Barcarolle
Jacques Offenbach Lyrics
Belle nuit, nuit d'amour,
Souris nos ivresses,
Nuit plus douce que le jour,
belle nuit d'amour!
Le temps fuit et sans retour
Emporte nos tendresses,
Loin de cet heureux sjour
Le temps fuit sans retour.
Versez-nous vos caresses,
Zphyrs embrass,
Donnez-nous vos baisers!
vos baisers! vos baisers! Ah!
Belle nuit, nuit d'amour,
Souris nos ivresses,
Nuit plus douce que le jour,
belle nuit d'amour!
Contributed by Alexandra I. Suggest a correction in the comments below.
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Jacques Offenbach (20 June 1819 - 5 October 1880), composer and cellist, was one of the originators of the operetta form, a precursor of the modern musical comedy. He was one of the most influential composers of popular music in Europe in the 19th century, and many of his works remain in the repertory.
Offenbach was born in Cologne, Germany and was the son of Isaac Juda Eberst, a cantor, bookbinder, music teacher and composer. His father was living at a time when the Napoleonic edict required that Jews had to take inheritable family names. Read Full BioJacques Offenbach (20 June 1819 - 5 October 1880), composer and cellist, was one of the originators of the operetta form, a precursor of the modern musical comedy. He was one of the most influential composers of popular music in Europe in the 19th century, and many of his works remain in the repertory.
Offenbach was born in Cologne, Germany and was the son of Isaac Juda Eberst, a cantor, bookbinder, music teacher and composer. His father was living at a time when the Napoleonic edict required that Jews had to take inheritable family names. An itinerant violinist, he adopted the name Offenbach since he was already known to his audiences as a native of Offenbach am Main called "der Offenbacher". His son received the name "Jakob Offenbach" at birth, though he changed it to Jacques when he settled in France.
Offenbach moved to Paris in 1833 to study the cello. He found employment playing cello in the orchestra of the Opéra Comique, and wrote many pieces for the instrument. In 1844, he converted to Catholicism and married Herminie de Alcain. He returned to Germany with his wife and daughter in 1848 to avoid revolutionary violence in France, but returned a year later to become the musician most closely associated with the reign of Louis Napoleon (III). In 1850 he became conductor of the Theatre Français, but in 1855 rented his own theatre, the Bouffes Parisiens on the Rue de Monsigny, and began a successful career devoted largely to operetta and opéras comiques until his death.
His most popular works are still performed regularly today. His best-known operettas in the English-speaking world are Orpheus in the Underworld, La vie parisienne, La belle Hélène, La Périchole, The Grand Duchess of Gerolstein. Gaîté Parisienne is an often heard ballet score which is a pastiche of Offenbach melodies arranged and garishly orchestrated by Manuel Rosenthal in 1938.
Offenbach's final opera, The Tales of Hoffmann, was more serious than his other works, perhaps reflecting the eternal wish of the clown to be taken seriously. It was still unfinished at his death in 1880, but was completed by his friend Ernest Guiraud and premiered in 1881.
Offenbach is buried in the Cimetière de Montmartre, Paris, France.
Offenbach was born in Cologne, Germany and was the son of Isaac Juda Eberst, a cantor, bookbinder, music teacher and composer. His father was living at a time when the Napoleonic edict required that Jews had to take inheritable family names. Read Full BioJacques Offenbach (20 June 1819 - 5 October 1880), composer and cellist, was one of the originators of the operetta form, a precursor of the modern musical comedy. He was one of the most influential composers of popular music in Europe in the 19th century, and many of his works remain in the repertory.
Offenbach was born in Cologne, Germany and was the son of Isaac Juda Eberst, a cantor, bookbinder, music teacher and composer. His father was living at a time when the Napoleonic edict required that Jews had to take inheritable family names. An itinerant violinist, he adopted the name Offenbach since he was already known to his audiences as a native of Offenbach am Main called "der Offenbacher". His son received the name "Jakob Offenbach" at birth, though he changed it to Jacques when he settled in France.
