J. Stalin claims in an interview that he was born into poverty and earned money as a child by selling candy bars on the BART trains. Around age 13, he began recording and selling rap music. A member of Oakland's hyphy culture, he is described by a local magazine as a "rapper and sideshow participant".
Although young and boyish-looking, J. Stalin adopted a tough rapper persona. He references Joseph Stalin in his stage name because they shared the same initials, and "he was short like me, but he was always smashin' on everybody." In a recent interview he remarked about his home and lifestyle, "This is West Oakland, man. This is the bottoms right here." He went on to say that the crime rate in his neighborhood was so high, the city had remodeled the housing units in his housing project to remove the back doors so that criminals could not escape from home raids by the police.
J. Stalin's first widely released performances arose when a DJ Daryl, a local recording studio owner, placed him on a track he was recording. A colleague of Daryl's, Richie Rich, was impressed enough to put J. Stalin on three tracks in his 2002 album Nixon Pryor Roundtree album and two more as a member of Rich's group, the Replacement Killers. He later recorded and performed with artists such as G-Stack, Beeda Weeda of the Hieroglyphics collective, Keak Da Sneak and San Quinn, E-40, The Luniz, The Team, The Frontline, Mob Figaz, Yukmouth, Numskull, Shock G, and others. As of 2006 he had released roughly 7 mixtapes and had four releases scheduled for 2007.[1] Mekanix and Zoo Entertainment released "On Behalf of the Streets" in early May 2007. J. Stalin is the President of Town Thizzness, and the owner of Livewire Records. He is also the front man in his group, Livewire Da Gang. The Livewire Gang consists of many artists from various neighborhoods in North, East, and West Oakland. Some of these artists include, Shady Nate, Jay Jonah, Philthy Rich, Stevie Joe, Lil Rue, Lil Blood, Ruben Stunner, R.O.B., Ronald Mack, Kiwi, HD, Major D, and Mayback.
Show Me What You Got
J. Stalin Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Yeah it's another one of them marvelous shits
Yeah, Flipmode, huh, Busta Rhymes shit, yeah
So remarkable, yeah
As I say it over and over again
From song to song, yeah, so remarkable
Hah, heh, yeah, so remarkable
Hardcore, riggady raw, lay niggas flat on the floor
We climb into the back of the four
Nonchalant flavor fo' sure, Timbs wit a aqua valor
Flava like you never seen it before
Ha, holy, sacred, and pure
Flipmode, be on it fo' sure
Be incredible to settle the score
Like a nigga shot you in the face, through the peephole in the door
From New York, down to Singapore
Keep you niggas jumpin' around, had the bitches beggin fo' more
Street niggas, yeah we speak for the poor
Now we stack cheddar galore, when we shop and buy at the store
Metaphor like nuclear war
I warned niggas if you try to bite, shit I'll leave a crack in your jaw
Take the livest niggas out on a tour
Make a nigga black in the spot, make you want to take off a door
All my dogs who hustle everyday
All my dogs who hustle everyday now
Own a store laundrymat around the way
And own a store laundrymat around the way now
We got to get it, YEAH!
