Sign up on Holly's mailing list, and get show dates, touring updates, and m… Read Full Bio ↴Sign up on Holly's mailing list, and get show dates, touring updates, and much, much more go to http://www.hollyoreilly.com.
(All info taken from artists Sonicbids page: http://www.sonicbids.com/HollyFigueroaOReilly
**
HOLLY FIGUEROA O'REILLY
"One of modern folk's criminally ignored and unjustly under appreciated artists." Apple Itunes Essentials
"I love your sound. Great work." Brandi Carlisle
"Excellent songs, amazing voice." John Mayer
FAST FACTS:
Leonard Cohen cover, "Everybody Knows", picked up by Sony Pictures for the last scene of the last episode of the FX show, "Damages", April, 2010
Featured three times on NPRs "All Things Considered".
Selected for Grammy nomination for "Gifts and Burdens", 2007
Gifts and Burdens hit number 26 on the Americana Music Association Charts, number 6 on the EuroAmericana Charts, number 6 on the Roots Music Report, and was in rotation on hundreds of stations (including KEXP) all over the US and Europe in 07/08.
Founder of "Indiegrrl", an organization for women in the independent music industry, 1998-2003 (5,000 members internationally).
While organizing Indiegrrl, worked with Mary Gauthier, Erin McKeown, Girlyman, Laura Gibson, Ingrid MIchaelson, Kyler England and Adrienne Gonzalez of "The Rescues", and thousands of other women, equally talented, but not as well recognized.)
Competitions and Conferences:
International Songwriting Competition finalist, 2007
Telluride Bluegrass Festival Songwriter's Competition finalist, 2005
Rockrgrl Conference performance review committee and panelist, 2005
JPF "Album of the Year", "Gifts and Burdens", 2009
NACA West Coast Showcase, 2004
Mountain Stage NewSong Contest Finalist, 2006
Discmakers Independent Music World Series Finalist, 2003 (2nd place)
Durango Songwriter's Expo Showcase, 2002
Durango Songwriter's Expo panelist, 2002
Falcon Ridge Folk Festival, 2002
AMG Music Pick, "Dream in Red", 2001
Featured on KMTT's, "Local Access", (Seattle's AAA radio station) in 2007, and did 4 on airs at KMTT before they stopped supporting local artists.
Rockrgrl Music Conference Showcase and panelist, 2000
(on panel with Wanda Jackson and Amy Rigby)
Played over 1000 tour dates between 1999 and 2003.
Lil' Factoids:
Finalist: Acoustic Live Songwriting Contest, 2002. (I came in second. Sarah Bareilles came in first.)
I asked my friend, Laura Veirs, to open for my CD release of "Dream in Red" at the Tractor Tavern in Seattle, 2001.
Showcased at the Durango Music Conference in 2002 with Colin Brooks (Band of Heathens). He introduced me to Tony Levin and Jerry Marotta, who comprised the rhythm section on my record, "How It Is".
Sponsorships with Luna Guitars and Lee Oskar Harmonicas.
Sisters Folk Festival Songwriting Contest Finalist, 2008 and 2009 (BOTH times, I got sick and couldn't perform. One of these days, I am going to Sisters!)
DISCOGRAPHY
One More Time: Live from the IMC: 2010
Gifts and Burdens: 2007
Live in NYC: 2004
How It Is: 2003 (featuring Tony Levin, Jerry Marotta, Danny Barnes)
Dream in Red: 2001
Three Chord Plea: 1999
(Currently in the studio, recording a cover record and a record of original music...both will be released before the end of the 2010.)
Compilations:
Remembering Rachel: The Rachel Bissex Tribute Album (also featuring Dar Williams, Catie Curtis, Patty Larkin, Jennifer Kimball, The Kennedy's, Sloan Wainwright, and many others.)
