In the 1940s and 1950s Jeffries recorded for a number of labels, including RCA Victor, Exclusive, Coral, Decca, Bethlehem, Columbia, Mercury and Trend. His album Jamaica, recorded by RKO, is a concept album of self-composed calypso songs.
Jeffries was born Umberto Alexander Valentino in Detroit to an Irish mother who ran a rooming house, and a father, whom he never knew, of mixed Sicilian, Ethiopean, French, Italian and Moorish roots, on September 24, 1913. He once characterized himself in an interview as "three-eighths Negro", claiming pride in his racial heritage during a period when many other light-skinned black performers were attempting "to pass" as all-white in an effort to broaden their commercial appeal. In marked contrast, Jeffries used make-up to darken his skin—in order to pursue a career in jazz and to be seen as employable by the leading all-black musical ensembles of the day. Yet, much later in his career, Jeffries would assume the identify of a white citizen for economic or highly personal reasons. Jet reported that Jeffries identified himself as White and stated his "real" name as "Herbert Jeffrey Ball" on an application in order to marry Tempest Storm in 1959. Jeffries told the reporter for Jet:
"... I'm not passing, I never have, I never will. For all these years I've been wavering about the color question on the blanks. Suddenly I decided to fill in the blank the way I look and feel.
Look at my blue eyes, look at my brown hair, look at my color. What color do you see?" he demand to know. "My mother was 100 per cent white," Jeffries said, his blue eyes glinting in the New York sun. "My father is Portuguese, Spanish, American Indian, and Negro. How in the hell can I identify myself as one race or another?"
A 2007 documentary short describes Jeffries as "assuming the identity of a man of color" early in his career. He is shown in Black/White & All That Jazz explaining that he was inspired by New Orleans-born musician Louis Armstrong to say falsely, at a job interview in Chicago, that he was "a creole from Louisiana" when he was of Irish and Sicilian heritage, among other ethnic backgrounds.
In 2007, while assembling material for the producers of a documentary film about him (A Colored Life), Jeffries found his birth certificate; this reminded him that he actually was born in 1913 and that he had misrepresented his age after he left home to look for a job. His four marriages (including one to exotic dancer Tempest Storm) produced five children. He appeared at jazz festivals and events benefiting autism and other developmental problems and lectured at colleges and universities. He supported music education in schools. In June 2010, aged 96, Jeffries performed to raise funds for the Oceanside (California) Unified School District's music program, accompanied by the Big Band Jazz Hall of Fame Orchestra under the direction of clarinetist Tad Calcara. This benefit concert was his second (the previous concert was in 2001).
A jazz and popular singer, he starred as a singing cowboy in several all-black Western films, in which he sang his own western compositions. Jeffries obtained financing for the first black western film and hired Spencer Williams to appear with him. In addition to starring in the film, he sang and performed his own stunts as cowboy "Bob Blake". He began his career working with Erskine Tate and his Vendome Orchestra when he moved to Chicago from Detroit at the urging of Louis Armstrong. His break came during the 1933 Chicago World's Fair—Century of Progress Exposition singing with the Earl Hines Orchestra on Hines’ national broadcasts live from the Grand Terrace Cafe. His first recordings were with Hines in 1934, including "Just to be in Carolina". He then recorded with Duke Ellington from 1940 to 1942. His recording of "Flamingo" (1940) with Ellington was a best seller in its day. He was replaced in the Ellington band by Al Hibbler in 1943.
Playing a singing cowboy in low-budget films, Jeffries became known as the "Bronze Buckaroo" by his fans. In a time of American racial segregation, such "race movies" played mostly in theaters catering to African-American audiences. The films, now available on video, include Harlem on the Prairie, The Bronze Buckaroo, Harlem Rides the Range and Two-Gun Man from Harlem. Jeffries went on to make other films, starring with Angie Dickinson in Calypso Joe (1957). He later directed and produced Mundo depravados, a cult film starring his wife, Tempest Storm. In 1968, Jeffries appeared in the long-running western TV series The Virginian playing a gunslinger who intimidated the town. At the age of 81, he recorded a Nashville album of songs on the Warner Western label in 1995 entitled The Bronze Buckaroo (Rides Again).
He lived in Wichita, Kansas and turned 100 on September 24, 2013. He died of heart failure at a California hospital on May 25, 2014.
