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36. Chorus. Vivace
Jan Dismas Zelenka Lyrics


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Comments from YouTube:

@TheOneAndOnlyZelenkaGuru

Other Works for Holy Week (Z. 53-63) > https://www.youtube.com/playlist?list=PLBbL1YJd7_Wou6fX0pxDit1tfkQmi8cDr

@SilvioNobre

Thanks!

@TheOneAndOnlyZelenkaGuru

The autograph score to Jan Dismas Zelenka's largest and most significant work, the oratorio "Gesù al Calvario". In English "Jesus at Calvary", ZWV 62, of almost 2 hours in length of extremely refined, complex music featuring beautiful and extremely ornamented, intricate melodies with lots of chromaticism and special effects, such as rapid quadruple stopping.
This is Zelenka at his most operatic. He takes Late Baroque opera and converts it into a powerful sacred art form, giving musical voice to the five figures at John's Calvary scene. Unlike most oratorios of the Passion (particularly the protestant ones), it is not a translation of what is in the Gospel, but it is a loose interpretation of the thoughts of those present; their experience of the Crucifixion. They mourn in harmony or cry with fierce passion. Their contrasting positions are reflected musically: John's brashness in not understanding Jesus' suffering over the sins of the guilty; Mary Magdalen's anger at the people for their ingratitude; the soothing repentance together with Maria Cleofe; the Virgin Mary's despair over her son. The oratorio is dramatically cloven in two by the Crucifixion chorus which is stark and vehement. Altogether, Zelenka gives us a powerful human drama.

@isaacburgess9608

2:48 this whole passage is exquisite!

@victorheredia7185

The goat!!😮😮

@jmchord

One of my favorite works of Zelenka

@BohemianBaroque

0:22

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