Japan began playing glam rock, influenced by David Bowie, The New York Dolls and Motown. Japan debuted on record with 1978's Adolescent Sex and subsequently Obscure Alternatives, which both sold well in the nation of Japan, though nowhere else.
Their third album, 1979's Quiet Life, heralded a change in musical style from the earlier largely guitar based music to a more electronic sound, with more emphasis on Barbieri's synthesisers, Sylvian's svelte baritone style of singing, Karn's distinctive fretless bass sound, and Steve Jansen's odd-timbred percussion work.
Their following two albums, Gentlemen Take Polaroids (1980) and Tin Drum (1981) continued to expand their audience as the band refined its new sound and unintentionally became part of the early 1980s New Romantic movement. But Tin Drum would end up being their final album, as personality conflicts drove the band apart. Nevertheless, the album's unconventional single "Ghosts" reached #5 on the UK pop charts, followed by a re-release of "I Second That Emotion" that reached #9.
The band officially split up after a farewell tour in late 1982. The tour was posthumously released as an LP, "Oil on Canvas", in mid-1983.
Most of the original members of the band went on to work on other projects.
Mick Karn and Bauhaus frontman Peter Murphy formed the one-album project called Dali's Car and released the album The Waking Hour in 1984. He has released other solo works over the years.
Steve Jansen and Richard Barbieri released an album in 1987 under the moniker The Dolphin Brothers which garnered a little interest.
By far the most successful is David Sylvian, who has recorded several albums with noted performers. An attempted reunion in 1991 with the Rain Tree Crow project was short lived, producing only one album.
All members have collaborated on the other's solo work; notably the trio JKB (aka Jansen, Barbieri and Karn) have released several records. Jansen has continued to tour with his brother David Sylvian.
Karn died of cancer January 4, 2011.
All Tomorrow's Parties
Japan Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
To all tomorrows parties?
A hand-me-down dress from who knows where
To all tomorrows parties?
Where will she go, what shall she do
When midnight comes around?
She'll turn once more to Sunday's clown
And what costume shall the poor girl wear
To all tomorrows parties?
Why silken trimmings of yesterday's gown
To all tomorrows parties?
What shall she do with Thursday's rags
When Monday comes around?
She'll turn once more to Sunday's clown
And cry behind the door
And what costume shall the poor girl wear
To all tomorrows parties?
For Thursday's child is Sunday's clown
For whom none will go mourning
A blackened shroud, a hand-me-down gown
Of rags and silks, a costume
Fit for one who sits and cries
For all tomorrows parties
The lyrics to Japan's song "All Tomorrow's Parties" describe a girl who is constantly struggling to fit in with the upper echelons of society. She wears hand-me-down dresses and silken trimmings from yesterday's gowns to parties that she attends on a regular basis, but always feels out of place. The song hints at a sense of loneliness and disconnection as she turns to crying behind closed doors whenever she fails to fit in.
The girl's sense of being a social outcast is further highlighted in the lyrics, which bring up Thursday's rags and Monday's clothes. The song suggests that she has to constantly struggle to keep up with the ever changing fashions and expectations of society. However, she always returns to Sunday's clown, who seems to represent the only source of comfort and stability in her life.
Ultimately, the lyrics of "All Tomorrow's Parties" provide a glimpse into the struggles of someone who is struggling to find a sense of belonging in a world where social status and appearances matter. The girl's sense of isolation and loneliness is palpable, as she continues to try and fit in through the clothes she wears, but always fails to find her place.
Line by Line Meaning
And what costume shall the poor girl wear
What attire should the impoverished girl wear
To all tomorrows parties?
For every upcoming celebration?
A hand-me-down dress from who knows where
A used outfit from an unknown source
To all tomorrows parties?
For every upcoming celebration?
Where will she go, what shall she do
Where will she attend and how will she act
When midnight comes around?
Once it becomes very late?
She'll turn once more to Sunday's clown
She will revert again to the happy façade
And cry behind the door
And shed tears in private
And what costume shall the poor girl wear
What outfit should the impoverished girl wear
To all tomorrows parties?
For every upcoming celebration?
Why silken trimmings of yesterday's gown
How about decorated with remnants of previous attire
To all tomorrows parties?
For every upcoming celebration?
What shall she do with Thursday's rags
What will she do with the worn clothes from last week?
When Monday comes around?
Once the workweek resumes?
She'll turn once more to Sunday's clown
She will revert again to the happy façade
And cry behind the door
And shed tears in private
And what costume shall the poor girl wear
What attire should the impoverished girl wear
To all tomorrows parties?
For every upcoming celebration?
For Thursday's child is Sunday's clown
Because the melancholic person looks happy on Sundays
For whom none will go mourning
No one shall grieve for them
A blackened shroud, a hand-me-down gown
A dark cloak, an inherited outfit
Of rags and silks, a costume
Made of both scraps and fancy fabrics, an ensemble
Fit for one who sits and cries
Suitable for someone who remains sad and tearful
For all tomorrows parties
On all of the upcoming celebrations
Lyrics © Sony/ATV Music Publishing LLC
Written by: Lou Reed
Lyrics Licensed & Provided by LyricFind
@magemov
This is how you cover a song that doesn't need covering. You make it a new song that becomes worth covering.
@henrythegreenengine8751
Now let’s cover this and then someone will cover that and someone will cover that and someone will cover that and someone will cover that and someone will cover that and someone will cover that and someone will cover that and someone will cover that!
@michaellavery4899
When 1 'like' is just not enough 👍👍👍.........?
Let this be just be one memory to Mick Karn's immeasurable talent.
RIP Mick. 💙
@justpassinthru2775
Whether 'better' than' or 'worse than' it's a matter of personal opinion, but this is an absolutely class cover version in my book. If nothing else let it be a testament to the superb contribution that Mick Karn's bass and saxophone playing made to it, and to the music of that time.
@arjenvanderwal2784
amen
@martinbrennan2882
David and Mick Karn absolute class acts
@kirstinekeogh744
One of the best covers ever - better than the original - sorry but it is!!
@servalan65
A truly worthy cover. Utterly superb.
@theclattavantrilogy4128
I don't know or remember how but somewhere in the 70s this band became my favourite band and still are in 2023. Happy birthday DS and bless you MK. RB DJ
@k3zzyP
All I can say is thank fook I've still got all my original vinyl by Japan.