French chanteuse and musician Isabelle Antena is a pioneer of bossa nova- a… Read Full Bio ↴French chanteuse and musician Isabelle Antena is a pioneer of bossa nova- and samba-inflected nu-jazz and electropop. She was a founding member of the original 1980s French-Belgian synthpop trio Antena, and in the 1990s led another group, the genre-defying Powaga Sisters to record three releases between 1993-2004. Alongside these projects, she has also carved out a remarkable solo music career in the last thirty years, selling over a million albums and winning fame and musical acclaim across the globe.
From James Nice, founder of LTM (Les Temps Modernes), in Oct 2006:
Electro-samba pioneer turned jazz-pop polymath, Isabelle Antena has quietly sold more than a million albums. From Camino del Sol (1982) to Toujours du Soleil (2006), her cool latin, bossa, jazz and funk vibes have delighted ears and feet worldwide.
Originally Antena were a trio. In 1981, Pascale Moiroud and Sylvain Fasy left their hometowns of Valence and Clermont in the south of France and headed for Paris, the fabled City of Light. There they met sassy native Isabelle Powaga, and discovered a shared passion for the analog mechanics of Kraftwerk, the latin sounds of Jobim and Gilberto, and an eye for a strong BCBG image. Thus was born Antena.
After a spell busking in metro stations, Antena recorded their first demo early in 1982, and posted out copies to three favoured labels: Ralph, Ze and Les Disques du Crépuscule. At the time the domestic market in France was moribund, and so Antena were delighted to receive an enthusiastic response from Crépuscule, a chic boutique label based in Brussels with an impressively eclectic roster that included Tuxedomoon, Paul Haig, Wim Mertens and the Factory Benelux imprint.
In March 1982 Isabelle, Pascale and Sylvain traveled to London to record their first single, produced by former Ultravox frontman John Foxx at his studio The Garden. Two years earlier, Foxx had set a new standard for minimal electronic music with his solo debut Metamatic, of which Antena were declared fans. Now his sparse production style gave a unique edge to their wry version of "The Boy from Ipanema", the Brazilian classic famously recorded by Stan Getz and Astrud Gilberto in 1964. However, it was the two self-written, self-produced tracks on the flipside, To Climb the Cliff and Unable, that left a greater impression - rougher sounding, and true electro-samba!
Abandoning plans to record their first LP with Foxx in London, Camino del Sol was cut in Brussels in June, and produced by the band themselves. Clocking in at just 18 minutes, the mini-album offers five simple, seductive latin sketches, of which the sublime title track, with its wonderful synth riff halfway, is the absolute highlight, run a close second by the exquisite ballad Silly Things. Crépuscule archivist Frank Brinkhuis nails the timeless appeal of the album precisely: "Antena were the sound of margaritas and a deck of cards, charades and bellini, and impromptu bathing-suit-optional pool parties. All housed in a gorgeous sleeve by the brilliant Crépuscule in-house designer Benoit Hennebert: a still life of the good life, perfectly matching the music."
Despite superficial similarities to then-current 'nu-jazz' acts such as Weekend, Animal Nightlife and even Matt Bianco, Camino del Sol attracted surprisingly little attention on release in September 1982. Instead, the band toured Belgium as part of a singular Crépuscule package tour with Cabaret Voltaire, 23 Skidoo and The Pale Fountains in October, and crossed the Atlantic to play Danceteria in New York on New Year's Eve. Despite having discovered a sound all of their own, light years ahead of its time, Antena's exotic combination of indie, electro, pop and samba saw them in danger of falling between two stools, at a time when genre was king. It was time to get serious, and seriously commercial.
In 1983 Crépuscule entered into a short-lived licensing deal with Island Records in the UK, which saw select releases by Paul Haig, Winston Tong, James 'Cuts' Lebon and Antena given enhanced recording and promotional budgets. The new Antena single, Be Pop, appeared in September 1983 and should have been a big dance hit, combining Chic-styled rhythms with a contagious chorus. Their new producer was Martin Hayles, who had already worked with chart stars Orange Juice, and now matched Antena with a team of crack session musicians whose credits included Wham!. However, after the Island single stalled, the first version of Antena fragmented, with Pascale leaving to concentrate on fashion design, and Isabelle and Sylvain electing to carry on as a duo.
A stop-gap single, in the form of a demo version of Life Is Too Short, appeared early in 1984 on Belgian label New Dance, also home to the first Front 242 releases. Thanks to Martin Hayles, in the summer of 1984 Antena signed a deal with Phonogram, who took a second shot at cracking the singles chart with an improved version of Be Pop. At the same time Isabelle and Sylvain moved to London. The second single, a polished Hayles production of "Life Is Too Short", appeared in November, but also failed to make waves, and was all but impossible to buy outside Britain. By this stage Isabelle had more or less disowned their earlier Crépuscule releases, confiding to the NME in November that:
"We are listening to different types of music now. It seems that everybody else has discovered Getz and Gilberto, and we've moved back to stuff like Chic and Sister Sledge. We could only do stuff like Camino del Sol for so long. Brussels is very quiet and it suited that kind of rhythm, but when we moved back to Paris, where the pace is so much quicker, the music had to change. But I think you can still see bits of jazz in there. When we first wrote Be Pop it was a jazz tune."
Despite the fact that Antena were releasing quality pop records with hip club appeal, the UK singles sold only modestly. It would be another ten years before bands like Saint Etienne, Air and Stereolab would make French pop hip in Britain again, and in the mean time, the years 1984 and 1985 proved a difficult time for Isabelle and Sylvain:
"I signed to Phonogram in England and had to go and live in London. It was a rather negative experience. They released two singles, and by that time I was already working with great session musicians like Trevor Murrell, Camelle Hinds and Danny Cummings. But it was not a commercial success. With small companies you can do as you please musically, but there is no money. On a major label, you get tied down by commercial demands. And Frenchies in England - pfft, they don't give a damn."
Sessions for an album were shelved, and in 1985 Antena returned to Brussels without a deal. Happily relations with the Crépuscule label were restored, with the result that a new single, Seaside Week End, appeared at the beginning of 1986, the last new record to be released under the collective name Antena. By now Sylvain Fasy had decided to take a back seat in the band, still contributing to some of the material, but focusing mainly on photography. Thus the album En Cavale was credited to Isabelle Antena alone, and appeared on Crépuscule in April.
