Sign up on Holly's mailing list, and get show dates, touring updates, and m… Read Full Bio ↴Sign up on Holly's mailing list, and get show dates, touring updates, and much, much more go to http://www.hollyoreilly.com.
(All info taken from artists Sonicbids page: http://www.sonicbids.com/HollyFigueroaOReilly
**
HOLLY FIGUEROA O'REILLY
"One of modern folk's criminally ignored and unjustly under appreciated artists." Apple Itunes Essentials
"I love your sound. Great work." Brandi Carlisle
"Excellent songs, amazing voice." John Mayer
FAST FACTS:
Leonard Cohen cover, "Everybody Knows", picked up by Sony Pictures for the last scene of the last episode of the FX show, "Damages", April, 2010
Featured three times on NPRs "All Things Considered".
Selected for Grammy nomination for "Gifts and Burdens", 2007
Gifts and Burdens hit number 26 on the Americana Music Association Charts, number 6 on the EuroAmericana Charts, number 6 on the Roots Music Report, and was in rotation on hundreds of stations (including KEXP) all over the US and Europe in 07/08.
Founder of "Indiegrrl", an organization for women in the independent music industry, 1998-2003 (5,000 members internationally).
While organizing Indiegrrl, worked with Mary Gauthier, Erin McKeown, Girlyman, Laura Gibson, Ingrid MIchaelson, Kyler England and Adrienne Gonzalez of "The Rescues", and thousands of other women, equally talented, but not as well recognized.)
Competitions and Conferences:
International Songwriting Competition finalist, 2007
Telluride Bluegrass Festival Songwriter's Competition finalist, 2005
Rockrgrl Conference performance review committee and panelist, 2005
JPF "Album of the Year", "Gifts and Burdens", 2009
NACA West Coast Showcase, 2004
Mountain Stage NewSong Contest Finalist, 2006
Discmakers Independent Music World Series Finalist, 2003 (2nd place)
Durango Songwriter's Expo Showcase, 2002
Durango Songwriter's Expo panelist, 2002
Falcon Ridge Folk Festival, 2002
AMG Music Pick, "Dream in Red", 2001
Featured on KMTT's, "Local Access", (Seattle's AAA radio station) in 2007, and did 4 on airs at KMTT before they stopped supporting local artists.
Rockrgrl Music Conference Showcase and panelist, 2000
(on panel with Wanda Jackson and Amy Rigby)
Played over 1000 tour dates between 1999 and 2003.
Lil' Factoids:
Finalist: Acoustic Live Songwriting Contest, 2002. (I came in second. Sarah Bareilles came in first.)
I asked my friend, Laura Veirs, to open for my CD release of "Dream in Red" at the Tractor Tavern in Seattle, 2001.
Showcased at the Durango Music Conference in 2002 with Colin Brooks (Band of Heathens). He introduced me to Tony Levin and Jerry Marotta, who comprised the rhythm section on my record, "How It Is".
Sponsorships with Luna Guitars and Lee Oskar Harmonicas.
Sisters Folk Festival Songwriting Contest Finalist, 2008 and 2009 (BOTH times, I got sick and couldn't perform. One of these days, I am going to Sisters!)
DISCOGRAPHY
One More Time: Live from the IMC: 2010
Gifts and Burdens: 2007
Live in NYC: 2004
How It Is: 2003 (featuring Tony Levin, Jerry Marotta, Danny Barnes)
Dream in Red: 2001
Three Chord Plea: 1999
(Currently in the studio, recording a cover record and a record of original music...both will be released before the end of the 2010.)
Compilations:
Remembering Rachel: The Rachel Bissex Tribute Album (also featuring Dar Williams, Catie Curtis, Patty Larkin, Jennifer Kimball, The Kennedy's, Sloan Wainwright, and many others.)