First, Last, and Deposit: a Benefit for the Noel House
3 Indiegrrl Compilations
Guest Performances:
Holly has performed as a guest on the following records, according to the All Music Database:
2000 Lucy Mongrel Lucy Mongrel Harmonica, Vocals (bckgr)
2003 On the Mend Kym Tuvim Vocals (bckgr)
2005 Shimmer Shimmer (Skip Peri) Vocals (bckgr)
2006 Change David LaMotte Vocals (bckgr)
2008 City of Refuge Rachel Harrington Vocals (bckgr)
2008 Democracy for Lovers Paul Lippert Vocals (bckgr)
2008 The River Grace Jenee Halstead Vocals (bckgr)
2008 Giving Up the Ghost Julie Loyd Vocals (bckgr)
2010 Roads Jeremy Serwer Vocals (bckgr)
SELECTED VENUES:
Bluebird Cafe, Nashville, TN
Passim, Boston (Cambridge), MA
Lizard Lounge, Boston, MA
The Triple Door, Seattle, WA
Tractor Tavern, Seattle, WA
Slim's, San Francisco, CA
Genghis Cohen, Los Angeles, CA
Knitting Factory, Los Angeles (the big room)
Sweetwater, Mill Valley, CA
The Bitter End, NY, NY
The Living Room, NY, NY (before and after it moved.)
Falcon Ridge Folk Festival
Missoula Women's Festival
International Women's Festival
National Women's Festival
**
Biography
(Special thanks to Bob Doerschuk)
Here’s what we learn from Holly Figueroa O’Reilly’s unforgettable new release, Gifts & Burdens.
• There is magic in music – magic enough to sometimes see the future unfold in song.
• You can make your debut, starting fresh, more than once.
• Life can be generous, even in its cruelty.
Begin with the music. The melodies and words are magical enough. They speak with a folk-inflected eloquence darkened only slightly by modern ironies. “Your sickness is my weakness, ‘til you’re ready to say goodbye,” she proclaims on “Lay Them Down,” while on “One More Time” she ties passages of day and night, rain and sun, into seasons of the heart, always with a lilt that lifts each tune toward the light of gentle surprise.
It’s music like that that inspired critics to call O’Reilly “one of the best new songwriters around,” (Tret Fure) “a force to be reckoned with,” (Rockrgrl Magazine) “incredibly exciting,” (The Recording Academy) “criminally ignored and unjustly under-appreciated …” (Apple ITunes)
If all this sounds familiar, it may be because you’ve heard these same raves applied to Holly Figueroa. In fact, O’Reilly’s voice – alternately smoky, fragile, teasing, and earthy – recalls that of Figueroa, to an uncanny degree.
There’s good reason for this: Figueroa and O’Reilly are the same person – yet also different in more than just their names.
In this respect, Gifts & Burdens is both a farewell and an introduction. Much has changed in O’Reilly’s life over the past few years. And strange as it seems, she was forecasting these changes in these songs, without even knowing it at the time.
Flash back to 1996. Holly Figueroa has left her youth in Ohio behind and put a life together in Washington State that combined the pleasures of family with her love for playing music. Traveling often with her daughter and younger son, she grew a following one venue at a time. From the Bitter End in New York to the Sweetwater Saloon in San Francisco, she shared stages with Dan Fogelberg, Barbara Kessler, Rose Polenzani, and Caroline Aiken, or headed the bill herself. Word spread faster when NPR's "All Things Considered" discovered her and twice gave her national exposure. Her albums – Three Chord Plea, Dream in Red, How It Is, Live in New York City – inspired comparisons to artists whose only similarities are excellence and individuality: Lucinda Williams, Ani DiFranco, Joni Mitchell, Emmylou Harris …
This was her position last year as she entered the studio in Tacoma with a group of friends, including producer Evan Brubaker, and began cutting the tracks that would become Gifts & Burdens. She brought the best of her recent material with her and nestled it into intimate acoustic settings. The results were beautiful, sometimes almost painfully so -- yet even though she was performing her own songs, she had no idea that they were speaking to her about changes yet to come.
“All my songs on Gifts & Burdens were written between 2003 and ’06,” she says. “Looking back on it, I can only say, ‘Wow, how could I not know I was in trouble?’ I had no idea that in writing these songs, I was writing about my own life.”
