Founded in Detroit in 1989, Insane Clown Posse performs a style of hardcore hip hop known as horrorcore and is known for its elaborate live performances. Originally known as JJ Boyz and Inner City Posse, the group introduced supernatural- and horror-themed lyrics as a means of distinguishing itself stylistically. The duo founded the independent record label Psychopathic Records with Alex Abbiss as manager, and produced and starred in the feature films Big Money Hustlas and Big Money Rustlas. They formed their own professional wrestling promotion, Juggalo Championship Wrestling, and later collaborated with many hip hop and rock musicians.
The songs of Insane Clown Posse center thematically on the mythology of the Dark Carnival, a metaphoric limbo in which the lives of the dead are judged by one of several entities. The Dark Carnival is elaborated through a series of stories called Joker's Cards, each of which offers a specific lesson designed to change the "evil ways" of listeners before "the end consumes us all". The original lineup of Insane Clown Posse was John Utsler (John Kickjazz), Joe Bruce (Violent J) and Joey Utsler (Shaggy 2 Dope). John Utsler left before Carnival of Carnage was released in 1992.
Insane Clown Posse's performance style is often described as horrorcore hip hop, which "utilize shocking (and blatantly over-the-top) narratives to give an over-exaggerated, almost cartoon-like version of urban deprivation in Detroit", according to author Sara Cohen. Bruce and Utsler describe many of their lyrics as being tongue-in-cheek. The group's early work features a raw, minimalistic sound, which later evolved into a more rock-oriented style. The group's lyrics serve as morality tales, with songs focusing on subjects such as cannibalism, murder and necrophilia. Insane Clown Posse's debut album, Carnival of Carnage, features a politically-oriented focus, criticizing elitism and prejudice against those who live in the ghetto, while the album's liner notes criticize the Gulf War. The group's lyrics have opposed racism, bigotry, domestic violence, and child abuse.
Insane Clown Posse has covered songs by Geto Boys, Sly Fox, and Above the Law. Bruce and Utsler refer to Ice Cube, Awesome Dre, Geto Boys, and Esham as influences on their own music, while Bruce has expressed admiration for Gong, Pearl Jam, and Michael Jackson. Mike E. Clark's production for the group incorporates elements such as "carnival organ riffs, power chords and shotgun blasts...banjolike plucking and Van Halen-esque guitar squeals", while Bruce and Utsler sometimes alternate between rapping and screaming. Bruce has credited pop music as an influence on some of the group's material, even terming the music "Wicked Pop". Bruce has also stated "We do our own genre of music". In his review of The Tempest, Allmusic's David Jeffries writes that Bruce and Utsler "[rap] in a carnival barker fashion that fits with their circus motif, their Insane Clown disguises, and Mike E. Clark's big top-inspired production." Insane Clown Posse has influenced similar acts, such as Axe Murder Boyz, Blaze Ya Dead Homie and Boondox.
Redneck Hoe
Insane Clown Posse Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
What you so mad about?
Them god damned city folks commin' 'round these here hills lookin' for
a piece of that tender young ass.
Yeah
Well let me tell you my Thelma Lou knows better than to give her puddin'
to anyone else but pa.
Rapping to this bitch with a redneck, a redneck, that fucking redneck
ass neck. Bitch you're a redneck, but I gives a fuck I'm about to step.
I never met a southern belle cowpoke and I know 'till now you only
fucked your kinfolk. Bitch, I can't believe that, everytime you smile
you look like Cactus Jack. Just cut the lights out, cause I still wanna
bang that bearded biscuit out. Bitch, I know yous a freak. Lemme
bitch slap that butt cheek and try to keep that toothless moutch shut
and don't say shit you funky ass fat bitch. I don't square dance, I drink
monky blood, kick voodoo chants (Whoop Whoop). But don't act like
you didn't know, like you didn't know that I'm a juggalo jiggalo. Bitch,
wait hold up, what, I can't have your pa staring at my butt. Tell him to
leave a keep the barn doors closed. All I need his him trying to grope
my nizzos.