Again produced by Martin Hayles, and featuring his elite team of session musicians, En Cavale completes Antena's transition from minimalist electro-samba ingenues to smooth pop sophisticates. The album's cosmopolitan dance stylings combine disco ("Be Pop", "Don't Think About It") and latin-jazz ("Play Back"), as well as several blessed-out ballads ("Seaside Weekend", "Ten Minutes"), and delivers on their earlier promise to fuse Astrud Gilberto and Sister Sledge. Indeed the album also includes a smart (if surely ironic) cover of "Easy Street", the Chic-stable classic originally released on the second Sister Sledge album in 1980. Despite the disappointment of the Phonogram adventure it remains an English language album, although the titles of the wasted singles - "Sois Pop" ("Be Pop") and "La vie est trop courte" ("Life Is Too Short") - was now defiantly French.
By the time "Easy Street" was released as a single in May 1986, Isabelle was already recording her next album. Released early the following year, Hoping for Love saw Isabelle step left of the dance-floor, and expand her latin, funk and samba palette to include jazz and acoustic stylings. Like Camino Del Sol it was largely self-produced, and kept the satirical working title La generation bof until the eleventh hour. Hoping For Love was (and is) very much an album of two halves, with side one comprising pop and dance numbers in similar vein to En Cavale, and the flip exploring jazzier avenues with the help of veteran players such as pianist Johnny Hot and hornsman Johnny Dover. Stand-out tracks on the first side include "Laying on the Sofa", the edgy "La tête contre les murs" and soft Mediterranean ballad "Le Poisson des Mers du Sud", while side two works best as a single suite.
Hoping For Love took Isabelle to Japan for the first time, where in 1987 she was voted best international female singer at the prestigious Tokyo Music Festival, ahead of Whitney Houston, Sade, Basia and Tracey Thorn. Her subsequent performance of "Time to Work" at the Tokyo Dome between spots by Earth, Wind & Fire and Kool & the Gang remains a career highlight.
Isabelle quickly consolidated this success with On A Warm Summer Night, which remains one of her best-selling albums. Recorded in Brussels in late 1987, the set was produced by Isabelle with Martin Hayles, and reflects both her desire to cut a pure jazz album, and his own uptempo funk leanings. As well as superior originals such as "Je Respire", "Une Journee Banale A New York City" and "Romancia del Amor" (also released as a single), the album includes a gorgeous bespoke ballad co-written by noted French soundtrack composer Gabriel Yared (Eclat de Nuit), and a radical samba arrangement of Frank Zappa's "Village of the Sun". In Europe it was released as Tous Mes Caprices, and promoted with a Belgian tour supporting Vaya Con Dios, whose bass player Dirk Schoufs would go on to collaborate with Isabelle as a writer and musician, and become her second husband.
Always a prolific writer, Isabelle went on to write and record De L'Amour et des Hommes (1988) and Jouez le Cinq (1989) - the latter being re-issued only months later as Intemporelle (1990) - performing live across Europe as well as North America and Japan. Dirk Schoufs left Vaya Con Dios to join forces with Isabelle, bringing with him Vaya drummer Marco De Meersman and Fritz Sundermann, crack jazz guitarist and son of Freddy Sunder. This quartet formed the new creative core for the next Isabelle Antena album, Les Derniers Guerriers Romantique, a conceptual work released in April 1991 and intended as a celebration of the love affair between Isabelle and Dirk. However tragedy struck on May 24 when Dirk died, leaving Isabelle devastated, and only just able to complete tours of Europe and Japan scheduled in June.
Following a year of reflection, Isabelle returned to the studio in 1992 to record one of the best albums of her career, Carpe Diem, released in Japan and France in November. The song Corto Prend le Large is a heartfelt tribute to Dirk, while the album as a whole represents her personal affirmation of life and music. Recorded by Gilles Martin with friends including De Meersman and Sundermann in the comfort of Studio Caraibes in Brussels, Isabelle produced the album herself, which has rightly come to be regarded as a milestone. The vibe is chiefly cool jazz, latin and bossa, and complements perfectly Isabelle's warm voice and soft, sensual lyrics, never more so than on "Corto prend le large" and E Preciso Perdoar.
At the Caraibes sessions Isabelle also met producer (and now husband) Denis Moulin, whose personal and professional partnership has since gone from strength to strength. Since Carpe Diem in 1992, Isabelle has released a further ten albums, spanning jazz, funk, latin and pop, as well as writing for and producing other artists. Side projects have included Fragile on the Rocks, Zeta Reticuli and the jazz project, Pause Café. Although as a solo artist Isabelle Antena has often found greater commercial success in Japan and the Far East than in Europe, quietly selling more than a million albums, more recently the rest of the world has been catching up. In 1996 the track Antena opened the first ESL compilation by Thievery Corporation, and since then Isabelle has worked with many hip young DJs and producers including Buscemi, Nicola Conte and Yukihiro Fukutomi. Along with Thievery Corporation, all worked on her essential 2005 bossa mix double album, Easy Does It / Issy Does It (Remixes), and Thievery guested again on the 2006 Antena project Toujours du Soleil. And, completing the Antena trilogy, Bossa Super Nova was released April 12, 2010.
Isabelle remains an artist of genuine integrity, proudly independent, and faithful to the bold philosophy she espoused to the NME back in 1984: "The fact that we have had to struggle quite a lot to get to even where we are now is not important. I think there is always a value in people whose music is not mainstream. I know that in another time people were blaming Debussy and Ravel because they were playing different things to the mainstream. What is hard to listen to today might be easier to listen to tomorrow. The good thing about music is that anything is possible."