That revelation hit in September 2006, one month after finishing the final tracks, as her husband announced that he wanted a break from their relationship. It wasn’t a divorce, nor was it exactly a conventional separation; they remain close to one another and partners in raising their children.
Whatever it was, though, it changed everything overnight.
“I listen now to ‘One More Time’ and it’s like … duh,” she says, laughing. “I know that duh isn’t the most literary way to put it, but it says a lot. Or I listen to ‘What You Wanted,’ which I thought I was writing about some friends of mine who were separating. Eventually I realized that I was writing about how my husband felt about me and how I felt about him a lot of the time.”
With this perspective, these songs began to feel more like messages, though at first O’Reilly was in no mood to listen. The project gathered dust as she reassembled the pieces of her life. Each day felt like a step forward, from trimming down to the point that this summer she will run her first triathlon. At the same time she pulled back from music, focusing her energy where it was most needed. A feeling arose that her days as a musician were past.
“I couldn’t even look at my guitar,” she says. “I just wanted to concentrate on my kids and my health. I had toured so much, especially with my daughter since she was little, and I wanted to make that up to them. But then Evan kept after me. He said, ‘You know, you need to get this record out.’ And preorders kept coming in, around 600 after a while, some of them for as much as $300. So I had to do this. It was really difficult, but we took care of the mastering, figured out the artwork … and we did finish it.”
She finished something else too, as she traded her married name for one that honors her lineage back to her Irish forebears. And with her family’s encouragement, she has transformed the difficulties of 2006 into a process of rebirth and reclaimed the place she had once nearly left behind.
“I realized that when I stop performing, it’s like I’ve stopped breathing,” she explains. “It’s like, I have to eat. I have to breathe. I have to perform. But if I had to choose between performing and writing songs, I would definitely pick writing. Of course, I’m fortunate in that this is a choice I don’t have to make.”
The Seattle Weekly says of “Gifts and Burdens”, “the tunes often have a wistful, lonely, late-night quality about them but, at the same time, are not really a downer,” O’Reilly is singled out as “sounding both compellingly contemporary and ancient simultaneously” by the Folk & Acoustic Music Exchange. Gifts & Burdens has already inspired a flurry of praise, though none closer to the mark than Seattle Sound’s review: “a gentle, moving example of well played Americana.”
For everyone who has weathered a storm and found the promise of peace in the light that follows, Gifts & Burdens bears special meaning. This music is about us as much as it is about the extraordinary Holly O’Reilly – and that, too, is magic.
“One of modern folk’s criminally ignored and unjustly under appreciated artists…” Apple/ITunes
After a recent performance at the legendary Bluebird Cafe in Nashville, “almost alt country” Cake Records artist Holly Figueroa was contacted by A&R at Elektra and MCA, both looking for copies of her latest record, “How It Is”. One listen to her voice, songs, and most importantly her live performance and you’ll hear why she is a “force to be reckoned with”. (Rockrgrl Magazine, Oct. 2003)
Twice featured on NPR’s “All Things Considered”, this native Ohioan has been wowing audiences internationally since 1998, logging in nearly 900 tour dates to date, usually with her 10 year old daughter and 2 year old son in tow.
A uniquely American album that stands tall at the intersection between pop and folk, blues and country, Los Angeles Entertainment Today proclaims: “‘How It Is’ slays just about any big company songster product that has been coughed up over the past 12 months.”
(All info taken from artists Sonicbids page: http://www.sonicbids.com/HollyFigueroaOReilly
**
HOLLY FIGUEROA O'REILLY
"One of modern folk's criminally ignored and unjustly under appreciated artists." Apple Itunes Essentials
"I love your sound. Great work." Brandi Carlisle
"Excellent songs, amazing voice." John Mayer
FAST FACTS:
Leonard Cohen cover, "Everybody Knows", picked up by Sony Pictures for the last scene of the last episode of the FX show, "Damages", April, 2010
Featured three times on NPRs "All Things Considered".
