Especially aware of the dangers that faced unoccupied youths growing up in their Detroit neighborhood of Conant Gardens, the Yancey's set out to keep their children as busy as possible between cub scouts, music lessons, youth choir, and any other church activities. Nurturing their son's early passion for music, Jay was always enrolled in some kind of music class, excelling on the piano, violin and cello, before moving on to the drums. But it was the lure of the boom-bap which ultimately moved him from the church pews to the studio.
"When I heard Run-D.M.C.'s "Sucker M.C.'s (Krush-Groove 1)" and Whodini's "Big Mouth", it made me curious to how the beats were made. Those songs were the first time I heard the beats that weren't melodic - just drums. Being someone who was taking drum lessons at the time, that made me real curious. That led me into deejaying, which slowly led to me deejaying parties and that eventually led me into production."
A fortuitous meeting with another talented Conant Gardens resident provided Jay with the direction necessary to pursue his dream. "Fortunately I ran into this cat just walking in the street, literally. This guy named Amp Fiddler. He just called us out and from that first day he actually showed all of us how a studio works and things like that. He had a little pre-production studio in his crib. He was like, 'Whenever you want to, come by the crib.' I started going over there messing with beats."Building on the experience he received at Amp's studio, Jay was determined to form a group which reflected the eclectic nature of his influences. "I heard about T3 and Baatin, and they were supposed to be the illest emcees at the time. And I thought I was, so I wanted to challenge them. To make a long story short, we just hooked up after that. The chemistry was right." Their group Slum Village gave Jay the platform to create a sound which was uniquely mid- western in its melding of jazzy, east coast influences with the glossy, bounce of west coast hip-hop.
Via another timely assist from Amp Fiddler, Slum's demo found it's way into the hands of Q-Tip, who immediately recognized a kindred musical spirit in Jay and offered the young producer a management and production contract. "It was like a dream come true, if you could ever, ever hear anybody say that. I just couldn't believe it. I love Tribe and De La and then this guy Tip called my crib! Matter of fact, the first time he called, I wasn't home. I missed the call! I was hurt. I thought that was it! But, he called me the next day. Next thing you know, I'm in New York." within months, Jay found himself producing tracks for a who's who of underground hip-hop: The Pharcyde, Busta Rhymes, De La Soul, Keith Murray, Mad Skillz, and of course A Tribe Called Quest.
"I was just riding the wave. It was still part of the dream to even be there. They even asked me creative questions about the album [Beats, Rhymes, and Life]. It's just unbelievable, man! These are the three ultimate niggas to me. They sat me down and invited me to these meetings and I felt like I was a part of that shit. Whether the album did good or not, it was to me one of the best experiences of my life."
Upon returning to Detroit, Jay found himself as the star of the city's burgeoning hip hop scene. His beats were the conduit for a diverse crop of MC's who gathered around the famed Hip Hop Shop, including Phat Kat, 5 Ela, Proof, Eminem, and a young Elzhi. His extended periods away from home had been difficult on Slum Village, but with Jay back in the fold and a renewed focus they set out to record their first album
"We decided to do that Fantastic album, and we did it in like two weeks. Everything was done. We were selling that shit out of boxes within a couple of weeks." Fan-tas-tic Vol. 1 became an underground classic, relentlessly dubbed and traded by fans in the days prior to file sharing. Innovative and playful, the album featured a string of hip hop classics including "Players", "Look of Love" and the brilliant James Brown adlib mash-up of "I Don't Know".
While his growing number of imitators were content to pick up the scraps of the fledgling neo-soul movement, Jay soon became the nucleus around which a group of like-minded, progressive artists would form, creating some of the best music to emerge from the post Golden-Age of early-nineties hip hop in the process. Dubbed the Soulquarians, Jay's beats would provide the key inspiration for this eclectic group's best work: The Roots' Things Fall Apart, D'Angelo's Voodoo, Erykah Badu's Mama's Gun, Q-Tips's Amplified, and Common's Like Water for Chocolate.
Originally intended as a breakbeat record, Jay's first solo album Welcome 2 Detroit provided the first opportunity to display his full range as a producer, MC, and vocalist. Seamlessly blending live instrumentation with programmed beats, W2D reflected his numerous influences and styles- from synth-heavy techno and grimy street anthems to breezy bossa nova. Stepping to the forefront as an MC for the first time, Jay introduced his alias J Dilla, and with it a more confident, street-edge rapper would emerge.
At a professional crossroads after a label deal with MCA collapsed in 2003, Dilla bypassed the mainstream altogether to unleash a flurry of new material: a collaborative album with Madlib entitled Champion Sound, and his own solo project the Ruff Draft EP, a muddy, lo-fi epic of uncompromising rawness. "I did it in four or five days, turned it in and had wax in ten days. If I'm not doing beats for somebody, I make stuff for me to drive around and listen to, and that was one of those projects. I was just doing me. That's why it was called the Ruff Draft EP". "There'd be days when I wouldn't eat at all because I'd be in the basement working all day. Even after being in the hospital so long, I had to fight with the doctors [to go home] because being away from music was starting to get to me."
