1) James Ray (born Jam… Read Full Bio ↴There is more than one artist with this name:
1) James Ray (born James Ray Raymond in Washington, D.C. in 1941, died c. 1964) was an African American R&B singer of the early 1960s.
A resident of Washington, the diminutive, 5-foot (1.5-meter) singer was discovered in 1961 while destitute and living on a rooftop, and began recording as James Ray for Caprice Records. His best-known hit was "If You Gotta Make a Fool of Somebody", which reached #22 on the Billboard Hot 100 in 1962 and was also a top 10 R&B hit. The single was issued in the UK in 1962 as well, and was performed by The Beatles before it was discovered by Freddie and the Dreamers who took it into the UK top 5 the year after.
In the U.S., Ray's single was followed by an eponymous album, which contained the follow up single "Itty Bitty Pieces", which reached #41 on the Hot 100, as well as a song called "Got My Mind Set On You". A severely edited version of this was released later in the year as a single on the Dynamic Sound label and reached #22.
Many of Ray's songs were written by Rudy Clark, later to become famous for "The Shoop Shoop Song" and others.
James Ray is thought to have died in 1964, due to a drug overdose.
The Beatles' George Harrison purchased a copy of Ray's album in 1963 when he went to the United States to visit his sister. Over two decades later he revived "Got My Mind Set On You" and took it to #1 in early 1988.
John Lennon was also a fan and included "If You Gotta Make a Fool of Somebody" on his jukebox, the contents of which were issued as a double CD in 2004 after the jukebox itself was purchased at an auction.
http://en.wikipedia.org/wiki/James_Ray_%28singer%29
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2) James Ray is a rock singer and band-leader, best known as a member of Andrew Eldritch's side-project The Sisterhood.
He was a founding member of "James Ray And The Performance", a rock band with ties to goth rock. James Ray has also formed the bands "James Rays Gangwar", "The MK Ultra", "4080peru" and his current band 25men
James Ray And The Performance
The Performance was a band started by James Ray and Carl Harrison. An early demo of tracks such as "Mexico Sundown Blues", "Dance" and "Edie Sedgwick" (the latter named after the actress) was sent to The Sisters of Mercy's record label, Merciful Release. The band were signed, and after Ray's contribution to The Sisterhood project "Gift", Merciful released the Mexico Sundown Blues single in July 1986. The singles "Texas" and "Dust Boat" were also released on Merciful, followed by the compilation A New Kind Of Assassin.
James Rays Gangwar
After The Performance, Ray formed James Rays Gangwar. The band were still contracted to Merciful for an album, so the band recorded the Dios Esta De Nuestro Lado LP, a more aggressive sounding album, still with the southern American influence, and a cover of Alvin Stardust's "[My] Coo Ca Choo" closing the album. The opening track, Rev Rev Lowrider was released as a single. Other non-album tracks were released as singles, "Fuel", "Another Million Dollars" and "Without Conscience".
After this, Gangwar released the Third Generation LP on Surgery Records, a much more techno-based album, with fewer guitars, and a more trance-like feel. The song "Fuelled Up" draws heavily from the earlier song "Fuel," which in turn borrows heavily from the melody of Knock on Wood.
The final Gangwar album was 'Psychodalek', combining the techno feel of Third Generation and their traditioanal overdriven guitar sounds. The album aslo featured a new recording of Edie Sedgewick, entitled only Edie, featuring These Crimson Dreams singer, Tamsin.
The MK Ultra
After the release of Third Generation, Ray formed the project "The MK Ultra", a solo effort, again releasing on Merciful Release. The first LP This Is This had a more dance-like feel than Third Generation, continuing to incorporate samples and Ray's own deep voice against the female backing vocals and techno rhythms. The first track, "Regeneration" is a remix of the title track from Third Generation. After This Is This, Ray released Beluga Pop, a collection of ambient techno pieces, far removed from much of his earlier work. The MK Ultra did not release any singles. Ray later wrote a novella entitled "Psychodalek" under the James Ray's Gangwar moniker, and released an album of the same name as a soundtrack to accompany the book. Both the novella and the album are currently available to download from his website.
Present day
In recent years, Gangwar have reformed, to play a handful of concerts, such as Wave-Gotik-Treffen. A further ambient project, 4080Peru was formed, writing long soundscapes. 4080Peru have also performed these tracks live. Ray is also currently working with the band 25men, and still keeping up with Speedy Dave.
