For an individual who’s life work has precious little to do with gaining critical acclaim as a hip hop producer, it’s been a controversial professional result for J-Wess, who has found his work several degrees closer to the ARIA Charts than anticipated. A leap far further down the line from his debut album package that spawned two Top 20 ARIA singles, a Top 10 national chart topper with gold sales status, and several national promo tours between 2003 - 2009 with multi-platinum chart acts including Missy Elliot and Flo Rida. Innovation will always be at the forefront of the J-Wess business plan.
A bi-annual anniversary of his ‘Rendition Entertainment’ enterprise which has seen a clever outsource of time and energy between Australia, LA and UK, J-Wess is brazenly unafraid to reinvent himself. Even more poignant, is his imperious content to be himself.
“Growing up in California was my music education. It exposed me to the greatest example of music as a ‘culture’. It wasn’t just about buying the records, LA created a particular style, the fashion, the dancing. I see it all integrated into every music video in today’s pop charts. As a kid I was watching it on Yo MTV Raps!, so it’s unlikely that you’ll see it in my own video’s, I’d rather get busy and work on the next defining thing”.
Peruse the personal development section of any good book shop, and you’re spoilt for choice with abundant doctrine to inspire life changing power moves. It appears the mantra hasn’t’ changed for this individual who can still ‘made good’ of turning his passions into livelihood.
“If people are serious about their craft, they expect nothing less than for it to be treated like business (first), then an art. I first noticed it as a competing athlete, the commitment needed to sustain, not just to perform but to make sure you’re signing the right contracts, and inviting the right opportunities, you can get caught up just making sure your game it tight. The music business is no different. Since developing Rendition Entertainment, I’ve made it a mission to guide developing artists to fulfill their creative side without neglecting the business. When I was a kid in LA, Dr Dre wore a face full of make up and played the keyboard in a band. There’s something which transcends ‘World Class Wrecking Crew’ to sell your own brand of headphones to every kid on the planet”.
With music entertainment being chronically spasmodic than at any point in history, the ravages of technology, affordability and social media shifting the power towards artists to make more decisions than ever to make a meaningful impact in the market. J-Wess and all things ‘Rendition’ seems generously timely, with an ultimate transparency to any individual whose mission statement is to succeed with their talents.
“I’ve been able to put a bigger stamp on my work with Rendition Entertainment, because it’s not just about making good music anymore, it’s about the relentless possibilities of marketing and widening your peripheral vision to find the strengths and personal characteristics of your project or act. I love figuring out how to and use this information to target core fans with something they will love”.
The tools which are fundamental to the Rendition formula, has allowed this young philosopher to succeed in two of the most difficult vocations in which to aspire, Sport and Entertainment. Not something that be changed or taken away, however much critics may wish to pasteurize the achievements of this diverse artist. JWess has survived life and the business, and is using his guerilla tactics to ensure his project brief continues to remain open.
“For an artist or individual tying make it in this game, it can be overwhelming. You can understand why some just say fuck it! and take the easy way out, give up on their goals and dreams and just ‘exist’. The fear of just existing, giving up on my dreams and settling is hell on earth to me. Shoot! I flip just looking at the words”.
www.jwess.com
Biographer: Alemain Vozzo © All Rights Reserved
get down
J-Wess Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
J-WESS
Girl get down on the floor
Girl get girl get down on the floor
Girl girl get
Girl get down on the floor
Get down
Get down
Get down
Get down
Get it
Get it
Get it
Get it
I wanna see you work it like a top notch pro
Is it wrong that I wanna watch you
Get on top to
Do those things that your friends told you not to
But you don't give a fuck
You don't even listen
If you wanna fuck you just go ahead with conviction
Vixen
Volleying them shots like Venus
Mixing
All of them with plots you genius
Well come and give your brain a IQ test
With my back to the wall that's when I do best
If your knees on the floor
Eyes in the back of ya
Head no hands that there's spectacular
So be Dracula minus the teeth
And we can talk maybe you could be my wife for a week
Get at me
Girl get down on the floor
Girl get girl get down on the floor
Girl girl get
Girl get down on the floor
I wanna see you work it like a top notch pro
Get down
Ay
Get down
Ay
Get down
Ay
Get down
Ay Ay
Get it
Get it
Get it
Get it
I wanna see you work it like a top notch pro
James Brown, DJ Quik, Tony Toni Tone