source: http://www.ltmrecordings.com/antenabio.html
Isabelle Antena's Discography:
01. Antena - Camino del sol (1982)
02. Antena - Be Pop (single, 1983)
03. En cavale (1984)
04. Antena - Seaside Week End (single, 1986)
05. Hoping for Love (1987)
06. On a Warm Summer Night / Tous mes caprices (1987)
07. De l'amour et des hommes (1988)
08. Jouez le cinq (1989)
09. Intemporelle (1990)
10. Les Derniers Guerriers romantiques (1991)
11. Carpe Diem (1992)
12. Plus acid que jazz (compilation, 1994)
13. A la belle etoile (1995)
14. Mediterranean songs (1997)
15. De l'amour et des hommes, vol. 2 (1999)
16. Take Me to Paradise (2001)
17. L'Alphabet du plaisir (best of 1981-2001) (compilation, 2001)
18. Easy Does It / Issy Does It (Remixes) (2005)
19. L'Alphabet du plaisir (best of 1982-2005) (compilation, 2005)
20. French Riviera (2006)
21. Antena - Toujours du soleil (2006)
22. Antena - Bossa Super Nova (2010)
Her recent album Easy does it reviewed by All Music Guide Through a combination of DJ attention and reissues on the part of the LTM label, Isabelle Antena found her profile in the U.S. and U.K. higher than ever in the mid-part of the 21st century's first decade. Easy Does It, a bossa nova album straight up, with Antena singing in English, French and Portuguese, was the beneficiary, showing that over time Antena's skillful, lovely singing hadn't lost any of its charm. Backed with a strong band, including her multi-instrumentalist husband Denis Moulin, while tackling clarinet and keyboard parts herself, Antena delivers a combination of reinterpretations and originals that all suggest a perfect, warm late-night setting under a full moon at the best seaside club imaginable. If in comparison to her earliest albums there's none of the immediate genre tweaking and overt adventurousness, this by no means undercuts the appeal of the end result -- perhaps signaled best by how her originals such as "A Rainbow (Can't Forever Be)" and "Fresh" fit in well among the covers and contributions from her musicians. "Nothing to Lose," a song by Claudine Longet from the cult '60s movie The Party (written by Henri Mancini), makes for a perfect album starter, while a cover of Jobim's "So Tinha de Ser Com Voce" is another winner. A nice nod to the past, as explained in Antena's liner notes, occurs with "Your One and Only," which starts with a sample from her own "Musique a 4 & 6" -- another look back includes a version of Take Me to Paradise's "Stars," here performed, as Antena says, "as originally written," with a soaring trumpet start and a great beat to boot. A second disc, titled Issy Does It, features remixes of various album tracks by musicians worldwide -- noted Antena fanatics Thievery Corporation lead things off with a downtempo "Nothing to Lose," but the winner might be Nicola Conte's revamp of "Omerta Bossa," which features a Conte-led bossa band providing a totally new arrangement to the original vocals.
From James Nice, founder of LTM (Les Temps Modernes), in Oct 2006:
Electro-samba pioneer turned jazz-pop polymath, Isabelle Antena has quietly sold more than a million albums. From Camino del Sol (1982) to Toujours du Soleil (2006), her cool latin, bossa, jazz and funk vibes have delighted ears and feet worldwide.
Originally Antena were a trio. In 1981, Pascale Moiroud and Sylvain Fasy left their hometowns of Valence and Clermont in the south of France and headed for Paris, the fabled City of Light. There they met sassy native Isabelle Powaga, and discovered a shared passion for the analog mechanics of Kraftwerk, the latin sounds of Jobim and Gilberto, and an eye for a strong BCBG image. Thus was born Antena.
After a spell busking in metro stations, Antena recorded their first demo early in 1982, and posted out copies to three favoured labels: Ralph, Ze and Les Disques du Crépuscule. At the time the domestic market in France was moribund, and so Antena were delighted to receive an enthusiastic response from Crépuscule, a chic boutique label based in Brussels with an impressively eclectic roster that included Tuxedomoon, Paul Haig, Wim Mertens and the Factory Benelux imprint.
In March 1982 Isabelle, Pascale and Sylvain traveled to London to record their first single, produced by former Ultravox frontman John Foxx at his studio The Garden. Two years earlier, Foxx had set a new standard for minimal electronic music with his solo debut Metamatic, of which Antena were declared fans. Now his sparse production style gave a unique edge to their wry version of "The Boy from Ipanema", the Brazilian classic famously recorded by Stan Getz and Astrud Gilberto in 1964. However, it was the two self-written, self-produced tracks on the flipside, To Climb the Cliff and Unable, that left a greater impression - rougher sounding, and true electro-samba!
Abandoning plans to record their first LP with Foxx in London, Camino del Sol was cut in Brussels in June, and produced by the band themselves. Clocking in at just 18 minutes, the mini-album offers five simple, seductive latin sketches, of which the sublime title track, with its wonderful synth riff halfway, is the absolute highlight, run a close second by the exquisite ballad Silly Things. Crépuscule archivist Frank Brinkhuis nails the timeless appeal of the album precisely: "Antena were the sound of margaritas and a deck of cards, charades and bellini, and impromptu bathing-suit-optional pool parties. All housed in a gorgeous sleeve by the brilliant Crépuscule in-house designer Benoit Hennebert: a still life of the good life, perfectly matching the music."
Despite superficial similarities to then-current 'nu-jazz' acts such as Weekend, Animal Nightlife and even Matt Bianco, Camino del Sol attracted surprisingly little attention on release in September 1982. Instead, the band toured Belgium as part of a singular Crépuscule package tour with Cabaret Voltaire, 23 Skidoo and The Pale Fountains in October, and crossed the Atlantic to play Danceteria in New York on New Year's Eve. Despite having discovered a sound all of their own, light years ahead of its time, Antena's exotic combination of indie, electro, pop and samba saw them in danger of falling between two stools, at a time when genre was king. It was time to get serious, and seriously commercial.
In 1983 Crépuscule entered into a short-lived licensing deal with Island Records in the UK, which saw select releases by Paul Haig, Winston Tong, James 'Cuts' Lebon and Antena given enhanced recording and promotional budgets. The new Antena single, Be Pop, appeared in September 1983 and should have been a big dance hit, combining Chic-styled rhythms with a contagious chorus. Their new producer was Martin Hayles, who had already worked with chart stars Orange Juice, and now matched Antena with a team of crack session musicians whose credits included Wham!. However, after the Island single stalled, the first version of Antena fragmented, with Pascale leaving to concentrate on fashion design, and Isabelle and Sylvain electing to carry on as a duo.
A stop-gap single, in the form of a demo version of Life Is Too Short, appeared early in 1984 on Belgian label New Dance, also home to the first Front 242 releases. Thanks to Martin Hayles, in the summer of 1984 Antena signed a deal with Phonogram, who took a second shot at cracking the singles chart with an improved version of Be Pop. At the same time Isabelle and Sylvain moved to London. The second single, a polished Hayles production of "Life Is Too Short", appeared in November, but also failed to make waves, and was all but impossible to buy outside Britain. By this stage Isabelle had more or less disowned their earlier Crépuscule releases, confiding to the NME in November that:
"We are listening to different types of music now. It seems that everybody else has discovered Getz and Gilberto, and we've moved back to stuff like Chic and Sister Sledge. We could only do stuff like Camino del Sol for so long. Brussels is very quiet and it suited that kind of rhythm, but when we moved back to Paris, where the pace is so much quicker, the music had to change. But I think you can still see bits of jazz in there. When we first wrote Be Pop it was a jazz tune."
