Hamburger lady
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We have lyrics for 'Hamburger lady' by these artists:


Throbbing Gristle By far the worst is the hambuger lady We must heal…
Throbbing Gristle - CD - D.o.A. The Third and Final Report By far the worst is the hambuger lady We must heal…


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Most interesting comments from YouTube:

@GeneralNuisance00

Here's the backstory for anyone who wants to know about why the Vocaloid (and wider vocal synth) community hates her. I was on Twitter that fateful day. One of my mutuals wrote a huge Google doc correcting her, and after your original video released, I ended up finding an article she plagiarized for the Vocaloid video.

As mentioned before, she made a video about Vocaloid in 2021. It was riddled with basic factual errors, and actually what caused myself and many others to stop liking her and start analyzing her content more critically. She actually had a fit and yelled at a bunch of Vocaloid fans for trying to issue corrections. Here's the list of errors she made that I could spot, if anyone is interested.

- Stated that Miku is canonically always 16. Miku's age is for marketing purposes and her publisher has stated her age is meant to be fluid and she can be a jaded 87 year old if you want, along with literally everything else. Crypton says Eldritch Horror Miku is canon compliant, everyone!

- Failing to cite song lyrics for the song "Miku" by Anamanaguchi. Literally just reads them out without context.

- Blair forgets how Japanese name order works at several points in the video and uses character's family names as their first names, and people's first names as last names.

- Throughout the video, Blair implies that the Vocaloid software is only used by EDM musicians. This is untrue. Not quite a factual error per se, but still an incredibly dumb error to make because it could be dispelled with even 5 minutes on YouTube. There's a particularly large metal scene in the Vocaloid community, for example.

- Mispronounces the name of "Kenshi Yonezu" as "Kenshi Tansu" for some reason

- Cites a fake news article announcing the creation of a Hatsune Miku anime

- Cites UTAU as being a commercial-ish competitor to Vocaloid when it's really more the Audacity to Vocaloid's Adobe Audition and is community-driven by the creation of free and open-source voice libraries

- Cites LUCIA and LUAN (a pair of Spanish voicebanks for Vocaloid5) as being created shortly after Miku's creation by a new creator named Giuseppe. LUCIA and LUAN were created by an employee of the company that Yamaha partnered with for Vocaloid's development affairs (VoctroLabs). They were also announced about 10-ish years after Miku's release. She cites another Spanish Vocaloid, Clara as being from a competing company when in fact she was a Vocaloid3 release by VoctroLabs. They also were cancelled midway through production and never released.

- Cites that the two first Vocaloids ever created, Leon and Lola, are commonly depicted as white by the fandom despite being voiced by Black singers. While this is TRUE, she leaves out that they were portrayed by white stock photo models on the boxart by Yamaha and Zero-G (their publisher), and Zero-G did not confirm they were voiced by Black singers until over a decade later, failing to acknowledge the hand the two companies had in the whitewashing of these vocalists by the Fandom. As old fans have become the people making commercial vocal synths, it is now considered an industry standard to portray characters as being the same race as their voice providers.

- She cited the story of a Korean producer named SeeU being harassed out of the Japanese Vocaloid community. SeeU was not a producer. SeeU was a voicebank for the Vocaloid3 software, capable of singing in Japanese and Korean, with plans for English support. She never received any updates due to a mix of anti-Korean bigotry in Japan, financial troubles with her publisher, and her voice provider (Kim Dahee of the kpop group GLAM) having legal troubles.

- Misattributes the late Wowaka's record label as "ballroom" when his record label was actually "baloom"

- Uses a Google translated title of one of Wowaka's songs as "Front and Back Lovers" when the official translation is "Two-sided Lovers" or "Two-faced Lovers"

- Cites a FANDOM WIKI BLOG POST asking people to credit Vocaloid producers instead of the Vocaloids themselves as the idea of crediting producers being a new-in-2021 idea, when in reality it has been considered standard crediting practice since the early 2010s that one should cite the producer, as saying a song is by Miku is like saying a song is by Piano or Drum machine.