My niggas, all my niggas
Show Me What You Got for me, what you got for me
All my niggas what ya got for me
All my shorties who stay fresh everyday
All my shorties that stay fresh everyday
My get money bitches who still hang around the way
All my get money bitches that chill around the way now
We got to get it, YEAH! We gotta
My bitches, all my bitches, c'mon
Tell me what you got for me
What you got for me, all my bitches what you got for me
Now, yo, we stay packing the toast
Could give a fuck, bust at a ghost
And end up on the front of the post
Niggas know that I be rocking the most
Fuckin Ethiopian bitches, living in the ivory coast
Let me drug y'all niggas up wit a dose
Make you act just like you suppose'
Watch a nigga playing me close
Nowadays type of dough that we gross
I celebrate and throw me a roast
And get an old face for a host
We get it hype even when we be calmg
Niggas know my word is my bond
When we come you know we the bomb
Hypnotic shit, get you retarded
Should of known it was a bad move
Fucking around and getting me started
Still whipping in the back of the truck
So what, not givin a fuck
In the streets, living it up
So what happened to the last nigga bust
Could give a fuck whoever he was
Throw them niggas outta the clubs
Them niggas all, shit turning me off
Tie 'em up, makin 'em cough
Gag 'em in the throat wit a cloff
After that we go and wild for the night
Make 'em know the style for the night
Car low, pile for the night
You know we always give y'all niggas a blaze
Black it out and party for days
Let y'all niggas fuck with the strays
Fucking dimes at the end of the days
Getting money but it's too late
Got a nigga stuck in his ways
All my dogs who hustle everyday
All my dogs who hustle everyday now
Own a store laundrymat around the way
And own a store laundrymat around the way now
We got to get it, YEAH!
My niggas, all my niggas
Show Me What You Got for me, what you got for me
All my niggas what ya got for me
All my shorties who stay fresh everyday
All my shorties that stay fresh everyday
My get money bitches who still hang around the way
All my get money bitches that chill around the way now
We got to get it, YEAH! We gotta
My bitches, all my bitches, c'mon
Tell me what you got for me
What you got for me, all my bitches what you got for me
The lyrics to J. Stalin's song "Show Me What You Got" are filled with braggadocious and intense imagery, showcasing the artist's confidence and prowess. The song starts with a boastful introduction, emphasizing the remarkable nature of the upcoming verses. J. Stalin acknowledges that his style and delivery are so remarkable that they transcend from song to song.
The first paragraph highlights the lyrical prowess and raw energy of Busta Rhymes, referring to him as "the immaculate raw." J. Stalin compares his own style to Busta Rhymes, expressing a determination to lay his competitors flat on the floor. The lyrics depict a fearless and nonchalant attitude, while referencing various locations from New York to Singapore. J. Stalin claims to be able to captivate audiences and leave them craving more, representing street culture and speaking for the underprivileged. The metaphoric reference to nuclear war suggests that J. Stalin's impact and talent are capable of causing great destruction to those who imitate him.
The second paragraph shifts the focus towards the hustlers and entrepreneurs in the streets. J. Stalin acknowledges the everyday grind of his fellow hustlers who own businesses such as laundromats around the neighborhood. The lyrics convey a sense of determination to succeed and a relentless pursuit of wealth. The repetition of "we got to get it" emphasizes the drive and ambition shared among these individuals. J. Stalin also acknowledges the women who are financially successful and still maintain a connection to their roots. The lyrics imply that these individuals thrive in the same street environment.
The third paragraph delves into explicit and aggressive lyrics, with J. Stalin boasting about his ability to shoot at enemies and make headlines. The lyrics suggest a detachment from consequences and a disregard for danger. J. Stalin references drug use and its effects on others, claiming to control and manipulate people's behavior. The lyrics continue to emphasize power and dominance, depicting a lavish lifestyle where celebrations and ostentatious displays of wealth are commonplace. J. Stalin asserts his authority and warns others not to provoke him, showcasing a willingness to inflict harm on those who oppose him.
The final paragraph brings the focus back to the streets and the party scene, emphasizing a rebellious and carefree attitude. J. Stalin describes a night of wild antics, which include confrontation, violence, and indulgence. The lyrics express a willingness to break societal conventions and celebrate without constraints. The references to "getting money" and "fucking dimes" allude to financial success and engaging with attractive women. J. Stalin concludes by painting a picture of being stuck in one's own ways, embracing one's identity and lifestyle regardless of the consequences.
Overall, the lyrics to "Show Me What You Got" showcase J. Stalin's confidence, street credibility, and his ability to engage listeners with vivid and intense imagery. The lyrics suggest a relentless pursuit of success and embody the rebellious spirit of the streets.