First, Last, and Deposit: a Benefit for the Noel House
3 Indiegrrl Compilations
Guest Performances:
Holly has performed as a guest on the following records, according to the All Music Database:
2000 Lucy Mongrel Lucy Mongrel Harmonica, Vocals (bckgr)
2003 On the Mend Kym Tuvim Vocals (bckgr)
2005 Shimmer Shimmer (Skip Peri) Vocals (bckgr)
2006 Change David LaMotte Vocals (bckgr)
2008 City of Refuge Rachel Harrington Vocals (bckgr)
2008 Democracy for Lovers Paul Lippert Vocals (bckgr)
2008 The River Grace Jenee Halstead Vocals (bckgr)
2008 Giving Up the Ghost Julie Loyd Vocals (bckgr)
2010 Roads Jeremy Serwer Vocals (bckgr)
SELECTED VENUES:
Bluebird Cafe, Nashville, TN
Passim, Boston (Cambridge), MA
Lizard Lounge, Boston, MA
The Triple Door, Seattle, WA
Tractor Tavern, Seattle, WA
Slim's, San Francisco, CA
Genghis Cohen, Los Angeles, CA
Knitting Factory, Los Angeles (the big room)
Sweetwater, Mill Valley, CA
The Bitter End, NY, NY
The Living Room, NY, NY (before and after it moved.)
Falcon Ridge Folk Festival
Missoula Women's Festival
International Women's Festival
National Women's Festival
**
Biography
(Special thanks to Bob Doerschuk)
Here’s what we learn from Holly Figueroa O’Reilly’s unforgettable new release, Gifts & Burdens.
• There is magic in music – magic enough to sometimes see the future unfold in song.
• You can make your debut, starting fresh, more than once.
• Life can be generous, even in its cruelty.
Begin with the music. The melodies and words are magical enough. They speak with a folk-inflected eloquence darkened only slightly by modern ironies. “Your sickness is my weakness, ‘til you’re ready to say goodbye,” she proclaims on “Lay Them Down,” while on “One More Time” she ties passages of day and night, rain and sun, into seasons of the heart, always with a lilt that lifts each tune toward the light of gentle surprise.
It’s music like that that inspired critics to call O’Reilly “one of the best new songwriters around,” (Tret Fure) “a force to be reckoned with,” (Rockrgrl Magazine) “incredibly exciting,” (The Recording Academy) “criminally ignored and unjustly under-appreciated …” (Apple ITunes)
If all this sounds familiar, it may be because you’ve heard these same raves applied to Holly Figueroa. In fact, O’Reilly’s voice – alternately smoky, fragile, teasing, and earthy – recalls that of Figueroa, to an uncanny degree.
There’s good reason for this: Figueroa and O’Reilly are the same person – yet also different in more than just their names.
In this respect, Gifts & Burdens is both a farewell and an introduction. Much has changed in O’Reilly’s life over the past few years. And strange as it seems, she was forecasting these changes in these songs, without even knowing it at the time.
Flash back to 1996. Holly Figueroa has left her youth in Ohio behind and put a life together in Washington State that combined the pleasures of family with her love for playing music. Traveling often with her daughter and younger son, she grew a following one venue at a time. From the Bitter End in New York to the Sweetwater Saloon in San Francisco, she shared stages with Dan Fogelberg, Barbara Kessler, Rose Polenzani, and Caroline Aiken, or headed the bill herself. Word spread faster when NPR's "All Things Considered" discovered her and twice gave her national exposure. Her albums – Three Chord Plea, Dream in Red, How It Is, Live in New York City – inspired comparisons to artists whose only similarities are excellence and individuality: Lucinda Williams, Ani DiFranco, Joni Mitchell, Emmylou Harris …
This was her position last year as she entered the studio in Tacoma with a group of friends, including producer Evan Brubaker, and began cutting the tracks that would become Gifts & Burdens. She brought the best of her recent material with her and nestled it into intimate acoustic settings. The results were beautiful, sometimes almost painfully so -- yet even though she was performing her own songs, she had no idea that they were speaking to her about changes yet to come.
“All my songs on Gifts & Burdens were written between 2003 and ’06,” she says. “Looking back on it, I can only say, ‘Wow, how could I not know I was in trouble?’ I had no idea that in writing these songs, I was writing about my own life.”
That revelation hit in September 2006, one month after finishing the final tracks, as her husband announced that he wanted a break from their relationship. It wasn’t a divorce, nor was it exactly a conventional separation; they remain close to one another and partners in raising their children.
Whatever it was, though, it changed everything overnight.
“I listen now to ‘One More Time’ and it’s like … duh,” she says, laughing. “I know that duh isn’t the most literary way to put it, but it says a lot. Or I listen to ‘What You Wanted,’ which I thought I was writing about some friends of mine who were separating. Eventually I realized that I was writing about how my husband felt about me and how I felt about him a lot of the time.”
