Jan is a graduate of law studies at the Adam Mickiewicz University in Poznań. He worked with Jerzy Grotowski's Theater Laboratory in the late 1970s and created the Orchestra of the Eighth Day in 1977. He recorded his first album "Music For The End," in 1982 for Flying Fish Records (Chicago). In 1989 he moved to Los Angeles. His music was released by Sony Classical, Decca, Varese Sarabande, Milan and Savitor Records. He gives concerts in the USA and in Europe.
In 2005 Jan Kaczmarek received an Oscar for the music (score) in Finding Neverland, directed by Marc Forster. J.A.P.K. also won The National Board of Review award for Best Score of the Year, and was nominated for both a Golden Globe and BAFTA's Anthony Asquith Award for Achievement in Film Music. In addition to his work in films, Jan was commissioned to write two symphonic and choral pieces for two important national occasions in Poland. “Cantata for Freedom” (2005) to celebrate 25th anniversary of Solidarity movement, and "Oratorio 1956” (2006) to commemorate 50th anniversary of bloody uprising against totalitarian government in Poznan, Poland. Both premiers were broadcast live on national television.
Jan A.P. Kaczmarek is a member of the Academy of Motion Picture Arts and Sciences.
Jan is also setting up an Institute inspired by the Sundance Institute, in his home country of Poland, as a European center for development of new work in the areas of film, theatre, music and new media. The Institute website (currently under construction) is: http://rozbitek.org. It is anticipated that Rozbitek Institute will be officially open in 2008.
Unfinished Love Story
Jan A.P. Kaczmarek Lyrics
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Ayy, look, yuh, yuh
Ayy, look, look
I don't need God
Bruh, I just need a goth bitch
I just fell in love in a mosh pit
Mosh pit, mosh pit
Damn
Girl, I love it when you talk shit
I don't need God
Bruh, I just need a goth bitch
I just fell in love in a mosh pit
Mosh pit, mosh pit, mosh pit, mosh
Mosh, mosh, mosh
Look, cat headphones
Tattooed throat
Put my hand 'round her neck
And she told me to choke
You ain't really fucking with anybody I know
Got the bloodstained fangs
And the chain ice cold
Honestly, I love it when you bat shit crazy
Death notebook when she write names daily
I don't even know where I am right now, baby
But you could fuck my life up, baby
I don't need God
Bruh, I just need a goth bitch
I just fell in love in a mosh pit
Mosh pit, mosh pit
Now we moshin'
Damn
Girl, I love it when you talk shit
I don't need God
Bruh, I just need a goth bitch
I just fell in love in a mosh pit
Mosh pit, mosh pit, mosh pit, mosh
Mosh, mosh, mosh
Look
I don't need God
Just need a bitch inside my jeans, uh
Bend it over, back it up, throw it on top of me, uh
Black lipstick, let me see how you taste
Said your boys in the pit, I'll drop that bitch in this place
Holy fucky-fuck
That bitch sucky-sucky until I bust
Baby, fuck me up, baby, fuck me up
That shit's a must
That bitch tell me that she love me and she hate me on the same day
Tryna meet the devil, come on, baby, I'm a gateway
I don't need God
Bruh, I just need a goth bitch
I just fell in love in a mosh pit
Mosh pit, mosh pit
Now we moshin'
Damn
Girl, I love it when you talk shit
I don't need God
Bruh, I just need a goth bitch
I just fell in love in a mosh pit
Mosh pit, mosh pit, mosh pit, mosh (ayy, ayy, ayy, ayy)
Mosh, mosh, mosh, mosh
The first thing that comes to mind when interpreting the lyrics to Jan A.P. Kaczmarek’s Unfinished Love Story is the intensity and raw energy of the emotions expressed. The song opens with Gasper asking someone what they're doing, leading up to a series of explicit expressions of love and lust for a goth girl he met in a mosh pit. He goes as far as to say that he doesn't need God, just a goth bitch, and that he fell in love with her in the midst of the chaos that is a mosh pit.
The lyrics paint an image of a reckless and obsessive kind of love, where Gasper seems to be drawn to the woman's wild nature and even finds her "bat shit crazy" behavior exciting. He talks about how much he loves it when she talks shit, and how she's always writing names in her "death notebook." He even implies that he might be willing to let this relationship "fuck [him] up" and that he sees himself as a "gateway" to meeting the devil.
Overall, the lyrics are provocative and evoke a sense of abandon, recklessness, and passion. This song seems to be a commentary on the fearlessness of youth and young love, even when it borders on the edge of what is dangerous.
Line by Line Meaning
Gasper, what the hell you doing?
The singer is addressing someone named Gasper and asking what they are doing.
I don't need God, Bruh, I just need a goth bitch
The singer does not believe in God, but wants a female partner who embodies the goth subculture.
I just fell in love in a mosh pit
The singer fell in love with someone while in the middle of a chaotic mosh pit at a concert.
Mosh pit, mosh pit. Now we moshin', Damn
The artist and their partner are currently in a mosh pit and enjoying the experience.
Girl, I love it when you talk shit
The artist enjoys when their partner speaks in a confrontational or provocative manner.
Look, cat headphones. Tattooed throat. Put my hand 'round her neck. And she told me to choke
The singer describes their partner's appearance and recounts a sexual encounter where their partner asked to be choked.
Honestly, I love it when you bat shit crazy
The singer enjoys their partner's wild, unpredictable behavior.
Death notebook when she write names daily
The artist's partner writes down names of people she wishes harm upon in a notebook.
I don't even know where I am right now, baby. But you could fuck my life up, baby
The artist is lost in their feelings for their partner, and acknowledges the potential for their partner to cause chaos in their life.
Just need a bitch inside my jeans, uh. Bend it over, back it up, throw it on top of me, uh
The artist desires sexual intimacy with a female partner, and describes specific acts they wish to engage in.
Black lipstick, let me see how you taste
The singer is attracted to their partner's black lipstick and suggests a willingness to kiss them.
That bitch tell me that she love me and she hate me on the same day
The artist's partner has a conflicted and intense emotional relationship with the artist.
Tryna meet the devil, come on, baby, I'm a gateway
The singer sees themselves as an entry point for their partner to engage in destructive or dangerous behavior.
Lyrics © BMG Rights Management
Written by: Cameron Joseph Harrell, Freddie Dredd, Gaspare Magaddino
Lyrics Licensed & Provided by LyricFind