When Jackson Frank was eleven years old, a furnace exploded at his school, sending a ball of flames down corridors until it ended up in Frank's music classroom in the Cleveland Hill Elementary School in Cheektowaga, New York. The fire killed fifteen of his fellow students and burned Frank over more than half his body.[1] It was during his time in the hospital that he was first introduced to playing music, when a teacher, Charlie Castelli, brought in an acoustic guitar to keep Frank occupied during his recovery. When he was 21, he was awarded an insurance cheque of $110,500 for his injuries, giving him enough to "catch a boat to England."
His eponymous 1965 album, Jackson C. Frank, was produced by Paul Simon while the two of them were also playing folk clubs in England. Frank was so shy during the recording that he asked to be shielded by screens so that Paul Simon, Art Garfunkel, and Al Stewart (who also attended the recording) could not see him, claiming "I can't play. You're looking at me." The most famous track, "Blues Run the Game", was covered by Simon and Garfunkel, and later by Wizz Jones, Counting Crows, Colin Meloy, Bert Jansch, Laura Marling, and Robin Pecknold (White Antelope), while Nick Drake also recorded it privately. Another song, "Milk and Honey", appeared in Vincent Gallo's film The Brown Bunny, and was also covered by Fairport Convention, Nick Drake, and Sandy Denny, whom he dated for a while. During their relationship, Jackson convinced Sandy to give up nursing (then her profession) and concentrate on music full-time.
Although Frank was well received in England for a while, in 1966 things took a turn for the worse as his mental health began to unravel. At the same time he began to experience writer's block. His insurance payment was running out so he decided to go back to the United States for two years. When he returned to England in 1968 he was deemed a different person. His depression, stemming from the childhood trauma of the classroom fire, had increased and he had no self-confidence. Al Stewart recalled that: "He [Frank] proceeded to fall apart before our very eyes. His style that everyone loved was melancholy, very tuneful things. He started doing things that were completely impenetrable. They were basically about psychological angst, played at full volume with lots of thrashing. I don't remember a single word of them, it just did not work. There was one review that said he belonged on a psychologist's couch. Then shortly after that, he hightailed it back to Woodstock again, because he wasn't getting any work."
While in Woodstock, he married Elaine Sedgwick, an English former fashion model. They had a son and later a daughter, Angeline. After his son died of Cystic Fibrosis, Frank went into a period of great depression and was ultimately committed to an institution. By the early 1970s Frank began to beg aid from friends. Karl Dallas wrote an enthusiastic piece in 1975 in Melody Maker, and in 1978, his 1965 album was re-released as Jackson Frank Again, with a new cover sleeve, although this did not encourage fresh awareness of Frank.
In 1984, Frank took a trip to New York City in a desperate bid to locate Paul Simon, but he ended up sleeping on the sidewalk. His mother, who had been in hospital for open heart surgery, found him gone with no forwarding address when she arrived home. He was living on the street and was frequently admitted and discharged from various institutions. He was treated for paranoid schizophrenia, a diagnosis that was refuted by Frank himself as he had always claimed that he actually had depression caused by the trauma he had experienced as a child.
Just as Frank’s prospects seemed to be at their worst, a fan from the area around Woodstock, Jim Abbott, discovered him in the early 1990s. Abbott had been discussing music with Mark Anderson, a teacher at the local college he was attending. The conversation had turned to folk music, which they both enjoyed, when Abbott asked the teacher if he had heard of Frank. He recollected: "I hadn’t even thought about it for a couple of years, and he goes, ‘Well yes, as a matter of fact, I just got a letter from him. Do you feel like helping a down-on-his-luck folk singer?"
Frank, who had known Anderson from their days at Gettysburg College, had decided to write him to ask if there was anywhere in Woodstock he could stay after he had made up his mind to leave New York City. Abbott phoned Frank, and then organized a temporary placement for him at a senior citizens’ home in Woodstock. Abbott was stunned by what he saw when he travelled to New York to visit Frank.