With this perspective, these songs began to feel more like messages, though at first O’Reilly was in no mood to listen. The project gathered dust as she reassembled the pieces of her life. Each day felt like a step forward, from trimming down to the point that this summer she will run her first triathlon. At the same time she pulled back from music, focusing her energy where it was most needed. A feeling arose that her days as a musician were past.
“I couldn’t even look at my guitar,” she says. “I just wanted to concentrate on my kids and my health. I had toured so much, especially with my daughter since she was little, and I wanted to make that up to them. But then Evan kept after me. He said, ‘You know, you need to get this record out.’ And preorders kept coming in, around 600 after a while, some of them for as much as $300. So I had to do this. It was really difficult, but we took care of the mastering, figured out the artwork … and we did finish it.”
She finished something else too, as she traded her married name for one that honors her lineage back to her Irish forebears. And with her family’s encouragement, she has transformed the difficulties of 2006 into a process of rebirth and reclaimed the place she had once nearly left behind.
“I realized that when I stop performing, it’s like I’ve stopped breathing,” she explains. “It’s like, I have to eat. I have to breathe. I have to perform. But if I had to choose between performing and writing songs, I would definitely pick writing. Of course, I’m fortunate in that this is a choice I don’t have to make.”
The Seattle Weekly says of “Gifts and Burdens”, “the tunes often have a wistful, lonely, late-night quality about them but, at the same time, are not really a downer,” O’Reilly is singled out as “sounding both compellingly contemporary and ancient simultaneously” by the Folk & Acoustic Music Exchange. Gifts & Burdens has already inspired a flurry of praise, though none closer to the mark than Seattle Sound’s review: “a gentle, moving example of well played Americana.”
For everyone who has weathered a storm and found the promise of peace in the light that follows, Gifts & Burdens bears special meaning. This music is about us as much as it is about the extraordinary Holly O’Reilly – and that, too, is magic.
“One of modern folk’s criminally ignored and unjustly under appreciated artists…” Apple/ITunes
After a recent performance at the legendary Bluebird Cafe in Nashville, “almost alt country” Cake Records artist Holly Figueroa was contacted by A&R at Elektra and MCA, both looking for copies of her latest record, “How It Is”. One listen to her voice, songs, and most importantly her live performance and you’ll hear why she is a “force to be reckoned with”. (Rockrgrl Magazine, Oct. 2003)
Twice featured on NPR’s “All Things Considered”, this native Ohioan has been wowing audiences internationally since 1998, logging in nearly 900 tour dates to date, usually with her 10 year old daughter and 2 year old son in tow.
A uniquely American album that stands tall at the intersection between pop and folk, blues and country, Los Angeles Entertainment Today proclaims: “‘How It Is’ slays just about any big company songster product that has been coughed up over the past 12 months.”
(All info taken from artists Sonicbids page: http://www.sonicbids.com/HollyFigueroaOReilly
**
HOLLY FIGUEROA O'REILLY
"One of modern folk's criminally ignored and unjustly under appreciated artists." Apple Itunes Essentials
"I love your sound. Great work." Brandi Carlisle
"Excellent songs, amazing voice." John Mayer
FAST FACTS:
Leonard Cohen cover, "Everybody Knows", picked up by Sony Pictures for the last scene of the last episode of the FX show, "Damages", April, 2010
Featured three times on NPRs "All Things Considered".
Selected for Grammy nomination for "Gifts and Burdens", 2007
Gifts and Burdens hit number 26 on the Americana Music Association Charts, number 6 on the EuroAmericana Charts, number 6 on the Roots Music Report, and was in rotation on hundreds of stations (including KEXP) all over the US and Europe in 07/08.
Founder of "Indiegrrl", an organization for women in the independent music industry, 1998-2003 (5,000 members internationally).
While organizing Indiegrrl, worked with Mary Gauthier, Erin McKeown, Girlyman, Laura Gibson, Ingrid MIchaelson, Kyler England and Adrienne Gonzalez of "The Rescues", and thousands of other women, equally talented, but not as well recognized.)