Selected for Grammy nomination for "Gifts and Burdens", 2007
Gifts and Burdens hit number 26 on the Americana Music Association Charts, number 6 on the EuroAmericana Charts, number 6 on the Roots Music Report, and was in rotation on hundreds of stations (including KEXP) all over the US and Europe in 07/08.
Founder of "Indiegrrl", an organization for women in the independent music industry, 1998-2003 (5,000 members internationally).
While organizing Indiegrrl, worked with Mary Gauthier, Erin McKeown, Girlyman, Laura Gibson, Ingrid MIchaelson, Kyler England and Adrienne Gonzalez of "The Rescues", and thousands of other women, equally talented, but not as well recognized.)
Competitions and Conferences:
International Songwriting Competition finalist, 2007
Telluride Bluegrass Festival Songwriter's Competition finalist, 2005
Rockrgrl Conference performance review committee and panelist, 2005
JPF "Album of the Year", "Gifts and Burdens", 2009
NACA West Coast Showcase, 2004
Mountain Stage NewSong Contest Finalist, 2006
Discmakers Independent Music World Series Finalist, 2003 (2nd place)
Durango Songwriter's Expo Showcase, 2002
Durango Songwriter's Expo panelist, 2002
Falcon Ridge Folk Festival, 2002
AMG Music Pick, "Dream in Red", 2001
Featured on KMTT's, "Local Access", (Seattle's AAA radio station) in 2007, and did 4 on airs at KMTT before they stopped supporting local artists.
Rockrgrl Music Conference Showcase and panelist, 2000
(on panel with Wanda Jackson and Amy Rigby)
Played over 1000 tour dates between 1999 and 2003.
Lil' Factoids:
Finalist: Acoustic Live Songwriting Contest, 2002. (I came in second. Sarah Bareilles came in first.)
I asked my friend, Laura Veirs, to open for my CD release of "Dream in Red" at the Tractor Tavern in Seattle, 2001.
Showcased at the Durango Music Conference in 2002 with Colin Brooks (Band of Heathens). He introduced me to Tony Levin and Jerry Marotta, who comprised the rhythm section on my record, "How It Is".
Sponsorships with Luna Guitars and Lee Oskar Harmonicas.
Sisters Folk Festival Songwriting Contest Finalist, 2008 and 2009 (BOTH times, I got sick and couldn't perform. One of these days, I am going to Sisters!)
DISCOGRAPHY
One More Time: Live from the IMC: 2010
Gifts and Burdens: 2007
Live in NYC: 2004
How It Is: 2003 (featuring Tony Levin, Jerry Marotta, Danny Barnes)
Dream in Red: 2001
Three Chord Plea: 1999
(Currently in the studio, recording a cover record and a record of original music...both will be released before the end of the 2010.)
Compilations:
Remembering Rachel: The Rachel Bissex Tribute Album (also featuring Dar Williams, Catie Curtis, Patty Larkin, Jennifer Kimball, The Kennedy's, Sloan Wainwright, and many others.)
First, Last, and Deposit: a Benefit for the Noel House
3 Indiegrrl Compilations
Guest Performances:
Holly has performed as a guest on the following records, according to the All Music Database:
2000 Lucy Mongrel Lucy Mongrel Harmonica, Vocals (bckgr)
2003 On the Mend Kym Tuvim Vocals (bckgr)
2005 Shimmer Shimmer (Skip Peri) Vocals (bckgr)
2006 Change David LaMotte Vocals (bckgr)
2008 City of Refuge Rachel Harrington Vocals (bckgr)
2008 Democracy for Lovers Paul Lippert Vocals (bckgr)
2008 The River Grace Jenee Halstead Vocals (bckgr)
2008 Giving Up the Ghost Julie Loyd Vocals (bckgr)
2010 Roads Jeremy Serwer Vocals (bckgr)
SELECTED VENUES:
Bluebird Cafe, Nashville, TN
Passim, Boston (Cambridge), MA
Lizard Lounge, Boston, MA
The Triple Door, Seattle, WA
Tractor Tavern, Seattle, WA
Slim's, San Francisco, CA
Genghis Cohen, Los Angeles, CA
Knitting Factory, Los Angeles (the big room)
Sweetwater, Mill Valley, CA
The Bitter End, NY, NY
The Living Room, NY, NY (before and after it moved.)
