Chase A. Suggest a correction in the comments below.