Jacopo Gianninoto is a guitarist, lutenist and composer from Italy.
He s… Read Full Bio ↴Jacopo Gianninoto is a guitarist, lutenist and composer from Italy.
He started playing Guitar when he was 5 years old, since then he never stopped and he completed his studies at the Conservatory βA. Pedrolloβ in Vicenza, one of the best school for plucked string instruments in Europe, under the guidance of Maestro Paolo Muggia specializing in early music and the 10 strings guitar.
Following his passion for early repertoire, in 1998 he started his research on original ancient plucked strings instruments with lute, theorbo and baroque guitar, under the guidance of Maestro Terrell Stone, who had a great influence on his musical ideas, studying also with Tiziano Bagnati and Francesca Torelli. He concentrated his performance studies in music from the 16th century, with his essential and minimalist interpretations, under the point of view of the execution and in the choice of repertoire, his great ability to deliver passionate performances and his enjoyable talks during concerts, he developed his personal way of understanding early music as something to be kept alive with authentic yet modern performances. He is the creator and director of several artistic multidisciplinary projects such as βBaroque Me Babyβ, βRenaissance Reduxβ, βThe Praise of Follyβ, βRomance is a hoaxβ βone on one performanceβ, βThe Giordano Bruno Projectβ, βLux In Tenebrisβ, βPlease donβt entertain meβ and many more.
His research and authorship activity consist on several music manuscripts from Medieval, Renaissance and Baroque periods, and collaboration with publisher βArmelin Musica" from Padova (Padua, Italy) and he is the director, together with Maestro Muggia of βRecordareβ, a series of books of transcriptions in modern notation of previously unpublished music for lute, baroque guitar and theorbo, adapted for classical guitar from the original tablatures, for the rediscovery of the Italian ancient repertoire. His publishing work include a revision for guitar of the A. Vivaldiβs βConcerto per due Violini Leuto e Basso RV93β, a transcription for guitar of the J.S. Bachβs sonatas originally written for solo violin, works on Vincenzo Galilei (father of the scientist Galileo), J.H. Kapsperger, F. Corbetta, I. Matelart, A. Piccinini, F. Spinacino, V. Capirola, S.L. Weiss and his books are widely known in the guitar world.
During his career he published many recordings and books, and he gave several recitals, concerts and master classes in many countries around the world. He is currently a Full-Time Lute and Guitar lecturer for the Department of Music Performance at Assumption University of Thailand, and also collaborates with several international music and artistic institutions such as Fondazione Levi (as a member of the Comitato Scientifico), Opera Siam (as an Executive Committee member), Shrewsbury International School, Bel Teatro, Urban Bones Dance, B-Floor Theatre and All-Soul Theatre.
The main focus of his performance research is βHistorical Performance Practiceβ and he dedicates himself to the study and interpretation of the early repertoire with original instruments. He uses and original French romantic guitar from the year 1805, one replica of a H. Frei renaissance lute, one replica of an anonymous Italian baroque guitar, one adapted theorbo (or Tiorbino) replica from a Dieffoprucharβs baroque lute and one replica Renaissance Guitar.
His approach is that of an βHistorically Informed Performanceβ but at the same time to use the principles that guided the creativity of those artists from the past applied in a XXI Century context to create a new work of art and not simply a βmuseum friendlyβ performance.
He s… Read Full Bio ↴Jacopo Gianninoto is a guitarist, lutenist and composer from Italy.
He started playing Guitar when he was 5 years old, since then he never stopped and he completed his studies at the Conservatory βA. Pedrolloβ in Vicenza, one of the best school for plucked string instruments in Europe, under the guidance of Maestro Paolo Muggia specializing in early music and the 10 strings guitar.
Following his passion for early repertoire, in 1998 he started his research on original ancient plucked strings instruments with lute, theorbo and baroque guitar, under the guidance of Maestro Terrell Stone, who had a great influence on his musical ideas, studying also with Tiziano Bagnati and Francesca Torelli. He concentrated his performance studies in music from the 16th century, with his essential and minimalist interpretations, under the point of view of the execution and in the choice of repertoire, his great ability to deliver passionate performances and his enjoyable talks during concerts, he developed his personal way of understanding early music as something to be kept alive with authentic yet modern performances. He is the creator and director of several artistic multidisciplinary projects such as βBaroque Me Babyβ, βRenaissance Reduxβ, βThe Praise of Follyβ, βRomance is a hoaxβ βone on one performanceβ, βThe Giordano Bruno Projectβ, βLux In Tenebrisβ, βPlease donβt entertain meβ and many more.
His research and authorship activity consist on several music manuscripts from Medieval, Renaissance and Baroque periods, and collaboration with publisher βArmelin Musica" from Padova (Padua, Italy) and he is the director, together with Maestro Muggia of βRecordareβ, a series of books of transcriptions in modern notation of previously unpublished music for lute, baroque guitar and theorbo, adapted for classical guitar from the original tablatures, for the rediscovery of the Italian ancient repertoire. His publishing work include a revision for guitar of the A. Vivaldiβs βConcerto per due Violini Leuto e Basso RV93β, a transcription for guitar of the J.S. Bachβs sonatas originally written for solo violin, works on Vincenzo Galilei (father of the scientist Galileo), J.H. Kapsperger, F. Corbetta, I. Matelart, A. Piccinini, F. Spinacino, V. Capirola, S.L. Weiss and his books are widely known in the guitar world.
During his career he published many recordings and books, and he gave several recitals, concerts and master classes in many countries around the world. He is currently a Full-Time Lute and Guitar lecturer for the Department of Music Performance at Assumption University of Thailand, and also collaborates with several international music and artistic institutions such as Fondazione Levi (as a member of the Comitato Scientifico), Opera Siam (as an Executive Committee member), Shrewsbury International School, Bel Teatro, Urban Bones Dance, B-Floor Theatre and All-Soul Theatre.
The main focus of his performance research is βHistorical Performance Practiceβ and he dedicates himself to the study and interpretation of the early repertoire with original instruments. He uses and original French romantic guitar from the year 1805, one replica of a H. Frei renaissance lute, one replica of an anonymous Italian baroque guitar, one adapted theorbo (or Tiorbino) replica from a Dieffoprucharβs baroque lute and one replica Renaissance Guitar.
His approach is that of an βHistorically Informed Performanceβ but at the same time to use the principles that guided the creativity of those artists from the past applied in a XXI Century context to create a new work of art and not simply a βmuseum friendlyβ performance.
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Actio Meditatio
Jacopo Gianninoto Lyrics
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Fadzi
This week, join us for a meditation that will help you find the next best move you can make towards your dreams. Donβt meditate alone, share this with your loved ones and letβs create a community that takes the time to go within to find solutions to any life challenges.
L Merrill
Beautiful energy here. Thank you. I can take one action step a day. Namaste.
Alison Wall
This was so good. I needed it. Thank you πΈπΈπΈ
Fadzi
I am so happy to hear that this was helpful for you Alison πΈ
Laura Hully
So wonderful and valuable! Thank you! Namaste
TheGrandeTwinz
Thank you this was blissfull β€
Ms.Carballo
Very refreshing βοΈ
Fadzi
Thank you π
Rima Law
Very nice⦠thank you for making this meditation.
sarah heathers
Incredibly helpful. Thank you, thank you, thank you.