- Cites VTubers as being an evolution of the Vocaloid software. I should not need to tell you why this is incorrect.



@EonityLuna

To this day I am still angry at myself for having been taken in by the facade she built around herself. I had thought that she was a person who genuinely cared about the wrongs and injustices of the world, and assumed that people who criticised her were either the people who supported the things she criticised about (shady charities, MLMs, conspiracy theorists etc.) or those from the so-called "anti-woke" crowd. In fact when this whole controversy against her first came to light, in my mind I was still somewhat doubting those who were exposing her, and was willing to give her a chance to properly defend herself.

My mind started changing when people took apart her "iilluminaughtii exposed" video, then additional exposés against her were made afterward; it was sealed against her when, in the aftermath of it all, instead of coming out with hard evidence to disprove the claims against her or to sincerely apologise and take a pause to reflect on her actions, she instead deflected all of it and doubled down on pretending nothing was wrong. The additional videos, tweets, and other exposés against her - including what we have here - have made me extremely ashamed to had ever held her in any sort of positive regard, and has made me just that more suspicious and wary of the people I come across.

My shame over this was great enough that not only did I unsubscribe from her and remove all of her videos from my YouTube favourites and playlists (even my private ones), but I took the extraordinary effort to remove all of my comments on her videos as well. That last point seems to have become moot though, given that she has disabled comments on all her videos now to try and silence her critics while still pretending that nothing is wrong.

I am genuinely disgusted at iilluminaughtii, and I am even more genuinely disgusted at the people who still support and side with her after all this. I actually subscribed to the four people she hurt the most out of all of this - The Click, Oz Media, One Topic, and Wonderstruck - not long after unsubscribing to her channel just as my own way to spite her and to also support the people she hurt. I believe I also subscribed to Cruel World Happy Mind - another person she hurt - for similar reasons as well.

I genuinely hope iilluminaughtii gets her just desserts for all she has done, but given how unjust the American justice system is I'm not holding my hopes up. That said, I hope it can at least stop her from further harming her victims any longer - none of them deserve this at all.



All comments from YouTube:

@GeneralNuisance00

Here's the backstory for anyone who wants to know about why the Vocaloid (and wider vocal synth) community hates her. I was on Twitter that fateful day. One of my mutuals wrote a huge Google doc correcting her, and after your original video released, I ended up finding an article she plagiarized for the Vocaloid video.

As mentioned before, she made a video about Vocaloid in 2021. It was riddled with basic factual errors, and actually what caused myself and many others to stop liking her and start analyzing her content more critically. She actually had a fit and yelled at a bunch of Vocaloid fans for trying to issue corrections. Here's the list of errors she made that I could spot, if anyone is interested.

- Stated that Miku is canonically always 16. Miku's age is for marketing purposes and her publisher has stated her age is meant to be fluid and she can be a jaded 87 year old if you want, along with literally everything else. Crypton says Eldritch Horror Miku is canon compliant, everyone!

- Failing to cite song lyrics for the song "Miku" by Anamanaguchi. Literally just reads them out without context.

- Blair forgets how Japanese name order works at several points in the video and uses character's family names as their first names, and people's first names as last names.

- Throughout the video, Blair implies that the Vocaloid software is only used by EDM musicians. This is untrue. Not quite a factual error per se, but still an incredibly dumb error to make because it could be dispelled with even 5 minutes on YouTube. There's a particularly large metal scene in the Vocaloid community, for example.

- Mispronounces the name of "Kenshi Yonezu" as "Kenshi Tansu" for some reason

- Cites a fake news article announcing the creation of a Hatsune Miku anime

- Cites UTAU as being a commercial-ish competitor to Vocaloid when it's really more the Audacity to Vocaloid's Adobe Audition and is community-driven by the creation of free and open-source voice libraries

- Cites LUCIA and LUAN (a pair of Spanish voicebanks for Vocaloid5) as being created shortly after Miku's creation by a new creator named Giuseppe. LUCIA and LUAN were created by an employee of the company that Yamaha partnered with for Vocaloid's development affairs (VoctroLabs). They were also announced about 10-ish years after Miku's release. She cites another Spanish Vocaloid, Clara as being from a competing company when in fact she was a Vocaloid3 release by VoctroLabs. They also were cancelled midway through production and never released.

