… Read Full Bio ↴Ian Dury (1942-2000) was an English singer, songwriter, and bandleader.
Born on 12th May 1942, he is best known as founder and lead singer of the British band Ian Dury and the Blockheads, though he began his musical career in pub-rock act Kilburn & the High Roads. He wrote many famous songs including "Hit Me with Your Rhythm Stick", "What a Waste", and "Sex and Drugs and Rock and Roll". He died on 27th March 2000.
At the age of seven, Dury contracted polio; very likely, he believed, from a swimming pool at Southend on Sea during the 1949 polio epidemic. After six weeks in a full plaster cast in Truro hospital, he was moved to Black Notley Hospital, Braintree, Essex, where he spent a year and a half before going to Chailey Heritage Craft School, East Sussex, in 1951. Chailey was a school and hospital for disabled children, and believed in toughening them up, contributing to the observant and determined person Dury became.
Sweet Gene Vincent
Ian Dury Lyrics
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Skinny white sailor,
The chances were slender
The beauties were brief
Shall I mourn your decline
With some Thunderbird wine
And a black handkerchief?
I miss your sad Virginia whisper
Sweet Gene Vincent
Young and old and gone
Sweet Gene Vincent
Who, who, who slapped John?
White face, black shirt
White socks, black shoes
Black hair, white Strat
Bled white, died black
Sweet Gene Vincent
Let the blue roll tonight
At the sock hop ball in the Union Hall
Where the bop is their delight
Here come duck-tailed Danny
Dragging Uncanny Annie
She's the one with the flying feet
You can break the peace
Daddy sickle grease
The beat is reet complete
And you jump back, honey
In the dungerees
Tight sweater and a pony tail
Will you guess her age
When she comes back stage?
The hoodlums bite their nails
Black gloves, white frost
Black crepe, white lead
White sheet, black knight
Jet black, dead white
Sweet Gene Vincent
There's one in every town
And the devil drives
Till the hearse arrives
And you lay that pistol down
Sweet Gene Vincent
There's nowhere left to hide
With lazy skin and ash tray eyes
A perforated pride
So farewell mademoiselle,
Knickerbocker Hotel
Farewell to money owed
But when your leg still hurts
And you need more shirts
You got to get back on the road
The song "Sweet Gene Vincent" by Ian Dury is a tribute to the 1950s rock and roll musician Gene Vincent. The lyrics paint a vivid picture of Vincent's style, appearance, and legacy, celebrating his music and the impact he had on the genre. The opening lines describe Vincent as a "blue gene baby" and a "skinny white sailor," highlighting his striking appearance and the ways in which he stood out from the crowd. The singer laments Vincent's decline and death, expressing a longing for the singer's "sad Virginia whisper" and the voice that once "called my heart."
The song is filled with allusions to Vincent's life and work, including references to his classic song "Be-Bop-A-Lula" and his signature wardrobe of black and white clothing. The lyrics also touch on the darker side of Vincent's story, alluding to his struggles with addiction and the tragic end of his life. Despite these sad details, the overall tone of the song is one of reverence and admiration, as Dury pays tribute to one of the most influential figures in rock and roll history.
Line by Line Meaning
Blue Gene baby
Addressing Gene Vincent, referring to his nickname 'Blue Gene'
Skinny white sailor,
Describing Gene Vincent's physical appearance
The chances were slender
The probability of success was low
The beauties were brief
The moments of success and fame were fleeting
Shall I mourn your decline
Asking whether to lament Gene Vincent's downfall
With some Thunderbird wine
Proposing an alcoholic drink to cope with Gene's decline
And a black handkerchief?
Asking whether a mourning accessory is appropriate
I miss your sad Virginia whisper
Nostalgic yearning for Gene's unique vocal style
I miss the voice that called my heart
Missing the emotional power of his voice on the listeners
Sweet Gene Vincent
Repeating the title to emphasize the subject of the song
Young and old and gone
Portraying Gene Vincent's life and music as spanning across the ages and now over
Who, who, who slapped John?
Joking and asking for information about a hypothetical fight
White face, black shirt
Describing the stage outfit of a typical audience member
White socks, black shoes
Continuing the physical description from the previous line
Black hair, white Strat
Referring to Vincent's guitar, a Stratocaster, by its color and contrasting it with his hair
Bled white, died black
Acknowledging the death of the singer, as represented by the opposites of 'white' and 'black'
Sweet Gene Vincent
Repeating the chorus to reinforce the message of the song
Let the blue roll tonight
Inviting the audience to dance to the music
At the sock hop ball in the Union Hall
Naming a specific kind of dance and a likely venue for it
Where the bop is their delight
Acknowledging the popularity of rock 'n' roll and dancing in the context of the audience
Here come duck-tailed Danny
Referring to a typical greaser or rocker of the time
Dragging Uncanny Annie
Referring to the female dance partner of the above
She's the one with the flying feet
Describing Annie's ease and grace of movement
You can break the peace
Referring to the potential for violence or fights within the dancehall
Daddy sickle grease
Referring to the pomade used to style hair in a greased-back fashion
The beat is reet complete
Celebrating the perfection and satisfaction of the music's rhythm and beat
And you jump back, honey
Encouraging Annie to dance with style and abandon
In the dungerees
Describing the clothing style of the youth at the time
Tight sweater and a ponytail
Further describing Annie's appearance and fashion sense
Will you guess her age
Acknowledging the youthfulness and attractiveness of Annie
When she comes back stage?
Asking whether the audience can tell how old she really is
The hoodlums bite their nails
Describing the tension and anticipation among the crowd
Black gloves, white frost
Continuing the pattern of opposites to describe death and afterlife
Black crepe, white lead
Continuing the imagery of funerals and mourning items
White sheet, black knight
Subverting the expectations of readers for a traditional 'white knight'
Jet black, dead white
Concluding the series of opposites which symbolize Gene Vincent's life and death
Sweet Gene Vincent
Final repetition of the chorus and the song's title
There's one in every town
Asserting that there is always someone like Gene Vincent around
And the devil drives
Implying that Vincent's musical career and inspiration may have come from darker forces
Till the hearse arrives
Taking the metaphor and acknowledging that eventually, everything ends
And you lay that pistol down
Referencing a song that Vincent himself made famous and making a parallel between the struggles of music and life
Sweet Gene Vincent
Final repetition of the chorus and the song's title
There's nowhere left to hide
Acknowledging the inevitability of time and change, and the risk of being forgotten or ignored
With lazy skin and ash tray eyes
Describing the physical toll of a career on the road and the hardships of touring
A perforated pride
An image of something that is pierced or wounded, which represents the fragility or sensitivity of an artist's ego
So farewell mademoiselle
Saying goodbye to someone, possibly a lover or female companion
Knickerbocker Hotel
A specific hotel in New York City, associated with fond memories
Farewell to money owed
Acknowledging the financial struggles of a musician's life
But when your leg still hurts
Humorous imagery that suggests a carefree or busy lifestyle has its own drawbacks
And you need more shirts
Continuing the above thought with a touch of absurdity or practicality
You got to get back on the road
Ending the song with a sense of determination or inevitability, that the road goes ever on
Lyrics © Warner Chappell Music, Inc.
Written by: CHARLES JEREMY JANKEL, IAN ROBINS DURY
Lyrics Licensed & Provided by LyricFind