Founded in Detroit in 1989, Insane Clown Posse performs a style of hardcore hip hop known as horrorcore and is known for its elaborate live performances. Originally known as JJ Boyz and Inner City Posse, the group introduced supernatural- and horror-themed lyrics as a means of distinguishing itself stylistically. The duo founded the independent record label Psychopathic Records with Alex Abbiss as manager, and produced and starred in the feature films Big Money Hustlas and Big Money Rustlas. They formed their own professional wrestling promotion, Juggalo Championship Wrestling, and later collaborated with many hip hop and rock musicians.
The songs of Insane Clown Posse center thematically on the mythology of the Dark Carnival, a metaphoric limbo in which the lives of the dead are judged by one of several entities. The Dark Carnival is elaborated through a series of stories called Joker's Cards, each of which offers a specific lesson designed to change the "evil ways" of listeners before "the end consumes us all". The original lineup of Insane Clown Posse was John Utsler (John Kickjazz), Joe Bruce (Violent J) and Joey Utsler (Shaggy 2 Dope). John Utsler left before Carnival of Carnage was released in 1992.
Insane Clown Posse's performance style is often described as horrorcore hip hop, which "utilize shocking (and blatantly over-the-top) narratives to give an over-exaggerated, almost cartoon-like version of urban deprivation in Detroit", according to author Sara Cohen. Bruce and Utsler describe many of their lyrics as being tongue-in-cheek. The group's early work features a raw, minimalistic sound, which later evolved into a more rock-oriented style. The group's lyrics serve as morality tales, with songs focusing on subjects such as cannibalism, murder and necrophilia. Insane Clown Posse's debut album, Carnival of Carnage, features a politically-oriented focus, criticizing elitism and prejudice against those who live in the ghetto, while the album's liner notes criticize the Gulf War. The group's lyrics have opposed racism, bigotry, domestic violence, and child abuse.
Insane Clown Posse has covered songs by Geto Boys, Sly Fox, and Above the Law. Bruce and Utsler refer to Ice Cube, Awesome Dre, Geto Boys, and Esham as influences on their own music, while Bruce has expressed admiration for Gong, Pearl Jam, and Michael Jackson. Mike E. Clark's production for the group incorporates elements such as "carnival organ riffs, power chords and shotgun blasts...banjolike plucking and Van Halen-esque guitar squeals", while Bruce and Utsler sometimes alternate between rapping and screaming. Bruce has credited pop music as an influence on some of the group's material, even terming the music "Wicked Pop". Bruce has also stated "We do our own genre of music". In his review of The Tempest, Allmusic's David Jeffries writes that Bruce and Utsler "[rap] in a carnival barker fashion that fits with their circus motif, their Insane Clown disguises, and Mike E. Clark's big top-inspired production." Insane Clown Posse has influenced similar acts, such as Axe Murder Boyz, Blaze Ya Dead Homie and Boondox.
Madhouse
Insane Clown Posse Lyrics
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Here ghost wail and moan
Skeletons rattle trying to escape there prisoning coffins (Wicked Shit)
Grimlins and skulls gasp a death (ICP Tech N9ne)
You have enterd the Mad House
Sombody open the fuckin door and let me in!
The worlds are about to get me again
Clinging to the selene like a spider
I'm out of your mind like frozen fire
Razorblade fingers scratchin my neck
Lost in the maze I found a dragon barbeque in the back
A arm came out of the toilet and squaws my balls
That shirt hurt got me head but holes in the walls
I wanna see you!
I hear you!
I catch spirits and ghosts by there invisible throats and then tear through (tear through)
Never scary boo bitch I'm a kamikaze
Swimmin through the living room watching joni and chachi
And then I realize I'm potsy trapped in the tv
Sombody changed the channel and got the better of me
Your ain't never gettin in and we ain't never gettin out
Cause I hold the key to unlock this madhouse!
It don't matter where you run to scream or shout
Cause I hold the key to unlock this madhouse!
Your ain't never gettin in and we ain't never gettin out
Cause I hold the key to unlock this madhouse!
It don't matter where you run to scream or shout
Cause I hold the key to unlock this madhouse!
So many dimensions and lines except for these levels of dips and devil
Ain't been alright sense the ghetto better wait for my temper settle
Cause my mind is a madhouse the n9ne fittin spaz out
Player haters don't throw stones if you grind in a glass house
Sometimes when I lash out I pass out how sick and insanse and vain can this be
Wanna fly your little head like a frisbee six six triple eight forty six ninede nine thrisde
This strange and psychopathic homie this is not disney
The madhouse continues to pin you send you psycho bitches to the back of the venue
Then you slitther when like when I'm here in you or off in you
Then my homies 2 dope and Jay do you up somthin real ???
Level of madness extasy shrooms and acid
Beats release but you can't find me in lake placid
Finnaly in missouri dissily struttin with a bad bitch
Her last kid was disastres ICP on some Mad Shit!
