She was born Irene Marie Dunn on December 20, 1898, in Louisville, Kentucky. She was the daughter of Joseph Dunn, who inspected steamships, and Adelaide Henry, a musician who prompted Irene in the arts. Her first production was in Louisville when she appeared in "A Midsummer Night's Dream" at the age of five. Her "debut" set the tone for a fabulous career. Following the tragic death of her father when she was 12, she moved with her remaining family to the picturesque and historic town of Madison, Indiana, to live with her maternal grandparents at 916 W. Second St. During the next few years Irene studied voice and took piano lessons in town. She was able to earn money singing in the Christ Episcopal Church choir on Sundays. After graduating from Madison High School in 1916, she studied until 1917 in a music conservatory in Indianapolis. After that she accepted a teaching post as a music and art instructor in East Chicago, Indiana, just a stone's throw from Chicago. She never made it to the school. While on her way to East Chicago, she saw a newspaper ad in the Indianapolis Star and News for an annual scholarship contest run by the Chicago Music College. Irene won the contest, which enabled her to study there for a year. After that she headed for New York City because it was still the entertainment capital of the world. Her first goal in New York was to add her name to the list of luminaries of the Metropolitan Opera Company. Her audition did her little good, as she was rejected for being too young and inexperienced. She did win the leading role in a road theater company, which was in turn followed by numerous plays. During this time she studied at the Chicago Music College, from which she graduated with high honors in 1926. In 1928, Irene met and married a promising young dentist from New York named Francis Dennis Griffin. She remained with Dr. Griffin until his death in 1965.
Irene came to the attention of Hollywood when she performed in "Show Boat" on the East Coast. By 1930 she was under contract to RKO Pictures. Her first film was Leathernecking (1930), which went almost unnoticed. In 1931 she appeared in Cimarron (1931), for which she received the first of five Academy Award nominations. No Other Woman (1933) and Ann Vickers (1933) the same year followed.
In 1936 (due to her comic skits in Show Boat (1936) she was "persuaded" to star in a comedy, up to that time a medium for which she had small affection. However, Theodora Goes Wild (1936) was an instant hit, almost as popular as the more famous It Happened One Night (1934) from two years before. From this she earned her second Academy Award nomination. Later, in 1937, she was teamed with Cary Grant in The Awful Truth (1937). This helped her garner a third Academy Award nomination. She starred with Grant later in My Favorite Wife (1940) and Penny Serenade (1941).
Her favorite film was Love Affair (1939) with Charles Boyer, a huge hit in a year with so many great films, and a role for which she was again nominated for an Academy Award. Howevever, it was the tear-jerker I Remember Mama (1948) for which she will be best remembered in the role of the loving, self-sacrificing Norwegian mother. She got another nomination for that but again lost. This was the picture in which she should have won the Oscar.
She began to wean herself away from films toward the many charities and public works she championed. Her last major movie was as Polly Baxter in 1952's It Grows on Trees (1952). After that she only appeared as a guest on television. Irene knew enough to quit while she was ahead of the game and this helped keep her legacy intact.
In 1957 she was appointed as a special US delegate to the United Nations during the 12th General Assembly by President Dwight D. Eisenhower, such was her widespread appeal. The remainder of her life was spent on civic causes. She even donated $10,000 to the restoration of the town fountain in her girlhood home of Madison, Indiana, in 1976, even though she had not been there since 1938 when she came home for a visit. She died of heart failure on September 4, 1990, in Los Angeles, California.
I've Told Ev'ry Little Star
Irene Dunne Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
On my way to you I find things to say
I can write poems, too, when you're far away
When you're far away, I write poems, too
But when you are near, my throat goes dry
When you are near, I only sigh, oh dear
I've told ev'ry little star
Just how sweet I think you are
Why haven't I told you
I've told ripples in a brook
Made my heart an open book
Why haven't I told you
Friends ask me am I in love
I always answer "Yes"
Might as well confess
If I don't, they guess
Maybe you may know it, too
Oh, my darling, if you do
Why haven't you told me, dear
Why haven't you told me
But when you are near, my throat goes dry
When you are near, I only sigh, oh dear
I've told ev'ry little star
Just how sweet I think you are
Why haven't I told you
Why haven't, why haven't I told you
I've told ripples in a brook
Made my heart an open book
Why haven't I told you
Each time I hold you
Friends ask me if I'm in love
I always answer "yes"
Might as well confess
For if I don't, they guess
Maybe you may know it too
But oh, my darling, if you do
Why haven't you told me
Ooh aah
The song "I've Told Ev'ry Little Star" is a romantic ballad that expresses the feelings of the singer towards the person they love. The lyrics describe the difficulty of expressing their emotions when the other person is near, but how easy it is to express them through writing and talking to inanimate things like the stars and ripples in the brook. The singer opens up about their feelings and wonders why the other person hasn't told them how they feel as well.
The lines "I make up things to say on my way to you, on my way to you I find things to say" and "I can write poems, too, when you're far away, when you're far away, I write poems, too" exemplify how easy it is to communicate your feelings when there is some distance between you and the person you love. But as soon as that person is near, the singer struggles to express themselves and can only sigh instead of talking. This particular line, "when you are near, my throat goes dry, when you are near, I only sigh, oh dear" highlights the intensity of the singer's emotions.
The chorus of the song, "I've told ev'ry little star just how sweet I think you are, why haven't I told you?" expresses the frustration and confusion the singer feels due to their failure to express their love to the other person. The line "Friends ask me am I in love, I always answer 'Yes,' might as well confess, if I don't, they guess" suggests that the singer's friends are aware of their feelings and are urging them to confess to their loved one. The final lines of the song "Maybe you may know it too, Oh, my darling, if you do, why haven't you told me, dear, Why haven't you told me" show that the singer is hoping that the other person reciprocates their feelings.
Line by Line Meaning
I make up things to say on my way to you
On my journey to see you, I imagine things to talk about
I can write poems, too, when you're far away
In those times when you're distant, I express my love through poetry
But when you are near, my throat goes dry
In your presence, my nerves get the best of me
I've told ev'ry little star
I've shared with every celestial body how wonderful you are
Just how sweet I think you are
I've told them about your beautiful nature and qualities
Why haven't I told you
But I haven't been able to share these thoughts with you
I've told ripples in a brook
I've confided in the waves upon the water
Made my heart an open book
I've revealed the depths of my heart
Friends ask me am I in love
My friends inquire if I'm feeling love
I always answer 'Yes'
I always respond in the affirmative
Might as well confess
I may as well admit it
If I don't, they guess
Otherwise, they'll figure it out
Maybe you may know it, too
Perhaps you understand how I feel
Oh, my darling, if you do
If so, my love
Why haven't you told me, dear
Why haven't you revealed it to me?
Each time I hold you
Whenever I embrace you
Why haven't I told you
Why have I yet to express myself to you?
Ooh aah
N/A
Lyrics © Universal Music Publishing Group
Written by: Jerome Kern, Oscar Hammerstein II
Lyrics Licensed & Provided by LyricFind