Founded in Detroit in 1989, Insane Clown Posse performs a style of hardcore hip hop known as horrorcore and is known for its elaborate live performances. Originally known as JJ Boyz and Inner City Posse, the group introduced supernatural- and horror-themed lyrics as a means of distinguishing itself stylistically. The duo founded the independent record label Psychopathic Records with Alex Abbiss as manager, and produced and starred in the feature films Big Money Hustlas and Big Money Rustlas. They formed their own professional wrestling promotion, Juggalo Championship Wrestling, and later collaborated with many hip hop and rock musicians.
The songs of Insane Clown Posse center thematically on the mythology of the Dark Carnival, a metaphoric limbo in which the lives of the dead are judged by one of several entities. The Dark Carnival is elaborated through a series of stories called Joker's Cards, each of which offers a specific lesson designed to change the "evil ways" of listeners before "the end consumes us all". The original lineup of Insane Clown Posse was John Utsler (John Kickjazz), Joe Bruce (Violent J) and Joey Utsler (Shaggy 2 Dope). John Utsler left before Carnival of Carnage was released in 1992.
Insane Clown Posse's performance style is often described as horrorcore hip hop, which "utilize shocking (and blatantly over-the-top) narratives to give an over-exaggerated, almost cartoon-like version of urban deprivation in Detroit", according to author Sara Cohen. Bruce and Utsler describe many of their lyrics as being tongue-in-cheek. The group's early work features a raw, minimalistic sound, which later evolved into a more rock-oriented style. The group's lyrics serve as morality tales, with songs focusing on subjects such as cannibalism, murder and necrophilia. Insane Clown Posse's debut album, Carnival of Carnage, features a politically-oriented focus, criticizing elitism and prejudice against those who live in the ghetto, while the album's liner notes criticize the Gulf War. The group's lyrics have opposed racism, bigotry, domestic violence, and child abuse.
Insane Clown Posse has covered songs by Geto Boys, Sly Fox, and Above the Law. Bruce and Utsler refer to Ice Cube, Awesome Dre, Geto Boys, and Esham as influences on their own music, while Bruce has expressed admiration for Gong, Pearl Jam, and Michael Jackson. Mike E. Clark's production for the group incorporates elements such as "carnival organ riffs, power chords and shotgun blasts...banjolike plucking and Van Halen-esque guitar squeals", while Bruce and Utsler sometimes alternate between rapping and screaming. Bruce has credited pop music as an influence on some of the group's material, even terming the music "Wicked Pop". Bruce has also stated "We do our own genre of music". In his review of The Tempest, Allmusic's David Jeffries writes that Bruce and Utsler "[rap] in a carnival barker fashion that fits with their circus motif, their Insane Clown disguises, and Mike E. Clark's big top-inspired production." Insane Clown Posse has influenced similar acts, such as Axe Murder Boyz, Blaze Ya Dead Homie and Boondox.
The Party
Insane Clown Posse Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Which one of these hoes am I fuckin tonight?
This ain't my block and ain't my click
But I'm up in here and ain't scare of shit
Then I heard a cut.. (who the new dude?)
The dj tryna play me rude
I say "what they call you?"
(i'm dj clay the baddeset dj alive today peep...)
I had to back up and scoop my wig off the floor
It practically blew out the door
I brushed myself off and walked back up to 'em
That's pretty good shit ya doing but (what?)
I'm thinkin I'm a little bit better (oh yeah?)
Some folks call me the neck shredder
'cause I cuts a lot too, so why don't you scoot down
(what's your name?) shaggy the clown
Dj clay woke up and asked what happened
"you just witnessed this here scratchin"
Everybody gathered around the turntables
Hatchetman hangin off our cables, he said
(you and me one more time, right now)
I said, "sure thing but I'll tell you how
You drop the rhythm and I'll drop the beat
We'll let them feel the underground moving under the street come on!"
The lyrics to Insane Clown Posse's "The Party" are about the desire for excitement and the willingness to break the rules to find it. The song begins with the singer walking into a party uninvited and pondering which woman he will have sex with that night. He feels confident, even though he doesn't know anyone at the party and is not from that area. While the DJ begins to play, he is not impressed until he hears the scratching sounds. The singer introduces himself and boasts about his own DJ skills. He challenges the DJ to a competition, and after showing off their skills, they come together to create a unique sound that excites the crowd.
The song celebrates the idea of being unapologetically oneself, with no regard for rules or social norms. The singer's willingness to disregard conventions and be bold results in a thrilling experience that brings together different people. The song suggests that sometimes the most exciting moments come from taking risks and doing what is unexpected.
Interestingly, Insane Clown Posse is known for its unique subculture of fans, called Juggalos. Juggalos are devoted followers of the Insane Clown Posse, and they dress in a specific style and attend concerts and gatherings. The song "The Party" is often played at gatherings of Juggalos, and it is considered one of the quintessential songs of the Insane Clown Posse.
Line by Line Meaning
I walked into the party with no invite
I arrived at the party without being asked or invited
Which one of these hoes am I fuckin tonight?
I'm looking for someone to have sex with at the party
This ain't my block and ain't my click
I don't belong here, these aren't my people
But I'm up in here and ain't scared of shit
But I'm here anyways and not afraid
Then I heard a cut.. (who the new dude?)
Then I noticed the DJ was playing a new song and wondered who the new DJ was
The dj tryna play me rude
The DJ was being disrespectful to me
I say "What they call you?"
I asked the DJ what his name was
(I'm DJ Clay the baddest DJ alive today peep...)
He responded with his name and bragged about his skills
I had to back up and scoop my wig off the floor
I was so impressed I fell backwards and my wig flew off my head
It practically blew out the door
My wig flew out of the door
I brushed myself off and walked back up to 'em
I got back up and returned to the DJ
That's pretty good shit ya doing but (what?)
I complimented the DJ, but then challenged him
I'm thinkin I'm a little bit better (oh yeah?)
I think I'm a better DJ than him
Some folks call me the neck shredder
People refer to me as a great DJ with impressive skills
'cause I cuts a lot too, so why don't you scoot down
Because I have great DJ skills too, why don't you move over
(what's your name?) shaggy the clown
I introduced myself as Shaggy the Clown
Dj clay woke up and asked what happened
DJ Clay was surprised and asked what just happened
"you just witnessed this here scratchin"
I responded by saying he just witnessed great DJ skills
Everybody gathered around the turntables
Everyone came around the DJ booth to watch
Hatchetman hangin off our cables, he said
A Hatchetman was hanging off our cables and said
"(you and me one more time, right now)"
We should DJ together one more time now
I said, "sure thing but I'll tell you how
I agreed to collaborate, but with conditions
You drop the rhythm and I'll drop the beat
The DJ could control the rhythm and I would control the beat
We'll let them feel the underground moving under the street come on!"
We would work together to create a unique and powerful sound for the crowd to feel.
Lyrics © BMG Rights Management
Written by: ANNE ERIN CLARK
Lyrics Licensed & Provided by LyricFind
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