Line by Line Meaning
Hoo!
Expressing excitement and anticipation for what is to come.
Yeah it's another one of them marvelous shits
This is another incredible and impressive song.
Yeah, Flipmode, huh, Busta Rhymes shit, yeah
This song is associated with the Flipmode squad and the unique style of Busta Rhymes.
So remarkable, yeah
This song is truly exceptional and stands out.
As I say it over and over again
Repeating the epicness of this song in various ways and emphasizing its importance.
From song to song, yeah, so remarkable
Consistently delivering remarkable songs in a unique style.
Hah, heh, yeah, so remarkable
Continuing to emphasize the exceptional and impressive nature of the song.
Yo, yo, Busta Rhymes the immaculate raw
Busta Rhymes is an incredibly skilled and talented artist.
Hardcore, riggady raw, lay niggas flat on the floor
Busta Rhymes' style is intense and can overpower his opponents.
We climb into the back of the four
We enter a luxurious vehicle with style and confidence.
Nonchalant flavor fo' sure, Timbs wit a aqua valor
Our style is casual and confident, with Timberland boots and a touch of uniqueness.
Flava like you never seen it before
Our flavor and style are unprecedented and leave a lasting impact.
Ha, holy, sacred, and pure
Our style is highly revered and holds a significant place in the music industry.
Flipmode, be on it fo' sure
The Flipmode squad is always present and ready for action.
Be incredible to settle the score
Our incredible talent and skills allow us to emerge victorious and establish dominance.
Like a nigga shot you in the face, through the peephole in the door
We deliver our powerful and unexpected rap lines, leaving a profound impact on the listener.
From New York, down to Singapore
Our influence and impact are felt worldwide, from New York to Singapore.
Keep you niggas jumpin' around, had the bitches beggin fo' more
Our music energizes and excites the crowd, creating a frenzy and leaving the women craving for more.
Street niggas, yeah we speak for the poor
We represent and give voice to those marginalized and oppressed individuals in the streets.
Now we stack cheddar galore, when we shop and buy at the store
We have accumulated significant wealth and can afford to indulge in luxury while shopping.
Metaphor like nuclear war
Our use of metaphors in our lyrics is explosive and impactful, just like a nuclear war.
I warned niggas if you try to bite, shit I'll leave a crack in your jaw
If anyone tries to imitate our style or lyrics, we will respond aggressively and leave them humbled.
Take the livest niggas out on a tour
We bring the most energetic and talented artists on our tours.
Make a nigga black in the spot, make you want to take off a door
Our performance is so intense and powerful that it can make someone lose consciousness or create a desire to break things.
All my dogs who hustle everyday
Acknowledging and appreciating the hard work and dedication of our friends who work tirelessly.
Own a store laundrymat around the way
They have successfully established and own businesses in the local neighborhood, specifically laundromats.
And own a store laundrymat around the way now
Their business ventures have expanded and are now even more successful.
We got to get it, YEAH!
We are determined to achieve success and financial prosperity.
My niggas, all my niggas
Addressing our close friends and associates who share our goals and aspirations.
Show Me What You Got for me, what you got for me
Display your skills, accomplishments, and contributions to our collective success.
All my niggas what ya got for me
Ensuring our friends are also actively contributing to our shared journey towards success.
All my shorties who stay fresh everyday
Recognizing the stylish and fashionable women who maintain a fresh appearance every day.
All my shorties that stay fresh everyday
Reiterating our appreciation for the women who prioritize their appearance and consistently look stylish.
My get money bitches who still hang around the way
Acknowledging the independent and financially successful women who choose to remain loyal to their neighborhood.
All my get money bitches that chill around the way now
Continuing to appreciate the financially successful women who are frequently seen in the local community.
We got to get it, YEAH! We gotta
Emphasizing our determination to achieve financial success and stability.
My bitches, all my bitches, c'mon
Addressing the women in a friendly and encouraging manner.
