The band achieved international recognition through the inclusion of the track 2Wicky (from A New Stereophonic Sound Spectacular) on the soundtrack to Bernardo Bertolucci’s 1996 film Stealing Beauty (Io Ballo da Sola).
The original members of the group were vocalist Liesje Sadonius, keyboardist Frank Duchêne, bass guitarist and programmer Alex Callier, and guitarist Raymond Geerts. Sadonius left Hooverphonic on amicable terms shortly after the release of A New Stereophonic Sound Spectacular and was replaced by Geike Arnaert in early 1998. Duchêne left the band after Blue Wonder Power Milk. Arnaert left the band in 2008 and was succeeded by Noémie Wolfs. On March 26, 2015 the band announced that that Noémie Wolfs would be leaving the band "in mutual agreement."
Hooverphonic released their fifth studio album No More Sweet Music in November 2005, featuring four singles: Wake Up, You Hurt Me, Dirty Lenses and We All Float. One year later they released a Best Of album called Singles 96-06. This was their last release under the Sony label.
Hooverphonic released their sixth studio album The President of the LSD Golf Club on 8th October 2007 in Sint-Niklaas, Belgium and Holland, which includes the single Expedition Impossible. European Release January 2008 (although available via mail-order). This was an independent release, recorded at the Willie Nelson studios in the USA.
On October 10, 2008 the management announced that Geike Arnaert would be leaving the band.
After Geike Arnaert and the band parted ways, it took them two years to find a worthy successor to Arnaert. In November 2010 Noémie Wolfs was announced as the new leading lady. A brand new album called The Night Before followed soon after. The new singer was introduced on Belgian television in State Broadcaster VRT's late night show "De Laatste Show" on Thursday November 4th. The title track of the album is their biggest singles' chart success to date. Also, the album soon equaled the success of A Magnificent Tree.
On March 26, 2015 it was announced that Noémie Wolfs would be leaving the band.
Hooverphonic released In Wonderland on March 18, 2016. This release features a number of vocalists including: Emilie Satt, Janie Price (AKA Bird), Felix Howard, Litlo Tinz, Christa Jérôme, and Tjeerd Bomhof.
They were supposed to represent Belgium at the Eurovision Song Contest 2020 in Rotterdam with their song "Release Me". The event was cancelled because of the COVID-19 pandemic.
Hooverphonic was the only Eurovision entrant for 2020 who refused to take part in the "Love Shine a Light" performance, where entrants each contributed sections of the song, although a photograph of Luka Cruysberghs was included with the other participants making a hand heart at the end.
On 9th November 2020, Luka Cruysberghs left the band and, on the same day, Geike Arnaert announced her return. Also on the same day, they released a new version of Mad About You for the song's 20th anniversary.
Discography
• A New Stereophonic Sound Spectacular (1996)
• Blue Wonder Power Milk (1998)
• The Magnificent Tree (2000)
• Hooverphonic Presents Jackie Cane (2002)
• Sit Down And Listen To... (2003)
• No More Sweet Music (2005/6)
• Singles 96/06 (2006)
• The President of the LSD Golf Club (2007/2008)
• The Night Before (2010)
• With Orchestra (2012)
• Reflection (2013)
• In Wonderland (2016)
Black Marble Tiles
Hooverphonic Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Shiny dark eyes
Reflections blooming bright
We can walk for hours
Without knowing where we are
In this labyrinth of thoughts
Lost without a trace
In the middle of the chase
Things get lost
An island can be huge
It won't matter to refuse
White marble stairs
Leading nowhere
Overwhelmingly unfair
We can talk for hours
Without knowing what we say
In this silly little game
Things get lost
Lost without a trace
In the middle of the chase
Things get lost
An island can be huge
It won't matter to refuse
Pink marble fire
Am I going insane?
Addicted to the pain
I can search for hours
But the more I do explore
The less I know what for
Things get lost
Lost without a trace
In the middle of the chase
Things get lost
An island can be huge
It won't matter to refuse
Things get lost
Lost without a trace
In the middle of the chase
Things get lost
An island can be huge
It won't matter to refuse
Hooverphonic's song Black Marble Tiles is a metaphorical journey towards self-realization, introspection, and ultimately, surrender to the complexities of life. The song's central idea is the inevitability of losing things along the way, without any clear trace or indication of their disappearance. The opening lines, "Black Marble Tiles, Shiny dark eyes, Reflections blooming bright," set the tone for the mood of the song. The black marble tiles signify the pathway of life, while the shiny dark eyes represent the journeyer's search for truth, and reflections blooming bright convey the journeyer's eagerness for change and discovery.