Dilla relocated to Los Angeles in 2004 to re-energize himself and focus on his career. But by the end of the year, he would again be hospitalized. Undergoing debilitating dialysis treatments 3-4 times a week, Dilla was bedridden for long periods of time causing his hands and legs to swell dramatically, making walking difficult without assistance. He lost 50% of his body weight. During this time he was diagnosed with Lupus, a debilitating blood disease which causes the immune system to attack healthy tissue and for which there is no cure. He was released from the hospital in March 2005, only to be readmitted later that summer. Using equipment set up in his hospital room, Dilla began work on what would become his masterpiece, Donuts, a sprawling, back-to-basics instrumental album filled with emotional, heartfelt testaments to life and mortality that brought him full-circle to his beginnings as young producer chopping up breakbeats.
That Fall, Dilla embarked on a European tour alongside his mother and friends, rapping to sold-out audiences from a wheelchair. It would be his final farewell to the fans who had shown their love and support for so long. Upon completion of the tour and another stay in the hospital, Dilla returned home. He handed off the masters for his still-unfinished solo LP The Shining in time for his upcoming birthday.
On Tuesday, February 7, 2006, his 32nd birthday, Donuts was released. He spent the day at home with friends and family. Three days later on February 10, James Dewitt Yancey passed away in the arms of his loving mother Maureen. He was put to rest the following week, on Valentine's Day. As mourners gathered around his final resting place high in the hills of Los Angeles to say their goodbyes, a lone heart appeared in the cloudless sky above, fitting tribute for the man who above all else lived life to do what he loved. And what he loved, he did better than anybody else. For that, we will be forever thankful. Thank you Jay Dee.
Discography:
Artist/Group Releases (As Producer and/or MC):
1st Down - No Place to Go, 12" single 1993
1st Down - A Day With the Homiez 12", 12" Single 1995 (Pay Day Records)
Slum Village - Fan-Tas-Tic 12" single 1996
Slum Village - Fan-Tas-Tic Vol. 1 Album, 1996 (Donut Boy Recordings) 1997 (Sudden Impact) 2006 (Barak)
Slum Village - We Be Down, 12" single 1997 (Sudden Impact)
Jay Dee - Jay Dee Unreleased EP 1997 (House Shoes Records)
Slum Village - Somethin' For The People, All I Do (Remix) from "All I Do 12" single 1997 (WB)
J-88 - Look Of Love (Remix) 12" single 1999 (Groove Attack)
Slum Village - Get This Money, 12" single 1999 (Interscope)
Slum Village - Fantastic, Vol. 2, Album 2000 (Goodvibe) 2002 (Capitol) 2010 (Barak)
Slum Village - Fall In Love (Remix), 12" single (2000) (Goodvibe)
Slum Village - Climax/CB4, 12" single 2000 (Goodvibe)
J-88 - Best Kept Secret, EP 2000 (Groove Attack)
Jay Dee - Fuck the Police, 12" single 2001 (Up Above)
Jay Dee - Pause, 12" single 2001 (BBE)
Jay Dee - Welcome 2 Detroit, Album 2001 (BBE)
1st Down - A Day With the Homiez, Album 2002 (RonnieCash.com)
Jay Dee - Instrumental Series Vol. 1: Unreleased, EP 2002 (Bling47.com)
Jay Dee feat. Frank N Dank - Take Dem Clothes Off/Off Ya Chest 12" single 2002 (ABB)
Jay Dee feat. Frank N Dank - Push 12" EP 2002 (Mummy / Groove Attack)
Jaylib - The Message, from "Stones Throw Summer 2002 EP" 2002 (Stones Throw)
Jay Dee - Instrumental Series Vol. 2: Vintage, Album 2003 (Bling 47.com)
Jay Dee - Ruff Draft EP, 2003 (Mummy/Groove Attack)
Jaylib - The Red / The Official,12" single 2003 (Stones Throw)
Jaylib - Champion Sound, 12" single 2003 (Stones Throw)
Jaylib - Champion Sound, Album 2003 (Stones Throw)
