1) Jacob Mil… Read Full Bio ↴There are at least 2 singers sharing the name Jacob Miller.
1) Jacob Miller (born in Mandeville, Jamaica on 4 May 1952 – 23 March 1980) was a Jamaican reggae artist. He was the first to record with Clement Dodd. While pursuing a prolific solo career, he became the lead singer for reggae group Inner Circle with whom he recorded until his death in a car accident at the age of 27.
He recorded three songs for Dodd, including “Love is a Message” in 1968, which the Swaby brothers, (Horace, later called Augustus Pablo, and Garth) played at their Rockers Sound System. While the song did not garner much success nor maintain Dodd's attention in Miller, it resulted in Pablo’s sustained interest in Miller.
Jacob was featured in the film Rockers, alongside Gregory Isaacs, Big Youth and Burning Spear. In the movie, he plays the singer of a hotel houseband, played by Inner Circle, who are joined on drums by the films hero, Horsemouth (Leroy Wallace) and play a wicked live version of Tenement Yard.
Miller had close links with Bob Marley, who was known to promote him as 'My favourite singer'. One of Jacob Millers biggest Jamaican hits 'Tired Fe Lick Weed' betrayed his political leanings as can be seen in his performance of the song in the film 'Heartland Reggae', where his open enjoyment of a 'ganja spliff' on stage was intended to be seen as a militant statement.
Millers most potent works are often attributed to the 'rockers' singles of the mid 1970's with the band Inner Circle, with tracks like 'Tenement yard', 'Tired fe Lick Weed' and 'Stand Firm' among them. However the track which has brought him the most lasting recognition is the rockers standard 'King Tubby Meets The Rockers Uptown' with Augustus Pablo. Other notable tracks with Augustus Pablo include 'Keep on Knocking, 'False Rasta' and 'Who Say Jah No Dread', all produced by King Tubby.
Jacob Miller had a unique vocal style, using staccato motifs in counter play with the rhythm section, a perfect example of which is 'Tired Fe Lick Weed'. Miller was an intelligent and original artist, and recognised his own potential to lead, releasing a re-cut of his own track 'Tenement Yard' with the title 'To Much Imitator', a straight out attack on those trying to copy his style.
With an obvious energy, Jacob Miller was a magnetic presence on stage,and his appearance at the 'One Love Peace Concert' in Jamaica, April 1978 was typical 'Killer' Miller. Mesmerising and full of life, Jacob Miller invited members of the Jamaican political coalition, the 'Peace Committee' on to the stage for a rendition of 'Peace Treaty Special', conducting crowd, band, press and guests all with his customary zeal.
Some of Millers later work has been seen by reggae purists to be too much of an attempt at finding a commercial avenue for his music, with his yearning for success becoming evident on the track, 'I've Learned My Lesson Well', from the Island Records album 'Everything Is Great' from 1979.
This album, from musical point of view, is almost totaly unconnected to his earlier 'roots' work, and exhibits the ability of the Inner Circle band to adapt to different genres, using strong disco themes here. It is with some irony then, that Jacob Millers lasting contribution to the reggae genre will be forever focused on those 'rockers' tracks, which are, at least culturally, perhaps more important than reaching 'The top 100'.
Miller died very young in a car accident, cutting abruptly short a promising career that had already taken young Jacob from 'yard' (Jamaica) to an international record deal with Island Records.
Miller had planned to perform along with Bob Marley and Inner Circle in Brasil and then to tour with them; this tour was cancelled after Miller's untimely death.
2) Wisconsin native Jacob Miller left his hometown for Portland, OR the summer of 2009 via Amtrak, bringing with him only a suitcase and an electric guitar. After one year in the city he left to travel North America, both to study and perform music while working on various farms and ranches between travels. Time spent as a farm hand in the Blue Ridge Mountains of North Carolina shaped his devotion to the finger-picking style of the region. Spending countless hours playing alongside vintage recordings and local old-timers in the surrounding areas of Appalachia, Miller delved into the inner workings of the music’s style and history.
After 7 years leading a jazz sextet and performing both internationally and throughout North America, Miller now focuses his efforts on a different kind of songwriting and storytelling. Whether it be playing for thousands at Arlene Schnitzer Concert Hall or for 5 people in a Midwest living room, Jacob's passion, voice and laid-back demeanor create an intimate connection with audiences far and wide.