For his contributions to the motion-picture industry, Jeffries has a star on the Hollywood Walk of Fame at 6672 Hollywood Boulevard. In 2004 he was inducted into the Western Performers Hall of Fame at the National Cowboy & Western Heritage Museum in Oklahoma City, Oklahoma. A restaurant in Idyllwild, Cafe Aroma, has a room named for him. In 1998 a Golden Palm Star on the Palm Springs, California, Walk of Stars was dedicated to him.
Discography
Sidney Bechet: "1940-1941" (Classics)
Earl Hines: "1932-1934" (Classics)
Duke Ellington:"The Blanton–Webster Band" (RCA, 1940–42)
Michael Martin Murphey: "Sagebrush Symphony"
"Jamaica" (RKO Records ULP - 128) all songs composed by Jeffries
"Passion" (Brunswick, BL 54028) Coral singles compiled on 12" LP
"Say it Isn't So" (Bethlehem BCP 72) with the Russ Garcia Orchestra
"Herb Jeffries" (Harmony HL 7048) Columbia singles LP
"Magenta Moods" (Mercury 2589 10") LP transfer of Exclusive label album
"Herb Jeffries Sings" (Mercury 2590 10") more Exclusive singles with the Buddy Baker Orchestra
"Herb Jeffries and his Orchestra" (Mercury 2591 10") Exclusive label singles
"Songs by Herb Jeffries" (Mercury 2592 10") Exclusive label singles
"I Remember the Bing" (Dobre Records 1047)
"Play and Sing the Duke" (Dobre Records 1053)
"The King and Me" (Dobre Records 1059)
You You Darlin'
Herb Jeffries Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
One look is all you'd need to see the mood I'm in
Perhaps then you'd realize I'm still in love with you
If you could see me now, you'd find me being brave
And trying awfully hard to make my tears behave
But that's quite impossible, I'm still in love with you
You'll happen my way on some memorable day
I'll try to smile but can I play the part
Without my heart behind the smile?
The way I feel for you I never could disguise
The look of love is written plainly in my eyes
I think you'd be mine again if you could see me now
The lyrics to Herb Jeffries's song You You Darlin' portray a sense of longing and heartbreak. The singer reflects on his emotions and confesses that if his love interest could see him now, she would realize that he is still in love with her. He describes the depths of his sadness and how he is trying his best to be brave and put on a brave face, but cannot conceal the love that he still has for her.
The second verse mentions the hopeful possibility of a future encounter, where the singer believes that his love interest will cross his path once more. He talks about the significance of the month of May, which could symbolize a time of rebirth and new beginnings. However, he questions whether he can pretend to be okay without his heart being behind the smile. The lyrics, "The way I feel for you, I never could disguise, the look of love is written plainly in my eyes," suggest that the singer's feelings are genuine and cannot be ignored.
Overall, the lyrics of You You Darlin' express a sense of deep sorrow and the struggle to move on from unrequited love. The singer's vulnerability and honesty make for a poignant and relatable song that has resonated with audiences over the years.
Line by Line Meaning
If you could see me now, you'd know how blue I've been
If only you were here seeing me, then you would understand the depth of blue I am feeling.
One look is all you'd need to see the mood I'm in
Just from one look you could feel the mood I am in, no explanation needed.
Perhaps then you'd realize I'm still in love with you
Maybe, in that moment you would come to understand that I have never stopped loving you.
If you could see me now, you'd find me being brave
In the event that you were able to see me now, you would notice that I am showing bravery in this moment.
And trying awfully hard to make my tears behave
I am actively trying very hard to hold my tears back and keep them from falling.
But that's quite impossible, I'm still in love with you
Nevertheless, that is almost an impossible feat because I am still deeply in love with you.
You'll happen my way on some memorable day
There will come a notable day when our paths will cross again.
And the month will be May for a while
Maybe it will be in May or the time period will feel like it is lasting for much longer than that.
I'll try to smile but can I play the part
I will try my best to show a smile but it will be hard to play this role.
Without my heart behind the smile?
Can I really put on a happy face and pretend that my heart is not aching behind that smile?
The way I feel for you I never could disguise
My true feelings for you are always apparent, I can never hide them or pretend they don't exist.
The look of love is written plainly in my eyes
It is crystal clear that the look of love is written all over my face and in my eyes.
I think you'd be mine again if you could see me now
If only you had the chance to see me again, I truly believe you would fall for me once more.
Lyrics © Capitol CMG Publishing, Warner Chappell Music, Inc.
Written by: CARL SIGMAN, TADD DAMERON
Lyrics Licensed & Provided by LyricFind