Jaylib - Champion Sound Instrumentals 2004 (Stones Throw)
Jaylib - Blaze Up, Raw Shit (Remix), The Mission (Remix) from Stones Throw 101 12" EP 2004 (Stones Throw)
Jaylib - Raw Addict / Ice, 12" single 2003 (Stones Throw)
Jaylib - McNasty Filth, 12"/CD 2004 (Stones Throw)
Jaylib - Popshit, from "Stones Throw 10" EP 2004 (Stones Throw)
J Dilla - Welcome 2 Detroit (Instrumentals) 2005 (BBE)
J Dilla - Donuts EP: J. Rocc's Picks, EP 2005 (Stones Throw)
J Dilla - Signs, 7" single 2006 (Stones Throw)
J Dilla - Donuts, Album 2006 (Stones Throw)
J Dilla - The Shining, Album 2006 (BBE)
J Dilla - The Shining EP, 12" single 2006 (BBE)
J Dilla - The Shining (Instrumentals) 2006 (BBE)
Jaylib - No $ No Toke from "Chrome Children" Album 2006 (Stones Throw)
Jaylib - No $ No Toke, 12" single 2006 (Stones Throw)
J Dilla - Won't Do, EP 2007 (BBE)
J Dilla - Wild, 12" single 2007 (Stones Throw)
J Dilla - Ruff Draft, Album 2007 (Stones Throw)
J Dilla - Dirty Crushin', 7" single 2007 (Stones Throw)
J Dilla - Jay Love Japan, Album 2007 (Operation Unknown)
Jay Dee - Jay Deelicious: The Delicious Vinyl Years CD/LP 2007 (Delicious Vinyl)
J Dilla - Donut Shop EP 2010 (Serato/Stones Throw)
MC (Not Producer):
Tami Hert - If You Were Mine (Detroit Demolition Mix) from "If You Were Mine" 12" single 1997 (550 Music)
v/a - Fight Club, feat. Dilla, Nottz & Boogie from "Best Kept Secret Mix" CD 2003 (Bling47.com)
Dabrye - Game Over 12" single 2004 (Ghostly International)
Wale Oyejide - There's A War Going On 12" single 2004 (Shaman Work)
Wale Oyejide - There's A War Going On from "One Day, Everything Changed" CD/LP 2004 (Shaman Work)
Slum Village - Reunion from "Detroit Deli" CD/LP 2004 (Barak/Capitol)
Pete Rock - Niggaz Know from "Soul Survivor II" CD/LP 2004 (Rapster /BBE)
v/a - Do Your Thang, Stupid from "BR Gunna Presents Dirty District Vol. 2" CD 2004 (Barak)
Phat Kat - Door from "The Undeniable LP" (New Version) CD/LP 2004 (Barak)
Lawless Element - Love, 12" single 2005 (Babygrande)
Lawless Element - Love, from "Soundvision: In Stereo" Album 2005 (Babygrande)
Platinum Pied Pipers - Act Like You Know, 12" single 2005 (Ubiquity)
Platinum Pied Pipers - Shotgun, Act Like You Know, from "Triple P" Album 2005 (Ubiquity)
Sa-Ra - Thrilla, 12" single 2005 (Sound In Color)
Sa-Ra - Thrilla, from "The Hollywood Recordings" 2007 (Babygrande)
Diamond - We Gangstas, from "Diamond Mine" Album 2005
Platinum Pied Pipers - Shotgun (Remix) from 12"single 2005 (Ubiquity)
J Dilla - The $ (Madlib Remix), Make 'Em NV (Madlib Remix) from Hella International 12" single 2007 (Stones Throw)
Production Credits (By Year):
1994-1995
Da Enna C - NOW from "Throw Ya Hands In Da Air" 12" single 1994 (Up Top)
Little Indian - One Little Indian 12" single 1995 (Premeditated)
Poe - Fingertips from "Hello" CD/LP 1995 (WEA/Atlantic)
1996
5-Elementz - Whutchawant, Feed Back, Rockshows, Party Groove, Janet Jacme, E.G.O., Don't Stop, Searchin from "The Album Time Forgot" cassette 1996 (That Was Entertainment)
A Tribe Called Quest - 1nce Again, Get A Hold, Keeping It Moving, Stressed Out, Word Play from "Beat, Rhymes, & Life" CD/LP 1996 (Jive Records)
Busta Rhymes - Keep It Movin', Still Shinin' from "The Coming" CD/LP 1996 (Elektra)
Busta Rhymes - Woo-Hah!! (Jay-Dee Bounce Remix), Woo-Hah!! (Jay-Dee Other Shit Remix) 12" single 1996 (Elektra)
Busta Rhymes - It's a Party (Ummah Remix), Ill Vibe (Ummah Remix) 12" single 1996 (Elektra)
De La Soul - Stakes Is High from "Stakes Is High" CD/LP 1996 (Tommy Boy)
De La Soul - Stakes Is High (Remix) from Itzsoweezee 12" single 1996 (Tommy Boy)
Mad Skillz - It's Going Down, The Jam from "From Where???" 1996 (Big Beat)
