Way before his impressive hit, Jason had been enjoying a long and illustrious relationship with music - not just making it, but being passionate about his love for it too. "I’ve always been into various types of music” he explains “Not just dance music but everything from 70’s tunes to 80’s pop, tons of classic rock..... and everything in between.” “Dance is only a small portion of the music that I really enjoy and listen to…my musical taste encompasses a very wide spectrum.”
Jason picked up on dance music in the early 80’s when he heard mixed tapes circulating around his native New York. While going to college (originally a graphic design major), Jason eventually changed his major to Telecommunication and embarked in the exciting field of television and radio as well as landing a slot on a major market radio station. There, Jason played a diverse mix of underground New York house and more mainstream dance on the radio as well as in the clubs. After graduating and moving back to New York though, Jason initially traveled on the underground, making cut & paste tracks for a wealth of dance labels. Over time, Jason’s musical passion and “knocking down the doors” business tactics gave him the edge that he needed to gradually move to the next level. “I just love the process of making music and then selling it” explains Jason. “So I continually worked and sold, worked and sold." “I love working on multiple projects, so I never stayed with one song or one label- I was always was on to the next musical endeavor.”
Though remixes initially never really paid much financially, Jason enjoyed doing them and maintained a habit of taking tracks that he liked and working them into something different, then presenting them to different labels as new products. A slightly backwards procedure to some, but one that firmly underlines his commitment to music. As his commercial success continued, he began to receive commissions to remix the likes of Lil Kim, Janet Jackson, Missy Elliot and Madonna, but in 1998 his unorthodox approach to mixing other people’s tunes finally paid off when his own creation of ‘It’s Like That” combining hip hop legends- RUN-DMC’s elements of “Its Like That” with his own signature sound was released.
The massive tune that started off on 50 white label copies went on to sell close to a staggering 5 MILLION copies, hitting number ONE in over 30 countries and making Jason ‘technically’ the biggest dance pop star America has ever had. Everyone from Ricky Martin and Robbie Williams to Prince, Britney and even Courtney Love were soon receiving his "Midas touch". ““Its Like That” blew my mind as well as many other people’s” says Jason “I started in the underground and moved extremely fast into the mainstream- and that type of stardom can shake anybody up pretty good. It’s not as easy as it looks to travel all over the world, be on MTV and do interviews. It was one of the most unbelievable times in my life and it was tons of fun but it also puts a huge amount of pressure on you.”
”Since then, I’m doing a lot of rock/ dance and rock/hip hop fusions such as the remix I did of ‘Rock Star’ by N.E.R.D ,my mix of Elvis’ "Rubberneckin", the massive remix of “Work It” by Nelly featuring Justin Timberlake. I just did a new track for my new album called “Git Money” which features the Rockafella duo- The Young Gunz and legendary rocker Billy Squier.” Jason says. Since working on the fusion rock sound for about 2 ½ years now and it is doing really well for me.” Because of incorporating rock elements into dance and hip hop- Im getting calls for artists like Duran Duran, Anastacia and Kelly Clarkson who want me to use my unique mixture of different styles into their songs.” I worked with Duran Duran on Sunrise their new album on Sony and it seems very promising- I did 2 other songs of theirs and they were kind enough to work with me on “Alive”, a track for my album.”
Jason Nevins is the leader in ROCK DANCE and is on a mission to devastate dancefloors and the influx the airwaves. Despite spending over a decade in the business and scoring one of the dance world’s biggest hits, he’s showing no signs of slowing down. Just make sure you keep your ears peeled for the latest installment - coming soon to a sound system near you.
Walk This Way
Jason Nevins Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
'Till I talked to my daddy he say
He said, You ain't seen noting
'Till you're down on a muffin
Then you're sure to be a-changin' your ways
I met a cheerleader, was a real young bleeder
All the times I can reminisce
With her sister and her cousin
Started with a little kiss, like this
See-saw swingin' with the boys in the school
With your feet flyin' up in the air
Singin' hey diddle-diddle with the kitty in the middle
You be swingin' like you just didn't care
So I took a big chance at the high school dance
With a missy who was ready to play
Was it me she was foolin'?