Tell me what you got for me
Share your achievements and contributions with us.
What you got for me, all my bitches what you got for me
Encouraging the women to showcase their skills, accomplishments, and contributions to our journey.
Now, yo, we stay packing the toast
We always carry guns, ready for any confrontations or threats.
Could give a fuck, bust at a ghost
We don't care about consequences and are even willing to shoot at imaginary enemies.
And end up on the front of the post
Our actions and behavior often attract media attention and make headlines.
Niggas know that I be rocking the most
Everyone is aware that I am the most dominant and influential artist in the industry.
Fuckin Ethiopian bitches, living in the ivory coast
Engaging in sexual encounters with women of Ethiopian descent, who reside in the luxurious and exotic Ivory Coast.
Let me drug y'all niggas up wit a dose
Intoxicate and captivate the audience with the powerful effects of our music.
Make you act just like you suppose'
Our music has a strong influence on people's behavior, making them act accordingly.
Watch a nigga playing me close
Others closely observe and try to imitate our style and success.
Nowadays type of dough that we gross
The amount of money we generate nowadays is substantial.
I celebrate and throw me a roast
I indulge in grand celebrations and parties to honor my success.
And get an old face for a host
Choosing an experienced and esteemed individual to host our lavish events.
We get it hype even when we be calmg
We maintain an exciting and energetic atmosphere, even when we appear calm.
Niggas know my word is my bond
Everyone is aware that I always keep my promises and remain true to my word.
When we come you know we the bomb
Our arrival is explosive and creates a powerful impact on the scene.
Hypnotic shit, get you retarded
Our music possesses a hypnotic quality that captivates the listeners and alters their state of mind.
Should of known it was a bad move
Others should have anticipated the negative consequences of their actions.
Fucking around and getting me started
Engaging in provocation or conflict with me will lead to dire consequences.
Still whipping in the back of the truck
Continuing to drive and navigate the streets from the back of a truck.
So what, not givin a fuck
We don't care about other people's opinions or judgments.
In the streets, living it up
Enjoying and embracing the street life with enthusiasm and confidence.
So what happened to the last nigga bust
What was the fate of the previous artist who attempted to compete with us?
Could give a fuck whoever he was
We don't care about the identity or status of the previous artist.
Throw them niggas outta the clubs
Removing those artists from the clubs and venues where we perform.
Them niggas all, shit turning me off
Those artists are unimpressive and fail to capture my interest.
Tie 'em up, makin 'em cough
Restraining and silencing those artists, forcing them to acknowledge our superiority.
Gag 'em in the throat wit a cloff
Suppressing their ability to respond or compete by forcefully silencing them.
After that we go and wild for the night
Following that, we unleash our energy and passion, partying and enjoying ourselves throughout the night.
Make 'em know the style for the night
Impressing upon them our unique and distinctive style throughout the night.
Car low, pile for the night
Driving in low, luxurious vehicles, creating a spectacle throughout the night.
You know we always give y'all niggas a blaze
We consistently deliver exceptional performances and experiences for our audience.
Black it out and party for days
Celebrating and enjoying ourselves for an extended period without any restrictions or limitations.
Let y'all niggas fuck with the strays
Allowing others to associate and collaborate with us, even if they have unconventional styles or backgrounds.
Fucking dimes at the end of the days
Engaging in sexual relationships with attractive and desirable women, especially at the end of tiring and eventful days.
Getting money but it's too late
Achieving financial success and wealth, but realizing it took longer than anticipated.
Got a nigga stuck in his ways
Being set in one's habits and routines due to past experiences and circumstances.
Lyrics © DOMINO PUBLISHING COMPANY, Kobalt Music Publishing Ltd.
Written by: BUSTA RHYMES, JAMES DEWITT YANCEY, LAETIA SADIER, TIMOTHY GANE
Lyrics Licensed & Provided by LyricFind