Founded in Detroit in 1989, Insane Clown Posse performs a style of hardcore hip hop known as horrorcore and is known for its elaborate live performances. Originally known as JJ Boyz and Inner City Posse, the group introduced supernatural- and horror-themed lyrics as a means of distinguishing itself stylistically. The duo founded the independent record label Psychopathic Records with Alex Abbiss as manager, and produced and starred in the feature films Big Money Hustlas and Big Money Rustlas. They formed their own professional wrestling promotion, Juggalo Championship Wrestling, and later collaborated with many hip hop and rock musicians.
The songs of Insane Clown Posse center thematically on the mythology of the Dark Carnival, a metaphoric limbo in which the lives of the dead are judged by one of several entities. The Dark Carnival is elaborated through a series of stories called Joker's Cards, each of which offers a specific lesson designed to change the "evil ways" of listeners before "the end consumes us all". The original lineup of Insane Clown Posse was John Utsler (John Kickjazz), Joe Bruce (Violent J) and Joey Utsler (Shaggy 2 Dope). John Utsler left before Carnival of Carnage was released in 1992.
Insane Clown Posse's performance style is often described as horrorcore hip hop, which "utilize shocking (and blatantly over-the-top) narratives to give an over-exaggerated, almost cartoon-like version of urban deprivation in Detroit", according to author Sara Cohen. Bruce and Utsler describe many of their lyrics as being tongue-in-cheek. The group's early work features a raw, minimalistic sound, which later evolved into a more rock-oriented style. The group's lyrics serve as morality tales, with songs focusing on subjects such as cannibalism, murder and necrophilia. Insane Clown Posse's debut album, Carnival of Carnage, features a politically-oriented focus, criticizing elitism and prejudice against those who live in the ghetto, while the album's liner notes criticize the Gulf War. The group's lyrics have opposed racism, bigotry, domestic violence, and child abuse.
Insane Clown Posse has covered songs by Geto Boys, Sly Fox, and Above the Law. Bruce and Utsler refer to Ice Cube, Awesome Dre, Geto Boys, and Esham as influences on their own music, while Bruce has expressed admiration for Gong, Pearl Jam, and Michael Jackson. Mike E. Clark's production for the group incorporates elements such as "carnival organ riffs, power chords and shotgun blasts...banjolike plucking and Van Halen-esque guitar squeals", while Bruce and Utsler sometimes alternate between rapping and screaming. Bruce has credited pop music as an influence on some of the group's material, even terming the music "Wicked Pop". Bruce has also stated "We do our own genre of music". In his review of The Tempest, Allmusic's David Jeffries writes that Bruce and Utsler "[rap] in a carnival barker fashion that fits with their circus motif, their Insane Clown disguises, and Mike E. Clark's big top-inspired production." Insane Clown Posse has influenced similar acts, such as Axe Murder Boyz, Blaze Ya Dead Homie and Boondox.
Life At Risk
Insane Clown Posse Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Mom's yelling cuz pop's got his fists flying
It's nine in the morning and he's drunk
One day, I feel that I'm gonna shoot that punk
My bitch laying next to me in the bed
I honestly don't give a fuck if the ho is dead
The only honor in my life is my rag
Without it, zip me up in a body bag
Take the money-back bottles and head for the store
My neighborhood your life is a dare
Cuz there's factories pumping out black air
And I'm breathing this shit everyday
Living crazy, cuz I'm dying anyway
I see this tramp hangin under the bridge
I tell her go home and watch her kids
You listen to them cry and sob
Take your sorry ass and find a motherfucking job
See my homies hanging at the liquor store
40s in the catch, dice rollin on the floor
They say my friends'll never be any good
But the president wouldn't of been shit
If he was raised in my neighborhood
My friends say the same old shit
The southwest side have a hit on me
I guess everyone's seen it
When I slammed Johnny's head into the cement
It started all this crazy shit
And now we never set out without a loaded clip
And we headed up to the dunk rim
Little boys on the court so we punked them out
And I was thinking of my brother
When he was pushed off the court he wanted to kill them fuckers
Now I'm standing in the bad guys shoes
Payin' my dues
And I don't have no where to be
Just another street hood in the inner city
And a man is gonna ask for some change
Give him a dollar, so he can go and fry his brain
Fuck no, I push him out the way
Cuz that sad motherfucker got shit to say
My homie was known for the mackin
Now they got him doing 10 for car jackin
And I'm thinkin that I'm next to go
What the fuck I already live on Death Row