Bitch yous a how, and hoe yous a bitch
Everybody knows that yous a funky, funky bitch
Bitch yous a hoe and hoe yous a bitch
Everybody knows that yous a funky bitch
Rapping to this bitch with a redneck, a redneck, a chicken ass redneck,
A bitch with a beard and a redneck. Yo Shaggy step to that red ass
neck. Bitch, it's Shaggs. Before I teabag yo' face, take off them rags,
you been chillin in the barn all night and day. Shoveling horse shit and
fucking with hay. Bitch with your neden off in the tag, I don't give a
fuck, play Ricky Skaggs. Yeah, that's right, fuck Conway Twitty. With
your red ass nipple on your redneck titty. Bitch, I roll down south with
a swisher sweet hanging out my mouth and sporting a ten gallon
cowboy hat but after I tap it, man, fuck that bitch. I'm from the big city
and I fixin' to bust a nut on that one big titty. Oh shit, it's Wilbur's
daughter, fondeling pig nuts and I caught her. Bitch drop them hog
balls. She dropped her sack, then dropped her drawls. She looked
like a crow that's all I know but I still fucked that redneck hoe.
Bitch yous a hoe (uh huh)and hoe yous a bitch (that's right)
Everybody knows that yous a funky funky bitch (come again ya'll)
Bitch yous a hoe (uh huh)and hoe yous a bitch (that's right)
Everybody knows that yous a (what?) funky bitch.
I know a redneck bitch named Wylita, straight stacked. Biscuit in the
pocket, nipples looked like flapjacks. Chicken face bitch, two or
three good teeth. If I ask for sugar, she's a big fuzzy peach.
Now I remember when she milked the cows. Sticks of hay in her
mouth, ass hanging all out. Got me itching on my balls and I'm rubbing
my wang. That damn there girl pretty did she need a twang. Hey there
missy, I'm from the east and I wouldn't mind laying in the hay for a
piece. You can rub my butt like you do your pa's, or I can hide my
meat inbetween your jaws. Even hum a little something sweet by Clint
Black while you stroke and caress my tender nut sack. Like it rough
bitch, don't ya. I can bring the pain. She said, "Ain't that that damn
movie by John Wayne?"
Rapping to this bitch with a redneck,a redneck, a chicken ass redneck,
a bubbly bitch with a redneck, turkey funky chicken neck.
Bitch it's Twiztid, with a Z. You redneck hoe, is you fuckin wit me?
Neden scabbed up like a horse's ass but I'm a tap it anyway and use
your hair for my nut rag. Bitch, what the fuck? Smells like a pile of
dead fish in your butt. Your shirts all covered with fishing tackle and
I saw more teeth on an apple. Bitch, you better ask Uncle Gus or you
and the rest of the Clampets are getting fucked up. Oh me, I talked to
the spirits. Witches, demons and they all keep screaming.
Bitch yous a hoe (uh huh) and hoe yous a bitch (that's right)
Everybody knows that yous a funky funky bitch (come again ya'll)
Bitch yous a hoe (uh huh and hoe yous a bitch (that's right)
Everybody knows that yous a (what?) funky bitch
Round up your boys and ya head down south, and find a redneck
hoe and put your dick in her mouth..
The lyrics to Insane Clown Posse's song "Redneck Hoe" are vulgar and offensive, using derogatory language to describe and objectify women. The lyrics appear to be a conversation between three men, each boasting about their conquests with a "redneck hoe" and using crude language to describe their sexual experiences. The song portrays women as disposable objects, to be used for the pleasure of men with no regard for their own desires or feelings.
The first verse has one speaker making derogatory comments about city folk who come to the country looking for sex with young women. The singer then boasts about his own relationship with a woman named Thelma Lou, stating that she only has sex with him. The second and third verses have two more speakers joining in, each bragging about their own sexual experiences with "redneck hoes." The song ends with the repetitive chorus, which reinforces the objectification and dehumanization of women.
Overall, the lyrics to "Redneck Hoe" are an example of toxic masculinity and the objectification of women in music. The derogatory language and graphic descriptions of sexual acts perpetuate harmful stereotypes and reinforce damaging gender norms.
Line by Line Meaning
Ain't that 'bout a hoot?
Isn't that funny?
What you so mad about?