This is strange town replay shit slowly so you know me
Baby show me when you blow me
It gets lonely when you're only too happy to be home
We have to tackle this alone
She got my tackle in her dome
Please put the crackle on the bone
If it's tasty then chase me and maybe, maybe
After wards I'll phone
Get it backwards on the throne
That's reverse cowgirl if anybody out there is keeping track of this at home
She's immaculately thrown, like disasters in the zone
I need help to clean up, send a mattress and some foam
Mean butt got me tractor beaming home
Break neck so her ass can get ass can get
Sacked like it was Rome
Girl get down on the floor
Girl get girl get down on the floor
Girl girl get
Girl get down on the floor
I wanna see you work it like a top notch pro
Get down
Ay
Get down
Ay
Get down
Ay
Get down
Ay Ay
Get it
Get it
Get it
Get it
I wanna see you work it like a top notch pro
Sexy little mama
She put it on me
Booty make me react
Killing' it from the back
Hey
I love how you moan when I get it girl
Play with the kitty
While I stroke it girl
I'ma get it soaking wet make your toes curl
Kissing' on your neck playing' with the pearl
Got you begging me for more
Sex game no flaws get down on the floor
Bank job broad take it straight to the floor
Thank God you're wearing lace not coiture
Am I faced with the raw
Totally bass not guitar
But a hero if the steelos open and waist up and bras
Stay ****ing' stars
Find your way sucking hard
Who am I to cast aspersions
You make such an art
Out of grinding and twisting
Winding your hips and
My army of ones at attention enlisting
Listen I don't like to be Sonny Liston
But you knock me out just by swinging' and missing
Drinks in my system
Pimps in the building
Watch it how she walks that's a limp she's concealing
Girl get down on the floor
Girl get girl get down on the floor
Girl girl get
Girl get down on the floor
I wanna see you work it like a top notch pro
Get down
Ay
Get down
Ay
Get down
Ay
Get down
Ay Ay
Get it
Get it
Get it
Get it
The lyrics of J-Wess's song Get Down have a clear focus: a girl who is willing to let go of her inhibitions and dance in a seductive manner. The artist wants to see her "work it like a top notch pro" and encourages her to get down on the floor. He is impressed with her confidence and her willingness to do things that her friends might have told her not to. He encourages her to take charge and be aggressive in her approach to pursuing the things that she desires. In the second verse, he continues to praise her and describes her as a "vixen" and a "genius." He makes allusions to specific sexual acts and encourages her to experiment with different positions. The chorus encourages her to keep dancing and to work it like a pro, and this theme continues throughout the song.
Overall, J-Wess's song Get Down is a high-energy song that encourages women to let go of their inhibitions and dance in a seductive manner. The lyrics are sexually charged and suggestive, but they are delivered in a playful and lighthearted manner. The artist clearly respects women and sees them as empowered and capable of pursuing their desires. The song is a celebration of female sexuality and an invitation to dance and have fun.
Line by Line Meaning
I wanna see you work it like a top notch pro
J-Wess wants the woman to perform impressively and professionally with her dance moves
Girl get down on the floor
J-Wess is telling the woman to get on the floor and dance
Get it
J-Wess is encouraging the woman to start dancing
Is it wrong that I wanna watch you
J-Wess is questioning whether it's inappropriate for him to observe the woman's performance
Get on top to
J-Wess wants the woman to be on top of him while performing
Do those things that your friends told you not to
J-Wess wants the woman to do things that her friends advised her not to do
But you don't give a fuck
J-Wess claims that the woman doesn't care what others think of her
You don't even listen
J-Wess believes that the woman doesn't take anyone else's opinion into account
If you wanna fuck you just go ahead with conviction
J-Wess thinks that the woman is confident in her sexual desires
Vixen
J-Wess is describing the woman as a seductive and alluring female
Volleying them shots like Venus
J-Wess compares the woman's dance moves to Venus Williams' tennis shots
Mixing
J-Wess mentions the woman's mixing abilities regarding dance moves
All of them with plots you genius
J-Wess admires the woman's dance moves and considers them to be well-planned and clever
Well come and give your brain a IQ test
J-Wess is challenging the woman to show off her intelligence
With my back to the wall that's when I do best
J-Wess believes that he performs better under pressure
If your knees on the floor
J-Wess is suggesting that the woman should perform a dance move with her knees resting on the floor
Eyes in the back of ya
J-Wess wants the woman to look back at him while dancing
Head no hands that there's spectacular
J-Wess praises the woman for performing a difficult dance move without using her hands
So be Dracula minus the teeth
J-Wess is asking the woman to pretend to be a vampire without showing her teeth
And we can talk maybe you could be my wife for a week