Competitions and Conferences:
International Songwriting Competition finalist, 2007
Telluride Bluegrass Festival Songwriter's Competition finalist, 2005
Rockrgrl Conference performance review committee and panelist, 2005
JPF "Album of the Year", "Gifts and Burdens", 2009
NACA West Coast Showcase, 2004
Mountain Stage NewSong Contest Finalist, 2006
Discmakers Independent Music World Series Finalist, 2003 (2nd place)
Durango Songwriter's Expo Showcase, 2002
Durango Songwriter's Expo panelist, 2002
Falcon Ridge Folk Festival, 2002
AMG Music Pick, "Dream in Red", 2001
Featured on KMTT's, "Local Access", (Seattle's AAA radio station) in 2007, and did 4 on airs at KMTT before they stopped supporting local artists.
Rockrgrl Music Conference Showcase and panelist, 2000
(on panel with Wanda Jackson and Amy Rigby)
Played over 1000 tour dates between 1999 and 2003.
Lil' Factoids:
Finalist: Acoustic Live Songwriting Contest, 2002. (I came in second. Sarah Bareilles came in first.)
I asked my friend, Laura Veirs, to open for my CD release of "Dream in Red" at the Tractor Tavern in Seattle, 2001.
Showcased at the Durango Music Conference in 2002 with Colin Brooks (Band of Heathens). He introduced me to Tony Levin and Jerry Marotta, who comprised the rhythm section on my record, "How It Is".
Sponsorships with Luna Guitars and Lee Oskar Harmonicas.
Sisters Folk Festival Songwriting Contest Finalist, 2008 and 2009 (BOTH times, I got sick and couldn't perform. One of these days, I am going to Sisters!)
DISCOGRAPHY
One More Time: Live from the IMC: 2010
Gifts and Burdens: 2007
Live in NYC: 2004
How It Is: 2003 (featuring Tony Levin, Jerry Marotta, Danny Barnes)
Dream in Red: 2001
Three Chord Plea: 1999
(Currently in the studio, recording a cover record and a record of original music...both will be released before the end of the 2010.)
Compilations:
Remembering Rachel: The Rachel Bissex Tribute Album (also featuring Dar Williams, Catie Curtis, Patty Larkin, Jennifer Kimball, The Kennedy's, Sloan Wainwright, and many others.)
First, Last, and Deposit: a Benefit for the Noel House
3 Indiegrrl Compilations
Guest Performances:
Holly has performed as a guest on the following records, according to the All Music Database:
2000 Lucy Mongrel Lucy Mongrel Harmonica, Vocals (bckgr)
2003 On the Mend Kym Tuvim Vocals (bckgr)
2005 Shimmer Shimmer (Skip Peri) Vocals (bckgr)
2006 Change David LaMotte Vocals (bckgr)
2008 City of Refuge Rachel Harrington Vocals (bckgr)
2008 Democracy for Lovers Paul Lippert Vocals (bckgr)
2008 The River Grace Jenee Halstead Vocals (bckgr)
2008 Giving Up the Ghost Julie Loyd Vocals (bckgr)
2010 Roads Jeremy Serwer Vocals (bckgr)
SELECTED VENUES:
Bluebird Cafe, Nashville, TN
Passim, Boston (Cambridge), MA
Lizard Lounge, Boston, MA
The Triple Door, Seattle, WA
Tractor Tavern, Seattle, WA
Slim's, San Francisco, CA
Genghis Cohen, Los Angeles, CA
Knitting Factory, Los Angeles (the big room)
Sweetwater, Mill Valley, CA
The Bitter End, NY, NY
The Living Room, NY, NY (before and after it moved.)
Falcon Ridge Folk Festival
Missoula Women's Festival
International Women's Festival
National Women's Festival
**
Biography
(Special thanks to Bob Doerschuk)
Here’s what we learn from Holly Figueroa O’Reilly’s unforgettable new release, Gifts & Burdens.
• There is magic in music – magic enough to sometimes see the future unfold in song.
• You can make your debut, starting fresh, more than once.
• Life can be generous, even in its cruelty.
Begin with the music. The melodies and words are magical enough. They speak with a folk-inflected eloquence darkened only slightly by modern ironies. “Your sickness is my weakness, ‘til you’re ready to say goodbye,” she proclaims on “Lay Them Down,” while on “One More Time” she ties passages of day and night, rain and sun, into seasons of the heart, always with a lilt that lifts each tune toward the light of gentle surprise.