Kieth Murray - The Rhyme (Remix), Dangerous Ground from "Enigma" 1996 (Jive)
Natives Of Da Underground - Pack Da Hous/Brotha's Juss Don't Know/Whatcha Gonna Do? 12" single 1996 (ALR)
Phife Dawg - Game Day from "NFL Jams" 1996 (Castle)
Proof - Da Science from "Detroit Hip Hop Volume 1" 1996 Modern Tribe
Proof - Vibe Session from "Anywhere" 12" single 1996 (Hip Hop Shop)
Tha Pharcyde - Runnin', Bullshit, Splatittorium, Somethin' That Means Somethin', Drop, Y? from "Labcabincalifornia" CD/LP 1996 (Delicious Vinyl)
1997
5-Elementz - Sun Flower from "Yester Years" 12" EP 1997 (That Was Entertainment)
A Tribe Called Quest - Get A Hold, Mardi Gras At Midnight from "Jam" EP 1997 (Jive Records)
Brand New Heavies - Sometimes (Ummah Remix) from "Sometimes" 12" single 1997 (Delicious Vinyl)
Busta Rhymes - So Hardcore from "When Disaster Strikes" CD/LP 1997 (Elektra)
Mint Condition - Let Me Be The One (Ummah Remix), 12" single (1997) Perspective
Crustation - Purple (ATCQ Edit) 12" single 1997 (Zomba)
Janet Jackson - Got Til It's Gone (Ummah Jay Dee Revenge Mix) 12" single 1997 (Virgin)
Somethin' For The People - All I Do (Remix) from "All I Do" 12" single 1997 (WB)
T Da Pimp - Why You Lookin Hard?/We Knowwe Rockit 12" single 1997 (Penmp)
Tha Pharcyde - She Said (Remix) 12" single 1997 (Delicious Vinyl)
Tha Pharcyde - Runnin (Remix), Y? (Remix) from "Drop" 12" single 1997 (Delicious Vinyl)
Truz - True Dawgs/Routes To Hell 12" single 1997 (Ad Fam)
1998
A Tribe Called Quest - 4 Moms, Against The World, Busta's Lament, Da Booty, Find A Way, His Name Is Mutty Ranks, Start It Up, Steppin' It Up from "The Love Movement" CD/LP 1998 (Jive Records)
A Tribe Called Quest - That Shit from "Funkmaster Flex Vol. 3" 1998 (Loud Records)
Bizarre - Butterfly from Attack of the Wierdos 12" EP 1998 (Federation)
Mood - Secrets Of The Sand (Remix) from "Snake Backs" 12" single 1998 (Blunt)
N'Dea Davenport - Bullshittin (Remix) from "N'Dea Davenport" CD/LP 1998 (V2) (mixed by Jay Dee)
1999
5 Ela - You Ain't Fresh, Ain't No Love from 5-E Pt. 3 1999 (That Was Entertainment)
Brand New Heavies - Saturday Night (Jay Dee Remix) from "Saturday Night" 12" single 1999 (Delicious Vinyl)
Heavy D - Listen from "Heavy" CD/LP 1999 (Universal)
Macy Gray - I Try (Remix) 12" single 1999 (Epic)
Nine Yards - Always Find A Way (Remix) 12" single 1999 (Virgin)
Phat Kat - Dedication To The Suckers 12" single 1999 (House Shoes Recordings)
Phife Dawg - Bend Ova/Thought U Wuz Nic 12" single 1999 (Groove Attack)
Que D - Underestimated, Supa Shit, Kilo, Cash Flow, Michelle, Rock Box, Don't Stop from "Quite Delicious" cassette 1999 and "Que D Limited Edition" CD 2003 (Royal Flyness)
Q-Tip - 11 tracks from "Amplified" CD/LP 1999 (Arista)
Q-Tip - 11 tracks from "Amplified" (Instrumental Version) (1999) (Arista - Promo)
The Roots - Dynamite from Things Fall Apart CD/LP 1999 (MCA)
The Roots - New Year's @ Jay Dee's from "You Got Me" CD single 1999 (MCA)
Zooco - Butterfly from "Glow-Mellow-Flow" CD/LP 1999? (Columbia Japan)
2000
Black Star - Little Brother from "The Hurricane (Soundtrack)" CD/LP 2000 (MCA)
Brand New Heavies - Sometimes (Remix), Saturday Night (Remix) from "Trunk Funk Classics" CD/LP 2000 (Delicious Vinyl)
Busta Rhymes - Enjoy Da Ride, Live It Up, Show Me What You Got from "Anarchy" CD/LP 2000 (Elektra)
Common - 10 tracks from "Like Water For Chocolate" CD/LP 2000 (MCA)
Common - 10 tracks from "Like Water For Chocolate Instrumentals" 2000 (MCA)
Common - The Light, 12" single 2000 (MCA—UK)
Common - The Light (Remix) from "Bamboozled (Soundtrack)" 2000 (Motown)
De La Soul - Thru Ya City from "Art Official Intelligence: Mosaic Thump" CD/LP 2000 (Tommy Boy)
