Shore has also composed a few concert works including one opera, The Fly, based on the plot of Cronenberg's 1986 film premiered at the Théâtre du Châtelet in Paris on July 2, 2008, a short piece Fanfare for the Wanamaker Organ and the Philadelphia Orchestra, and a short overture for the Swiss 21st Century Symphony Orchestra. In addition to his three Academy Awards, Shore has also won three Golden Globe Awards and four Grammy Awards.
Howard Shore was born in Toronto, Ontario, Canada, the son of Bernice (née Ash) and Mac Shore. Shore is Jewish. He started studying music at the age of 8 or 9. He learned a multitude of instruments and began playing in bands at the ages of 13 and 14. When Shore was 13, he met and became good friends with a young Lorne Michaels in summer camp, and this friendship would later be influential in his career. By 17, he decided he wanted to pursue music in his adult life too. He studied music at Berklee College of Music in Boston after graduating from Forest Hill Collegiate Institute.
From 1969 to 1972, Shore was a member of the jazz fusion band Lighthouse. In 1970, he became the music director for Lorne Michaels and Hart Pomerantz's short-lived TV program The Hart & Lorne Terrific Hour. Shore wrote the music for Canadian magician Doug Henning's magic musical Spellbound in 1974 and, from 1975 to 1980, he was the musical director for Lorne Michaels' influential late-night NBC comedy show Saturday Night Live, appearing in many musical sketches, including Howard Shore and His All-Nurse Band, and dressed as a beekeeper for a John Belushi/Dan Aykroyd performance of the Slim Harpo classic "I'm a King Bee". Shore also suggested the name for The Blues Brothers to Dan Aykroyd and John Belushi.
Since 2004, he has toured the world conducting local orchestras in the performance of his new symphonic arrangement of his highly acclaimed Lord of the Rings scores. The new work is entitled The Lord of the Rings: Symphony in Six Movements. There are two movements for each of the movies, and an intermission between the second and third (or first and second film titles) movements. The concert presentation of the symphony also includes projected still images of sketches by John Howe and Alan Lee relating the music being performed to scenes from the films. Recently, however, Shore has been busy with other projects, leaving other conductors including Markus Huber, Ludwig Wicki, Alexander Mickelthwaite, and John Mauceri to lead the orchestras.
April 24, 2008 marked the North American Live to Projection debut of Fellowship of the Ring, with the score performed live by the Winnipeg Symphony Orchestra, conducted by Ludwig Wicki. Wicki also conducted the Filene Center Orchestra at the Wolf Trap Farm Park in Vienna, Virginia on May 21 and 22, 2008 in the U.S. premiere of the Fellowship of the Ring Live to Projection.
September 16, 2010 Shore conducted the RSO Vienna (Vienna Radio Symphony Orchestra) which performed "In Dreams from The Fellowship of the Ring" at Hollywood in Vienna in Vienna, Austria. Shore was commissioned by Macy's to write a Fanfare for the Store's 150th anniversary featuring the Philadelphia Orchestra and the Wanamaker Organ, the world's largest playing pipe organ. The work was debuted in the Grand Court of Macy's Philadelphia Store on September 27, 2008 in a concert that drew reviews from most of the major East Coast newspapers.
Shore's opera The Fly had its world premiere performance at the Théâtre du Châtelet in Paris on July 2, 2008 and its United States premiere at Los Angeles Opera on September 7, 2008. The production was directed by David Cronenberg and conducted by Plácido Domingo. The Fly had a new production mounted by Theatre Trier in Germany in 2014 staged by Sebastian Welker and conducted by Joongbae Jee.
Shore was commissioned by the Beijing Music Festival to write Ruin and Memory, a piano concerto, for renowned pianist Lang Lang. The world premiere was on October 11, 2010 performed by Lang Lang, The China Philharmonic Orchestra and conducted by Long Yu. His second concerto, Mythic Gardens, premiered April 27, 2012 with Sophie Shao on cello solo, The American Symphony Orchestra and conducted by Leon Botstein.
Shore's song cycle A Palace Upon the Ruins premiered in 2014 at the Bridgehampton Chamber Music Festival and at the La Jolla SummerFest featuring mezzo-soprano Jennifer Johnson Cano. A Palace Upon the Ruins is a song cycle of six songs with words by Elizabeth Cotnoir.