Your ain't never gettin in and we ain't never gettin out
Cause I hold the key to unlock this madhouse!
It don't matter where you run to scream or shout
Cause I hold the key to unlock this madhouse!
Mad...House... Mad House
It don't matter where you run to scream or shout
Cause I hold the key to unlock this madhouse!
Peekaboo anybody home? where you at?
Tryin to be sneaky creeping behind me mutha facka I saw that rail
Maybe its a mirror or a different person he was grabbin his nuts and spittin and curseing at me fag!
There somethings in this life that I fail to understand even as even as a grown man I don't comprehend
Like how in the fuck did I walk up the stairs and some fucking how I ended up down here
Well laughing and giggleing like a little school girl with my homies Jay and Tech ain't even there Hmmm
What the fuck not a damn single bitch in this place but some ones figgin my nuts
I got it done well sittin with my pants around my ankles dry humpin my hand
A lot of mother fucker claim the insanity plead but not me
Its this house that's gone mad I'm insane as can be!
Your ain't never gettin in and we ain't never gettin out
Cause I hold the key to unlock this madhouse!
It don't matter where you run to scream or shout
Cause I hold the key to unlock this madhouse!
Mad...House... Mad House
It don't matter where you run to scream or shout
Cause I hold the key to unlock this madhouse! (Let me out the Madhouse)
Let me out the Madhouse
Let me out the Madhouse
Let me out the Madhouse
Let me out the Madhouse
Let me out the Madhouse
Let me out the Madhouse
The Insane Clown Posse's song Madhouse is a dark and eerie portrayal of insanity. The song is set in a madhouse, where ghosts wail and moan, and skeletons rattle in their coffins, trying to escape. The lyrics depict the singer's journey through the madhouse, where he encounters razor blade fingers scratching his neck, ghosts caught by their throats, and arm reaching out of a toilet and squishing his balls, among other things. The song describes the madness as something that has overtaken the singer's mind to the point where he feels safer in the madhouse than outside.
The Insane Clown Posse is known for its horrorcore rap style, which is characterized by its dark and disturbing lyrics. Madhouse is a prime example of this style, with its graphic and violent imagery. The song's chorus repeats the line "You ain't never getting in, and we ain't never getting out cause I hold the key to unlock this madhouse." The repetition of this line reinforces the idea that once someone enters the madhouse, they are trapped, and there is no way out.
In conclusion, Madhouse is a disturbing song that delves into the dark world of madness and mental illness. The lyrics illustrate the singer's descent into madness, and the horror he encounters once he finds himself trapped in the madhouse. The song's eerie and ominous tone, coupled with its violent imagery, creates a world that is both terrifying and fascinating.
Line by Line Meaning
Welcome... to the Madhouse...
The song begins by inviting listeners into the Madhouse, a world full of supernatural occurrences and terror.
Here ghost wail and moan
It is a haunted house where ghosts are heard crying and moaning in pain.
Skeletons rattle trying to escape there prisoning coffins (Wicked Shit)
The skeletons are heard clattering, trying to escape from their coffins, but they are never able to do so. This glorifies death.
Grimlins and skulls gasp a death (ICP Tech N9ne)
The songwriters tell us that skulls and monsters also die in this Madhouse.
You have enterd the Mad House
The entry into the Madhouse is difficult, and only those who are brave or mad enough may enter.
Sombody open the fuckin door and let me in!
The singer pleads to be allowed into the Madhouse.
The worlds are about to get me again
Escaping to the Madhouse is a refuge from the struggles of the outside world.
Shit ain't pretend I'm safer in the madhouse
The Madhouse is a more secure place where nothing is fake or artificial.
Clinging to the selene like a spider
The artist feels secure in the Madhouse and does everything to hold on to it as a spider does with its web.
I'm out of your mind like frozen fire
The artist is crazy, but their madness is calm and unrelenting simultaneously like frozen fire.
Razorblade fingers scratchin my neck
The presence within the Madhouse is dangerous and it scratches the singer's neck with its sharp nails.
Lost in the maze I found a dragon barbeque in the back
In the Madhouse, there is a labyrinth that the artist is lost in and finds a dragon being barbecued.
A arm came out of the toilet and squaws my balls
A hand reaches out from the toilet and hurts the singer's testicles.
That shirt hurt got me head but holes in the walls
The singer is so disoriented in the Madhouse that he bumps into a wall while trying to avoid that arm.
I wanna see you!
The singer wants to meet his audience inside the Madhouse.
I hear you!
The songwriter hears his audience's demands to open the door and let them in.
I catch spirits and ghosts by there invisible throats and then tear through (tear through)
The artist can catch ghosts and spirits by their neck and then destroy them.
Never scary boo bitch I'm a kamikaze
The singer isn't afraid of death, even if it means sacrificing himself; he is brave enough like a kamikaze.
