Jackson & His Computer Band is the musical alias of Jackson Fourgeaud, the … Read Full Bio ↴Jackson & His Computer Band is the musical alias of Jackson Fourgeaud, the acclaimed French producer and DJ. A Parisian to the core, Jackson currently resides in Berlin where he is working on his second album and preparing an eye-opening live show. Like his adventurous music, Jackson is a bundle of energy and ideas whose thirst for provocation and stimulation has led to him being hailed as one of the wildest talents of his generation.
Now 28, he has spent more than a decade at dance music's cutting edge. A rough diamond in the Warp label's glittering crown, Jackson made serious waves when he released his debut album, 'Smash', in 2005 and toured the world with his first live show. Described by its composer as "a style orgy, a psychedelic celebration of conflict", 'Smash' soon became a word-of-mouth classic. Its follow-up is shaping up handsomely, too. Many know Jackson as the producer behind 'Utopia', the shimmering six-minute après-rave odyssey that was used to great effect in an O2 commercial in the UK.
Jackson is also in great demand as a DJ. His rugged, romantic approach to crowd-pleasing guarantees surprises. A techno tease and a new-wave futurist, anything goes in Jackson's sets – and frequently does. As a remixer, Jackson receives many requests from acts keen to hear his unique take on their sound. Most recently, Justice personally asked Jackson for a remix. He delivered the astonishing 'Do The JAHCB', a 12-minute megamix of Justice's debut album which set the blogs ablaze and rather flattered his Parisian playmates. A few years earlier, Jackson's breathtaking rework of M83's 'Run Into Flowers', later the stand-out tune on Michael Mayer's 'Fabric 13' DJ mix, introduced him to a whole new audience. Jackson has also remixed Femi Kuti, Air, Vanessa Paradis, Freeform Five and Jean Jacques Perrey & Luke Vibert's Moog Acid project.
His restlessly inventive style of Dada disco has been cited as an influence by the likes of Justice, Simian Mobile Disco and Sebastian. But Jackson's music is constantly evolving. By the time others have caught up with him, he's way ahead, designing the future somewhere else entirely.
Jackson began making music aged 15, intrigued by the musicians and equipment surrounding his mother, Paula Moore, a folk and blues singer. After his acid house debut on Pumpking records in 1996, Sound Of Barclay released the 'Sense Juice' and 'Gourmet' EPs under the name Jackson & His Computer Band. Even then, these thumping filtered house cuts sounded weirdly different to the prevailing "French Touch" style of Daft Punk and Cassius, leading to articles in NME, I-D, Jockey Slut and the like.
Warp picked up on these early records, released on French imprint Sound Of Barclay. Instantly recognising Jackson as a genuine innovator with his own distinctive sound and personality – rare qualities in modern electronics – they signed him.
Since then, Jackson has been declared "the great hope of dance music" by The Wire magazine and has dazzed ravers in Tokyo, Montreal, New York and across Europe with his extraordinary freestyle show. In his hands, the future sounds deliciously unpredictable, which is just the way it should be.
Praise for 'Smash':
"'Smash' explodes like a symphony for the devil" DJ
"Tremendous debut from French magpie electronicist" The Observer
"A beautiful, soulful, fucked up masterpiece" Vice
Now 28, he has spent more than a decade at dance music's cutting edge. A rough diamond in the Warp label's glittering crown, Jackson made serious waves when he released his debut album, 'Smash', in 2005 and toured the world with his first live show. Described by its composer as "a style orgy, a psychedelic celebration of conflict", 'Smash' soon became a word-of-mouth classic. Its follow-up is shaping up handsomely, too. Many know Jackson as the producer behind 'Utopia', the shimmering six-minute après-rave odyssey that was used to great effect in an O2 commercial in the UK.
Jackson is also in great demand as a DJ. His rugged, romantic approach to crowd-pleasing guarantees surprises. A techno tease and a new-wave futurist, anything goes in Jackson's sets – and frequently does. As a remixer, Jackson receives many requests from acts keen to hear his unique take on their sound. Most recently, Justice personally asked Jackson for a remix. He delivered the astonishing 'Do The JAHCB', a 12-minute megamix of Justice's debut album which set the blogs ablaze and rather flattered his Parisian playmates. A few years earlier, Jackson's breathtaking rework of M83's 'Run Into Flowers', later the stand-out tune on Michael Mayer's 'Fabric 13' DJ mix, introduced him to a whole new audience. Jackson has also remixed Femi Kuti, Air, Vanessa Paradis, Freeform Five and Jean Jacques Perrey & Luke Vibert's Moog Acid project.
His restlessly inventive style of Dada disco has been cited as an influence by the likes of Justice, Simian Mobile Disco and Sebastian. But Jackson's music is constantly evolving. By the time others have caught up with him, he's way ahead, designing the future somewhere else entirely.
Jackson began making music aged 15, intrigued by the musicians and equipment surrounding his mother, Paula Moore, a folk and blues singer. After his acid house debut on Pumpking records in 1996, Sound Of Barclay released the 'Sense Juice' and 'Gourmet' EPs under the name Jackson & His Computer Band. Even then, these thumping filtered house cuts sounded weirdly different to the prevailing "French Touch" style of Daft Punk and Cassius, leading to articles in NME, I-D, Jockey Slut and the like.
Warp picked up on these early records, released on French imprint Sound Of Barclay. Instantly recognising Jackson as a genuine innovator with his own distinctive sound and personality – rare qualities in modern electronics – they signed him.
Since then, Jackson has been declared "the great hope of dance music" by The Wire magazine and has dazzed ravers in Tokyo, Montreal, New York and across Europe with his extraordinary freestyle show. In his hands, the future sounds deliciously unpredictable, which is just the way it should be.
Praise for 'Smash':
"'Smash' explodes like a symphony for the devil" DJ
"Tremendous debut from French magpie electronicist" The Observer
"A beautiful, soulful, fucked up masterpiece" Vice
G.I. Jane
Jackson and His Computer Band Lyrics
We have lyrics for these tracks by Jackson and His Computer Band:
Billy She was more like a beauty queen from a movie…
Blow Censored by the stages Selling fortunes on exchange Another …
makin' it happen It only happens once, I'll never feel that thrill again, It …
Memory I remember spring time I remember when it rains Mmm Irdi mf …
Oh Boy All of my love, all of my kissin' You don't know…
President You think it's all about you But what about me? You think…
Promo I don't know how many stars there are Up in the…
Rock On Bought a tequila on the rocks, ayy Couple shots, I couldn't…
Utopia Have you really thought about Utopia?…
Vista Listening to the walls of Walking through the silence List…
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
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@PachoRuiz
Freaking awesome, even though sex has been a very common stereotype on nowadays music videos, this one is pretty creative and a must-watch. Btw, the song is sooo neat
@AquaMarino
Wow! The symbolism and meaning is overwhelming
@simonjones3881
Can't get enough of this song and video. Kudos x
@Autocantantes
Nos encanta ! 😍
@nintenbeer64
The illustration style in this video is so cool I just want to sit down and draw figures like these sometime :o
@sirbibton
This is sooooo fucking under rated...
@Dw4rnold
Amen
@henkverhaeren3759
fantastic!
@henkverhaeren3759
:-) shared it with the teal tribe vegan's, so let's see who is awake
@qweqwe_Flinstone
wow thats your main music clip on yt channel 😅 Only 35 comments. 9 years ago. Damn. This track is my top1 about women, top2 is Nom4t - I'll call u mine. I hope there will be more artists like this. Giving some values to society. Showing how bad some stuff looks. I cant even count how many times i needed to watch those videos to see what motives are shown