Despite the fact that Antena were releasing quality pop records with hip club appeal, the UK singles sold only modestly. It would be another ten years before bands like Saint Etienne, Air and Stereolab would make French pop hip in Britain again, and in the mean time, the years 1984 and 1985 proved a difficult time for Isabelle and Sylvain:
"I signed to Phonogram in England and had to go and live in London. It was a rather negative experience. They released two singles, and by that time I was already working with great session musicians like Trevor Murrell, Camelle Hinds and Danny Cummings. But it was not a commercial success. With small companies you can do as you please musically, but there is no money. On a major label, you get tied down by commercial demands. And Frenchies in England - pfft, they don't give a damn."
Sessions for an album were shelved, and in 1985 Antena returned to Brussels without a deal. Happily relations with the Crépuscule label were restored, with the result that a new single, Seaside Week End, appeared at the beginning of 1986, the last new record to be released under the collective name Antena. By now Sylvain Fasy had decided to take a back seat in the band, still contributing to some of the material, but focusing mainly on photography. Thus the album En Cavale was credited to Isabelle Antena alone, and appeared on Crépuscule in April.
Again produced by Martin Hayles, and featuring his elite team of session musicians, En Cavale completes Antena's transition from minimalist electro-samba ingenues to smooth pop sophisticates. The album's cosmopolitan dance stylings combine disco ("Be Pop", "Don't Think About It") and latin-jazz ("Play Back"), as well as several blessed-out ballads ("Seaside Weekend", "Ten Minutes"), and delivers on their earlier promise to fuse Astrud Gilberto and Sister Sledge. Indeed the album also includes a smart (if surely ironic) cover of "Easy Street", the Chic-stable classic originally released on the second Sister Sledge album in 1980. Despite the disappointment of the Phonogram adventure it remains an English language album, although the titles of the wasted singles - "Sois Pop" ("Be Pop") and "La vie est trop courte" ("Life Is Too Short") - was now defiantly French.
By the time "Easy Street" was released as a single in May 1986, Isabelle was already recording her next album. Released early the following year, Hoping for Love saw Isabelle step left of the dance-floor, and expand her latin, funk and samba palette to include jazz and acoustic stylings. Like Camino Del Sol it was largely self-produced, and kept the satirical working title La generation bof until the eleventh hour. Hoping For Love was (and is) very much an album of two halves, with side one comprising pop and dance numbers in similar vein to En Cavale, and the flip exploring jazzier avenues with the help of veteran players such as pianist Johnny Hot and hornsman Johnny Dover. Stand-out tracks on the first side include "Laying on the Sofa", the edgy "La tête contre les murs" and soft Mediterranean ballad "Le Poisson des Mers du Sud", while side two works best as a single suite.
Hoping For Love took Isabelle to Japan for the first time, where in 1987 she was voted best international female singer at the prestigious Tokyo Music Festival, ahead of Whitney Houston, Sade, Basia and Tracey Thorn. Her subsequent performance of "Time to Work" at the Tokyo Dome between spots by Earth, Wind & Fire and Kool & the Gang remains a career highlight.
Isabelle quickly consolidated this success with On A Warm Summer Night, which remains one of her best-selling albums. Recorded in Brussels in late 1987, the set was produced by Isabelle with Martin Hayles, and reflects both her desire to cut a pure jazz album, and his own uptempo funk leanings. As well as superior originals such as "Je Respire", "Une Journee Banale A New York City" and "Romancia del Amor" (also released as a single), the album includes a gorgeous bespoke ballad co-written by noted French soundtrack composer Gabriel Yared (Eclat de Nuit), and a radical samba arrangement of Frank Zappa's "Village of the Sun". In Europe it was released as Tous Mes Caprices, and promoted with a Belgian tour supporting Vaya Con Dios, whose bass player Dirk Schoufs would go on to collaborate with Isabelle as a writer and musician, and become her second husband.
Always a prolific writer, Isabelle went on to write and record De L'Amour et des Hommes (1988) and Jouez le Cinq (1989) - the latter being re-issued only months later as Intemporelle (1990) - performing live across Europe as well as North America and Japan. Dirk Schoufs left Vaya Con Dios to join forces with Isabelle, bringing with him Vaya drummer Marco De Meersman and Fritz Sundermann, crack jazz guitarist and son of Freddy Sunder. This quartet formed the new creative core for the next Isabelle Antena album, Les Derniers Guerriers Romantique, a conceptual work released in April 1991 and intended as a celebration of the love affair between Isabelle and Dirk. However tragedy struck on May 24 when Dirk died, leaving Isabelle devastated, and only just able to complete tours of Europe and Japan scheduled in June.
Following a year of reflection, Isabelle returned to the studio in 1992 to record one of the best albums of her career, Carpe Diem, released in Japan and France in November. The song Corto Prend le Large is a heartfelt tribute to Dirk, while the album as a whole represents her personal affirmation of life and music. Recorded by Gilles Martin with friends including De Meersman and Sundermann in the comfort of Studio Caraibes in Brussels, Isabelle produced the album herself, which has rightly come to be regarded as a milestone. The vibe is chiefly cool jazz, latin and bossa, and complements perfectly Isabelle's warm voice and soft, sensual lyrics, never more so than on "Corto prend le large" and E Preciso Perdoar.
At the Caraibes sessions Isabelle also met producer (and now husband) Denis Moulin, whose personal and professional partnership has since gone from strength to strength. Since Carpe Diem in 1992, Isabelle has released a further ten albums, spanning jazz, funk, latin and pop, as well as writing for and producing other artists. Side projects have included Fragile on the Rocks, Zeta Reticuli and the jazz project, Pause Café. Although as a solo artist Isabelle Antena has often found greater commercial success in Japan and the Far East than in Europe, quietly selling more than a million albums, more recently the rest of the world has been catching up. In 1996 the track Antena opened the first ESL compilation by Thievery Corporation, and since then Isabelle has worked with many hip young DJs and producers including Buscemi, Nicola Conte and Yukihiro Fukutomi. Along with Thievery Corporation, all worked on her essential 2005 bossa mix double album, Easy Does It / Issy Does It (Remixes), and Thievery guested again on the 2006 Antena project Toujours du Soleil. And, completing the Antena trilogy, Bossa Super Nova was released April 12, 2010.
