The Sidewalks
J-Live Lyrics
(Verse 1) {J-Live}
Yo, I grew up on the chill side
The no big deal side
Where staying alive was no problem
The other east side
Projects and condos
Somewhere in between downtown and harlem
It's not quite accurate to claim half
Either side was ever either all this or all that
Some projects apartments be decked out fat
But if New York is a concrete Jungle
My old earth kept me in the zoo where it wasnt so wild
Who wouldn't want to find a way to make it safe for a child
As a teenager I learned to escape for awhile
But you know what they say being out of your element
Whether giraffe, monkey, lion, or elephant
In school they said I was on the right track
But in the school of hard knocks I done got left back
Nowadays no knocks get left
My left knocks back
Some say might makes right
So my rights ain't light
But whether giving beatdowns or getting down on beat
You're not likely to see me or consider me street
(Chorus}
But from the sidewalks I see how it's rough out there
I see the extra large dosage of life ain't fair
From the sidewalks I see how the gas don't last
In the streets and you crash when you go too fast
From the sidewalks trust shit is Just as real
Even if your lifestyle ain't kill or be killed
From the sidewalks Chris Rock got you gassed
But I'm that smarter than y'all nigga that'll whoop your ass
(Verse 2) {J-Live}
Yo, I love New York, I am New York
The way I spin break beats, make beats and talk
The way I eat, sleep, drink, fuck, spit, and walk
The way I build and destroy cause that's how I was taught
I'm feeling Philly for now, I don't get home sick
I'm still close enough to the Yanks, Giants, and Knicks
It's still city to city Just different bricks
See I don't divide by places, man fuck that shit
It's a different state, but similar state of mind
See every city got the same theme underlined
A battleground for the lives of the dumb and blind
Ya heard?
Please believe that it takes all kinds
We all got to get over in our own way
Place to stay, peace to lay, and a pay day
I get mines the legit way
But no telling what I do to protect mines
So you best respect my
Kindness for weakness, face for fear
Common mistakes are made until the cards are played
But don't step to my door thinking something is sweet
Or we won't even have to take it all the way to the street
(Chorus)
Cuz from the sidewalks, corners that I clean and own
Never fuck with the sanctity of my home
From the sidewalks, I rep from New York to Philly
So from Broadway to Broad Street you got to feel me
From the sidewalks, I know how to hold it down
On my own when I come through and visit your town
From the sidewalks, Chris Rock got you gassed
But I'm that smarter than y'all nigga that'll whoop your ass
(Verse 3) {J-Live}
Yo, from the sidewalks, I been watching Hip-Hop grow
And vice versa from school battles to my own show
I watch skills evolve and the necks up blow
Motivated by the love for the art and the dough
I seen people influenced by the next man's flow
To the point that it controls where they content go
But if there's 8 million stories and a handful of rappers
We can't all be pimps, players, and gunclappers
It sounds sexy coming out your stereo, right?
But then you wonder why we still getting stereotyped
Like we a whole generation of
Want to be thugs and soon to be hoes
Like that's Just how it go
But everybody in the city ain't ghetto
We all not slanging rocks and toatin' metal and
Everybody in the ghetto ain't gangster
Waiting for a reason to stomp, shoot, and shank ya, and
Every gangster in the ghetto ain't stupid as you
Advocating that bullshit the way that you do
Like there's no consequences or repercussions
Like we don't even think first, before we start bustin'
But whatever's clever son, I let them tell it
Why should I play the role of zealot Just for y'all to repel it
I'd rather rep for the rest of us with real talk
So I'm out like that
J transmitting live from the sidewalks
(From the sidewalks.... x 23)
Contributed by Cole T. Suggest a correction in the comments below.
To comment on specific lyrics, highlight them
J-Live was born and raised in Uptown Manhattan, New York City. After making a home for himself in Brooklyn upon graduating from SUNY at Albany, J relocated to Philadelphia in 2003. "Moving to Philly was more for the family than any kind of career move. But the whole music scene here and the hip hop community here have embraced me with open arms since I arrived. I've gotten a lot of support from so many different artists and dee jays. This city is jam packed with talented and beautiful people." Read Full BioJ-Live was born and raised in Uptown Manhattan, New York City. After making a home for himself in Brooklyn upon graduating from SUNY at Albany, J relocated to Philadelphia in 2003. "Moving to Philly was more for the family than any kind of career move. But the whole music scene here and the hip hop community here have embraced me with open arms since I arrived. I've gotten a lot of support from so many different artists and dee jays. This city is jam packed with talented and beautiful people."
J-Live started his career by releasing solid 12" such as "Longevity", "Braggin' Writes", and "Hush the Crowd", which earned him a spot in The Source's "Unsigned Hype" column.
Recorded mostly at J's own Triple Threat Studios in Philadelphia, The Hear After actually seems to have taken on a life of its own. Guest vocalist on the album, include up and coming artist, Kola Rock, Cvees, and the soulful sounds of Virgin recording artist, Dwele. The album features production by Floyd the Locsmif (Atl), Hezekiah, James Poysner (Philly), Probe DMS, Fire Dept., (NYC), Oddisee (DC), and J-Live himself. "The title is a play on words. People think of the here after as the after life or somewhere you go when you die. Like heaven or hell. Me personally, I see heaven as being at peace with yourself while you're alive. I see hell as the path you choose in life as opposed to a place you go after death. The album is called The Hear After because I'm at peace with myself musically, and I've been through hell to get that way. This is what you "hear after" all that has transpired so far. This is what I've been working to accomplish since the last album."