J-Wess is suggesting that the woman could marry him for a week
Ay
J-Wess is making a vocal exclamation sound
James Brown, DJ Quik, Tony Toni Tone
J-Wess references these musicians as examples of great performers
This is strange town replay shit slowly so you know me
J-Wess is introducing himself to the woman and asking her to take her time to get to know him
Baby show me when you blow me
J-Wess is requesting the woman to perform oral sex on him
It gets lonely when you're only too happy to be home
J-Wess believes that he will feel lonely if the woman only wants to stay at home
We have to tackle this alone
J-Wess asserts that they have to work together to accomplish their goal
She got my tackle in her dome
J-Wess claims that the woman has control over him in a sexual manner
Please put the crackle on the bone
J-Wess is requesting the woman to use a condom for protection during sex
If it's tasty then chase me and maybe, maybe
J-Wess is suggesting that the woman should pursue him if she enjoys the sexual experience
After wards I'll phone
J-Wess will contact her after their sexual encounter
Get it backwards on the throne
J-Wess is suggesting a specific sexual position (reverse cowgirl)
That's reverse cowgirl if anybody out there is keeping track of this at home
J-Wess is defining what the phrase 'backwards on the throne' means
She's immaculately thrown, like disasters in the zone
J-Wess describes the woman's dance moves as graceful yet devastating
I need help to clean up, send a mattress and some foam
J-Wess intends to have sex with the woman and needs help to clean up afterward
Mean butt got me tractor beaming home
J-Wess is attracted to the woman's butt, so much so that he feels like a tractor beam is pulling him to her
Break neck so her ass can get ass can get
J-Wess is asking the woman to contort her body in a way that almost breaks her neck, to make her butt look more prominent
Sacked like it was Rome
J-Wess uses the imagery of Rome's defeat to describe how he feels after having sex with the woman
Sexy little mama
J-Wess is describing the woman as an attractive and youthful female
She put it on me
J-Wess is indicating that the woman initiated the sexual encounter
Booty make me react
J-Wess is saying that the woman's butt has a physical effect on him
Killing' it from the back
J-Wess is enjoying the sex, particularly from the woman's backside
Hey
J-Wess is making a vocal exclamation sound
I love how you moan when I get it girl
J-Wess is appreciative of the woman's noises during sex
Play with the kitty
J-Wess is suggesting that he wants to touch the woman's genitals
While I stroke it girl
J-Wess is claiming that he will pleasure the woman while they have sex
I'ma get it soaking wet make your toes curl
J-Wess is intending to make the woman's genitals wet and make her have a pleasurable experience
Kissing' on your neck playing' with the pearl
J-Wess is kissing the woman's neck while touching her clitoris
Got you begging me for more
J-Wess has made the woman desire more sex
Sex game no flaws get down on the floor
J-Wess believes that he is skilled at having sex and is encouraging the woman to get on the floor and continue
Bank job broad take it straight to the floor
J-Wess is describing the woman as being proficient in sex and having the skills to 'take it to the floor'
Thank God you're wearing lace not coiture
J-Wess is grateful that the woman is wearing lace underwear instead of a formal, uncomfortable outfit
Am I faced with the raw
J-Wess is questioning if he's encountering the most authentic version of the woman
Totally bass not guitar
J-Wess may be referencing music production techniques to describe his sexual performance
But a hero if the steelos open and waist up and bras
J-Wess is describing himself as a hero (or skilled lover) if he's able to unhook the woman's bra while having sex
Stay ****ing' stars
J-Wess intends to stay up all night having sex with the woman
Find your way sucking hard
J-Wess wants the woman to pleasure him through oral sex
Who am I to cast aspersions
J-Wess says that he is in no position to judge the woman's sexual behavior
You make such an art
J-Wess compliments the woman for being skilled and imaginative in bed
Out of grinding and twisting
J-Wess is enjoying the woman's movements during sex
Winding your hips and
J-Wess is describing the pattern and movement of the woman's hips during sex
My army of ones at attention enlisting
J-Wess refers to his penis as an 'army of ones' that is ready for sex
Listen I don't like to be Sonny Liston
J-Wess doesn't like to be defeated or pummeled in sexual activity, like boxer Sonny Liston
But you knock me out just by swinging' and missing
J-Wess admits that the woman's sex appeal is really powerful even though she's not making contact
Drinks in my system
J-Wess has been drinking alcohol and is likely intoxicated
Pimps in the building
J-Wess is surrounded by pimps
Watch it how she walks that's a limp she's concealing
J-Wess is observing the woman carefully and notices a limp that she's trying to hide
Lyrics © DistroKid, Sony/ATV Music Publishing LLC
Written by: CHRISTOPHER DACOSTA, JAMES ESSEX, ANDREW GARDNER, NIGEL REYNOLDS
Lyrics Licensed & Provided by LyricFind