It’s music like that that inspired critics to call O’Reilly “one of the best new songwriters around,” (Tret Fure) “a force to be reckoned with,” (Rockrgrl Magazine) “incredibly exciting,” (The Recording Academy) “criminally ignored and unjustly under-appreciated …” (Apple ITunes)
If all this sounds familiar, it may be because you’ve heard these same raves applied to Holly Figueroa. In fact, O’Reilly’s voice – alternately smoky, fragile, teasing, and earthy – recalls that of Figueroa, to an uncanny degree.
There’s good reason for this: Figueroa and O’Reilly are the same person – yet also different in more than just their names.
In this respect, Gifts & Burdens is both a farewell and an introduction. Much has changed in O’Reilly’s life over the past few years. And strange as it seems, she was forecasting these changes in these songs, without even knowing it at the time.
Flash back to 1996. Holly Figueroa has left her youth in Ohio behind and put a life together in Washington State that combined the pleasures of family with her love for playing music. Traveling often with her daughter and younger son, she grew a following one venue at a time. From the Bitter End in New York to the Sweetwater Saloon in San Francisco, she shared stages with Dan Fogelberg, Barbara Kessler, Rose Polenzani, and Caroline Aiken, or headed the bill herself. Word spread faster when NPR's "All Things Considered" discovered her and twice gave her national exposure. Her albums – Three Chord Plea, Dream in Red, How It Is, Live in New York City – inspired comparisons to artists whose only similarities are excellence and individuality: Lucinda Williams, Ani DiFranco, Joni Mitchell, Emmylou Harris …
This was her position last year as she entered the studio in Tacoma with a group of friends, including producer Evan Brubaker, and began cutting the tracks that would become Gifts & Burdens. She brought the best of her recent material with her and nestled it into intimate acoustic settings. The results were beautiful, sometimes almost painfully so -- yet even though she was performing her own songs, she had no idea that they were speaking to her about changes yet to come.
“All my songs on Gifts & Burdens were written between 2003 and ’06,” she says. “Looking back on it, I can only say, ‘Wow, how could I not know I was in trouble?’ I had no idea that in writing these songs, I was writing about my own life.”
That revelation hit in September 2006, one month after finishing the final tracks, as her husband announced that he wanted a break from their relationship. It wasn’t a divorce, nor was it exactly a conventional separation; they remain close to one another and partners in raising their children.
Whatever it was, though, it changed everything overnight.
“I listen now to ‘One More Time’ and it’s like … duh,” she says, laughing. “I know that duh isn’t the most literary way to put it, but it says a lot. Or I listen to ‘What You Wanted,’ which I thought I was writing about some friends of mine who were separating. Eventually I realized that I was writing about how my husband felt about me and how I felt about him a lot of the time.”
With this perspective, these songs began to feel more like messages, though at first O’Reilly was in no mood to listen. The project gathered dust as she reassembled the pieces of her life. Each day felt like a step forward, from trimming down to the point that this summer she will run her first triathlon. At the same time she pulled back from music, focusing her energy where it was most needed. A feeling arose that her days as a musician were past.
“I couldn’t even look at my guitar,” she says. “I just wanted to concentrate on my kids and my health. I had toured so much, especially with my daughter since she was little, and I wanted to make that up to them. But then Evan kept after me. He said, ‘You know, you need to get this record out.’ And preorders kept coming in, around 600 after a while, some of them for as much as $300. So I had to do this. It was really difficult, but we took care of the mastering, figured out the artwork … and we did finish it.”
She finished something else too, as she traded her married name for one that honors her lineage back to her Irish forebears. And with her family’s encouragement, she has transformed the difficulties of 2006 into a process of rebirth and reclaimed the place she had once nearly left behind.
“I realized that when I stop performing, it’s like I’ve stopped breathing,” she explains. “It’s like, I have to eat. I have to breathe. I have to perform. But if I had to choose between performing and writing songs, I would definitely pick writing. Of course, I’m fortunate in that this is a choice I don’t have to make.”
The Seattle Weekly says of “Gifts and Burdens”, “the tunes often have a wistful, lonely, late-night quality about them but, at the same time, are not really a downer,” O’Reilly is singled out as “sounding both compellingly contemporary and ancient simultaneously” by the Folk & Acoustic Music Exchange. Gifts & Burdens has already inspired a flurry of praise, though none closer to the mark than Seattle Sound’s review: “a gentle, moving example of well played Americana.”