25men
25men consists of various transient musicians and artists from around the world who contribute to 25men. Designed and directed by James Ray, 25men present an amalgamation of musical and artistic ideas resulting in a sound that takes the sound of Gangwar and 4080peru to another dimension.
I've Got My Mind Set On You
James Ray Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
I've got my mind set on you
I've got my mind set on you
I know what I've got to do
It's gonna take money
Whole lotta spending money
It's gonna take hard earned money
It's gonna take time
Whole lot of precious time
It's gonna take patience and time, oh
To do it, to do it, to do it, to do it, to do it
To do it, oh, yeah
Everywhere I go, you know
Bad luck follows me
Every time I've fallen in love
You know I'm left in misery
This time I really feel
I feel that it's really real
I feel if I put my mind to it
I feel that I really could do it
I've got my mind set on you
I've got my mind set on you
I've got my mind set on you
I know what I've got to do
It's gonna take money
Whole lotta spending money
It's gonna take hard earned money
To do it up right, child
It's gonna take time
A whole lot of precious time
It's gonna take patience and time, oh
To do it, to do it, to do it, to do it, to do it
To do it, to do it, to do it, to do it
I've got my mind set on you
I know what I've got to do
It's gonna take money (it's gonna take money)
Whole lotta spending money (a whole lotta spending money)
It's gonna take hard earned money (a whole lotta hard earned cash)
To do it up right, child (to do it up right, child)
It's gonna take time (it's gonna take time)
whole lot of precious time (a whole lotta precious time)
It's gonna take patience and time (a whole lotta patience and time), oh
To do it, to do it, to do it, to do it, to do it
To do it, oh, yeah
Everywhere I go, you know
Bad luck follows me
Every time I fall in love
I'm left in misery
This time I really feel
I feel that it's really real
I feel if I put my mind to it
I feel that I really could do it
It's gonna take money (it's gonna take money)
Whole lotta spending money (a whole lotta spending money)
It's gonna take hard earned money (a whole lotta hard earned cash)
To do it up right, child (to do it up right, child)
It's gonna take time (it's gonna take time)
whole lot of precious time (a whole lotta precious time)
It's gonna take patience and time (a whole lotta patience and time), oh
To do it, to do it, to do it, to do it, to do it
To do it, oh, yeah
To do it, to do it, to do it, to do it
The song 'I've Got My Mind Set On You' by James Ray is about a person who has their sights set on a particular love interest. They know what they have to do to win over the person, but they acknowledge that it's going to take a lot of effort and resources to make it happen. The singer recognizes that they've had bad luck in love before and have been left in misery, but this time they feel that it's different--that the love they feel is real and they're willing to put in the time, effort, and money to make it work.
The repeated lines 'I've got my mind set on you' emphasize the singer's determination to make this love interest theirs. They acknowledge that it's going to be a difficult journey, but they're willing to do what it takes to make it work. The repeated reference to the need for money and time reflects the reality that love often takes a lot of investment and sacrifice.
Overall, the song is about persistence and determination in the face of obstacles. The singer is willing to do whatever it takes to make a real connection with their love interest and believes that their efforts will ultimately pay off.
Line by Line Meaning
I've got my mind set on you
I am fully focused on you
I know what I've got to do
I am aware of what actions I must take
It's gonna take money
Money is necessary for this endeavor
Whole lotta spending money
A significant amount of money needs to be spent
It's gonna take hard earned money
Money that has been worked hard for is required
To do it up right, child
To do it properly and completely
It's gonna take time
Time is necessary for this endeavor
Whole lot of precious time
A significant amount of valuable time is needed
It's gonna take patience and time, oh
Both patience and time are required
To do it, to do it, to do it, to do it, to do it
Repeated emphasis on the need for action and effort
Everywhere I go, you know
No matter where I go
Bad luck follows me
I inevitably encounter misfortune
Every time I've fallen in love
Each time I have experienced love
You know I'm left in misery
I am left in a state of suffering
This time I really feel
This time, I strongly believe
I feel that it's really real
I sense that this is truly genuine
I feel if I put my mind to it
I am confident in my ability to accomplish the task at hand
Lyrics © Warner Chappell Music, Inc.