Erykah Badu - Cleva, My Life, Didn't Cha Know, Kiss Me On My Neck from "Mama's Gun CD/LP 2000 (Motown)
Erykah Badu - Didn't Cha Know, single 2001 (Motown)
Erykah Badu - Cleva, 12" single 2001 (Motown—Promo)
Frank N Dank - Me & My Man/Love (A Thing Of The Past) 12" single 2000 (McNasty)
Frank N Dank - Everybody Get Up/Give It Up Pt. 2 12" single 2000 (McNasty)
Guru - Certified from "Guru's Jazzmatazz Street Soul" CD/LP 2000 (Virgin)
Innerzone Orchestra - People Make The World Go Round (J-88 Mix) - 12" single 2000 (Planet E)
Phife Dawg - Bend Ova, 4 Horseman from "Ventilation: Da LP" CD/LP 2000 (Groove Attack)
Phife Dawg - Ya Heard Me from "Definition of Ill Compilation" 2000 bootleg
Royce Da 5'9" - Let's Grow from "Lyricist Lounge Volume 2" CD/LP 2000 (Rawkus)
Spacek - Eve (Remix) 12" single 2000 (Blue)
2001
Bahamadia- One-4-Teen (Remix) from "Summer Sampler" CD 2001 (Goodvibe)
Bilal - Reminisce from "1st Born Second LP" CD/LP 2001 (Interscope)
Busta Rhymes - Genesis, Make It Hurt from "Genesis" CD/LP 2001 (Elektra)
Chino XL - Don't Say A Word from "I Told You So" CD/LP 2001 (Metro Records)
De La Soul - Peer Pressure (Intro & Outro Monologues by Jay Dee) from AOI: Bionix CD/LP 2001 (Tommy Boy)
Lucy Pearl - Without You (Remix) 12" single 2001 (Pookie/Virgin)
Mos Def - Can U C The Pride In The Panther? (Remix) 12" Single 2001 (Interscope)
Que D - In Yo Face from "Still Bangin" 12" single 2001 (Up Above) and "Que D Limited Edition" CD 2003 (Royal Flyness)
Toshi Kubota - Nothin But Your Love (Remix) 12" single 2001 (Epic)
2002
Big Tone - Party Crasher (mixed by Jay Dee) from Party Crasher 12" Antidote 2002 (Antidote)
Busta Rhymes - It Ain't Safe No More, What Up, and Turn Me Up Some from "It Ain't Safe No More..." CD/LP 2002 (Elektra)
Common - various production & instrumental credits from "Electric Circus" CD/LP 2002 (MCA)
DJ Jazzy Jeff - Are You Ready (with Slum Village) from "The Magnificent" 12" EP 2002 (BBE)
Frank N Dank - Push, EP 2002 (Mummy/Groove Attack)
Phat Kat - Dedication To The Suckers, Don't Nobody Care About Us, Microphone Master, Big Booties, World Premier from "Dedication To The Suckers" LP/CD 2002 (RonnieCash.com)
Slum Village - Hoes, Let's, One from "Trinity" CD/LP 2002 (Capitol)
Talib Kweli - Where Do We Go, Stand To The Side from "Quality" CD/LP 2002 (Rawkus)
2003
ASD (Afrob & Samy Deluxe) - Komm Schon from "Wer Hatte Das Gedacht?" CD/LP 2003 (Eimsbush)
ASD (Afrob & Samy Deluxe) - Wenn Ihr Fuhlt... from "Hey Du" 12" EP 2003 (Eimsbush)
Common - Come Close "Remix" (Closer) 12" single 2003 (MCA)
De La Soul - Much More/Shoomp 12" single 2003 (AOI)
Fourtet - As Serious As Your Life (Remix) 12" single 2003 Domino
Frank N Dank - 48 Hours CD 2003 (Bootleg)
Frank N Dank - Ma Dukes, 12" single 2003 (ABB)
Vivian Green - Fanatic (Remix) 12" Single 2003 (Sony)
Phat Kat - Dedication 2004, Destiny and Big Booties from "The Undeniable LP: Detroit Edition" CD/LP 2003 (Barak Records)
Phat Kat - Dedication/Destiny, 12" single 2003 (Barak Records)
Que D - Supa Shit 12" single 2003 (Royal Flyness)
Royce Da 5'9" - Life Goes On from "Build & Destroy: Lost Sessions Part 1" 2003 (Trouble Records)
Subtitle - Mark Luv Mixtape Song from "Greatest Hi$$" CD 2003 (Marks03 Recordings)
T-Love - When You're Older, Who Smoked Sunshine, Chiquita, Long Way Back from "The Long Way Back" 2003 (Pickininny)
2004
5 Ela - Scenario 2004 from "The EP" 2004 (5 Elements)
Amp Fiddler - You Play Me, Waltz Of A Ghetto Fly from "Waltz Of A Ghetto Fly" CD/LP 2004 (Genuine/PIAS)
Amp Fiddler - I Believe In You (Jaylib Mix) CD/12" single 2004 (Genuine/PIAS)
Brother Jack McDuff - Oblighetto (J Dilla Remix) from "Blue Note Revisted" CD/LP 2004 (Blue Note)