So many out there want me
Everybody wants to put a bullet in my head
But I don't give a fuck if I die today
Everyone alive is gonna die anyway
What the fuck is life about
Come home late and daddy blow your mouth out
That's in the past now, I ain't soft
Daddy hits me today and I'm a blow his fuckin head off
For now the bullets close but miss
Livin my life at a risk
You know, J, man, you're right
Too many motherfuckers out there are fake
People need to understand
That if you get hit enough times
Then you start hitting back
All we are are pawns in the game board
And if this is the way everyone's playin' it
So be it, motherfuckers
Count us in
But the ICP is playin for keeps
Mackin is a game and everybody's playin
Are you the one gettin played like a sucker
I think I liked it better when I was a kid
The lyrics of Insane Clown Posse's "Life at Risk" paint a vivid picture of life in the inner city, with violence, poverty, and hopelessness ever-present. The singer wakes up to the sound of a crying baby and his parents arguing, and dreams of shooting his abusive father. He takes his brother's gun and goes to collect bottles for money, braving a heavily polluted environment. Along the way, he encounters a homeless woman and his drinking buddies, who lament their bleak prospects. The song is punctuated by references to run-ins with a rival gang and encounters with the police.
The message of "Life at Risk" is uncompromisingly bleak, suggesting that the cycle of poverty and violence in the inner city is inescapable. The singer feels trapped in his circumstances and contemplates violent retribution against those who have wronged him. Despite the references to gang life and criminal behavior, the song is less glorifying of these activities than it is an indictment of the systemic problems that fuel them. The song can be seen as a form of social commentary, drawing attention to the plight of those living in inner-city areas.
Line by Line Meaning
Waking up to a little baby crying
Starting the day hearing a baby crying
Mom's yelling cuz pop's got his fists flying
Father is hitting mother and mother is yelling
It's nine in the morning and he's drunk
Father is drunk early in the morning
One day, I feel that I'm gonna shoot that punk
Narrator wants to kill his father someday
My bitch laying next to me in the bed
Referring to a female partner in bed
I honestly don't give a fuck if the ho is dead
Narrator cares so little for the partner that they wouldn't care if something bad happened to them
The only honor in my life is my rag
Narrator's gang affiliation is the only thing they take pride in
Without it, zip me up in a body bag
Life would be meaningless without gang affiliation
Grab my brother's unloaded forty-four
Narrator takes their brother's gun, but it's not loaded
Take the money-back bottles and head for the store
Collecting empty bottles to return for cash at the store
My neighborhood your life is a dare
Living in the singer's neighborhood is dangerous
Cuz there's factories pumping out black air
Factories are polluting the air in the artist's neighborhood
And I'm breathing this shit everyday
Narrator is exposed to pollution on a regular basis
Living crazy, cuz I'm dying anyway
Narrator lives recklessly because they feel like they have nothing to lose
I see this tramp hangin under the bridge
Narrator sees a homeless person under a bridge
I tell her go home and watch her kids
Narrator advises the homeless person to go take care of their children
You listen to them cry and sob
Narrator imagines the homeless person's children crying and being upset
Take your sorry ass and find a motherfucking job
Narrator tells the homeless person to get a job and stop being a burden on society
See my homies hanging at the liquor store
Narrator's friends are hanging out at the liquor store
40s in the catch, dice rollin on the floor
Narrator's friends are drinking 40-ounce bottles of alcohol and playing dice on the floor
They say my friends'll never be any good
Other people are critical of the artist's friends and their lifestyle choices
But the president wouldn't of been shit
Narrator believes that anyone, including the president, would be unsuccessful if they grew up in their neighborhood
If he was raised in my neighborhood
Speculating about how the president would fare if they grew up in the singer's neighborhood
My friends say the same old shit
Narrator's friends often repeat the same stories or excuses
The southwest side have a hit on me
Someone on the southwest side wants to harm the singer
I guess everyone's seen it
Narrator assumes that everyone is aware of the threat against them
When I slammed Johnny's head into the cement
Narrator recounts an act of violence they committed against someone named Johnny
It started all this crazy shit
Narrator attributes their current issues to the violence they inflicted on Johnny
And now we never set out without a loaded clip