Why are you angry?
Them god damned city folks commin' 'round these here hills lookin' for a piece of that tender young ass.
The singer is criticizing city people for coming into rural areas to find sexual partners.
Well let me tell you my Thelma Lou knows better than to give her puddin' to anyone else but pa.
The artist is implying that Thelma Lou only has sex with her father.
Rapping to this bitch with a redneck, a redneck, that fucking redneck Rapping to this bitch with a redneck, Violent J gonna step to that red ass neck.
The artists are rapping to a woman who is a redneck, and are using the term to insult her and assert dominance over her.
Bitch you're a redneck, but I gives a fuck I'm about to step.
The singer acknowledges that the woman is a redneck but doesn't care because he's going to have sex with her anyway.
I never met a southern belle cowpoke and I know 'till now you only fucked your kinfolk.
The singer is asserting that the woman he is rapping to has only had sex with her own family members.
Bitch, I can't believe that, everytime you smile you look like Cactus Jack.
The artist is criticizing the woman's physical appearance, comparing her to the wrestler Cactus Jack.
Just cut the lights out, cause I still wanna bang that bearded biscuit out.
The artist wants to have sex with the woman even though she has facial hair.
Bitch, I know yous a freak. Lemme bitch slap that butt cheek and try to keep that toothless moutch shut and don't say shit you funky ass fat bitch.
The artist is insulting the woman and expressing desire to physically harm her while having sex.
I don't square dance, I drink monky blood, kick voodoo chants (Whoop Whoop).
The singer is discussing his unusual interests to further assert his identity and dominance over the woman.
But don't act like you didn't know, like you didn't know that I'm a juggalo jiggalo. Bitch, wait hold up, what, I can't have your pa staring at my butt. Tell him to leave a keep the barn doors closed. All I need his him trying to grope my nizzos.
The artist is referencing his identity as a Juggalo, and expressing concern about the woman's father watching him have sex with her.
Bitch yous a how, and hoe yous a bitch Everybody knows that yous a funky, funky bitch Bitch yous a hoe and hoe yous a bitch Everybody knows that yous a funky bitch
The artists are continuing to insult and degrade the woman they are rapping to.
I know a redneck bitch named Wylita, straight stacked. Biscuit in the pocket, nipples looked like flapjacks. Chicken face bitch, two or three good teeth. If I ask for sugar, she's a big fuzzy peach.
The singer is describing another woman he knows, using vulgar language to insult her physical appearance and intelligence.
Now I remember when she milked the cows. Sticks of hay in her mouth, ass hanging all out. Got me itching on my balls and I'm rubbing my wang. That damn there girl pretty did she need a twang.
The singer is reminiscing about having sexual fantasies about the woman he just described.
Hey there missy, I'm from the east and I wouldn't mind laying in the hay for a piece. You can rub my butt like you do your pa's, or I can hide my meat inbetween your jaws. Even hum a little something sweet by Clint Black while you stroke and caress my tender nut sack. Like it rough bitch, don't ya. I can bring the pain. She said, "Ain't that that damn movie by John Wayne?"
The artist is continuing to express his desire to have sex with the woman, using graphic and vulgar language. The woman responds by referencing a movie, seemingly uninterested in the artist's advances.
Bitch it's Twiztid, with a Z. You redneck hoe, is you fuckin wit me? Neden scabbed up like a horse's ass but I'm a tap it anyway and use your hair for my nut rag. Bitch, what the fuck? Smells like a pile of dead fish in your butt. Your shirts all covered with fishing tackle and I saw more teeth on an apple. Bitch, you better ask Uncle Gus or you and the rest of the Clampets are getting fucked up. Oh me, I talked to the spirits. Witches, demons and they all keep screaming.
The artists are introducing themselves with vulgar language and insults, and threatening to harm the woman they are rapping to. They continue to use vulgar language and insults throughout the rest of the song.
Round up your boys and ya head down south, and find a redneck hoe and put your dick in her mouth..
The song concludes with a vulgar suggestion to the audience about seeking out and having sex with redneck women.
Lyrics © O/B/O APRA AMCOS
Lyrics Licensed & Provided by LyricFind
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