Isabelle remains an artist of genuine integrity, proudly independent, and faithful to the bold philosophy she espoused to the NME back in 1984: "The fact that we have had to struggle quite a lot to get to even where we are now is not important. I think there is always a value in people whose music is not mainstream. I know that in another time people were blaming Debussy and Ravel because they were playing different things to the mainstream. What is hard to listen to today might be easier to listen to tomorrow. The good thing about music is that anything is possible."
source: http://www.ltmrecordings.com/antenabio.html
Isabelle Antena's Discography:
01. Antena - Camino del sol (1982)
02. Antena - Be Pop (single, 1983)
03. En cavale (1984)
04. Antena - Seaside Week End (single, 1986)
05. Hoping for Love (1987)
06. On a Warm Summer Night / Tous mes caprices (1987)
07. De l'amour et des hommes (1988)
08. Jouez le cinq (1989)
09. Intemporelle (1990)
10. Les Derniers Guerriers romantiques (1991)
11. Carpe Diem (1992)
12. Plus acid que jazz (compilation, 1994)
13. A la belle etoile (1995)
14. Mediterranean songs (1997)
15. De l'amour et des hommes, vol. 2 (1999)
16. Take Me to Paradise (2001)
17. L'Alphabet du plaisir (best of 1981-2001) (compilation, 2001)
18. Easy Does It / Issy Does It (Remixes) (2005)
19. L'Alphabet du plaisir (best of 1982-2005) (compilation, 2005)
20. French Riviera (2006)
21. Antena - Toujours du soleil (2006)
22. Antena - Bossa Super Nova (2010)
Her recent album Easy does it reviewed by All Music Guide Through a combination of DJ attention and reissues on the part of the LTM label, Isabelle Antena found her profile in the U.S. and U.K. higher than ever in the mid-part of the 21st century's first decade. Easy Does It, a bossa nova album straight up, with Antena singing in English, French and Portuguese, was the beneficiary, showing that over time Antena's skillful, lovely singing hadn't lost any of its charm. Backed with a strong band, including her multi-instrumentalist husband Denis Moulin, while tackling clarinet and keyboard parts herself, Antena delivers a combination of reinterpretations and originals that all suggest a perfect, warm late-night setting under a full moon at the best seaside club imaginable. If in comparison to her earliest albums there's none of the immediate genre tweaking and overt adventurousness, this by no means undercuts the appeal of the end result -- perhaps signaled best by how her originals such as "A Rainbow (Can't Forever Be)" and "Fresh" fit in well among the covers and contributions from her musicians. "Nothing to Lose," a song by Claudine Longet from the cult '60s movie The Party (written by Henri Mancini), makes for a perfect album starter, while a cover of Jobim's "So Tinha de Ser Com Voce" is another winner. A nice nod to the past, as explained in Antena's liner notes, occurs with "Your One and Only," which starts with a sample from her own "Musique a 4 & 6" -- another look back includes a version of Take Me to Paradise's "Stars," here performed, as Antena says, "as originally written," with a soaring trumpet start and a great beat to boot. A second disc, titled Issy Does It, features remixes of various album tracks by musicians worldwide -- noted Antena fanatics Thievery Corporation lead things off with a downtempo "Nothing to Lose," but the winner might be Nicola Conte's revamp of "Omerta Bossa," which features a Conte-led bossa band providing a totally new arrangement to the original vocals.
Fresh
Isabelle Antena Lyrics
We have lyrics for 'Fresh' by these artists:
03. Kool & The Gang Conversation is going 'round People talking 'bout the girl w…
1.Kla$ ft. Czar It’s Friday and this week had me stressin Counting down time…
6 Tre G Oooo... (Fresh dressed) 6 Tre (Fresh dressed, freshed dresse…
6TreG Fresh dressed (ooo), Fresh fresh dressed (ooo 6 Tre), Fresh …
9.9 The number one independent rapper in the world! Tech N9ne! I…
Adrian Fyrla Dicen que sí Pero no Piensas en mí Yo ya no No quiero record…
Alex Gopher Verse 1 : I got my own style and I got…
Almighty Jay Ooh, ooh Ooh! Yeah Nah mean, yeah, cap, ooh, ayy Pull up an…
André Lo traigo fresh Lo traigo fresh Lo traigo fresh Lo traigo fr…
Arturo Grao The biggest evil here is Monotony, monotony My biggest fear…
Asil Slang (Baz'y) (SLONG is Perfect) Ama kafamız nasıl fresh, fresh, …
Aspektz So new, so cool Take it back, the future the old…
Atlas.B Pocket full of money Right now I'm sipping on Anejo Your gir…
Azzi Memo Ey! Bitch, ich bin zu fresh, ey (skrr) Du kommst nicht an…
B-Nasty DRP baby! We up in this bitch all day! Yo i'm looking…
B.G. & Lil Boosie God, bless, rahat, fresh Yok stres, ne garip makina bu? God,…
B.R.A.U.N One time for my people on the left Two times if…
B.Slave Ice ice Quanto sono fresh Brr brr Guarda quanto è fresh Uh i…
Baba-X Mhmm Fresh fresh fresh fresh fresh Fresh fresh fresh fresh f…
Backstage Cast to get my best then you gotta be fresh (fresh... so…
BADA$$ B. Ice ice Quanto sono fresh Brr brr Guarda quanto è fresh Uh i…
Bamtone & Owen Chaim Got me feeling Got me feeling, fresh, fresh I'm your cool o…
Beat System Hello! This is radio T, and I'm proud to played…
Beatsystem Project She's fresh (fresh) exciting She's so exciting to me She's f…
