Jacques Brel (8 April 1929 – 9 October 1978) was a Belgian singer and songw… Read Full Bio ↴Jacques Brel (8 April 1929 – 9 October 1978) was a Belgian singer and songwriter who composed and performed literate, thoughtful, and theatrical songs that generated a large, devoted following in Belgium and France initially, and later throughout the world. He was widely considered a master of the modern chanson. Although he recorded most of his songs in French, he became a major influence on English-speaking songwriters and performers such as David Bowie, Alex Harvey, Leonard Cohen, Marc Almond and Rod McKuen. English translations of his songs were recorded by many top performers in the United States, including Ray Charles, Judy Collins, John Denver, the Kingston Trio, Nina Simone, Frank Sinatra, Scott Walker, and Andy Williams. In French-speaking countries, Brel was also a successful actor, appearing in ten films. He also directed two films, one of which, Le Far West, was nominated for the Palme d'Or at the Cannes Film Festival in 1973. Jacques Brel has sold over 25 million records worldwide, and is the third best-selling Belgian recording artist of all time.

Brel was born on 8th April 1929 in Schaarbeek, a district of Brussels, and lived half of his life in Paris. He died of lung cancer on 9th October 1978 in Bobigny in the suburbs of Paris, and is buried in the Marquesas Islands.

Although the Brels spoke French, they were of Flemish descent, with some of the family originating from Zandvoorde, near Ieper. Brel's father was co-owner of a cardboard factory and Brel started his professional life at that firm, apparently destined to follow in his father's footsteps. However he had no interest in it, showing instead an interest in the arts, having joined the Catholic-humanist youth organisation Franche Cordée, where he did some singing and acting. At Franche Cordée he met Thérèse Michielsen ('Miche'), and they married in 1950.

In the early 1950s Brel achieved some minor success in Belgium, singing his own songs. A 78rpm record ("La foire"/"Il y a") was released as a result. From 1954 Brel seriously pursued a singing career. He quit his job and moved to Paris, writing music and singing in the city's cabarets and music-halls.. In January 1955 he supported in the Ancienne Belgique in Brussels the performances of the Belgian pop and variety pioneer Bobbejaan Schoepen. After some success his wife and daughters joined him from Belgium. By 1956 he was touring Europe and he recorded the song "Quand on n'a que l'amour", which brought him his first major recognition. He appeared in a show with Maurice Chevalier and Michel Legrand.

By the end of the 1950s Miche and Brel's three daughters moved to Brussels. He and his family led separate lives from then on. Under the influence of his friend Georges Pasquier ('Jojo') and pianists Gérard Jouannest and François Rauber, Brel's style changed. He was no longer a Catholic-humanist troubadour, but sang grimmer songs about love, death, and the struggle that is life. The music became more complex and his themes more diverse, exploring love ("Je t'aime", "Litanies pour un retour"), society ("Les singes", "Les bourgeois", "Jaurès") and spiritual concerns ("Le bon Dieu", "Dites, si c'était vrai", "Fernand"). His work is not limited to one style. He was as proficient in comic compositions ("Le lion", "Comment tuer l'amant de sa femme...") as in more emotional ones ("Voir un ami pleurer", "Fils de...", "Jojo"). He composed and recorded his songs almost exclusively in French, and is widely recognised in French-speaking countries as one of the best French-language composers of all time.

Brel himself occasionally included parts of his songs in Flemish (Dutch), one of the three official languages of Belgium, as in Marieke. He also recorded eight other Flemish versions of songs, such as Mijn vlakke land (Le plat Pays), Laat Me Niet Alleen (Ne me quitte pas), Rosa, De Burgerij (Les Bourgeois), and De Nuttelozen van de Nacht (Les paumés du petit matin). Since his own command of the language was poor, these were translated by Ernst van Altena, renowned translator of French song. Although France was Brel's "spiritual home" and he expressed contradictory statements about his native Belgium, some of his best compositions pay tribute to Belgium.

A very successful theatrical review of his songs, "Jacques Brel is Alive and Living in Paris," was launched in 1968. It featured English translations of his songs, and it was late made into a film.

To English-speaking listeners, Brel's best-known song is probably "Seasons in the Sun," a hit for Terry Jacks in 1973. Its English lyrics are a translation by Rod McKuen of Brel's "Le Moribond."

For twenty years he was a major star gaining recognition beyond French audiences. In 1973 he retreated to French Polynesia, remaining there until 1977 when he returned to Paris and recorded his well-received final album.

A heavy smoker, it was discovered in 1973 that Brel had lung cancer. He died in 1978 and was buried in Calvary Cemetery in Atuona, Hiva Oa, Marquesas Islands, French Polynesia only a few yards away from painter Paul Gauguin.

Chanson Sans Paroles
Jacques Brel Lyrics

Jump to: Overall Meaning ↴ Line by Line Meaning ↴

J'aurais aimé ma belle
T'écrire une chanson
Sur cette mélodie
Rencontrée une nuit
J'aurais aimé ma belle
Rien qu'au point d'Alençon
T'écrire un long poème
T'écrire un long "je t'aime"

Je t'aurais dit "amour"
Je t'aurais dit "toujours"
Mais de mille façons
Mais par mille détours
Je t'aurais dit "partons"
Je t'aurais dit "brûlons
Brûlons de jour en jour
De saisons en saisons"

Mais le temps que s'allume
L'idée sur le papier
Le temps de prendre une plume
Le temps de la tailler
Mais le temps de me dire
"Comment vais-je l'écrire?"
Et le temps est venu
Où tu ne m'aimais plus

Mais le temps que s'allume
L'idée sur le papier
Le temps de prendre une plume
Le temps de la tailler
Mais le temps de me dire
"Comment vais-je l'écrire?"

Et le temps est venu
Où tu ne m'aimais plus

Overall Meaning

The lyrics to Jacques Brel's "Chanson Sans Paroles" tell the story of a man who wishes to write a song for his beloved but never gets the chance. He laments that he would have loved to write a long poem for her, professing his love in a thousand different ways, and urging her to run away with him to burn together with passion through every season. However, by the time he finds the inspiration to write and takes up the pen, it is too late; his lover has stopped loving him back.

The song's lyrics touch on the theme of lost opportunities and the fleeting nature of love. It speaks to the regret we often feel for not seizing the chance to express our love to the ones we cherish, and how time can warp our relationships beyond recognition. The setting of the song, with its reference to the Point d'Alençon, a town famous for its lace, provides a nice touch of specificity and adds to the romantic atmosphere.

Line by Line Meaning

J'aurais aimé ma belle
I would have liked, my beautiful one

T'écrire une chanson
To write you a song

Sur cette mélodie
About this melody

Rencontrée une nuit
Encountered one night

J'aurais aimé ma belle
I would have liked, my beautiful one

Rien qu'au point d'Alençon
Just at the point of Alençon

T'écrire un long poème
To write you a long poem

T'écrire un long "je t'aime"
To write you a long "I love you"

Je t'aurais dit "amour"
I would have said to you "love"

Je t'aurais dit "toujours"
I would have said to you "always"

Mais de mille façons
But in a thousand ways