Like J's last two full length records, The Best Part and All of the Above, The Hear After covers a wide range of thoughts and emotions both musically and with its subject matter. "If you were to look at the whole thing, you would see a story line about an artist trying to maintain and expand his career and still be there for his family. That was the biggest struggle while making the record, and its no coincidence that it's a theme that becomes obvious listening to it. But there are songs about almost every aspect of my life from growing up in the city, to raising kids, touring heavy, building and teaching, politics, party and bullshit. I can't just spit about one thing for a whole record. That's not my style."
J-Live has been rhyming and mixing since the age of 12 but he has made much more of a name for himself as an MC than as a DJ. "I definitely focus on rhyming more. Growing up doing both it was easier on the pockets to be an MC. Records and equipment can get expensive. But I love spinning." One of the highlights of his entertaining live show is when he rhymes and beat juggles on the turntables simultaneously, performing his classic, "Braggin' Writes." J-Live is also known to produce beats.
J-Live has always used music to get his messages across. He explains, "I grew up listening to everything from BDP to NWA, to PE [[artist]Public Enemy], Slick Rick, Big Daddy Kane, Nice and Smooth. Whether the music was pimped out, gangsta, militant or whatever, rappers had something important to say to kids like me. And I listened intently. As a 5%er, I can't imagine how much of an influence hip hop had on the way I see the world."
Case in point, J's favorite song on the album, "Audio Visual" is so descriptive it's a song "in 3-D". From the quirky, key accents to the thick-ass bottom running throughout the song, J-Live paints a colorful, picture of his life on and off the mic. "Brooklyn Public" is his ode to his days as an educator. Earlier in his career, J-Live taught middle school English/Language Arts in Brooklyn for a few years.
Making music for the walkmans as well as the Jeeps, J-Live made a mature, sonically sophisticated album. "I feel like I represent hip hop's middle class. Seems like everybody's either crying broke or screaming rich or both. I try to speak to the people in between. The everyday hard working fun loving hip hop heads."
Year Formed: 1995
Official Site: http://www.j-livemusic.com/
J-Live started his career by releasing solid 12" such as "Longevity", "Braggin' Writes", and "Hush the Crowd", which earned him a spot in The Source's "Unsigned Hype" column.
Recorded mostly at J's own Triple Threat Studios in Philadelphia, The Hear After actually seems to have taken on a life of its own. Guest vocalist on the album, include up and coming artist, Kola Rock, Cvees, and the soulful sounds of Virgin recording artist, Dwele. The album features production by Floyd the Locsmif (Atl), Hezekiah, James Poysner (Philly), Probe DMS, Fire Dept., (NYC), Oddisee (DC), and J-Live himself. "The title is a play on words. People think of the here after as the after life or somewhere you go when you die. Like heaven or hell. Me personally, I see heaven as being at peace with yourself while you're alive. I see hell as the path you choose in life as opposed to a place you go after death. The album is called The Hear After because I'm at peace with myself musically, and I've been through hell to get that way. This is what you "hear after" all that has transpired so far. This is what I've been working to accomplish since the last album."
Like J's last two full length records, The Best Part and All of the Above, The Hear After covers a wide range of thoughts and emotions both musically and with its subject matter. "If you were to look at the whole thing, you would see a story line about an artist trying to maintain and expand his career and still be there for his family. That was the biggest struggle while making the record, and its no coincidence that it's a theme that becomes obvious listening to it. But there are songs about almost every aspect of my life from growing up in the city, to raising kids, touring heavy, building and teaching, politics, party and bullshit. I can't just spit about one thing for a whole record. That's not my style."
J-Live has been rhyming and mixing since the age of 12 but he has made much more of a name for himself as an MC than as a DJ. "I definitely focus on rhyming more. Growing up doing both it was easier on the pockets to be an MC. Records and equipment can get expensive. But I love spinning." One of the highlights of his entertaining live show is when he rhymes and beat juggles on the turntables simultaneously, performing his classic, "Braggin' Writes." J-Live is also known to produce beats.
J-Live has always used music to get his messages across. He explains, "I grew up listening to everything from BDP to NWA, to PE [[artist]Public Enemy], Slick Rick, Big Daddy Kane, Nice and Smooth. Whether the music was pimped out, gangsta, militant or whatever, rappers had something important to say to kids like me. And I listened intently. As a 5%er, I can't imagine how much of an influence hip hop had on the way I see the world."
Case in point, J's favorite song on the album, "Audio Visual" is so descriptive it's a song "in 3-D". From the quirky, key accents to the thick-ass bottom running throughout the song, J-Live paints a colorful, picture of his life on and off the mic. "Brooklyn Public" is his ode to his days as an educator. Earlier in his career, J-Live taught middle school English/Language Arts in Brooklyn for a few years.
Making music for the walkmans as well as the Jeeps, J-Live made a mature, sonically sophisticated album. "I feel like I represent hip hop's middle class. Seems like everybody's either crying broke or screaming rich or both. I try to speak to the people in between. The everyday hard working fun loving hip hop heads."
Year Formed: 1995
Official Site: http://www.j-livemusic.com/
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trebor0123
thx for posting been looking for this song for a while