Swimmin through the living room watching joni and chachi
Reference to Happy Days, the singer navigates the living room like a fish in a pool, while things around him are bizarre.
And then I realize I'm potsy trapped in the tv
The artist experiences entrapment and displacement after being sucked into the TV and left in a Happy Days reality.
Sombody changed the channel and got the better of me
The artist is confused with the change in the channel and cannot find relevance.
Your ain't never gettin in and we ain't never gettin out
Refers to the Madhouse where once entering, it's impossible to escape.
Cause I hold the key to unlock this madhouse!
The key is metaphorical, and the songwriters control the Madhouse.
So many dimensions and lines except for these levels of dips and devil
The Madhouse materializes in different dimensions with every level having a more sinister plot.
Ain't been alright sense the ghetto better wait for my temper settle
The Madhouse has a way of disorienting and clouding the sane, only for those who can hold it together in its terror can survive.
Cause my mind is a madhouse the n9ne fittin spaz out
The song writer's minds have become their madhouse where they are susceptible and break down.
Player haters don't throw stones if you grind in a glass house
Those who are vulnerable cannot cast aspersions on those who live in more fragile, transparent environments.
Sometimes when I lash out I pass out how sick and insanse and vain can this be
The artist has moments of uncontrolled outbursts which subside just as quickly, highlighting the unpredictable and dangerous nature of the Madhouse.
Wanna fly your little head like a frisbee six six triple eight forty-six ninede nine thrisde
The songwriters jest about wanting to throw someone's head like a frisbee, which is a grotesque but ironic comparison.
This strange and psychopathic homie this is not disney
The Madhouse is no utopia, and no such pleasantness as the Disney universe exists within it.
The madhouse continues to pin you send you psycho bitches to the back of the venue
The Madhouse continues to contain and restrain the sane and the insane within it, entrapping them and releasing them as per its will.
Then you slitther when like when I'm here in you or off in you
The artist has transcended physical boundaries, and he can go from being within someone to being off them.
Then my homies 2 dope and Jay do you up somthin real ???
It's unclear what kind of vengeance Violent J and Shaggy 2 Dope might take upon those who find themselves lost in the Madhouse.
Level of madness extasy shrooms and acid
The Madhouse is on another level of insanity than even the most potent psychedelic drugs.
Beats release but you can't find me in lake placid
The Madhouse generates a similar kind of fear, but it is more intense than Lake Placid.
Finnaly in missouri dissily struttin with a bad bitch
The artist finally gets to Missouri, staggering with a woman who is considered not suitable for him.
Her last kid was disastres ICP on some Mad Shit!
The singer remembers the woman has a problematic history with an ex-lover and associates it with ICP's Mad Shit mentality.
Peekaboo anybody home? where you at?
After entering the Madhouse, the singer wonders where they are and if anyone is there.
Tryin to be sneaky creeping behind me mutha facka I saw that rail
The paranoia within the Madhouse makes the singer cautious, but they still see things.
Maybe its a mirror or a different person he was grabbin his nuts and spittin and curseing at me fag!
The artist is not sure if he is looking at himself in the mirror or if he is a different person doing vulgar and insulting things.
There somethings in this life that I fail to understand even as even as a grown man I don't comprehend
The Madhouse has things that are unexplainable and complex, which can't be understood, even by a grown man.
Like how in the fuck did I walk up the stairs and some fucking how I ended up down here
The Madhouse's labyrinth has herculean characteristics where the singer ends up in a random spot, even though they remember going somewhere else.
Well laughing and giggleing like a little school girl with my homies Jay and Tech ain't even there Hmmm
Despite the terror and confusion within the Madhouse, somehow, the singer finds himself enjoying it, but indicates Jay and Tech aren't present.
What the fuck not a damn single bitch in this place but some ones figgin my nuts
The artist is all alone, but someone is still molesting him in the Madhouse, unsettling him further.
I got it done well sittin with my pants around my ankles dry humpin my hand
The artist expresses that he is entertaining himself even when he is alone, which seems strange and senseless.
A lot of mother fucker claim the insanity plead but not me
Although the artist is in the Madhouse, he is not insane, unlike many people who fake insanity to get away with their crimes.
Its this house that's gone mad I'm insane as can be!
The Madhouse has driven the singer to a level of insanity that is beyond human comprehension.
Mad...House... Mad House
This line repeats many times, driving home the point that the Madhouse is, in fact, mad.
Let me out the Madhouse
Finally, the singer pleads to end the nightmare and escape the Madhouse.
Let me out the Madhouse
The repeated line reinforces the singer's desire to leave the Madhouse.
Let me out the Madhouse
The final words reiterate desperately the desire of the singer to escape the Madhouse's perpetual terror.
Lyrics © Warner/Chappell Music, Inc., Kobalt Music Publishing Ltd.
Written by: JACK BRUCE, PETE BROWN
Lyrics Licensed & Provided by LyricFind
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