The band had a revolving line-up of bassists and drummers, their most prolific being drummer Patty Schemel, and bassists Kristen Pfaff (d. 1994) and Melissa Auf der Maur. In 2002 the group disbanded to pursue other projects. Eight years later in 2010, Hole was reformed by Love with new members, despite Erlandson's claim that the reformation breached a mutual contract he had with Love. The reformed band released the album Nobody's Daughter, which had originally been conceived as Love's second solo album. In 2013, Love retired the Hole name, releasing new material and touring as a solo artist.
Hole has been noted for being one of the most commercially successful female-fronted rock bands of all time, selling over three million records in the United States alone and having a far-reaching influence on contemporary female artists. Music and feminist scholars have also recognized the band as the most high-profile musical group of the 1990s to discuss gender issues in their songs, due to Love's aggressive and violent lyrical content, which often addressed themes of body image, abuse, and sexual exploitation.
Hole went on to become the most commercially successful female-fronted grunge band in history, selling over 3 million records in the United States between 1991 and 2010. In spite of Love's often polarizing reputation in the media, Hole received consistent critical praise for their output, and was often noted for the predominant feminist commentary found in Love's lyrics, which scholars have credited as "articulating a third-wave feminist consciousness". Love's subversive onstage persona and public image coincided with the band's songs, which expressed "pain, sorrow, and anger, but [an] underlying message of survival, particularly survival in the face of overwhelming circumstances." Music journalist Maria Raha expressed a similar sentiment in regard to the band's significance to third-wave feminism, stating, "Whether you love Courtney [Love] or hate her, Hole was the highest-profile female-fronted band of the '90s to openly and directly sing about feminism."
While Rolling Stone compared the effect of Love's marriage to Kurt Cobain on the band to that of John Lennon and Yoko Ono, they noted that "Love's confrontational stage presence, as well as her gut-wrenching vocals and powerful punk-pop songcraft, made her an alternative-rock star in her own right." Author Nick Wise made a similar comparison in discussion of the band's public image, stating, "Not since Yoko Ono's marriage to John Lennon has a woman's personal life and exploits within the rock arena been so analyzed and dissected." The band has been cited as a major influence on several contemporary artists, including indie singer songwriter Scout Niblett, Brody Dalle of the Distillers and Spinnerette, Sky Ferreira, Lana Del Rey, Tove Lo, Tegan and Sara, and the British rock band Nine Black Alps. The band ranked at #77 of VH1's 100 Greatest Hard Rock Artists.
Pretty On The Inside
Hole Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Won't you promise her smack?
Is she pretty on the inside?
Is she pretty from the back?
Slutkiss girl
Won't you water her rack?
Is she pretty on the inside, baby?
Slutkiss girl
Molasses rot black strap
Is she ugly on the inside, baby?
Ugly, ugly from the back?
There is no power like my pretty power
My pretty power
My ugly
Slutkiss girl
Won't you promise her smack?
Is she pretty on the inside?
Is she ugly?
Ugly?
Ugly?
Ugly?
Ugly?
Ugly?
Ugly?
Ugly?
Ugly?
The lyrics in "Pretty On The Inside" by Hole are controversial, provocative and raw. The issue touched upon is one of objectification and sexism. Slutkiss Girls is an allusion to the various young girls who try to dress and act provocatively, but are then judged harshly and labeled as 'sluts'. The lyrics ask if they can promise her smack to make her 'prettier' or more philosophical, more palatable. Then, they ask the ultimate question: Is she pretty on the inside? Is she a good person, someone who is kind and compassionate, or is she only focused on her external appearance?
The song switches to address different sides of the same issue. The lyrics wonder if the physical appearance of these girls is enough to make them pretty, or if they are ugly on the inside. The lyrics suggest that the beauty of individuals is not just skin deep. The lines "My pretty power" suggest that the power of being pretty is fleeting and can be easily taken away, but the ugly is steadfast and consistent. The song almost feels like a warning. If you focus so much on your beauty and appearance, do not forget your character and soul will outlast your beauty.
Line by Line Meaning
Slutkiss girls
Addressing promiscuous young women
Won't you promise her smack?
Will you offer her drugs?
Is she pretty on the inside?
Is she genuinely beautiful inside?
Is she pretty from the back?
Is her physical appearance agreeable from behind?
Won't you water her rack?
Will you fuel her hidden strength?
Is she pretty on the inside, baby?
Is she truly attractive from within?
Pretty from the back?
Does her body look desirable from behind?
Molasses rot black strap
A reference to the unpleasant taste of blackstrap molasses
Is she ugly on the inside, baby?
Is there a lack of beauty and goodness deep inside her?
Ugly, ugly from the back?
Is her physical appearance repelling from behind?
There is no power like my pretty power
My beauty has a unique force
My pretty power
The power of my physical attractiveness
My ugly
The negative aspects of my personality and appearance
Is she ugly?
Is she lacking in beauty, both inside and outside?
Ugly?
A repetition of the previous question
Ugly?
Another repetition of the question
Ugly?
Final repetition of the question
Lyrics © Kobalt Music Publishing Ltd.
Written by: Courtney M Love, Eric T. Erlandson
Lyrics Licensed & Provided by LyricFind
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