Written by: Rudy Clark
Lyrics Licensed & Provided by LyricFind
@Wolfhoundersful
I got my mind set on you
I got my mind set on you
I got my mind set on you
I know what I got to do
It's gonna take money
Whole lotta spending money
It's gonna take hard money
To do it up right, child
It's gonna take time
A whole lot of precious time
It's gonna take patience and time, oh
To do it, to do it, to do it, to do it, to do it
To do it, oh yeah
Everywhere I go, you know
Bad luck follows me
Every time I've fallen in love
You know I'm left in misery
This time I really feel
I feel that it's really real
I feel if I put my mind to it
I feel that I really could do it
I got my mind set on you
I got my mind set on you
I got my mind set on you
I know what I got to do
It's gonna take money
Whole lotta spending money
It's gonna take hard money
To do it up right, child
It's gonna take time
A whole lot of precious time
It's gonna take patience and time, oh
To do it, to do it, to do it, to do it, to do it
To do it, to do it, to do it, to do it
I got my mind set on you
I know what I got to do
It's gonna take money
Whole lotta spending money
It's gonna take hard money
To do it up right, child
It's gonna take time
A whole lot of precious time
It's gonna take patience and time, oh
To do it, to do it, to do it, to do it, to do it
To do it, oh yeah
Everywhere I go you know
Bad luck follows me
Every time I fall in love
I'm left in misery
This time I really feel
I feel that it's really real
I feel if I put my mind to it
I feel that I really could do it
It's gonna take money
Whole lotta spending money
It's gonna take hard money
To do it up right, child
It's gonna take time
A whole lot of precious time
It's gonna take patience and time, oh
To do it, to do it, to do it, to do it, to do it
To do it, oh yeah
To do it, to do it, to do it, to do it
@tanakaken4204
Rudy Clark (born Rudolph Clark, 1935) is an American songwriter about whom little biographical information seems to be known. Supposedly a former mail carrier hailing from New York City, he was most active from the early 1960s through the early 1970s.
Career[edit]
Clark wrote songs for James Ray (and indeed may have discovered the singer), including Ray's moody 1962 R&B and regional pop hit "If You Gotta Make a Fool of Somebody", later a hit for Freddie and the Dreamers, as well as "Got My Mind Set On You", which became a No. 1 US and No. 2 UK hit for George Harrison in 1987. Few people know "Got My Mind Set On You" was a No. 1 hit in 18 countries in the same year. Clark was a close friend of Bobby Darin, who owned TM Music/Trio, the music company that employed Clark. Clark and Darin collaborated on several hits including "Do the Monkey."
Clark then wrote the Top Ten soul classic "It's in His Kiss (The Shoop Shoop Song)", recorded by Betty Everett in 1964, which would be frequently revisited by other artists (most notably in the version that became a worldwide hit for Cher in 1991) in subsequent years. Clark co-wrote "Good Lovin'", recorded by The Olympics in 1965 and then remade as a #1 hit by The Young Rascals the following year. Other Clark compositions include "If You Got to Make a Fool of Somebody", recorded by Barbara Mason, and "Fool, Fool, Fool", recorded in 1964 by Little Joey & the Flips and then covered by Roosevelt Grier, the A-Cads, and Ray Brown & The Whispers, with the last two representations reaching #1 in South Africa and Australia respectively. His song "Waddle, Waddle" featured in the film "Hairspray".
Clark was nominated for the Grammy Award for Best R&B Song for his lead contribution in writing the 1972 Top Five hit "Everybody Plays the Fool" by The Main Ingredient. Beyond pop hits, Clark wrote several songs for the early 1970s Harlem Globetrotters cartoon series.
Besides being heard on oldies radio, Clark's material has also found its way to the Broadway theatre, making reference to André DeShields' Haarlem Nocturne (1984) and Marion J. Caffey's Street Corner Symphony (1997).
@LightSnowOvernight
I'm an old, long-time Beatles fan, but confess that I didn't know George didn't write this
@TheRunner75
+LightSnowOvernight Me too... Just discovered this today ;-)
@moe3655
LightSnowOvernight p
@e.o.1991
thats a bit disappointing but still a pretty good cover
@bremCZ
Wasn't written by James Ray either.
@joellebrodeur1015
I grew up thinking George wrote it when he was a Beatle but never recorded it with them. Damn, I feel stupid. George's version is tighter and seems he discarded some verses.
@hendommead6923
I love both versions. This has the oldies feel to it and then George's is awesome!
Ray's vocal is best, but Harrison's arrangement is superior.
@patchesandshadow8558
I love both versions of this song they're both perfect to be honest
@HaackSpeed
I agree--they're just both awesome
@kenrutherford1109
IMHO George Harrison's version is better