“The blues is all about feeling,” says Grammy Award-winning harmonica legend James “Mr. Superharp” Cotton. “If I don’t feel it, I can’t play it.” Now in his 69th year as a professional musician (starting at age nine), James Cotton not only feels it, he lives it. His overwhelmingly powerful harmonica is one of the iconic sounds of the blues. His skills are unrivaled, his story the stuff of legend.
Born on a cotton plantation in Tunica, Mississippi on July 1, 1935, Cotton learned harmonica directly from Sonny Boy Williamson II (Rice Miller) as a small child. He toured with Williamson and Howlin’ Wolf, recorded for Sun Records, and spent 12 years with Muddy Waters before stepping out on his own. Leading his own band, he earned his reputation as one of the most commanding live blues performers in the world—a man who could literally suck the reeds out of his harmonica from the pure force of his playing—one high-energy performance at a time.
His new Alligator album, Cotton Mouth Man, is a joyous celebration of his life in the blues. Recorded in Nashville and produced by Grammy-winning producer/songwriter/drummer Tom Hambridge (Buddy Guy, Joe Louis Walker, Susan Tedeschi), the album is a riveting, good-time musical journey through sounds and scenes from Cotton’s long and storied career. With seven songs co-written by Cotton (more originals than he’s ever included on one release) and Hambridge (who co-wrote five additional tracks), the stories the album tells are Cotton’s own, inspired by his colorful and sometimes perilous life. Throughout the CD Cotton’s blast-furnace harmonica sound and larger-than-life personality are front and center.
Helping Cotton tell his stories and showcase his music are guests Gregg Allman, Joe Bonamassa, Ruthie Foster, Warren Haynes, Delbert McClinton and Keb Mo. Forming the core of the backing band on the CD are Hambridge (drums), Rob McNelley (guitar), Chuck Leavell (keyboards) and Glenn Worf (bass). Tommy MacDonald and Colin Linden each add guitar to one track. Darrell Nulisch, who has been singing in Cotton’s band for many years, expertly handles the vocals on five tracks, while the other members of Cotton’s road band—Tom Holland, Noel Neal and Jerry Porter—are also on board on some of the songs. Cotton, who, after a bout with throat cancer turned the vocal duties over to others, was inspired by the sessions to return to the microphone. He brings the album to a warm-hearted close singing his own Bonnie Blue (the name of the plantation where he was born), helping to make Cotton Mouth Man the most personal, celebratory and just plain fun recording of his seven-decade career. According to Cotton, “I feel so happy about the music in this album. My hope is that everyone who listens feels it. I know I sure did!”
Cotton first recorded under his own name for the Chicago/The Blues/Today! series on Vanguard, and, along with Otis Spann, cut The Blues Never Die! for Prestige before forming the first James Cotton Blues Band. He made his first solo albums—three for Verve and one for Vanguard—in the late 1960s. With bands featuring outstanding musicians including famed guitarist Luther Tucker, he quickly rose to the top of the blues and rock worlds. With his gale-force sound and fearless boogie band (later featuring Matt “Guitar” Murphy), it wasn’t long before he was adopted by the burgeoning hippie audience as one of their own. Cotton shared stages with Janis Joplin, The Grateful Dead, Led Zeppelin, B.B. King, Santana, Steve Miller, Freddie King and many others.
Cotton’s blistering talent and full-throttle energy kept him in demand at concert halls all over the country. He played the Fillmore East in New York, the Fillmore West in San Francisco and every major rock and blues venue in between. During the 1970s, he cut three albums for Buddah and one for Capitol. He rejoined his old boss Muddy Waters for a series of Muddy albums produced by Johnny Winter, starting with Hard Again in 1977. Cotton also guested on recordings by Koko Taylor and many others. He was joined on his own albums by stars like Todd Rundgren, Steve Miller, Johnny Winter, Dr. John, David Sanborn, Charlie Haden, Michael Bloomfield and Cissy Houston.
Cotton signed with Alligator Records in 1984, releasing High Compression and Live From Chicago, Mr. Superharp Himself! (which earned him the first of his four Grammy nominations). In 1990 he joined fellow Chicago harp masters for the all-star release Harp Attack!. In 1991 the Smithsonian Institution added one of his harmonicas to their permanent collection. Cotton won a Grammy Award in 1996 for his Verve album, Deep In The Blues, and was inducted into the Blues Hall Of Fame in 2006. During the 2000s Cotton has continued recording and touring relentlessly, playing clubs, concert halls and festivals all over the world, electrifying audiences wherever he performs. Cotton’s 2009 return-to-Alligator release, Giant, was Grammy-nominated. USA Today said, “Since 1966 James Cotton has been carrying the Chicago sound to the world. On Giant, he pours 75 years of living into that harmonica and out comes devastating and powerful blasts of notes.”