- Cites that the two first Vocaloids ever created, Leon and Lola, are commonly depicted as white by the fandom despite being voiced by Black singers. While this is TRUE, she leaves out that they were portrayed by white stock photo models on the boxart by Yamaha and Zero-G (their publisher), and Zero-G did not confirm they were voiced by Black singers until over a decade later, failing to acknowledge the hand the two companies had in the whitewashing of these vocalists by the Fandom. As old fans have become the people making commercial vocal synths, it is now considered an industry standard to portray characters as being the same race as their voice providers.

- She cited the story of a Korean producer named SeeU being harassed out of the Japanese Vocaloid community. SeeU was not a producer. SeeU was a voicebank for the Vocaloid3 software, capable of singing in Japanese and Korean, with plans for English support. She never received any updates due to a mix of anti-Korean bigotry in Japan, financial troubles with her publisher, and her voice provider (Kim Dahee of the kpop group GLAM) having legal troubles.

- Misattributes the late Wowaka's record label as "ballroom" when his record label was actually "baloom"

- Uses a Google translated title of one of Wowaka's songs as "Front and Back Lovers" when the official translation is "Two-sided Lovers" or "Two-faced Lovers"

- Cites a FANDOM WIKI BLOG POST asking people to credit Vocaloid producers instead of the Vocaloids themselves as the idea of crediting producers being a new-in-2021 idea, when in reality it has been considered standard crediting practice since the early 2010s that one should cite the producer, as saying a song is by Miku is like saying a song is by Piano or Drum machine.

- Cites VTubers as being an evolution of the Vocaloid software. I should not need to tell you why this is incorrect.

@MrTigracho

I'm dying😂. This woman doesn't investigate and research the topics she talks about in her videos at all.

@elizabetharmstrong7864

Thanks for the summary! I was big into vocaloid around ten years ago (I still listen to it, I'm just not involved in the fandom anymore) and I would have been so pissed if I saw her video. It's almost impressive much how basic info she gets wrong.

@elephantguy0790

Damn I really just read all that with next to no knowledge of Vocaloid(besides the well known stuff). Cool.

@ShaddyFromHatena

It was hilarious to me watching her video and then Shadok's LOVEWEB about vocaloid because it's like. The difference in research and just overall video quality is drastic lol

@Blox117

what do you mean you stopped liking her? she is literally a western feminist. how could you like a person with such non redeemable qualities?

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@OverlySarcasticProductions

stuff like this really helps me put my own gaffs in perspective. like damn, I really thought accidently citing Jan de Vries or falling for a citogenesis'd fake myth was as bad as it got -R

@deiansalazar140

Yeah, this is becoming an issue especially because millennials and Gen Z do a lot of video essays. Just because how to technological and structural opportunity in the format of these videos that multiple people can produce that other generations haven't had and we have grown up on their predecessor versions. So it is an innovation and timing issue and like with any new innovation we have to work out the issues that arise from it and create socio-cultural expectations.
EDIT: Okay wow it took almost two weeks for me to see how "over reading" when reading my comment again seemed critical, that wasn't what I meant. Now I get all the criticism. Edited to fix.

@agoosed3281

Honest mistakes here and there are leagues better than anything grifters will ever have going on. Your work is FAR more entertaining too. Actual personality to it!

@writershard5065

@@deiansalazar140 Please stop. We're starting to sound like our parents complaining about "This new generation is doing X or Y wrong! Back in my day...". Trust me, everyone from boomers to Gen Alpha are doing more social media than ever. But plenty across every generation are reading too. Not as much as... in the 90s sure. But this isn't something tied to generation. Let's top this fallacy now.

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