Falcon Ridge Folk Festival
Missoula Women's Festival
International Women's Festival
National Women's Festival
**
Biography
(Special thanks to Bob Doerschuk)
Here’s what we learn from Holly Figueroa O’Reilly’s unforgettable new release, Gifts & Burdens.
• There is magic in music – magic enough to sometimes see the future unfold in song.
• You can make your debut, starting fresh, more than once.
• Life can be generous, even in its cruelty.
Begin with the music. The melodies and words are magical enough. They speak with a folk-inflected eloquence darkened only slightly by modern ironies. “Your sickness is my weakness, ‘til you’re ready to say goodbye,” she proclaims on “Lay Them Down,” while on “One More Time” she ties passages of day and night, rain and sun, into seasons of the heart, always with a lilt that lifts each tune toward the light of gentle surprise.
It’s music like that that inspired critics to call O’Reilly “one of the best new songwriters around,” (Tret Fure) “a force to be reckoned with,” (Rockrgrl Magazine) “incredibly exciting,” (The Recording Academy) “criminally ignored and unjustly under-appreciated …” (Apple ITunes)
If all this sounds familiar, it may be because you’ve heard these same raves applied to Holly Figueroa. In fact, O’Reilly’s voice – alternately smoky, fragile, teasing, and earthy – recalls that of Figueroa, to an uncanny degree.
There’s good reason for this: Figueroa and O’Reilly are the same person – yet also different in more than just their names.
In this respect, Gifts & Burdens is both a farewell and an introduction. Much has changed in O’Reilly’s life over the past few years. And strange as it seems, she was forecasting these changes in these songs, without even knowing it at the time.
Flash back to 1996. Holly Figueroa has left her youth in Ohio behind and put a life together in Washington State that combined the pleasures of family with her love for playing music. Traveling often with her daughter and younger son, she grew a following one venue at a time. From the Bitter End in New York to the Sweetwater Saloon in San Francisco, she shared stages with Dan Fogelberg, Barbara Kessler, Rose Polenzani, and Caroline Aiken, or headed the bill herself. Word spread faster when NPR's "All Things Considered" discovered her and twice gave her national exposure. Her albums – Three Chord Plea, Dream in Red, How It Is, Live in New York City – inspired comparisons to artists whose only similarities are excellence and individuality: Lucinda Williams, Ani DiFranco, Joni Mitchell, Emmylou Harris …
This was her position last year as she entered the studio in Tacoma with a group of friends, including producer Evan Brubaker, and began cutting the tracks that would become Gifts & Burdens. She brought the best of her recent material with her and nestled it into intimate acoustic settings. The results were beautiful, sometimes almost painfully so -- yet even though she was performing her own songs, she had no idea that they were speaking to her about changes yet to come.
“All my songs on Gifts & Burdens were written between 2003 and ’06,” she says. “Looking back on it, I can only say, ‘Wow, how could I not know I was in trouble?’ I had no idea that in writing these songs, I was writing about my own life.”
That revelation hit in September 2006, one month after finishing the final tracks, as her husband announced that he wanted a break from their relationship. It wasn’t a divorce, nor was it exactly a conventional separation; they remain close to one another and partners in raising their children.
Whatever it was, though, it changed everything overnight.
“I listen now to ‘One More Time’ and it’s like … duh,” she says, laughing. “I know that duh isn’t the most literary way to put it, but it says a lot. Or I listen to ‘What You Wanted,’ which I thought I was writing about some friends of mine who were separating. Eventually I realized that I was writing about how my husband felt about me and how I felt about him a lot of the time.”
