Sweet Gene Vincent
Ian Dury Lyrics


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Blue Gene baby
Skinny white sailor,
The chances were slender
The beauties were brief
Shall I mourn your decline
With some Thunderbird wine
And a black handkerchief?
I miss your sad Virginia whisper
I miss the voice that called my heart

Sweet Gene Vincent
Young and old and gone
Sweet Gene Vincent

Who, who, who slapped John?
White face, black shirt
White socks, black shoes
Black hair, white Strat
Bled white, died black

Sweet Gene Vincent
Let the blue roll tonight
At the sock hop ball in the Union Hall
Where the bop is their delight

Here come duck-tailed Danny
Dragging Uncanny Annie
She's the one with the flying feet
You can break the peace
Daddy sickle grease
The beat is reet complete
And you jump back, honey
In the dungerees
Tight sweater and a pony tail
Will you guess her age
When she comes back stage?
The hoodlums bite their nails

Black gloves, white frost
Black crepe, white lead
White sheet, black knight
Jet black, dead white

Sweet Gene Vincent
There's one in every town
And the devil drives
Till the hearse arrives
And you lay that pistol down

Sweet Gene Vincent
There's nowhere left to hide
With lazy skin and ash tray eyes
A perforated pride

So farewell mademoiselle,
Knickerbocker Hotel
Farewell to money owed
But when your leg still hurts




And you need more shirts
You got to get back on the road

Overall Meaning

The song "Sweet Gene Vincent" by Ian Dury is a tribute to the 1950s rock and roll musician Gene Vincent. The lyrics paint a vivid picture of Vincent's style, appearance, and legacy, celebrating his music and the impact he had on the genre. The opening lines describe Vincent as a "blue gene baby" and a "skinny white sailor," highlighting his striking appearance and the ways in which he stood out from the crowd. The singer laments Vincent's decline and death, expressing a longing for the singer's "sad Virginia whisper" and the voice that once "called my heart."


The song is filled with allusions to Vincent's life and work, including references to his classic song "Be-Bop-A-Lula" and his signature wardrobe of black and white clothing. The lyrics also touch on the darker side of Vincent's story, alluding to his struggles with addiction and the tragic end of his life. Despite these sad details, the overall tone of the song is one of reverence and admiration, as Dury pays tribute to one of the most influential figures in rock and roll history.


Line by Line Meaning

Blue Gene baby
Addressing Gene Vincent, referring to his nickname 'Blue Gene'


Skinny white sailor,
Describing Gene Vincent's physical appearance


The chances were slender
The probability of success was low


The beauties were brief
The moments of success and fame were fleeting


Shall I mourn your decline
Asking whether to lament Gene Vincent's downfall


With some Thunderbird wine
Proposing an alcoholic drink to cope with Gene's decline


And a black handkerchief?
Asking whether a mourning accessory is appropriate


I miss your sad Virginia whisper
Nostalgic yearning for Gene's unique vocal style


I miss the voice that called my heart
Missing the emotional power of his voice on the listeners


Sweet Gene Vincent
Repeating the title to emphasize the subject of the song


Young and old and gone
Portraying Gene Vincent's life and music as spanning across the ages and now over


Who, who, who slapped John?
Joking and asking for information about a hypothetical fight


White face, black shirt
Describing the stage outfit of a typical audience member


White socks, black shoes
Continuing the physical description from the previous line


Black hair, white Strat
Referring to Vincent's guitar, a Stratocaster, by its color and contrasting it with his hair


Bled white, died black
Acknowledging the death of the singer, as represented by the opposites of 'white' and 'black'


Sweet Gene Vincent
Repeating the chorus to reinforce the message of the song


Let the blue roll tonight
Inviting the audience to dance to the music


At the sock hop ball in the Union Hall
Naming a specific kind of dance and a likely venue for it


Where the bop is their delight
Acknowledging the popularity of rock 'n' roll and dancing in the context of the audience


Here come duck-tailed Danny
Referring to a typical greaser or rocker of the time


Dragging Uncanny Annie
Referring to the female dance partner of the above


She's the one with the flying feet
Describing Annie's ease and grace of movement


You can break the peace
Referring to the potential for violence or fights within the dancehall


Daddy sickle grease
Referring to the pomade used to style hair in a greased-back fashion


The beat is reet complete
Celebrating the perfection and satisfaction of the music's rhythm and beat


And you jump back, honey
Encouraging Annie to dance with style and abandon


In the dungerees
Describing the clothing style of the youth at the time


Tight sweater and a ponytail
Further describing Annie's appearance and fashion sense


Will you guess her age
Acknowledging the youthfulness and attractiveness of Annie


When she comes back stage?
Asking whether the audience can tell how old she really is


The hoodlums bite their nails
Describing the tension and anticipation among the crowd


Black gloves, white frost
Continuing the pattern of opposites to describe death and afterlife


Black crepe, white lead
Continuing the imagery of funerals and mourning items


White sheet, black knight
Subverting the expectations of readers for a traditional 'white knight'


Jet black, dead white
Concluding the series of opposites which symbolize Gene Vincent's life and death


Sweet Gene Vincent
Final repetition of the chorus and the song's title


There's one in every town
Asserting that there is always someone like Gene Vincent around


And the devil drives
Implying that Vincent's musical career and inspiration may have come from darker forces


Till the hearse arrives
Taking the metaphor and acknowledging that eventually, everything ends


And you lay that pistol down
Referencing a song that Vincent himself made famous and making a parallel between the struggles of music and life


Sweet Gene Vincent
Final repetition of the chorus and the song's title


There's nowhere left to hide
Acknowledging the inevitability of time and change, and the risk of being forgotten or ignored


With lazy skin and ash tray eyes
Describing the physical toll of a career on the road and the hardships of touring


A perforated pride
An image of something that is pierced or wounded, which represents the fragility or sensitivity of an artist's ego


So farewell mademoiselle
Saying goodbye to someone, possibly a lover or female companion


Knickerbocker Hotel
A specific hotel in New York City, associated with fond memories


Farewell to money owed
Acknowledging the financial struggles of a musician's life


But when your leg still hurts
Humorous imagery that suggests a carefree or busy lifestyle has its own drawbacks


And you need more shirts
Continuing the above thought with a touch of absurdity or practicality


You got to get back on the road
Ending the song with a sense of determination or inevitability, that the road goes ever on




Lyrics © Warner Chappell Music, Inc.
Written by: CHARLES JEREMY JANKEL, IAN ROBINS DURY

Lyrics Licensed & Provided by LyricFind
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