For everyone who has weathered a storm and found the promise of peace in the light that follows, Gifts & Burdens bears special meaning. This music is about us as much as it is about the extraordinary Holly O’Reilly – and that, too, is magic.
“One of modern folk’s criminally ignored and unjustly under appreciated artists…” Apple/ITunes
After a recent performance at the legendary Bluebird Cafe in Nashville, “almost alt country” Cake Records artist Holly Figueroa was contacted by A&R at Elektra and MCA, both looking for copies of her latest record, “How It Is”. One listen to her voice, songs, and most importantly her live performance and you’ll hear why she is a “force to be reckoned with”. (Rockrgrl Magazine, Oct. 2003)
Twice featured on NPR’s “All Things Considered”, this native Ohioan has been wowing audiences internationally since 1998, logging in nearly 900 tour dates to date, usually with her 10 year old daughter and 2 year old son in tow.
A uniquely American album that stands tall at the intersection between pop and folk, blues and country, Los Angeles Entertainment Today proclaims: “‘How It Is’ slays just about any big company songster product that has been coughed up over the past 12 months.”
Everybody Knows
Holly O'Reilly Lyrics
We have lyrics for 'Everybody Knows' by these artists:
69% Love Everybody Knows what I Feel Everybody Knows what I Know I …
800 Cherries Everybody knows what the sun likes Everybody knows what the …
Agnes Girl I know you've been deceived that your heart has been…
Alec Gaston Tell myself that stepping in is always better than standing…
Alex Lambert It gets harder every day, but I can't Seem to shake…
Andrew Morris I see faces in the clouds looking down Standing on a…
Avalanche City Oh we can hear you heart so loud Now everybody knows…
Ayyan Saw you rolling my way Something came over got me feeling…
Baby Storme Oh oh oh Oh oh Everybody knows You and i were meant to…
Boa Gimme gimme gimme gimme gimme love 별이라도 그렇게 보였을까 생각에 잠긴 눈빛 슬…
Bobby J From Rockaway feat. Vivian Green Everybody knows the dice are loaded Everybody rolls with the…
braveweather I've been thinking about How you're letting me down I never …
Buju Banton Just wake up enuh...Oh Lord ooie Let me let me say…
Caesar Everybody knows there's a dream that makes us all feel…
Cheap Trick Caught in the storm Lost in the sea Damned for the crew…
Chicocurlyhead You were on the west side Chillin wit the best guy Said…
Chris Brown Yeah, love You don't know how I feel Since you've been gone…
Clark Dave Five Everybody knows you've been treating me bad Everybody knows …
Cliff Richard Everybody needs to cry some Everybody can't be wise Everybod…
Concrete Blonde Everybody knows that the dice are loaded Everybody rolls wit…
ConcreteBlonde Everybody knows that the dice are loaded Everybody rolls wi…
Crashdown It’s normal… to feel alone But you can’t live to cry You…
Crush It seems that I don't know what it is that you…
Daniel Blair Go to sleep 4 am, whatcha doing Waking up two hours…
Danny Elfman Everybody knows that the dice are loaded Everybody rolls wi…
Dave Monks Life is a many-coloured game And time, you will learn to…
David Diaz Everybody knows that the dice are loaded Everybody rolls wit…
Denali Open up I once was sleeping All remains are in safe keeping …
Divine Comedy Everybody knows that I love you Everybody knows that I need…
Dixie Chicks Tell me now if you came sneaking up behind Would you…
Don Henley Don Henley Title: Everybody Knows That The Dice Are Loaded A…
Duhks The Everybody knows that the dice are loaded Everybody rolls wi…
dustin tavella Do you really wanna be with him, girl? When all he…
Echo & the Bunnymen Everybody knows, how your garden grows Everybody knows, how …
elizabeth the catapult Everybody knows that the dice are loaded Everybody rolls wit…
Elsa & Emilie Stupid this and stupid that I've had enough of everything yo…
Engelbert Humperdinck Wish they hadn't seen him walk away And heard me beg…
Finley Quaye There's a shark looking for food I see manners in the…
fonsi nieto Oh yeah. Lets go! Everybody knows what its in my mind, Oh…
Fragma Everybody knows That you You mean the world to me. Everybody…