De La Soul - Verbal Clap, Much More from "Grind Date" Album 2004 (Sanctuary)
DJ Cam - Love Junkee (Remix) 12" single 2003 (Inflamable) and "Liquid Hip Hop CD/LP 2004 (Inflamable)
Elzhi - Love It Here, Days & Nights, Concrete Eyes, Friends from Libido Speedo Presents..."Elzhi: Witness My Growth The Mixtape '97-'04" 2CD (Libido Sounds)
Frank-N-Dank - Let's Go, Okay, MCA from "Xtended Play" CD/LP 2004 (Needillworks)
Jaylib - Popshit from "Stones Throw 100" 12" (Stones Throw)
Lawless Element - The Shining 12" single 2004 (RMR/Fat Beats)
Lawless Element - The Shining, from "Soundvision: In Stereo" 2005 (Babygrande)
Oh No - Move from "The Disrupt" CD/LP 2004 (Stones Throw)
Proof of D12 - Bring It 2 Me from "I Miss The Hip Hop Shop" CD/LP 2004 (Iron Fist)
Prozack - Leisure Rules, from "Death, Taxes, and Prozack" Album 2004 (Outofwork Records)
Slum Village - Do You from "Detroit Deli" CD/LP 2004 (Barak/Capitol)
2005
Common - Love Is, It's Your World (Pt 1 & 2) from "Be" Album and "Be Instrumentals" 2005 (Good Music/Geffen)
Common - The Movement from "NBA 2K6 - The Tracks" Album 2005 (Decon)
Copywrite - Clap, That's A Wrap, Alright from "Cruise Control Vol. 1" CD
Dwele - Keep On from "Some Kinda" Album 2005 (Virgin)
Dwight Trible & The Life Force Trio - Antiquity from "Love Is The Answer" Album 2005 (Ninja Tune)
MED - Push and So Real from "Push Comes to Shove" Album and "Push Comes to Shove (Instrumentals)" Album 2005 (Stones Throw)
Moka Only - One Time from "The Desired Effect" Album 2005 (Nettwerk)
Oh No - Move Part 2 feat. J Dilla & Roc C 12" single 2005 (Stones Throw)
Slum Village - Who Are We from "Prequel to a Classic" Album 2005 (Barak Records)
Spacek - Dollar, 12" single 2005 (Sound In Color)
Spacek - Dollar from "Space Shift" Album 2005 (Sound In Color)
Talib Kweli - Roll Off Me from "Right About Now" Album 2005 (Koch)
2006-2009
Note: Credits in this section were created during the artist's lifetime.
Ghostface Killah - Beauty Jackson and Whip You with a Strap from "Fishscale" Album 2006 (Def Jam)
Busta Rhymes - You Can't Hold a Torch from "The Big Bang" Album 2006 (Aftermath)
Visionaries - All Right from "We are the Ones (We've Been Waiting For)" Album 2006 (Up Above)
Guilty Simpson - Clap Your Hands from "Chrome Children" Album 2006 (Stones Throw)
A.G. - Hip Hop Quotable, 12" single 2006 (Look)
A.G. - Hip Hop Quoteable from "Get Dirty Radio" Album 2006 (Look)
Guilty Simpson - Man's World, 12" single 2007 (No Label)
Phat Kat - Cold Steel, 12" single 2007 (Look)
Phat Kat - 5 songs from "Carte Blanche" Album 2007 (Look)
Guilty Simpson - I Must Love You from "Ode to the Ghetto" Album 2008 (Stones Throw)
Guilty Simpson - Stress, 12" single (2009) (No Label)
Posthumous Production Credits
The Roots - Can't Stop This from "Game Theory" Album 2006 (Island/Def Jam)
Madlib - Take It Back from "Chrome Children" Album 2006 (Stones Throw)
Q-Tip - Move and Feva from "The Renaissance" Album 2008 (Universal/Motown)
Illa J - We Here, 12" single 2008 (Delicious Vinyl)
Illa J - Yancey Boys, Album and Yancey Boys (Instrumentals) 2008 (Delicious Vinyl)
Akrobatik - Put Ya Stamp On It from "Absolute Value" Album 2008 (Fat Beats)
MF DOOM - Gazillion Ear and Lightworks from "Born Like This" Album 2009 (Lex)
Mos Def - History from "The Ecstatic" Album 2009 (Downtown)
Raekwon - House of Flying Daggers, Arson Jones and 10 Bricks from "Only Built for Cuban Linx 2" Album(2009 (EMI)
Erykah Badu - Love, from "New Amerykah Part Two: Return of the Ankh" Album 2010 (Motown)
Slum Village - Lock It Down, We'll Show You from "Villa Manifesto" Album 2010 (E1)
Fuck The Police
J Dilla Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
1, 2, 3!