Narrator always carries a loaded gun for protection
And we headed up to the dunk rim
Narrator and their friends are going to play basketball
Little boys on the court so we punked them out
Narrator's group intimidates younger boys on the basketball court
And I was thinking of my brother
Narrator is reminded of their brother when playing basketball
When he was pushed off the court he wanted to kill them fuckers
Narrator's brother had a violent reaction when he was bullied on the basketball court as a child
Now I'm standing in the bad guys shoes
Narrator sees themselves as a villain or antagonist
Payin' my dues
Narrator feels like they are being punished for their actions
And I don't have no where to be
Narrator has no specific plans or obligations
Just another street hood in the inner city
Narrator sees themselves as just another gang member in the city
And a man is gonna ask for some change
A homeless man approaches the singer and asks for money
Give him a dollar, so he can go and fry his brain
Narrator gives the homeless man money, but acknowledges that he will likely use it to buy drugs
Fuck no, I push him out the way
Narrator becomes aggressive toward the homeless man and shoves him aside
Cuz that sad motherfucker got shit to say
Narrator sees the homeless man as a nuisance who is bothering them
My homie was known for the mackin
Narrator's friend was known for his success with women
Now they got him doing 10 for car jackin
Narrator's friend was caught stealing a car and is now in prison
And I'm thinkin that I'm next to go
Narrator worries that they will also end up in prison
What the fuck I already live on Death Row
Narrator feels like they are already living a dangerous and unstable life
So many out there want me
Narrator feels like there are many people who want to harm them
Everybody wants to put a bullet in my head
Narrator feels like their life is constantly in danger
But I don't give a fuck if I die today
Narrator is so disillusioned with life that they are indifferent to the idea of dying
Everyone alive is gonna die anyway
Narrator sees death as an inevitability for all people
What the fuck is life about
Narrator questions the purpose of life
Come home late and daddy blow your mouth out
Narrator recounts a traumatic event from their past where their father was violent
That's in the past now, I ain't soft
Narrator has moved on from their past trauma and does not see themselves as weak
Daddy hits me today and I'm a blow his fuckin head off
Narrator feels like they would violently retaliate if their father were to harm them again
For now the bullets close but miss
Narrator has narrowly avoided being harmed by a gun
Livin my life at a risk
Narrator acknowledges that their lifestyle is dangerous and puts them in harm's way
You know, J, man, you're right
Narrator is in agreement with a person named J
Too many motherfuckers out there are fake
Narrator is frustrated by the number of fake or disingenuous people in their life
People need to understand
Narrator believes others should be more aware and understanding
That if you get hit enough times
Narrator believes that being hurt or traumatized can change a person
Then you start hitting back
Narrator feels like they have to fight back against people or circumstances that hurt them
All we are are pawns in the game board
Narrator believes that people have limited control over their lives and are often used or manipulated
And if this is the way everyone's playin' it
Narrator is resigned to the idea that others are also being manipulated or controlled
So be it, motherfuckers
Narrator is accepting of the situation and is willing to play along
Count us in
Narrator is willing to participate in whatever is happening
But the ICP is playin for keeps
Narrator's gang is serious and will not back down
Mackin is a game and everybody's playin
Narrator sees relationships as a game that everyone is involved in
Are you the one gettin played like a sucker
Narrator questions whether others are being taken advantage of
I think I liked it better when I was a kid
Narrator longs for the innocence and simplicity of childhood
Contributed by Kaelyn C. Suggest a correction in the comments below.
Dimitri-C Dth
"in my neighborhood your life is a dare, cus theirs factorys pumpin out black air. n im breathin this shit everyday. livin crazy cus im dying anyway" thats real shit right there
Mikey Skero
this was a time icp was thier best
Ghostface256
Their
Mister Lunacy
This is probably one of icp's most realest tracks
IceColdKoopa
still a classic, so much heart behind this
Joe Santini
Had this on repeat since got to work this morning at 7 am. Just ending my day and it's still hasn't gotten old. Takes me back.
Mister Lunacy
Best Inner City Posse track imo, real ICP
Greg Valdez
Damn this song goes hard lol .
alan johnson
RIP John Kick jazz whoop whoop see you shangri la my homie
The duh ScRIP Shunn
Also R.I.P. John Rhodes