In 1983, she travelled to Toronto to seek a musical career. In 1986, she founded a trio with bassist David Piltch and pianist Aaron Davis. Offered a record deal in 1989, the Holly Cole Trio released an EP, Christmas Blues, that year, which featured a version of The Pretenders' "2,000 Miles". This was followed by their first full album, Girl Talk, in 1990.
A succession of releases followed through the early 1990s. For example, 1991's Blame It On My Youth, covered songs by Tom Waits ("Purple Avenue", aka "Empty Pockets"), Lyle Lovett ("God Will"), includes show tunes such as "If I Were a Bell" (from Guys and Dolls) and "On the Street Where You Live" (from My Fair Lady), and even remakes "Trust In Me", from Disney's The Jungle Book, into a strikingly sultry and sinister song of seduction and death. Also recorded in this period was "Alison", a reinterpretation of Elvis Costello's original.
Following 1993's Don't Smoke in Bed, the trio released a CD entirely of songs by Tom Waits, called Temptation. With this 1995 release, the "Trio" was dropped from the group's name.
Cole next went into a two-album flirtation with pop music, perhaps keeping with the "diva" fad of the late 90s. These albums, Dark Dear Heart (1997) and Romantically Helpless (2000) veered further from jazz by introducing pop elements to Cole's sound.
In 2001, she returned to the Christmas jazz roots of her first CD with Baby It's Cold Outside, which included such should-be classics as "Christmas Time is Here" (from A Charlie Brown Christmas), "Santa Baby", and the title track. Swapping cold for hot, she moved to a Summer theme in 2003's Shade, this time reinterpreting Cole Porter ("Too Darn Hot"), Irving Berlin ("Heatwave"), and The Beach Boys' Brian Wilson ("God Only Knows").
Cole's latest album, Holly Cole (originally entitled This House Is Haunted) was released in Canada in March 2007. It was released in the US in January 2008 and was followed by a US tour.
Cole tours frequently, particularly around the holiday season, in Canada. She was also a part of the 1999 Lilith Fair tour.
Invitation To The Blues
Holly Cole Lyrics
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Yesterday's deliveries, tickets for the bachelors
She's a moving violation from her conk down to her shoes,
Well, it's just an invitation to the blues
And you feel just like Cagney, she looks like Rita Hayworth
At the counter of the Schwab's drugstore
You wonder if she might be single, she's a loner and likes to mingle
She said "How you gonna like 'em, over medium or scrambled?",
You say "Anyway's the only way", be careful not to gamble
On a guy with a suitcase and a ticket getting out of here
It's a tired bus station and an old pair of shoes
This ain't nothing but an invitation to the blues
But you can't take your eyes off her, get another cup of java,
It's just the way she pours it for you, joking with the customers
Mercy mercy, Mr. Percy, there ain't nothing back in Jersey
But a broken-down jalopy of a man I left behind
And the dream that I was chasing, and a battle with booze
And an open invitation to the blues
But she used to have a sugar daddy and a candy-apple Caddy,
And a bank account and everything, accustomed to the finer things
He probably left her for a socialite, and he didn't 'cept at night,
And then he's drunk and never even told her that her cared
So they took the registration, and the car-keys and her shoes
And left her with an invitation to the blues
'Cause there's a Continental Trailways leaving local bus tonight, good evening
You can have my seat, I'm sticking round here for a while
Get me a room at the Squire, the filling station's hiring,
And I can eat here every night, what the hell have I got to lose?
Got a crazy sensation, go or stay? now I gotta choose,
And I'll accept your invitation to the blues
The song "Invitation to the Blues" by Holly Cole tells the story of a woman working as a waitress in a diner who is heartbroken and looking for a way out of her current situation. The verses give a detailed description of the woman and her surroundings, painting a picture of a tired and worn-down waitress who is still trying to make the best of her life. The chorus then repeats the idea that the woman's situation is just an invitation to the blues, highlighting the idea that her life is a tragedy that must be accepted.
