James Wyatt Crosby makes catchy, grand-scale dreampop songs with a lo-fi DI… Read Full Bio ↴James Wyatt Crosby makes catchy, grand-scale dreampop songs with a lo-fi DIY ethos.

The Cambridge, Ontario native lives in downtown Toronto amid a small mountain of musical instruments. "I have a pretty strange collection of instruments that I've borrowed, bought or that people have given to me as gifts. Right now, besides guitars, bass, drums and keyboards, I've got an autoharp, a theremin, a vibraphone, and a whole bunch of other strange little toys like mini steel drums, a melodica, toy pianos and stuff like that."

"I took guitar, piano and drum lessons but I never became a virtuoso or anything like that," he explains. "My older brothers would play Nirvana and Rage Against the Machine while I would jump on the bed beside them. When they went away to school, I inherited their instruments and started writing and recording my own songs."

Crosby's early songwriting efforts caught the ear of Toronto Sun music critic Darryl Sterdan. "Initially, the music I would record with my friends was this kind of grand-scale lo-fi stuff that was kind of funny and good-hearted. The first song my friend Andrew and I ever recorded was a cover of 'Monster Mash,' if that gives you an idea," explains Crosby.

"We had a recording project called Logs in high school, and we made this epic indie pop song called 'Fishstick Mountain' about a sailor who gets stranded on a floating garbage island and then befriends a monkey. I sent it to the Toronto Sun to get reviewed in this column called 'Garage Band Idol' and they actually liked it." Sterdan praised Logs' "dreamy, spaced-out flights of psychedelic noodling (think Flaming Lips meets Polyphonic Spree)."

Crosby continued to produce music while studying at the University of Ottawa. "I was living alone in Ottawa studying English literature and I had a solo project called Garbagio," he explains. "Those songs are a bit darker, but still pretty much lo-fi style pop tunes. I would send them to my friends who were all far away at the time. They sound pretty crummy, quality-wise, but I tried to make them catchy and fun. I was really influenced by Ariel Pink at that time and the whole DIY/bedroom rock thing."

When asked to elaborate on his musical influences, Crosby rattles off a list of over 35 favourite artists "in no particular order." It's a rambling and diverse list that includes Iggy Pop, Katy Perry, John Maus and Dolly Parton. "My musical influences change all the time and I can usually find some element I like in most songs. But I'm usually drawn to music with some kind of pop-y melodic element, like some kind of singable quality."

After leaving Ottawa, Crosby studied audio engineering at Toronto's venerable Harris Institute. "My new material is still home-recorded, but I've learned how to do things in a less haphazard way," he explains.

"O.T.O.T.W." is Crosby's first single released under his real name, James Wyatt Crosby.

"I had an early version of this song that sounded too much like James Taylor – super slow and acoustic – so I added drums and sped it up. I used a mix of real recorded drums and electronic drum samples because I felt the real drums gave it some feel and character, and the electronic drums helped make the drums clearer and punchier," he explains. "There's also an autoharp in the recording which has a really sweet strummy sound and glues the whole song together," he adds.

Most of the song's effects were intentionally printed to tape during the initial recording, adding an indelible atmospheric wash to the mix. Production-wise, it's a calculated risk that pays off. Crosby also pitched the song's vocals up, adding a sweet, dreamy edge to the track. "I sometimes like changing the pitch of a song because it lets me hear my voice in a different way. I can listen in a slightly more objective way and get new ideas."

Crosby's lyrics, delivered over a happy melody and lush dreampop arrangements, take a gloomy turn as the song drifts back and forth between bliss and melancholy.

"I wanted to make a song that explains the feeling of being in a really good place while knowing that it's fleeting and things will ultimately change," explains Crosby. "I was listening to The Smiths and Talking Heads a lot when I was writing and recording it. I feel those bands do a good job of making songs that are simultaneously happy and sad, and that's kind of what I was going for."

"O.T.O.T.W." by James Wyatt Crosby is available on June 8, 2015 on iTunes, Bandcamp, Spotify, Rdio and more. Visit: maisonneuvemusic.com

Shadow of a Ghost
James Wyatt Crosby Lyrics

Jump to: Overall Meaning ↴ Line by Line Meaning ↴

cs I walk down this old street
I'm nothing like I used to be
‘Cause when you lose what matters most
You become the shadow of a ghost

cre you listening to me?
cre you listening at all?
It's impossible to breathe

When the sky's about to fall
Fall

When I see the moon at night
I'm jealous of its perfect light
Now I've got to get away
For reasons that I cannot say

You look different to me
No you're not the same at all
It's impossible to leave
When I hear the siren's call

I was always waiting
Waiting on a sign
Now I feel so vacant
Hopeless and so blind
Can you feel me shaking?
Can you hear me cry?
Guess I'll never find my reason why

cs I walk down this old street
I think about what might have been

Overall Meaning

These lyrics from James Wyatt Crosby's song "Shadow of a Ghost" explore themes of loss, change, and longing. The singer reflects on how they have changed after losing something or someone important in their life, stating that they are "nothing like [they] used to be." They describe the feeling of becoming a mere shadow of their former self, emphasizing the emptiness and lack of substance they now feel. The phrase "shadow of a ghost" implies a state of being almost invisible or ethereal, devoid of the vibrancy and presence they once had.

The lyrics also touch upon the struggle to communicate and be heard. The singer questions if anyone is really listening to them, expressing frustration at the difficulty of expressing themselves when everything feels like it's falling apart. They feel suffocated, unable to breathe, as if the sky is about to collapse. This could be a metaphor for the overwhelming sense of pressure and uncertainty they experience.

The song highlights a sense of longing and yearning for something better. The singer envies the moon's "perfect light," implying a desire for beauty and tranquility that they currently lack. They feel the need to escape, without being able to fully explain or articulate why. The mention of the siren's call suggests a pull towards something dangerous or tempting, which adds to the feelings of restlessness and dissatisfaction.

Overall, "Shadow of a Ghost" evokes a sense of loss, change, and a search for meaning amidst turmoil. It portrays a struggling individual who is disconnected from their former self and seeks to find solace and understanding in a world that feels broken.

Line by Line Meaning

I walk down this old street
As I stroll down this familiar road

I'm nothing like I used to be
I have completely transformed and evolved

‘Cause when you lose what matters most
Because when you lose the things that hold utmost significance

You become the shadow of a ghost
You turn into a mere semblance of your former self

Are you listening to me?
Are you paying attention to my words?

Are you listening at all?
Are you even comprehending what I'm saying?

It's impossible to breathe
It feels suffocating and impossible to take in air

When the sky's about to fall
When everything around is on the brink of collapsing

When I see the moon at night
Observing the moon in the darkness

I'm jealous of its perfect light
I envy its flawless and radiant glow

Now I've got to get away
Now I must escape and distance myself