Sea to Sea was commissioned by New Brunswick Youth Orchestra in celebration of Canada’s 150th anniversary of confederation and premiered on July 2, 2017 in Moncton, New Brunswick with soloist Measha Brueggergosman and Antonio Delgado conducting. Sea to Sea has lyrics by Elizabeth Cotnoir.
The song cycle L’Aube premiered October 19 & 20, 2017 in Toronto at Roy Thompson Hall conducted by Peter Oundjian and performed by soloist Susan Platts and commissioning orchestra, the Toronto Symphony Orchestra. L’Aube consists of five songs with text by Elizabeth Cotnoir.
The Forest a guitar concerto composed for Miloš Karadaglić will premiere in Ottawa on May 1 & 2, 2019 with the National Arts Centre Orchestra and Alexander Shelley conducting.
In addition to writing the original theme song for Saturday Night Live, as well as the closing theme, Shore also co-wrote the theme song for Late Night with Conan O'Brien with John Lurie. The theme was carried over to The Tonight Show when O'Brien succeeded Jay Leno as host.
Shore narrated a one-hour CBC Radio documentary/soundscape on music in thriller/suspense film genres also including references to radio dramas and other media. The episode was called "Unsettling Scores" and premiered on the program called Inside the Music.
Shore is married to Elizabeth Cotnoir, a writer, producer and documentary filmmaker. He has a daughter, Mae.[35] He is the uncle of film composer Ryan Shore.
As of 2004, Shore lives in Tuxedo Park, New York.
Helm*s Deep
Howard Shore Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Hwæare cwóm feax flówende? Hd
Hwæare cwóm hand on hearpestrenge?
Hwæare cwóm scir fýare scinende?
Héo dréag ðá losinga
Earla ðinga ðe héo forléas
To bisig mid degeweorcum
Ac oft heo wacode sunnanwanung
Donne nihtciele creap geond moras
And on paere hwile
Heo dreag pa losinga
Earla pinga pe heo forleas
Heo swa oft dreag hire sawle sincende
Heo ne cupe hire heortan lust
She never watched the morning rising
Too busy with the day's first chores
But oft she would watch the sun's fading
As the cold of night crept across the moors
And in that moment she felt the loss
Of everything that had been missed
So used to feeling the spirit sink
She had not felt her own heart's wish
The opening lines of Howard Shore's song "Helm's Deep" refer to the appearance and whereabouts of a helmet, mail shirt, flowing mane of hair and shining fire. These questions are posed in Anglo-Saxon language and pertain to a battle scene during the film "The Lord of the Rings: The Two Towers". The lyrics provide an impression of anticipation, suggesting an impending violent struggle, as the armies of Isengard approach the fortress of Helm's Deep. Howard Shore employs his trademark style of using old Nordic and Anglo-Saxon languages in his lyrics, which are crafted with a deep understanding of the characters, storylines and narratives of the films.
The next verse of the song moves away from describing the battle scene and focuses on a woman who is carrying out her daily chores. She is too busy during the day to watch the sunrise, but in the evening she would observe the setting sun. The lines portray a sense of longing and loss and convey the fact that the woman carries a weight of sadness within her. The song captures the mood of the Battle of Helm's Deep, and the struggles and pressures experienced by ordinary people who are caught up in the violence and chaos of war.
Line by Line Meaning
Hwæare cwóm helm? Hwaer cwóm byrne?
Where is the helm? Where is the mail-shirt?
Hwæare cwóm feax flówende? Hd
Where is the hair that was flowing? Where is the head?
Hwæare cwóm hand on hearpestrenge?
Where is the hand on the harp-string?
Hwæare cwóm scir fýare scinende?
Where is the shining light of the fire?
Héo dréag ðá losinga
She carried the losses
Earla ðinga ðe héo forléas
Of everything that she lost
Heo naefre wacode degred
She never watched the morning rising
To bisig mid degeweorcum
Too busy with the day's first chores
Ac oft heo wacode sunnanwanung
But often she would watch the sun's fading
Donne nihtciele creap geond moras
As the cold of night crept across the moors
And on paere hwile
And in that moment
Heo dreag pa losinga
She felt the loss
Earla pinga pe heo forleas
Of everything that had been missed
Heo swa oft dreag hire sawle sincende
So used to feeling the spirit sink
Heo ne cupe hire heortan lust
She had not felt her own heart's wish
Contributed by Kaelyn E. Suggest a correction in the comments below.