Ben Liebrand Conversation is going 'round People talking 'bout the girl …
Benjamin Grant I was talking to my brother the other day right And…
Big Russian Boss х Young P&H Go go go go go go go Fresh Rich Go go go go…
Blueprint Yeah, you know how we do Yeah... uh-huh, you know what…
Bobby Saint Woo ah I'm so, ah ah I'm so, I'm so Fresh Woo Hey babe Loo…
Bow Wow Feat. J-Kwon & Jermaine Dupri Uh When I was eight I was rhymin' not backyard game…
Bruce Melodie Ntubyibazeho just relax kuko Hari byinshi bituma nkusarira N…
Bueno Baila pegadito ella que quiere mas Pusieron el tema que la…
Bun B I say gentlemen, ladies, bad ass, out of control babies It's…
C and N BEATS Go go go go go go go Fresh Rich Go go go go…
C. Willys It was my lukiest day ever I even made my latte in…
Cass XQ Ooo, la, la, la Ooo, la, la Ooo, la, la I'm fresh, I'm…
Cedric Noel Too bad You wandered in a good place You wandered in a…
Cha-D Let me see you Let me feel you Let me spice you…
Cheek Mä oon fresh, mä oon fresh Ja kun sä näät sen,…
Childish Gambino [Intro] Go [x8] Well wait a minute! Go [x8] Wait a minut…
Choclair Trying to run with the Suave Dogs (I can't get enough...) Yo…
Chuck Strangers Ah, what's good my nigga? I fucked your bitch, what up,…
Clinton John You give me the right amount of attention Yeah not a…
Colde 눈부신 sunshine Woo woo woo woo 빠져들어 deep eyes Woo woo…
Common Jack I gotta be honest I’m prone to making promises That I can…
D-Boi To the most high I give thanks Fuck with me and…
D. Lopes Let me see you Let me feel you Let me spice you…
D. Lopes & J. Beats On guitar, Kiki On keyboard, Shout On drums, Marina And the …
D.J.Funky I'm so fresh yeah I'm so fresh aah I'm so fresh yeah I'm…
D.Matveev Let me see you Let me feel you Let me spice you…
D.One It’s Friday and this week had me stressin Counting down time…
Da Baby Yeah, yeah, yeah, yeah, yeah Wipe me down Wipe me down Lo…
DaBaby Yeah, yeah, yeah, yeah, yeah Wipe me down Wipe me down Look …
Daft Punk (Ed Touchè Remix) Instru mental…
Damage Ugh took them to schools like Bullworth Mothers all cover th…
Deemz Deemz ma ten sos Zimny lód i pełny klub mi tu…
Devo Something in the air Is telling me to go there So I'll…
Devo爀 Something in the air Is telling me to go there So I'll…
DJ Drama & T.I. It’s Friday and this week had me stressin Counting down time…
DJ Fresh feat. Pendulum Now this is a story all about how My life got…
Dj JS-1 It’s Friday and this week had me stressin Counting down time…
DJ.Noz Yeah Galaxy productions Ugh it's d j phish right here What y…
Doble No salgo de fiesta, la fiesta está en casa Todos dicen:…
Double-A Ooh, ooh Dirty Bada-ba, ba I must confess This place ain't …
doums Envoie la fresh Envoie la fresh Envoie la fresh Envoie la fr…
Dr. Emok It's Cralorboi e ayyy iiiii Can't be mine, can't be my…
Dupri Jermaine Uh When I was eight I was rhymin' not backyard game…
E.L.B. 僕を手招きする 夜が始まり...終わる allurings of the dawn そして朝がくる 色が変わるほどに 君…
emcee one Conversation is going 'round People talking 'bout the girl …
Eminem & Lil Wayne No Ceilings 2, No Ceilings dos No Ceilings bisexual, that me…
Entrain Driving to New Jersey on the road with the band. The…
Essence Project feat. Jonathan A Fresh Fire You are my Fresh Fire Mighty sound, rushing wind…
Fat Trel Double M, we’re the best Still shooting where your chest at …
Fesch6 Текст: FRESH [Припев] Щоб робити фреш нам не треба кеш Нам …
Fid Q Nikipata cash. nakua FRESH kama cucumber Nikiwa na dash naku…
Frank S. Všechno co máš, tak nech baby Když nejseš na datech, zavolej…
Frappe Ash YEAH! Yeah, im fresh, Pull up on the scene like KHALED, reco…
Fresh 3 MC's That′s fresh! F-R-E-S-H Fresh, fresh, fresh! Yo, that's fre…
Fresh Music Tu tienes algo que me encanta Una sonrisa que levanta Cuand…
future Ostentação, palavra que eu gosto de ouvir Sayin' touch your …
G-Eazy Baby give me a minute, I'm trying to understand What would…
G.Nax God, bless, rahat, fresh Yok stres, ne garip makina bu? God,…
Gang The Conversation is going 'round People talking 'bout the girl w…
Garry Sandhu ਲੋ ਜੀ ਕਹਾਣੀ ਉਸ ਫੋਜੀ ਵੀਰ ਦੀ ਜਿਹੜਾ ਆਪਣੀ ਘਰਵਾਲੀ ਤੋਂ…
Geejay Feat. Dap-C It was my lukiest day ever I even made my latte in…
GHR Ang fresh ng dating bagong cut ang buhok God damn ang…
Gina G Hey boy, do you want to get fresh ? What…
Glocki52 Let’s go обтянул резинкой жирный bankroll You know когда мы …
Gospel Hydration N…
Grammer I got these fresh eyes, never seen you before like…
Grits think I'm going out cause I'm feeling Fresh Fresh Fresh Fres…
Gucci Mane Zaytoven Ha, its wizop 6ers (1600, 1600 1600) (1600, 1600 16…
GV This that sit back recline music You know just the way…
Husayn حسين إيه، إيه حسين، حسين ياه إيه، إيه معايا فلوسها ولو عجبا…
I-rod It’s Friday and this week had me stressin Counting down time…
Icee Fresh air, in my mind I swear I'm on thin ice I'm…
ICHILLIN' Fresh, fresh, fresh, fresh (uh-huh) Fresh, fresh, fresh Yo…
ILYSH Fresh out the store, flex at the bank Living life like…
Imajin Chrousx2 Fresh Fresh Girl you are something else You are…
Imperial [Bre$$an] E a meta é ter grana Quem não quer?(4x) Ganhar m…
Imperial & K.I.N.E.T.I.K I know you hustle for the buck From waiting on the…
J-Bo Sometimes I love you Sometimes I love you Sometimes I hate y…
J-MILLA I'm so fresh yeah I'm so fresh aah I'm so fresh yeah I'm…