(Fuck The Police)
Yea, fuck em!
Applaud any nigga
We can lose a few of em, we got enough of em
My niggas on the corner, they be dodgin and duckin em
Bitches gettin' pulled over end up fuckin em
For real!
And see we got these fake cops
They thought he had a gun
Made a mistake cops, I hate cops
Turn on the TV whats this?
Another cop busted for illegal business
They outta control they outta their mind
They pullin' you over, they hoppin' inside
Just they know you got drugs they know you got guns
And they know they be mad when they can't find none
Stupid!
Don't they know they invented the stash box?
The heat be in it, you need a key to get in it
Any offended people suck my balls
All y'all off the wall
Get stupid dawg
Don't hold back, don't let go
Don't say damn
Just say whoa
Get it up, mo dough
Feel it up baby
On the count of 3 say Fuck the Police
1, 2, 3!
(Fuck the Police)
Yea, don't they know its dangerous in these streets?
Don't you know its gangs of us that roll deep?
Nigga!
We O'G's fill up the whole jeep, nigga
Hell wit the flows, and deal with the beats nigga
Hell in the Rover, its over homes we hold deez
The reason we hold beans its no peace in the streets
With the police in the streets, yo
It's cops that owe niggas
Dough for O's and ki's
It's more than a beef with five-oh
In the streets with the five-oh its a game of survival duke
Now tell me who protects me from you?
I got people that buy tek's and weed from you
And all a nigga see in the news
Is cop corruption niggas gettin' popped for nothing
And niggas get stopped for nothing
And cops pull out the Glock and bust em
Y'all need to get shot for nothing!
Cause we don't hold back
We just let go
We don't say damn
We just say whoa
Get it up, mo' dough baby
Fill it up!
The lyrics of J Dilla's song "Fuck The Police" express his frustration and anger towards the police force. The song's opening lines invite the listener to join him in cursing the police. He suggests that there are too many police officers and some should be eliminated. J Dilla points out that his friends on the corner avoid the police, and women who get pulled over by the police often have to compromise their bodies to avoid getting into trouble.
J Dilla goes on to criticize the police for their corrupt behavior, accusing them of planting guns and drugs on innocent people. He also highlights the news reports of police officers being arrested for illegal activities, making him question their ability to do their job effectively. The artist expresses his distaste for cops who racially profile suspects and use excessive force. J Dilla believes that police officers put their lives and the lives of innocent black men in danger. He suggests that the police are not protecting the community, and that they too are part of the problem in the streets.
Overall, J Dilla's song "Fuck The Police" expresses his frustrations about the corrupt and biased behavior displayed by the police force. The song speaks to the larger racial issues that exist within the police force and the black community. It showcases the hostility and tension between those in power and those being oppressed.
Line by Line Meaning
On the count of 3 say Fuck The Police
Starting with the countdown, the song exposes the frustration felt towards the police system.
Yea, fuck em!
The artist states, very clearly, what he thinks of the police force
Applaud any nigga
The artist is encouraging others to antagonize the police officers as they are seen as oppressive.
We can lose a few of em, we got enough of em
There is an implication that we need fewer cops, and society can function without them.
My niggas on the corner, they be dodgin and duckin em
The people on the street are avoiding the police at all costs because they are seen as dangerous.
Bitches gettin' pulled over end up fuckin em
Women are sometimes harassed by police officers, and the artist implies that they have sex to avoid being fined or arrested.
For real!
The artist confirms that the situation is real and happening.
And see we got these fake cops
There are some police officers who are not genuine in their approach, and there's a huge prevalence of corruption.
They thought he had a gun
The artist highlights police prejudice and how it puts certain people in danger.
Made a mistake cops, I hate cops
The artist reiterates their feeling towards law enforcement and calls them out for their mistakes.
Turn on the TV whats this?
The artist questions the tendency of law enforcement bodies to make headlines for immoral situations.
Another cop busted for illegal business
Another situation of police misconduct that made the news.
They outta control they outta their mind
The police are often feeling above the law and do not follow it, making them dangerous.
They pullin' you over, they hoppin' inside
The police go beyond their responsibilities and use their power to intimidate people.
Just they know you got drugs they know you got guns
The police have a stereotype and assume that individuals with certain appearances or lifestyles are involved in illegal activity.
And they know they be mad when they can't find none
The police are frustrated when they don't find any illegal substances or weapons as a way to justify their behavior.
Stupid!
The artist expresses his disgust at the way the cops behave.
Don't they know they invented the stash box?