With this perspective, these songs began to feel more like messages, though at first O’Reilly was in no mood to listen. The project gathered dust as she reassembled the pieces of her life. Each day felt like a step forward, from trimming down to the point that this summer she will run her first triathlon. At the same time she pulled back from music, focusing her energy where it was most needed. A feeling arose that her days as a musician were past.
“I couldn’t even look at my guitar,” she says. “I just wanted to concentrate on my kids and my health. I had toured so much, especially with my daughter since she was little, and I wanted to make that up to them. But then Evan kept after me. He said, ‘You know, you need to get this record out.’ And preorders kept coming in, around 600 after a while, some of them for as much as $300. So I had to do this. It was really difficult, but we took care of the mastering, figured out the artwork … and we did finish it.”
She finished something else too, as she traded her married name for one that honors her lineage back to her Irish forebears. And with her family’s encouragement, she has transformed the difficulties of 2006 into a process of rebirth and reclaimed the place she had once nearly left behind.
“I realized that when I stop performing, it’s like I’ve stopped breathing,” she explains. “It’s like, I have to eat. I have to breathe. I have to perform. But if I had to choose between performing and writing songs, I would definitely pick writing. Of course, I’m fortunate in that this is a choice I don’t have to make.”
The Seattle Weekly says of “Gifts and Burdens”, “the tunes often have a wistful, lonely, late-night quality about them but, at the same time, are not really a downer,” O’Reilly is singled out as “sounding both compellingly contemporary and ancient simultaneously” by the Folk & Acoustic Music Exchange. Gifts & Burdens has already inspired a flurry of praise, though none closer to the mark than Seattle Sound’s review: “a gentle, moving example of well played Americana.”
For everyone who has weathered a storm and found the promise of peace in the light that follows, Gifts & Burdens bears special meaning. This music is about us as much as it is about the extraordinary Holly O’Reilly – and that, too, is magic.
“One of modern folk’s criminally ignored and unjustly under appreciated artists…” Apple/ITunes
After a recent performance at the legendary Bluebird Cafe in Nashville, “almost alt country” Cake Records artist Holly Figueroa was contacted by A&R at Elektra and MCA, both looking for copies of her latest record, “How It Is”. One listen to her voice, songs, and most importantly her live performance and you’ll hear why she is a “force to be reckoned with”. (Rockrgrl Magazine, Oct. 2003)
Twice featured on NPR’s “All Things Considered”, this native Ohioan has been wowing audiences internationally since 1998, logging in nearly 900 tour dates to date, usually with her 10 year old daughter and 2 year old son in tow.
A uniquely American album that stands tall at the intersection between pop and folk, blues and country, Los Angeles Entertainment Today proclaims: “‘How It Is’ slays just about any big company songster product that has been coughed up over the past 12 months.”
Mary Mary
Holly O'Reilly Lyrics
We have lyrics for 'Mary Mary' by these artists:
A.C.L. Aight now we got it I been on I been on I been…
American Aquarium Well, she walks into a room and the boys all…
B-Tight Hail Mary Full of grace The lord is with thee Blessed art th…
Beres Hammond Mary Mary quite contrary You don't look so good tonight Hand…
bing crosby For it is Mary, Mary plain as any name can…
Bone Thugs-N-Harmony I wish today was my birthday I wish it was my…