In June 2010, Cotton was honored at New York’s Lincoln Center, where his friends Hubert Sumlin, Pinetop Perkins, Taj Mahal, Shemekia Copeland and others paid tribute to him in an all-star concert. In 2013 he toured as part of the all-star “Blues At The Crossroads II,” a tribute to Muddy Waters and Howlin’ Wolf, and he continues to perform nationally and internationally with his own high-octane James Cotton Blues Band. Nobody has more fun playing the blues, and the telepathic communication between Cotton and his band (whom he refers to as “my family”) creates inspiring, soulful music that leaves his audience on their feet, grinning and cheering for more. Cotton has recently been signed by the prestigious Rosebud Agency and will be travelling the world in support of the new album.
Cotton Mouth Man proves James Cotton’s high-compression blues harmonica playing is still a true force of nature, while his songs and stories are a living history of the blues. As The San Francisco Examiner says, “James Cotton is an inimitable blues legend. His wailing harmonica blows them away. His improvisations on the blues are full of fun and good humor. The blues don’t get much better.”
How Sweet It Is
James Cotton Lyrics
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How sweet it is to be loved by you
I needed the shelter of someone's arms and there you were
I needed someone to understand my ups and downs and there you were
With sweet love and devotion
Deeply touching my emotions
I want to stop and thank you baby
I want to stop and thank you baby
How sweet it is to be loved by you
I close my eyes at night
And wonder what would I be without you in my life
Everything was just a bore
All the things I did seems I'd done'em before
But you brighten up for me all of my days
With a love so sweet in so many ways
I want to stop and thank you baby
I want to stop and thank you baby
How sweet it is to be loved by you
How sweet it is to be loved by you
You were better to me than I've been to myself
For me, there's you and nobody else
I want to stop and thank you baby
I want to stop and thank you baby
How sweet it is to be loved by you
How sweet it is to be loved by you
How sweet it is to be loved by you
The lyrics of James Cotton's song "How Sweet It Is" express gratitude and appreciation for the love and support of a significant other. The singer acknowledges that they needed someone to rely on during difficult times and that this person was there for them. The love and devotion of the person deeply touched the singer's emotions and brought brightness to their life that was once mundane and boring. The singer says that this person was better to them than they were to themselves and that they want to stop and thank them for their love and support.
The chorus, "How sweet it is to be loved by you," is repeated throughout the song and serves as a reminder of just how valuable and precious the love of a significant other can be. The lyrics carry a positive and uplifting message, praising the idea of finding someone who can be a shelter for us during difficult times and brighten up our days with their love.
Overall, "How Sweet It Is" is a feel-good love song that celebrates the joys of being in love and acknowledges the importance of having someone to rely on during tough times.
Line by Line Meaning
How sweet it is to be loved by you
It feels great to be loved by someone as amazing as you
I needed the shelter of someone's arms and there you were
I was in a tough place and needed comfort, and you were there for me
I needed someone to understand my ups and downs and there you were
I needed someone to empathize with my struggles and support me, and you were that person
With sweet love and devotion
You show me a kind, affectionate love that is very meaningful to me
Deeply touching my emotions
The way you love me makes me feel very moved and touched on a deep level
I want to stop and thank you baby
I feel grateful for you and want to express my appreciation
I close my eyes at night
When I'm alone with my thoughts at night
And wonder what would I be without you in my life
I think about how different my life would be without you in it
Everything was just a bore
Life was dull and unexciting before you came along
All the things I did seems I'd done'em before
The things I used to enjoy felt repetitive and meaningless
But you brighten up for me all of my days
You bring joy and lightness to my life on a daily basis
With a love so sweet in so many ways
Your love is gentle, kind, and expressed in many different ways
You were better to me than I've been to myself
You treat me with more kindness and care than I often give myself
For me, there's you and nobody else
I don't want anyone else in my life but you
Lyrics © Sony/ATV Music Publishing LLC
Written by: BRIAN HOLLAND, EDWARD JR. HOLLAND, LAMONT DOZIER
Lyrics Licensed & Provided by LyricFind