The artist implies that the police know where to look for illegal items because they put them there themselves.
The heat be in it, you need a key to get in it
The stash box is a box in a car with hidden compartments to hide illegal substances. Only the car owner has access to it.
Any offended people suck my balls
The artist is very blunt and doesn't want to hear any complaints directed towards his music or message.
All y'all off the wall
Everyone not on the same wavelength as the artist is seen as strange or out-of-touch.
Get stupid dawg
The artist encourages rebellion and not following the rules.
Don't hold back, don't let go
The message is to act without fear of the consequences.
Don't say damn
The artist encourages listeners to not hold onto a sense of propriety.
Just say whoa
The artist suggests that listeners show their disappointment in the police by making noise.
Get it up, mo dough
The artist is asking for people to invest in his message through purchasing his music.
Feel it up baby
Again, the artist is encouraging others to support his music and his ideas.
Yea, don't they know its dangerous in these streets?
The police's behavior is putting people's lives in danger.
Don't you know its gangs of us that roll deep?
There are large groups of people, like gangs, that are tired of police oppression.
Nigga!
A way to show frustration about a situation.
We O'G's fill up the whole jeep, nigga
Older gangsters are made to show an imposing figure, taking up a whole jeep as if it is nothing.
Hell wit the flows, and deal with the beats nigga
The artists argues that he is not interested in making hip-hop more palatable to the authorities.
Hell in the Rover, its over homes we hold deez
It is almost impossible to avoid problems with the police, and the only thing left to do is to resist and fight back.
The reason we hold beans its no peace in the streets
People carry guns to protect themselves from the police and any other dangerous situations they may encounter.
With the police in the streets, yo
The presence of the police makes people feel unsafe.
It's cops that owe niggas
There is a belief among some communities that the police have something to owe to them personally.
Dough for O's and ki's
The police owe money to people for activities related to drugs and guns.
It's more than a beef with five-oh
The artist believes that the issues with the police are much deeper than just a problem with specific individuals.
In the streets with the five-oh its a game of survival duke
When on the street, it is a race to see who can stay alive and free from the police for the longest.
Now tell me who protects me from you?
The police are not seen as protectors by everyone, as they sometimes put people in danger.
I got people that buy tek's and weed from you
The artist highlights that people have to engage in illegal activities with the police just to get by.
And all a nigga see in the news
The mainstream media portrays the police in various situations of misconduct.
Is cop corruption niggas gettin' popped for nothing
The police are portrayed in the media as corrupt, and many individuals are punished for things they didn't do.
And niggas get stopped for nothing
People are being harassed and stopped by the police without any clear reason why.
And cops pull out the Glock and bust em
Police are quick to use their weapon as a way to use their power and silence people.
Y'all need to get shot for nothing!
The artist is very frustrated with the police's actions and believes they should be punished for it.
Cause we don't hold back
The artist repeats this phrase to show that his message is consistent and unapologetic.
We just let go
Those who follow the artists supposed to let the rage they feel toward the police out.
We don't say damn
Listeners are encouraged not to hold back their emotions.
We just say whoa
Instead of holding back or staying quiet, the artist asks that listeners express their frustration by making noise or rebelling in some way.
Get it up, mo' dough baby
Again, the artist wants listeners to support him by buying his music.
Fill it up!
The artist is asking that listeners immerse themselves in his message and support him through purchasing his music.
Lyrics © Universal Music Publishing Group, Sony/ATV Music Publishing LLC, Songtrust Ave, Warner Chappell Music, Inc.
Written by: SAMUEL J BARNES, SHAWN CARTER, SHAWN C CARTER, ROBERT S KELLY
Lyrics Licensed & Provided by LyricFind
Dj NRaider
The story behind this track :
The police department was down the street from where we lived, and every time he pulled off they’d stop him and harass him. They even tossed the car once looking for something. Because he was young and clean-cut, they thought he was selling drugs. Proof was at the house one evening when James had another run-in with them. He had only gone to the gas station which was three doors away. He told him not to get upset because he was hurt to tears. He was so angry and just tired of being harassed, so I told him, ‘Look, this is what you do: you go downstairs and make a song about it, and you laugh in their face.’ And that’s when he came up with the “F” the Police’ thing.
E Dub
Legendary 🔥🔥🔥
Funk house
Didn't he do some type of volunteering at a young age with police as well which made him even angrier
Tonio Tony
The best of the story is that the sample is taken from a René Costy track, an underated library music composer from Belgium, my country of adoption....
Ceaugo
@Tonio Tony That actually is not the best part of the story but cool for you I guess
8 Steps To Perfection
wow. J Dilla has good rapping skills
jacob m
he was a rapper in slum village
so stale, still
This song is so badass bro🔥🔥🔥
Vetle Allum
I just heard this on GTA V for the first time today and i cant stop listening to it.
visitamas
What radio station?