"When I went down I hadn’t seen a picture of him, except for his album cover. Then, he was thin and young. When I went to see him, there was this heavy guy hobbling down the street, and I thought, ‘That can’t possibly be him’...I just stopped and said ‘Jackson?’ and it was him. My impression was, ‘Oh my God’, it was almost like the elephant man or something. He was so unkempt, dishevelled.” A further side effect of the fire was a thyroid malfunction causing him to put on weight. “He had nothing. It was really sad. We went and had lunch and went back to his room. It almost made me cry, because here was a fifty-year-old man, and all he had to his name was a beat-up old suitcase and a broken pair of glasses. I guess his caseworker had given him a $10 guitar, but it wouldn’t stay in tune. It was one of those hot summer days. He tried to play Blues Run The Game for me, but his voice was pretty much shot."
Soon after this, Frank was sitting on a bench in Queens, New York while awaiting a move to Woodstock, when someone shot him in his left eye and consequently blinded him. At first no details were known, but it was later determined that children from the neighborhood were firing a pellet gun indiscriminately at people and Frank happened to be in the wrong place at the wrong time.
Abbott then promptly helped him move to Woodstock. During this time, Frank began recording some demos of new songs. Frank’s resurfacing led to the first CD release of his self-titled album. In some pressings, Frank's later songs were included as a bonus disc with the album.
Frank died of pneumonia and cardiac arrest in Great Barrington, Massachusetts on March 3, 1999, at the age of 56.
Though he never achieved fame during his lifetime, his songs have been covered by many well-known artists, including Simon and Garfunkel, Counting Crows, Nick Drake, Sandy Denny, Bert Jansch, Laura Marling, and Robin Pecknold (as White Antelope) of Fleet Foxes. Frank's song "I Want To Be Alone", also known as "Dialogue," appeared on the soundtrack for the film Daft Punk's Electroma. Soulsavers covered "Blues Run the Game" on their single "Revival" (7" vinyl, 30 April 2007). Marianne Faithfull covered Frank's arrangement of a traditional song, "Kimbie" on her 2008 album Easy Come, Easy Go and included the song in the repertoire of her 2009 tour. Erland & The Carnival also covered "My Name Is Carnival," apparently Frank's favourite song. Bert Jansch also covered this song as a gesture to Frank.
Sandy Denny's song, "Next Time Around," contains coded references to Frank, her ex-boyfriend. "Marcy's Song" is played by Patrick, John Hawkes' character, in the 2011 film Martha Marcy May Marlene and "Marlene" plays in the closing credits. Laura Barton's BBC Radio 4 programme "Blues Run the Game", first broadcast 20th November 2012, included interviews with Al Stewart, John Renbourn, Jim Abbott and John Kay as well as archive material of Jackson C. Frank talking and singing.
The Visit
Jackson C. Frank Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
I laid aside all resistance, forgot to say amen
And when you raised your hands to me, a glow therein I saw
A baby of the morning was sleeping nature's law
And it begins to seem like summer's almost gone
Like the wind that blows the leaves out on the lawn
I determined that I loved you; you determined I am ‘he’
And the feathers of the wild dove floating to the ground
Gliding through the branches, spinning slowly round
As we wait in the mountains for the song
That revives what's been between us all along
In Cannes there was absurdity
In Nice there was the shore
In Monaco there were casinos,
In Asia there was war
And the pipers were American
The peaches fresh with cream
People with vibrations
Just wild robots by some stream
And now they grasp imaginary straws
And shuffle through the sea with bright new claws
If what we know can save us, then it's time to make the try
Every time they try to make us servants of some lie
The children born of bodies in bald-with-pattern scheme
It's a funny, a funny world you live in, ‘til you learn that it's a dream
Sea serpents are rockage made of clay, explaining how we were yesterday
Still I said that you were beautiful, I said it there and then
I laid aside resistance; forgot to say amen
And when you raised your hands to me, a glow therein I see
The childhood of that beauty which belongs to you and me
And I realize that summer is never gone
Like the wind that blow the leaves out on the lawn
Out on the lawn, out on the lawn, on the lawn
The song "The Visit" by Jackson C. Frank is a somewhat dreamlike meditation on the nature of beauty and truth. The singer begins by describing the moment when he first saw the person he addresses, and how he was immediately struck by their beauty. He abandoned any skepticism or doubt, and when the person reached out to him, there was a sense of something elemental there, as if they were part of the natural world.