The song's lyrics are well-crafted and insightful, providing a sense of empathy for the woman in the story. The use of specific details, such as the woman's apron and spatula, build a vivid image in the listener's mind, conveying the idea that her job is a crucial aspect of her life. The reference to Cagney and Rita Hayworth also adds a touch of Hollywood glamour to the story, creating a sense of longing for a different life.
Interestingly, the song was originally recorded by Tom Waits, and Holly Cole's cover became a significant hit when it was released in 1990. It has since been covered by many other artists, including Amy Winehouse and k.d. lang. The song's popularity is likely due to its relatable lyrics and bluesy melody, which resonate with listeners who have experienced heartbreak or difficult times in their lives.
Line by Line Meaning
Well she's up against the register with an apron and a spatula,
She is working as a waitress, serving customers food and drinks
Yesterday's deliveries, tickets for the bachelors
She has deliveries and bachelors' tickets from the day before
She's a moving violation from her conk down to her shoes,
She moves around quickly like a traffic violation, from head to foot
Well, it's just an invitation to the blues
The way she works and moves is an invitation to feeling sad and blue
And you feel just like Cagney, she looks like Rita Hayworth
You feel like a movie star like Cagney when you are around her, who looks like Rita Hayworth
At the counter of the Schwab's drugstore
She is at the counter of a drugstore called Schwab's
You wonder if she might be single, she's a loner and likes to mingle
You are curious about whether she is single or not, as she seems to be alone but enjoys being around people
Got to be patient, try and pick up a clue
You need to be patient and try to figure out more about her by paying attention to clues
She said 'How you gonna like 'em, over medium or scrambled?'
She asked how you want your eggs cooked, whether over medium or scrambled
You say 'Anyway's the only way', be careful not to gamble
You say that you don't care how the eggs are cooked, but you need to be careful not to take risks
On a guy with a suitcase and a ticket getting out of here
She warns not to trust a man who has a suitcase and a ticket to leave town
It's a tired bus station and an old pair of shoes
The man is likely to be at the run-down bus station with old shoes
This ain't nothing but an invitation to the blues
She wants to remind you that this situation is nothing but a depressing scenario
But you can't take your eyes off her, get another cup of java,
You are unable to stop looking at her and get another cup of coffee
It's just the way she pours it for you, joking with the customers
You can't help but notice the way she pours coffee, and the way she jokes around with her customers
Mercy mercy, Mr. Percy, there ain't nothing back in Jersey
She exclaims that there's nothing left behind in Jersey to go back to
But a broken-down jalopy of a man I left behind
She left behind a man who is now like a broken-down car
And the dream that I was chasing, and a battle with booze
She gave up chasing her dreams and started a battle with alcohol
And an open invitation to the blues
She has an open invitation to feel sad and sorrowful
But she used to have a sugar daddy and a candy-apple Caddy,
She used to have a man who provided her with everything, and a nice car to drive
And a bank account and everything, accustomed to the finer things
She was accustomed to having a bank account and everything else she wanted
He probably left her for a socialite, and he didn't 'cept at night,
Her man probably left her for a high-class woman, and only comes to see her at night
And then he's drunk and never even told her that her cared
When he comes to see her, he is always drunk and doesn't even tell her that he cares about her
So they took the registration, and the car-keys and her shoes
He took away the car registration, the car keys and her shoes
And left her with an invitation to the blues
He left her with an invitation to feel sad and depressed
'Cause there's a Continental Trailways leaving local bus tonight, good evening
She tells you that the Continental Trailways bus is leaving tonight
You can have my seat, I'm sticking round here for a while
She offers you her seat, but says she's staying here for a bit
Get me a room at the Squire, the filling station's hiring,
She wants a room at the Squire hotel, and knows the filling station is hiring
And I can eat here every night, what the hell have I got to lose?
She can eat here every night and doesn't have much to lose
Got a crazy sensation, go or stay? now I gotta choose,
She feels a bit crazy and has to decide whether to stay or go
And I'll accept your invitation to the blues
She will accept the invitation to feel sad and blue
Lyrics © BMG Rights Management, JALMA MUSIC
Written by: TOM WAITS
Lyrics Licensed & Provided by LyricFind