Fredo Okay I'm a dope boy, trap boy, everybody knows (know) I ope…
G-Fellas Yea G.R Wait I'm on a mission I've been locked in tryna go…
Gene Simmons You feel that you don't belong You can't do right and…
George Inara Won't you do what you are wanting? Won't you lay down…
Gilbert O'Sullivan Everybody knows that the world is round That is everybody 'c…
Grace Slick & The Great Society When you came to me you spoke softly, And told the…
H.I.P. EVERYBODY KNOWS walking in my sleep again I feel the earth m…
Hayseed Dixie Tell me now if you came sneakin' up behind? Would you…
Holly Figueroa Everybody knows that the dice are loaded Everybody rolls wi…
Honest Bob and the Factory-to-Dealer Incentives They look at me And they don't like what they…
Honeyburst Taking the backdoor Movin' further and further away Work as …
Idina Menzel I can feel you breathe Hear your heartbeat I love the sound,…
Inara George Won't you do what you are wanting? Won't you lay down…
Inpale Never give yourself too much You won't stand it, you'll spil…
James When you took me in your arms I knew I'd reply You…
James (Hip-Hop) When you took me in your arms I knew I'd reply You…
James Lee Stanley When you took me in your arms I knew I'd reply You…
Jesse Harris Everybody knows, tells you what to do Everywhere you go it's…
Joey Fatts Uh, shit from my gas Separatin' our sounds from our peers' P…
Johan Everybody knows Today is gonna be the day It's in the air I…
John Berry She comes to me and steals my attention in the…
John Legend It gets harder every day, but I can't seem to…
Josh Melton If I'm alone on a Friday night Even before my friends…
Jukebox the Ghost You were never a soldier You were never a prize You were…
Julee Cruise I don't like to, I don't like to I don't like…
Karen Souza "Don′t walk away," you said You stopped me at the door And…
Kids of 88 Everybody knows Everybody knows Everybody knows Everybody…
Kimbra Money moans calls you home Vacant eyes they won't tell a…
Kobra Kei Everybody knows Everybody knows Everybody knows Everybody kn…
Legend John It gets harder every day, but I can't seem to…
Leonard Cohen Everybody knows that the dice are loaded Everybody rolls wit…
Louis Prima Wish they hadn't seen you walk away And heard me beg…
Lunik I love fairy tales about shoes that dance on their…
Lyga Leave your heart where you found it Or you'll leave here…
M.O.T.O. Everybody knows that the world is round That is everybody 'c…
Mandi Perkins You disgust me Repulse me Its all lies The Purity That I…
McFly The sun is in the sky and it is going…
McFly/å°é£ä¾ The sun is in the sky and it is gonna…
Me and the White Rabbits Making your way in the world today takes everything you've…
Men Without Hats Well some people stand and deliver And some people hide in…
Michael G. Ronstadt [feat. Lyra Project] EVERYBODY KNOW Words and Music by Roxy Dawn Every where I g…
Michael Møller I held you hand in the park A little longer that…
Min Shaw Everybody knows you've said goodbye Everybody knows we're th…
Mr. Lil One Everybody says you shouldn't cry Everybody's standing by And…
Naomi Shelton & the Gospel Queens Everybody knows Catfish got no scales Everybody knows That c…
Neil Sedaka Its all over town that you have left me Everyone around…
Night Club Can you see their eyes? Can you hear their lies? Hiding in…
Not Available Another town is waiting, Another crowd to rock, Thunder fo…
Nulbarich Something happens in life Things that you can't define 当たり前に…
O.V. Wright Wish they hadn't seen you walk away And heard me beg…
Ô¼º²´«ÆæJohn Legend It gets harder every day, but I can't seem to…
Partner I found myself all alone in the grocery store More stoned…
Peter Mulvey Everybody knows that the dices are loaded Everybody rolls wi…
Peter Tork & James Lee Stanley When you took me in your arms I knew I'd reply You…
Pronoun I've been tossing all night cuz my pillows all full…
Raeko 27 different times, I let you thinking all is right 27…
Royal Deluxe Never gonna make it If you waste your time How far ya…
Rufus Wainwright Everybody knows that the dice are loaded Everybody rolls wit…
Ryan Adams You come for me in the worst of places You come…
S.B. Went to a party, the New York style I met a…
Sayed Sabrina Everybody Knows Even after I have washed my makeup off…