In the second verse, the singer implies that life is a labyrinth of thoughts, and they can walk for hours without knowing where they are. The journeyer struggles to understand the uncertainties and complexities of life, highlighted by how things can disappear without a trace "In the middle of the chase." Continuing with the theme of losing things, the singer notes that even an island, which represents stability and safety, can be challenging to navigate. The lyrics "An island can be huge, It won't matter to refuse" encourage the listener to accept change since it is futile to resist.
The final verse describes a marble fire, the color pink representing the subject's emotional state. The question "Am I going insane?" reflects the turbulent thoughts and worries of the journeyer. The lyrics convey that the more they search for answers or try to make sense of life, the less they understand. The repetition of the phrase "Things get lost" underlines the inevitability of losing things in life. The song's central message is that life is tumultuous, the journey is challenging, and one must accept change, as it is an inevitable part of life.
Line by Line Meaning
Black Marble Tiles
The title of the song, indicating a dark and reflective state of mind.
Shiny dark eyes
Describing the eyes as reflective and bright, despite being dark in color.
Reflections blooming bright
The reflections in the eyes are vibrant and flourishing.
We can walk for hours
The artist and someone else can walk aimlessly for hours at a time.
Without knowing where we are
They are lost both physically and mentally, wandering aimlessly.
In this labyrinth of thoughts
Their aimless wandering is represented as a labyrinth of thoughts, suggesting confusion and overwhelming feelings.
Things get lost
Throughout the song, the singer reflects on how things and ideas can get lost without a trace.
Lost without a trace
This line is a direct repetition of the previous line, emphasizing the idea of things disappearing without a clear explanation.
In the middle of the chase
The things that get lost are often important or relevant to a pursuit or goal, but are lost along the way.
An island can be huge
This line references the idea that something can seem massive and insurmountable, even if it's just an island.
It won't matter to refuse
Choosing not to pursue something won't necessarily make it smaller or less daunting.
White marble stairs
A contrasting image to the black marble tiles from the beginning of the song.
Leading nowhere
The contrast between the grandeur of the white marble and the fact that it leads nowhere highlights a sense of disappointment or disillusionment.
Overwhelmingly unfair
There is a feeling of being wronged or cheated in the situation described by the white marble stairs.
We can talk for hours
Another instance of aimless conversation or communication with someone else.
Without knowing what we say
Their conversations lack direction or meaning, contributing to the overall sense of aimlessness in the song.
In this silly little game
The artist sees their conversations as a pointless or meaningless game, adding to a sense of futility in their interactions with others.
Pink marble fire
Another vivid and contrasting image, highlighting the theme of conflicting feelings and emotions.
Am I going insane?
The singer questions whether their conflicting emotions and experiences are leading them towards madness, suggesting a sense of instability or uncertainty.
Addicted to the pain
This line reinforces the idea of conflicting emotions and experiences, and possibly suggests a willingness to endure pain or discomfort in order to feel something.
I can search for hours
The artist can spend a lot of time looking for answers or meaning in their life.
But the more I do explore
Despite their efforts, the artist finds that exploring their experiences and emotions only leads to more confusion and uncertainty.
The less I know what for
As they continue to explore, the singer becomes more unsure of why they are even searching in the first place.
Things get lost
Again, the idea that things can disappear or be obscured without explanation.
Lost without a trace
The repetition of this line emphasizes the sense of mystery or confusion around why things go missing.
An island can be huge
Reemphasizing the idea that things can seem overwhelming or insurmountable, even if they are small in reality.
It won't matter to refuse
Choosing not to engage with something won't necessarily make it easier to deal with or understand.
Things get lost
Final repetition of the recurring idea of things disappearing without a trace.
Lost without a trace
Final repetition of the recurring idea of things disappearing without a trace.
In the middle of the chase
Final time emphasizing the idea of important things being lost along the way of chasing goals or ambitions.
An island can be huge
Final time emphasizing the idea of things seeming enormous or insurmountable, even if they are not objectively that large.
It won't matter to refuse
Final time reinforcing the idea that avoiding or refusing to engage with something won't magically make it easier to deal with or overcome.
Contributed by Jake F. Suggest a correction in the comments below.