Bruce Springsteen I got seven pictures of Buddha The prophet's on my tongue …
Butterfield Blues Band You jump, jump here, you jump, jump there You jump, jump,…
Chumbawamba No virgin me For I have sinned I sold my…
D.Dove "Mary, Mary" Why ya buggin'? "Mary, Mary" I need a huggin' …
dane rogers & the nu-beats Só de Colômbia eu já tava brisado e a gostosa…
Deborah Joy Imani Winans/Kierra "KiKi" Sheard/Mary Mary Epa Un, dos, tres Un pasito pa'lante, María Un, dos, tr…
Deborah Joy Imani Winans/Mary Mary Mary, Mary, Mary Mary, did you know That your baby boy woul…
Dr. Rajkumar I do it 4 u Dis rap not 4 him He just…
Glad Early in the morning On the first day of the week Mary…
Goats Don't Shave Well it started up in Donegal, not many years ago, They craw…
Harry Belafonte Long time ago in Bethlehem So the Holy Bible say Mary's boy…
Harry Belafonte with Robert DeCormier And His Orchestra Got a lotta little things to do Gotta make a little…
Hemp Gru A Mary Mary ah piękna Mary Mary Człowiek jestem szczery więc…
Hi-Five Mary, Mary Lou Why must you do The things that you always…
Hue and Cry To the ones that got left behind You're the souls we're…
Inner Circle Mary, Mary, quite contrary How does your garden grow? We'r…
Kirk Franklin/Mary Mary Mary, Mary, Mary Mary, did you know That your baby boy woul…
Lost and Found Time is pressing on my chest and it leaves no…
Malia I know it must be hard It’s been so hard…
Mantissa Intro) Nobody told me there'd be days like these What we've …
Marcus D. Wiley Married on the beach, married just to let go Berry colored…
Mary Mary - Shackles (Praise You) Mary, Mary, Mary Mary, did you know That your baby boy woul…
Monkees (The) Mary, Mary, where you goin' to? Mary, Mary, can I go…
Mr.Yosie Took a lot of time but I realized Now it's clear…
Normie Rowe & The Playboys Maybe a moonbeam, To light the way when the evening comes…
Paul Butterfield Blues Band You jump, jump here, you jump, jump there You jump, jump,…
Ras Luta Siostra Mariola Zary Hemp Gru A Mary Mary ah piękna Mary Mary Człowiek jestem szczery więc…
Rebecka Törnqvist Törnqvist Rebecka A Night Like This Mary, Mary (Törnqvist/Sv…
Rita MacNeil Do you want to elope tonight Getting lost in the shadows All…
Run 次のバスに乗って 行き先も決めないで消えると 君は静かにきっぱりとそう言ったね 2時間待ったけど 来ない彼を笑っていた …
Run DMC "Mary, Mary" Why ya buggin'? "Mary, Mary" I need a huggin' …
Run-D.M.C. 次のバスに乗って 行き先も決めないで消えると 君は静かにきっぱりとそう言ったね 2時間待ったけど 来ない彼を笑っていた …
RUN-DMC "Mary, Mary" Why ya buggin'? "Mary, Mary" I need a huggin' …
run–d.m.c. Mary's boy child Jesus Christ was born on Christmas Day And…
RunD.M.C. 次のバスに乗って 行き先も決めないで消えると 君は静かにきっぱりとそう言ったね 2時間待ったけど 来ない彼を笑っていた …
Run‐D.M.C. Mary's boy child Jesus Christ was born on Christmas Day And…
Run–D.M.C "Mary, Mary" Why ya buggin'? "Mary, Mary" I need a huggin' …
Run–D.M.C. "Mary, Mary" Why ya buggin'? "Mary, Mary" I need a huggin' …
S.J. Tucker I am just a man Doing all that I can I make…
Sally and the Monkeys ボンジュール・ジャポン ボンジュール・ジャポン キラめいたボンジュール・ジャポン ボンジュール・ジャポン ボンジュール・…
Stone Jack Jones Wake up mary it's a beautiful day Wake up mary we're…
T-Six Aye I just met a bad bitch First Name Mary, Last Name…
Tee-N-Tee No rest, don't get any No sex, I get plenty Focused, in…
The Hi-Five 次のバスに乗って 行き先も決めないで消えると 君は静かにきっぱりとそう言ったね 2時間待ったけど 来ない彼を笑っていた …
The Monkees Mary, Mary, where you goin' to? Mary, Mary, can I go…
The Mr. T Experience Took a lot of time but I realized Now it's clear…
The Paul Butterfield Blues Band Mary, Mary, where you goin' to? Mary, Mary, can I go…
The Trio Oh, Miss Mary, Where are you wanderin'? Oh, Miss Mary, Where…
Velvet Revolver Got a feelin', feelin' in your eyes Got a fever, fever,…
Wide Mouth Mason Mary, Mary what've you found While you was making all them…
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