SBTRKT Everybody knows that you're shifty Everybody knows that you …
Sharon Robinson Everybody knows that the dice are loaded Everybody rolls wi…
Should Stay on point but not on task No questions ever asked With…
Sigrid Everybody knows that the dice are loaded Everybody rolls wit…
Slen I can see through all the bullshit I can see through…
Slo-Mo It's no secret, I don't care Gonna shout it out everywhere I…
Slo-Mo feat. Mic Wrecka Everybody knows, I'm in love with you Everybody knows, I'm i…
Sonia Like a fool I was blind Couldn't see, didn't read all…
Spencer Day I'm frozen like a photo, a sepia-colored picture, Voices in…
St. Paul And The Broken Bones You think that your devotion is deeper than the ocean…
Stefan Andersson Everybody's telling me, my woman is mean They're telling me …
Strawbs Cronk When there’s no other way When there is nowhere le…
Søren Siegumfeldt String Swing Everybody knows that the dice are loaded Everybody rolls wit…
Terra Naomi Everybody knows death don't mean to take, Like a rattlesnak…
The 5 Wish they hadn't seen you walk away And heard me beg…
The Breach You know her hair is it long? Is it blond…
The Chicks Tell me now if you came sneaking up behind Would you…
The Climb Ever bored in an alcoholic space? We're the same on same…
The CNK Everybody knows that the dice are loaded Everybody rolls wi…
The Creases I was feeling let down, my head was in the…
The Dave Clark Five Wish they hadn't seen you walk away And heard me beg…
The Divine Comedy Everybody knows that I love you Everybody knows that I need…
The Drew-Vels Everybody knows it's over Before we're asked to leave The…
The Duhks Everybody knows that the dice are loaded Everybody rolls wit…
The Evens You arrive, with empty duffel bags, hungry eyed You looked …
The Free Association Everybody knows that the dice are loaded Everybody rolls wit…
The Jokes Everyone can say hello Everyone knows how to say hello To le…
The La-Rells Everybody know me Yeah I come from E.C I'm in cali like…
The Naked and Famous I'm on the mend, I'm tender to the touch Can you…
The Roosevelts Everybody knows that's just how the story goes its written i…
The Stone Foxes I've took and I take more than one man need A…
The Union of Sinners & Saints The smell of steel it burns through this saddened place Does…
The Wanted I'm pretty sure you've heard of me I'm a local celebrity But…
The Wanted (Song.SX) I'm pretty sure you've heard of me I'm a local celebrity B…
Tina Dickow It always had to look good It always had to…
Trisha Yearwood Morning number 32 waking up without you Mama's on the teleph…
Tuns Come on it's late It's unacceptable I can tell there's somet…
UFO I got your number right off the wall Bristol 285 won't…
Upchurch & Adam Calhoun Old cars in the front yard, they′ve been there since…
Upchurch Adam Calhoun Old cars in the front yard They've been there since I…
Vacationer Should have been better Whenever we got it, together Had it …
Vaski Everybody knows that the dice are loaded Everybody rolls wit…
Westlife It's never too hard to find the words The words…
Wooden Shjips In the bloody moon Whistling for the road The honest seen …
Wright O.V. Everybody knows you've been treating me bad Everybody knows …
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
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@pmartini74
what i love about this song is that it's timeless. people will still be covering this song in 30, 50 years. because the world is still gonna be an effed up mess then.
@BruceBurnett
RIP Ray Fiske, Tom Shayes & Julia Hewes Great song! Thanks Holly!
@lynnebarner3239
I also heard this on the final episode of season 3 of Damages. I had to look it up on google and there it was. Am sharing to my google+ account
@hollyfigueroaoreilly
+Lynne Barner Thanks, Lynne!
@lynnebarner3239
Yw I love it!
@TONYE17
very very beautiful song i love your voice and style too. thank you for sharing your art.best of luck to ya. Peace,Love and Music TONY.E.
@lynnebarner3239
Good song! Damages=great show!
@djeisel
Best version of this song by a country mile!
@hollyfigueroaoreilly
+AmboyRambler :) Thanks, Dave.
@fredray5878
this is the best cover of the original