J.R Writer & Hell Rell [Bow Wow] When I was 8 I was rhyming not back…
J.R. Writer/Hell Rell 僕を手招きする 夜が始まり...終わる allurings of the dawn そして朝がくる 色が変わるほどに 君…
J.T. Pender I'm so fresh yeah I'm so fresh aah I'm so fresh yeah I'm…
JAXSON GAMBLE There′s something, yeah, I feel it coming Woke up feeling li…
JD Featuring Slick Rick featuring Slick Rick [Slick Rick] Yeah you know…
Jeffrey Shawty hit me for the night I see what you like…
Jennifer López feat. Pitbull Break it off here Break-break it off there Now bounce your …
Jermaine Dupri Uh When I was eight I was rhymin', not backyard game…
Jermaine Dupri feat. Slick Rick featuring Slick Rick [Slick Rick] Yeah you know what…
Jermaine Dupri featuring Slick Rick [Slick Rick] Yeah you know…
Jillionaire & Salvatore Ganacci feat. Sanjin I stay fresh hot thing one Those likkle betters best walk In…
Joonie Maybe I'm just dreamin If I am I dont wanna wake…
josh waters I’m fresh out of a situation I see you with…
Jude & Frank Všechno co máš, tak nech baby Když nejseš na datech, zavolej…
K.I.N.E.T.I.K I know you hustle for the buck From waiting on the…
Kaliber 44 D A B Joka Ułamek tarcia Ał jazda Siemano dzień dobry wiecz…
Kawai Sprite (This is the Remix) (Remix) (It′s Chuckie) Don't look compl…
Kid Ink Okay baby, outfit crazy, outfit crazy, outfit crazy, Crazy,…
Kid Ink Feat. Eric Bellinger Okay baby, outfit crazy, outfit crazy Outfit crazy fresh, fr…
Kid Ink ft Eric Bellinger Okay baby, outfit crazy, outfit crazy, outfit crazy, Crazy,…
king b-fine So fresh, so clean, I think it's just obscene That you…
Klovner i Kamp Det er pinlig med med folk som Blir for ivrige smiler…
KOOL Conversation is going 'round People talking 'bout the girl w…
Kool and the Gang Conversation is going 'round People talking 'bout the girl …
Kool feat. The Gang Conversation is going 'round People talking 'bout the girl w…
KoolandTheGang Conversation is going 'round People talking 'bout the girl …
Kujo the Savage 40 Cal will leave u leaking at ur grannys porch Smoke…
Kurupt featuring Daz Dillinger Daz: ooh ooh ooh …
Kurupt ft. Daz Dillinger featuring Daz Dillinger Daz: ooh ooh ooh …
Labiuse Darling, oh my darling (Uh yehh) Have faith (Yehh) Darling,…
Lemar I don't need to fuss I don't need to fight I wanna…
LEO-D What up man it's ya boy Leo flame in this…
Liberty X F R E S H (Fresh) F R E S H She's…
Liberty X / Kool & The Gang Conversation is going 'round People talking 'bout the girl w…
Lil Boosie & B.G. God, bless, rahat, fresh Yok stres, ne garip makina bu? God,…
Lil Uzi Vert & Gucci Mane Zaytoven Ha, its wizop 6ers (1600, 1600 1600) (1600, 1600 16…
Lil Uzi Vert Gucci Future Ha, its wizop 6ers Stand up Huh It′s so hard to take the tr…
LIl Uzi Vert Gucci Mane Zaytoven Ha, its wizop 6ers (1600, 1600 1600) (1600, 1600 16…
Lil Wayne & Mannie Fresh No Ceilings 2, No Ceilings dos No Ceilings bisexual, that me…
LilCagula Mă știi când dansez Fac și trap dar fac și dance Cu…
Lucky Kilimanjaro おはよう 昨日のモヤモヤは 寝癖に生まれ変わった シャワーで洗い流して 新しい僕の誕生 開けたてのヘアーワックス 少し…
M. P. Sound Project It was my lukiest day ever I even made my latte in…
Mau y Ricky Wah Ok Fresh Tan fresh que te hablo en inglés De la cabeza …
MC. G. Gabriel 야 우린 둘인데 심장은 하나네 나 답답해 니가 있어야 내가…
mike & ike Thats a sin thats a sin But where do I begin,…
Mr. Hooper I 'wanna hear birds sing, I 'wanna feel sun shine…
My Little Pony I'm feelin' fresh Like my mane is on fleek Happiness is all…
N-Light-N Like smoke in my fucking lungs Kill me slowly make me…
Nanpa Básico Love and Happiness So fresh Every day and every time So fre…
Neon I wanna see me on a billi-billiboard When I'm walking on…
New I be fresh to death, givin niggas first degree Baby couldnt…
Nico Vega It's just a matter of time before you notice the…
Non-Prophets Yeah just chilling in the closet Yeah still in here y'all N…
NVSV Crunch time Dollas I need payroll Diamonds on my kango Dem…
O.T.F Fresh out of love but you all on me Tell you…
Paolo Meep Fresh like California kush I was running with the dope man…
Parvati No need to be afraid. I've been betrayed, but that…
PeeWee & Mackan Big money talks Just got off the phone with Dolph Threeway w…
Pendulum & DJ Fresh Now this is a story all about how My life got…
Petter Fresh! AFC, Mister P (fresh) Fe-fe-fresh, komigen Fresh är …
Poet I need hope And freedom still Heaven's Spirit Do what you wi…
Preashea Hilliard I wanna be everything you destined, I wanna walk with…
PROTIVA Wau Píšou mi, že jsem se změnil, děvko Já to dobře vim Smel…
PSO THUG Pow, pow, pow PSO Thug, on baisse pas les tarifs on…
Puya O lom de la cap din nou Stii ca sunt dilau…
Quantum-Sonic [Thurston] shit is funky fresh, you know it's funky fresh i…
R.L.99 僕を手招きする 夜が始まり...終わる allurings of the dawn そして朝がくる 色が変わるほどに 君…
r/choosingbeggars One time for my people on the left Two times if…
r/quityourbullshit 僕を手招きする 夜が始まり...終わる allurings of the dawn そして朝がくる 色が変わるほどに 君…
r/Softwaregore One time for my people on the left Two times if…
r/TalesFromRetail 僕を手招きする 夜が始まり...終わる allurings of the dawn そして朝がくる 色が変わるほどに 君…
r/ThatHappened One time for my people on the left Two times if…
r/tinder 僕を手招きする 夜が始まり...終わる allurings of the dawn そして朝がくる 色が変わるほどに 君…
r/vaxxhappened One time for my people on the left Two times if…
RAN Tlah lama ku memperhatikan kamu Ku suka gayamu dan tingkah …
