Henry Cow was an English avant-garde rock group, founded at Cambridge Unive… Read Full Bio ↴Henry Cow was an English avant-garde rock group, founded at Cambridge University in 1968 by multi-instrumentalists Fred Frith and Tim Hodgkinson. An inherent anti-commercial bias kept them at arm's length from the mainstream music business, enabling them to experiment at will. They remained in existence for 10 years, breaking up in 1978, and produced a body of music that was challenging, provocative and influential for years to come. Collaborations with the similarly-minded band Slapp Happy led to an eventual but brief merger of the two bands in 1974, and demerging in 1975. Cutler, Frith and Krause also continued on as Art Bears from 1978 as disagreements set in and the band dissolved.
Henry Cow was among the founding members of the movement dubbed Rock in Opposition (RIO).
A number of people passed through Henry Cow over the years:
* Georgie Born - Cello, Bass (1976-1978)
* Lindsay Cooper - Bassoon, Reeds (1974, 1975-1978)
* Chris Cutler - Drums, Percussion (1971-1978)
* Fred Frith - Guitar, Violin, Bass, Piano, Xylophone (1968-1978)
* John Greaves - Bass, Piano (1970-1976)
* Tim Hodgkinson - Keyboards, Reeds (1968 - 1978)
* Dagmar Krause - Vocals (1975 - 1978)
* Geoff Leigh - Flute, Reeds (1972 - 1973)
Henry Cow's repertoire included elaborately scored pieces (often with complex time signatures), tape manipulations, free improvisation and songs. It incorporated elements of jazz, rock, classical music and the avant-garde. Dagmar Krause's vocals added another dimension to their sound, giving it a dramatic, almost Brechtian flair.
Their music was often experimental, making classification all but impossible. However, the following styles (amongst others) are often associated with Henry Cow:
* rock (too general and therefore inadequate)
* progressive rock
* art rock
* avant-progressive rock
* avant-rock
* chamber rock
* experimental rock
* free improvisation
Some of these styles may come closer to describing their music than others, and often it contained elements of all of the above, but in reality, Henry Cow simply remains one of those unclassifiable groups.
Henry Cow's music was challenging, not only to the listener, but also to the band themselves. They often composed pieces to challenge their own capabilities. Some of their music was scored beyond the conventional ranges of their music instruments necessitating that they "reinvent their instruments", learn how to play them in completely new ways. And yet their music may not have been as good as it could have been. Henry Cow conducted their affairs as a committee, having regular, minuted meetings with no decisions being made unless approved by the group. This included their music. Band members brought their ideas to the table but often they ended up being watered down as a result of the collective process, rather than strengthened, and many of their best ideas may not have been fully realised. Who knows what Henry Cow might have produced had individual members been given more free reign.
While their music is a decided "acquired taste", there is much to recommend in it, for as it is often dissonant and challenging, it is also rich and exciting, and yields more insights upon repeated listening.
Henry Cow reunited in November 2014 to celebrate the music of the late Lindsay Cooper for shows in the UK and Italy.
Henry Cow was among the founding members of the movement dubbed Rock in Opposition (RIO).
A number of people passed through Henry Cow over the years:
* Georgie Born - Cello, Bass (1976-1978)
* Lindsay Cooper - Bassoon, Reeds (1974, 1975-1978)
* Chris Cutler - Drums, Percussion (1971-1978)
* Fred Frith - Guitar, Violin, Bass, Piano, Xylophone (1968-1978)
* John Greaves - Bass, Piano (1970-1976)
* Tim Hodgkinson - Keyboards, Reeds (1968 - 1978)
* Dagmar Krause - Vocals (1975 - 1978)
* Geoff Leigh - Flute, Reeds (1972 - 1973)
Henry Cow's repertoire included elaborately scored pieces (often with complex time signatures), tape manipulations, free improvisation and songs. It incorporated elements of jazz, rock, classical music and the avant-garde. Dagmar Krause's vocals added another dimension to their sound, giving it a dramatic, almost Brechtian flair.
Their music was often experimental, making classification all but impossible. However, the following styles (amongst others) are often associated with Henry Cow:
* rock (too general and therefore inadequate)
* progressive rock
* art rock
* avant-progressive rock
* avant-rock
* chamber rock
* experimental rock
* free improvisation
Some of these styles may come closer to describing their music than others, and often it contained elements of all of the above, but in reality, Henry Cow simply remains one of those unclassifiable groups.
Henry Cow's music was challenging, not only to the listener, but also to the band themselves. They often composed pieces to challenge their own capabilities. Some of their music was scored beyond the conventional ranges of their music instruments necessitating that they "reinvent their instruments", learn how to play them in completely new ways. And yet their music may not have been as good as it could have been. Henry Cow conducted their affairs as a committee, having regular, minuted meetings with no decisions being made unless approved by the group. This included their music. Band members brought their ideas to the table but often they ended up being watered down as a result of the collective process, rather than strengthened, and many of their best ideas may not have been fully realised. Who knows what Henry Cow might have produced had individual members been given more free reign.
While their music is a decided "acquired taste", there is much to recommend in it, for as it is often dissonant and challenging, it is also rich and exciting, and yields more insights upon repeated listening.
Henry Cow reunited in November 2014 to celebrate the music of the late Lindsay Cooper for shows in the UK and Italy.
Came to See You
Henry Cow Lyrics
We have lyrics for these tracks by Henry Cow:
Bad Alchemy I dream Hermaphrodite and I sit up all night Our eyes…
Deluge Don't disturb me while I'm dreaming Walk softly on my peace…
Gloria Gloom Like so many of you I've got my doubts about how…
Living in the Heart of the Beast Situation that rules your world (despite all you've said) I…
Lovers of Gold Lovers of Gold Give All you own To bats and spiders and t…
Nine Funerals of the Citizen King Down beneath the spectacle of free No one ever let you…
Nirvana for Mice Sweet mystery of life I will remember Sweet mystery of life…
Ottawa Song You and I could sail away to distant lands. In a…
Teenbeat Reprise Instrumental…
Viva Pa Ubu Here is a song for all you Ubists Fat & loathsome, Rich…
War Tell of the birth Tell how war appeared on earth Thunder an…
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
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Edmund Hõbe
To be fair, it's sort of an open knowledge that H.Cow earlier on was heavily Softs-influenced. That organ solo is definitely in the style of Canterbury: as a matter of fact, initially I thought Dave Stewart was a guest organist on this track, but that turned out not to be the case: instead, Tim Hodgkinson is ripping a fine Ratledge homage on his Farfisa organ. BTW, HC's sound did not feature oboe/bassoon until late 1973 when Lindsay Cooper filled in for tenor saxophonist Geoff Leigh.
Surrealms
Forgot to mention this is unusual, embryonic, and awesome!
Surrealms
Somewhat reminiscent of "Moon In June" - a little more frenetic, as you would expect. Is this from that expensive box set that came out last year?
Sublime Music Channel
Without wanting to invoke ire by calling H. Cow a band influenced by the "Canterbury" sound, if you heard this and were told it was written, performed, and recorded by guys who'd come out of The Wilde Flowers you wouldn't doubt it for a scecond (apart, perhaps, from the oboe/bassoon sound).
D3word3
Thank you for sharing.
NayTitania
I need you now More than I ever think I did before
Sublime Music Channel
That's nice. Doesn't your computer pick up Wikipedia? Try adjusting the fine tuning.
gnarlybird
Their Cambridge (Syd Barrett) roots are showing. Is that Fred Frith singing?
Robyn Daigneault
Not even this is that Canterbury shit
A Lot of Bottle
gnarlybird John Greaves if I'm not mistaken.