The song then takes a turn, as if the singer is recounting a journey or series of experiences that he and this person went on together. They travel to different places, including Cannes, Nice, Monaco, and Asia, and encounter various absurdities and tragedies. In the midst of it all, the natural world remains a touchstone, with the image of wild doves and branches spinning slowly around. The singer also alludes to the idea that there are forces at work to try to subjugate or mislead them, but that they can resist by holding onto what they know to be true.
The song ends with a repetition of the opening stanza, but with a sense that the beauty that first struck the singer has only deepened and endured. Summer may appear to be gone, but the wind that blows the leaves out on the lawn suggests that there is still something vital and alive in the world.
Line by Line Meaning
When they said that you were beautiful, I said it there and then
I immediately voiced agreement when others described your beauty
I laid aside all resistance, forgot to say amen
I put aside any doubts or disagreement, even forgetting to say 'amen'
And when you raised your hands to me, a glow therein I saw
I saw a remarkable radiance when you reached out to me
A baby of the morning was sleeping nature's law
The quiet beauty of morning was personified in your peacefulness
And it begins to seem like summer's almost gone
The end of summer is approaching
Like the wind that blows the leaves out on the lawn
Summer's end feels inevitable, like the seasonal breeze blowing leaves about
I determined that I loved you; you determined I am ‘he’
We have mutually affirmed our feelings for one another and our mutual identity
Determined both together, we meet our company
Together, we face whatever comes our way
And the feathers of the wild dove floating to the ground
A gentle moment occurs as feathers float down from a dove
Gliding through the branches, spinning slowly round
The peacefulness continues as the dove moves through the trees
As we wait in the mountains for the song
We anticipate the music that brings us together
That revives what's been between us all along
Music has always been the bridge between us, and it still revives our connection
In Cannes there was absurdity
Cannes was full of ridiculousness
In Nice there was the shore
Nice had a beach
In Monaco there were casinos,
Monaco was full of gambling establishments
In Asia there was war
Asia was a place where ongoing conflict existed
And the pipers were American
The musicians were American
The peaches fresh with cream
Peaches were served fresh with cream
People with vibrations
The people create an atmosphere of energy
Just wild robots by some stream
People behave mechanically, like robots, near the stream
And now they grasp imaginary straws
People are now clinging to impossible hopes
And shuffle through the sea with bright new claws
People are navigating new challenges with renewed strength and vigor
If what we know can save us, then it's time to make the try
We must make an effort to use our knowledge to save ourselves
Every time they try to make us servants of some lie
Every time someone tries to deceive us, we resist becoming their followers
The children born of bodies in bald-with-pattern scheme
Children are born with physical traits determined by genetics
It's a funny, a funny world you live in, ‘til you learn that it's a dream
The world is strange until you realize that it's all a dream
Sea serpents are rockage made of clay, explaining how we were yesterday
The fossilized remains of sea creatures reveal the truth about the past
Still I said that you were beautiful, I said it there and then
I continue to affirm your beauty
I laid aside resistance; forgot to say amen
I put aside any resistance or doubt, even forgetting to say 'amen'
And when you raised your hands to me, a glow therein I see
A remarkable radiance still emanates from you when you reach out to me
The childhood of that beauty which belongs to you and me
The beauty that's found in our connection hearkens back to a simpler time
And I realize that summer is never gone
The essence of summer can last forever
Like the wind that blow the leaves out on the lawn
Just like the seasonal breeze that carries the leaves away
Out on the lawn, out on the lawn, on the lawn
Repeating the image of leaves blowing around on the lawn
Contributed by Ella N. Suggest a correction in the comments below.