With an affinity for minimalist pop and firm roots planted in American traditional music, Jacob Miller crafts a timeless sound unique to his voice, style and abilities.
In 2019, Jacob released his debut record, ‘This New Home,’ which displays his abilities as a performer, writer and composer. Recorded and performed entirely by Miller in a Portland home-turned-studio, songs and ideas come together to form an album that is honest and heartfelt.
In 2020, he was also a featured performer on NBC’s The Voice; working with Nick Jonas and James Taylor among others.
On May 15th, Jacob will release new music since his debut solo release. “Quarantine,” out May 15th, is a collaborative project accomplished through isolation during the period of COVID-19 and shelter-in-place. It features 2 new singles, an accompanying music video, and a cast of PNW artists.
Tired Fe Lick Weed In A Bush
Jacob Miller Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Tired fe lick weed in a bush
Tired fe lick pipe in a gully
We want to come out in the open
Where the breeze can blow it so far away
To the north, to the south,
To the eas', an' to the wes' , to the wes'
From Waterhouse, that's the wes', that's the bes' ,that's the wes'
From St.Ann's it comes to you
The best kali weed you ever drew
So why should you run and hide
From the red seam, the blue seam, the khaki clothes, too, hmm
Tired fe lick weed in a bush
Tired fe lick chillum in a gully
We want to come out in the open
Where the breeze can blow it so far away
To the north, to the south,
To the eas', an' to the wes' , to the wes', ooh now
We want, we want to be free..
In "Tired Fe Lick Weed In A Bush", Jacob Miller and Inner Circle express their desire to be free and the need for change. The lyrics speak directly to the issue of marijuana prohibition in Jamaica and the negative consequences that come with it. The song's title refers to the practice of hiding in bushes and gullies to smoke marijuana to avoid persecution.
The opening lines express the desire to be free, which is a universal feeling that anyone from any culture can resonate with. The lyrics then go on to describe the frustration of having to hide in the bushes and the gullies to smoke marijuana. The lyrics suggest that if they were to smoke in the open where the breeze can blow it away, it would not cause any harm or offense to anyone.
The reference to various neighborhoods such as Jonestown, Trenchtown, Waterhouse, and St. Ann's shows that this is a widespread issue across Jamaica. The song's message is that society needs to change its thinking and that marijuana should not be stigmatized as it is today. Overall, "Tired Fe Lick Weed In A Bush" is a powerful statement on the injustices of marijuana prohibition and the need for change in society.
Line by Line Meaning
Tired fe lick weed in a bush
We are tired of having to smoke our weed hidden away in bushes.
Tired fe lick pipe in a gully
We are tired of smoking pipes hidden away in gullies.
We want to come out in the open
We want to be able to smoke our weed in the open where we can enjoy the fresh air.
Where the breeze can blow it so far away
We want to be able to smoke our weed in a place where the breeze can carry away the smoke so no one can detect it.
To the north, to the south, To the eas', an' to the wes', to the wes'
We want to smoke our weed without worrying about who might be watching us, no matter which direction we go.
Talkin' about Jonestown, Trenchtown, concrete jungle, too
We’re talking about some of the places where people live who might be hostile to us smoking weed.
From Waterhouse, that's the wes', that's the bes', that's the wes'
Some of the best weed comes from Waterhouse in the west of Jamaica, and that's where we want to be able to smoke it openly.
From St.Ann's it comes to you
Some of the best weed also comes from St. Ann's but we need the freedom to smoke it openly without any fear.
The best kali weed you ever drew
The weed from both Waterhouse and St. Ann's is some of the highest quality you’ll ever find.
So why should you run and hide
We don't want to run and hide or be sneaky about smoking weed anymore.
From the red seam, the blue seam, the khaki clothes, too, hmm
We want to smoke our weed without worrying about the police or anyone else who might try to stop us.
We want, we want to be free..
Above all, we want to be free to smoke weed when and where we want without judgment or persecution.
Lyrics © Universal Music Publishing Group
Written by: IAN LEWIS, JACOB MILLER
Lyrics Licensed & Provided by LyricFind