Rapacortes Estuve mucho tiempo buscando esta melody Hasta que mire pal …
Reginald Hawkins I’ve always been told Not to live my life to bold If…
Remy Ma & Superstar Jay F-are-E-S-H Fresh, fresh, fresh Yes I'm fresh hair check (…
Resistance [2.1] Conversation is going 'round People talking 'bout the girl …
RIP SLYME ワーオ What a wonderful world 青くすむ空が My world そこだ ホーラ みな 手を上げ…
Rmx Crew Ft. Iva Conversation, is going round People talking 'bout the girls …
RON RON Holding my breath underwater floating I can't breathe That…
Room 2012 [Blueprint] Yeah, you know how we do Yeah... uh-huh, you k…
Rootwords Mad respect goes out to those in control of what they…
Rufugee Allstars Yo yo, this Wyclef, alongside DJ Skribble (for the ladies) Y…
R\xC3\x85N 僕を手招きする 夜が始まり...終わる allurings of the dawn そして朝がくる 色が変わるほどに 君…
sc.Dave! Yeah exactly right even Jay-z hit it when he was…
Shawn Desman S.D. in the house tonight Move your body from left to…
Shawn Desman | www.Marvin-Vibez.in Got gold grips on my .38 super Young Rockie checking in Bru…
She-Raw feat. Zwang Pocket full of money Right now I'm sipping on Anejo Your gir…
Silver Disco Explosion Conversation is going 'round People talking 'bout the girl w…
Simona Está todo bien si tengo mi brillo A mí no me…
Soulful-Cafe onaji kumo wo mitsumeta nanigenai mainichi ga ITAIKE na Pure…
Stokes Lately I've wondered how you're doing How's your life and ho…
STS Baby you can ride with me you can be my…
Summer Camp I swear when I was young, the summers Were full of…
Sunday Girls (麻衣):在阳光灿烂的午后 出发 家远远得落在 天空下 (爱纱):妈妈的叮咛 紧紧抱在我胸前 温暖每一天 每一夜 (朋子…
T.D. Let me see you Let me feel you Let me spice you…
T.I. It’s Friday and this week had me stressin Counting down time…
T.I. & DJ Drama Conversation is going 'round People talking 'bout the girl …
T.I. DJ Drama It’s Friday and this week had me stressin Counting down time…
T.I.P. & DJ Drama Making hits with the homies now that's friendly fire They al…
tae? 야 우린 둘인데 심장은 하나네 나 답답해 니가 있어야 내가…
Tedashii Yes, on a permanent team You can say I'm fresh to…
The Age of L.U.N.A Everybody loves the original, everybody's got time to be cyn…
The Blueprint Yeah, you know how we do Yeah... uh-huh, you know what…
The Gang Conversation is going 'round People talking 'bout the girl w…
The Happy and Cheerful Music Jar Uh Reality TRA$HMAN Fresh roses in the kitchen cuz I blesse…
The Lost Fingers Conversation is going 'round People talking about the gir…
The Pack Feat. Parlae and Pimpin of Dem Franchize Boyz and Mistah F.A.B. Pocket full of money Right now I'm sipping on Anejo Your gir…
The Pack Ft Dem Franchize Boyz and Mista F.A.B. I say gentlemen, ladies, bad ass, out of control babies It'…
THEreminGIRL Today I'm drunk with freshness of south air It makes me…
Tired Lion When everything that's moving breaks Everything just starts …
Tommyboy Crazibiza Jude & Frank feat. Dragonfly Všechno co máš, tak nech baby Když nejseš na datech, zavolej…
Tony Rebel -P. Barrett- Long time me give unu warning Seems like unu s…
Tye Tribbett Time for change, Let it rain, Pour down something new.…
Ultraboy It's you I see Pick up, front of me Eyes up, fists…
Unknown | www.Marvin-Vibez.in Got gold grips on my .38 super Young Rockie checking in Bru…
Usman Khan Fresh, blue, yellow billo Mainu kar gayi pagal tu Aaja mere …
V-Def Hear me, see me Welcome to soundview projects Bronx new yor…
Vivace Why Why Why Why Why Why Why I'm so fresh I'm so fly yeah I…
Vli Weezy Baby I'm so fresh Rollie rollie on my wrist زميلي عايشنها on…
VLOSPA Κάθε κομμάτι πιο fresh, πού θα το φτάσουμε λες Πρέφα δεν πήρ…
Vybz Kartel Ta na na na na na na Ta na na na…
Willie Peyote Ho il tocco french delle banlieue voglio cash e cagne come…
Xhulooo Ayo, Ian (Woah!) Uh, uh, ha (Oh, hey!) Uh, uh, ha (Okay, uh!…
Y.T. Wah Ok Fresh Tan fresh que te hablo en inglés De la cabeza …
YBN Almighty Jay Ooh, ooh Ooh! Yeah Nah mean, yeah, cap, ooh, ayy Pull up an…
YG Ho portato un po' di freshness nella scena Non mi frega…
Young Dro Ladies and gentlemen, gentlemen, gentlemen, gentlemen You ar…
Yung Mal & Gucci Mane Zaytoven Hah, it's Wizop Iceberg, mhm 6ers Stand up It's so…
Yvngxadonis Ayo, Ian (Woah!) Uh, uh, ha (Oh, hey!) Uh, uh, ha (Okay, uh…
Zifou Cholé cholé, Annhh Les filles sont jolies jolies...* Cholé …
아이칠린 Fresh, fresh, fresh, fresh (uh-huh) Fresh, fresh, fresh Yo…
We have lyrics for these tracks by Isabelle Antena:
'Le Poisson Des Mers Du Sud' Pauvre poisson Pauvre poisson des mers du sud Egaré dans de …
Aquarius When the moon is in the Seventh House And Jupiter aligns…
God Only Knows Con el tiempo e aprendido a movilizarme, los negocios result…
I Forget You Baby love Sometimes it's hard for me to tell you what…
Le Poisson des Mers du Sud Pauvre poisson Pauvre poisson des mers du sud Egaré dans de …
Nothing To Lose Nothing to lose If we are wise We're not expecting rainbow-c…
Nothing To Lose (Thievery Corp. Remix) Nothing to lose If we are wise We're not expecting rainbow-c…
Omerta Bossa Si mes bossa semblent confidentielles C′est que je ne pousse…
Say I believe in it Whenever it's...a rainy day...when your eyes get wet And it…
Seaside Weekend It′s a seaside weekend No sun, no rain And we feel lazy We…
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
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