Ikebe Shakedown, the self-titled album from the Brooklyn-based band, plays … Read Full Bio ↴Ikebe Shakedown, the self-titled album from the Brooklyn-based band, plays with elements of cinematic soul, Afro-funk, deep disco, and boogaloo in all the right ways. After spending a few years together the group, named after a favorite Nigerian boogie record (and pronounced “ee-KAY-bay”), delivers a driving set of tunes featuring a mighty horn section anchored by tight, deep-pocketed grooves.
“Right now in cities across the globe, there are plenty of great Afrobeat revivalist bands aping the sound and groove of Fela Kuti’s legendary sound. Yet, surprisingly few of the new groups have strayed from an orthodox interpretation of the genre or done much real innovation…Ikebe Shakedown is here to change that. The band takes signature Afrobeat elements—big unison horns, slinky bass lines, tight little guitar licks—and blends them with tasty grooves culled from ’70s-style horn-driven funk”. –WNYC
The forthcoming Ikebe debut for Ubiquity Records sees the band push their globally-informed sound and eclectic approach to tune-writing into new territory. “Self-titling the album is a way to introduce the audience to the many facets of the band — to provide a more complete understanding of what we do,” bassist Vince Chiarito says. “Our sound has grown to incorporate our influences without overtly representing any one in particular. It just sounds like us,” he adds.
Most of the rhythm section met at Bard College, and the band rounded-out and officially formed when everyone settled in Brooklyn in 2008. From there, Ikebe has emerged as a compelling voice on the progressive local scene. After a run of dates around NYC, the band recorded their debut 7” single and the EP, Hard Steppin’, which was released on Colemine Records in 2009, receiving high praise from critics and fans alike. The group was invited to record at Dunham Studios with producer Tom Brenneck and at Killion Sound in Los Angeles, home of engineer Sergio Rios of fellow Ubiquity act, Orgone. “The studios share a lot of similarities — the tracks were all cut live to tape with minimal use of headphones and overdubs. This basic approach allowed us to dig in and really focus on getting dynamic performances,” Chiarito explains.
The old school mentality to recording spills over in lush, laid-back, and soulful funk joints like “Kumasi Walk” and “No Name Bar,” where the multi-layered horn section plays off a cavernous backing track of slick drumming, spacey Hammond organ, and nimble guitar riffing. The cinematic soul sound is warm and deep, with the 7-piece band sounding more like a larger ensemble as increasing layers leap from the tape. At the other end of the BPM counter, on “Tunjunga,” the band build a gritty African disco jam boasting a floor-filling percussion section, adding seductive guitar licks and an irresistible bass-line to set the horns ablaze. “Tame The Beats” is pure fire — bold melodies and heavy rhythms propel the song, with Meters-esque breakdowns providing only brief respite from the action.
“Right now in cities across the globe, there are plenty of great Afrobeat revivalist bands aping the sound and groove of Fela Kuti’s legendary sound. Yet, surprisingly few of the new groups have strayed from an orthodox interpretation of the genre or done much real innovation…Ikebe Shakedown is here to change that. The band takes signature Afrobeat elements—big unison horns, slinky bass lines, tight little guitar licks—and blends them with tasty grooves culled from ’70s-style horn-driven funk”. –WNYC
The forthcoming Ikebe debut for Ubiquity Records sees the band push their globally-informed sound and eclectic approach to tune-writing into new territory. “Self-titling the album is a way to introduce the audience to the many facets of the band — to provide a more complete understanding of what we do,” bassist Vince Chiarito says. “Our sound has grown to incorporate our influences without overtly representing any one in particular. It just sounds like us,” he adds.
Most of the rhythm section met at Bard College, and the band rounded-out and officially formed when everyone settled in Brooklyn in 2008. From there, Ikebe has emerged as a compelling voice on the progressive local scene. After a run of dates around NYC, the band recorded their debut 7” single and the EP, Hard Steppin’, which was released on Colemine Records in 2009, receiving high praise from critics and fans alike. The group was invited to record at Dunham Studios with producer Tom Brenneck and at Killion Sound in Los Angeles, home of engineer Sergio Rios of fellow Ubiquity act, Orgone. “The studios share a lot of similarities — the tracks were all cut live to tape with minimal use of headphones and overdubs. This basic approach allowed us to dig in and really focus on getting dynamic performances,” Chiarito explains.
The old school mentality to recording spills over in lush, laid-back, and soulful funk joints like “Kumasi Walk” and “No Name Bar,” where the multi-layered horn section plays off a cavernous backing track of slick drumming, spacey Hammond organ, and nimble guitar riffing. The cinematic soul sound is warm and deep, with the 7-piece band sounding more like a larger ensemble as increasing layers leap from the tape. At the other end of the BPM counter, on “Tunjunga,” the band build a gritty African disco jam boasting a floor-filling percussion section, adding seductive guitar licks and an irresistible bass-line to set the horns ablaze. “Tame The Beats” is pure fire — bold melodies and heavy rhythms propel the song, with Meters-esque breakdowns providing only brief respite from the action.
Rio Grande
Ikebe Shakedown Lyrics
We have lyrics for 'Rio Grande' by these artists:
Alain Souchon & Eddy Mitchell Ça commence Comme dans un film noir Un jeune couple embarqué…
Amigos Traum von einer Sommernacht, Sterne überm Fluss Rio Grande, …
Beto Villa Glonl glonl glonl glonl glo glo glonl glonl glonl glonl glon…
Brian Wilson Time: 8:12 beach bum music bmi/beachead music, inc. ascap Pr…
Dave Alvin I guess she put her blue dress on And walked out…
Dave Alvin & The Guilty Ones I guess she put her blue dress on And walked out…
Dave Alvin and the Guilty Ones I guess she put her blue dress on And walked out…
Die Amigos Traum von einer Sommernacht, Sterne überm Fluss Rio Grande, …
Eddie Mitchell Ça commence comme dans un film noir: Un jeune couple embarqu…
Eddy Mitchell & Laurent Voulzy Ça commence comme dans un film noir Un jeune couple…
Foc'sle Singers Oh, say, were you ever in Rio Grande? Oh, you…
Freedom Fry I was somewhere out west in El Paso Or maybe it…
K.I. Project I guess she put her blue dress on And walked out…
Kabát Tam u řeky Rio Grande Já měl se svou milou rande Že…
Louis Philippe & The Night Mail This isn't a lie A trick played on the heart of…
Mitchell Eddy Ça commence Comme dans un film noir Un jeune couple embarqué…
Schürzenjäger Der Fluss ist nicht breit und nicht tief Nur ein schmuziges…
Seán Dagher We were sick on the beach and our money was…
Sinitaivas Kellastunut on kädessä kirje Maalannut oot sä sanoja sille S…
Storm Weather Shanty Choir Our ship went a-sailin′ on over the bar ('away for Rio!) And…
Texas T So here we go again I think I've heard this one…
The Foc'sle Singers Oh, say, were you ever in Rio Grande? Oh, you Rio! It′s…
The Man Who Up all night, we're taking turns on the peace pipe My…
The Oh Hellos Somewhere down South of here There's a woman with an armload…
Tom Russell Baby pulled her blue dress on and walked out in…
Wand Packing up the car and we're leaving late again Chase an…
Zorita As I was roaming along the Rio Grande I saw het…
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Ben Jenkins a.k.a. highjenks3d
Just a killer jam
168dp
Love this! Just purchased on Bandcamp!
NormalHumanPerson
My jam and my butter.
Alexandre Cloix
Waouhhh, c'est super agréable !!!
Kah Laka
Possibly the face of God