Offenbach moved to Paris in 1833 to study the cello. He found employment playing cello in the orchestra of the Opéra Comique, and wrote many pieces for the instrument. In 1844, he converted to Catholicism and married Herminie de Alcain. He returned to Germany with his wife and daughter in 1848 to avoid revolutionary violence in France, but returned a year later to become the musician most closely associated with the reign of Louis Napoleon (III). In 1850 he became conductor of the Theatre Français, but in 1855 rented his own theatre, the Bouffes Parisiens on the Rue de Monsigny, and began a successful career devoted largely to operetta and opéras comiques until his death.
His most popular works are still performed regularly today. His best-known operettas in the English-speaking world are Orpheus in the Underworld, La vie parisienne, La belle Hélène, La Périchole, The Grand Duchess of Gerolstein. Gaîté Parisienne is an often heard ballet score which is a pastiche of Offenbach melodies arranged and garishly orchestrated by Manuel Rosenthal in 1938.
Offenbach's final opera, The Tales of Hoffmann, was more serious than his other works, perhaps reflecting the eternal wish of the clown to be taken seriously. It was still unfinished at his death in 1880, but was completed by his friend Ernest Guiraud and premiered in 1881.
Offenbach is buried in the Cimetière de Montmartre, Paris, France.
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padrecafe
Night of stars, and night of love,
Fall gently o'er the waters,
Heav'n around below, above,
No more we'll heed the shore!
Floating thus in silver light,
Sing on! Oh earth's fair daughters
Love had ne'er an hour so bright,
In fabled days of yore.
The cadenc'd oar will rhyme
To the measure we sing,
Till even charmed Time,
Fold a moment his wing.
Wander on!
Till the dawn! Ah!
Night of stars, and night of love,
Fall gently o'er the waters,
Heave'n around below, above,
No more we'll heed the shore.
Night of stars and of love,
Ah! Gently fall o'er the waters
Heave'n around below, above!
Ah! Ah!
BASYL77
Belle nuit, ô nuit d'amour
Souris à nos ivresses
Nuit plus douce que le jour
Ô, belle nuit d'amour!
Le temps fuit et sans retour
Emporte nos tendresses
Loin de cet heureux séjour
Le temps fuit sans retour
Zéphyrs embrasés
Versez-nous vos caresses
Zéphyrs embrasés
Donnez-nous vos baisers!
Vos baisers! Vos baisers! Ah!
Belle nuit, ô, nuit d'amour
Souris à nos ivresses
Nuit plus douce que le jour,
Ô, belle nuit d'amour!
Ah! souris à nos ivresses!
Nuit d'amour, ô, nuit d'amour!
Ah! ah! ah! ah! ah! ah! ah! ah! ah! ah!
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Josefa Gonzalez
I love this just now spent 30 min. searching. It's so beautiful
Queen Cleo
I love it! I've had it in my head for ages too! Wish I had someone to dance it with me.... It brings tears to my eyes - I don't know why.... Enjoy!!!!
Jennifer Goodey
Classical Music Only h
Lo Mejor De Youtube
i love rock and roll
Richard's Trainwreck Film Review
I FOUND IT!!! I've had this piece stuck in my head for over a year and a half after hearing it on the radio, always wondering what it was and who composed it, and now I'VE FINALLY FOUND IT!!!! This is the happiest I've been in a long, long time. I can't believe it! Just as beautiful as I remembered it to be. What a wonderful day this turned out to be
Johnies Marcello
I can feel your joy
Suzanne Mealey
@Sarah Hopper - "Barcarolle" is one of the reasons I like "Midnight in Paris" so much.
Janine D
There is also a video on line of this piece being played to the lovely sight of gondolas moving through the canals of Venice. It IS the song of the gondoliers after all, it's beautiful. I'm learning to play it (violin). I never get sick of hearing it (even with my attempts to play it 😆).
Constance Poolman
The Barcarol also has a special place in my memory. At 3 yrs I picked out the first bar on a small very old organ - raced down to break the news & ask my Grandmother if we could take the organ home, thinking it would not have been used any more. A stern refusal was the result. I learnt piano later, but never thought to ask to be taught it which I regret, however, it's never too late so I will get the music & start @ 77 yrs!
Music has been a huge love all these years.