'Cause she knew what she was doin'
Taught me how to walk this way
She told me to
Walk this way, talk this way
Walk this way, talk this way
Walk this way, talk this way
Walk this way, talk this way
Ah, just give me a kiss
Gimme some, gimme some, gimme some, yeah
School girl sadie with the classy kinda sassy
Little skirt climbing way up her knees
There was three young ladies in the school gym locker
When I noticed they was lookin' at me
I was a high school loser
Never made it with a lady
Till the boys told me something I missed
Then my next door neighbour
With a daughter had a favour
Took me just a little kiss, like this
See-saw swingin' with the boys in the school
With your feet flyin' up in the air
Singin' hey diddle-diddle with the kitty in the middle
You be swingin' like you just didn't care
So I took a big chance at the high school dance
With a missy who was ready to play
Was it me she was foolin'?
'Cause she knew what she was doin'
Told me how to walk this way
She told me to
Walk this way, talk this way
Walk this way, talk this way
Walk this way, talk this way
Walk this way, talk this way
Just give me a kiss
The lyrics to Jason Nevins/Run-D.M.C.'s song Walk This Way are a reminiscence of youthful exuberance and sexual awakening. The song mocks the giggly, gossipy school girls and the ineptitude of their male counterparts. It is a message to the younger generation to let loose and enjoy life. The first two lines of the song tell about a "backstroke lover" who is too shy to come out from under the covers until someone sets him straight. This person is then exposed to many new experiences, which will bring about changes in his life. The singer then reminisces about a young "bleeder" who he shared an experience with. He talks about how they started with a little kiss and how it was the "best thing" that ever happened to him.
As the song continues, the singer talks about his experience with three young ladies at school. The story is about how he was a "high school loser" who was never able to make it with a lady until a neighbor's daughter taught him how to "walk this way." He talks about how he took a chance at the high school dance with a young woman who was ready to play. The singer's confidence grows as he is introduced to new experiences and he learns how to enjoy life. The song is a tale of youthful exuberance, sexual awakening, and the joy of living in the moment.
Line by Line Meaning
Backstroke lover always hidin' 'neath the cover
The person being discussed was always hiding and avoiding any sort of attention or spotlight.
'Till I talked to my daddy he say
The singer talked to their father and received some advice.
He said, You ain't seen nothing
The father emphasized that the singer had yet to experience anything truly wild or exciting.
'Till you're down on a muffin
But if they were to engage in more daring activities or experiences, they would surely change their ways.
Then you're sure to be a-changin' your ways
The father predicted that engaging in more exciting activities would lead to personal growth and a changed outlook on life.
I met a cheerleader, was a real young bleeder
The singer met a young woman who was a cheerleader.
All the times I can reminisce
The singer remembers their interactions with this young woman fondly.
Ah the best thing lovin'
The artist believes that being in love is the best thing in the world.
With her sister and her cousin
The artist expanded their romantic pursuits to include this young woman's family members.
Started with a little kiss, like this
The artist and the young woman's relationship started with a small, innocent kiss.
See-saw swingin' with the boys in the school
The singer and some male friends swung on a see-saw at school.
With your feet flyin' up in the air
As they swung on the see-saw, their feet lifted up into the air.
Singin' hey diddle-diddle with the kitty in the middle
The singer and their friends sang a nonsense phrase while one of them sat in the middle of the see-saw.
You be swingin' like you just didn't care
They enjoyed the carefree and fun nature of their activities.
So I took a big chance at the high school dance
The singer took a risk and asked a girl to dance at a school dance.
With a missy who was ready to play
The girl he asked to dance was eager to engage in some sort of playful behavior.
Was it me she was foolin'?
The artist isn't sure if the girl he asked to dance was playing a joke or leading him on.
'Cause she knew what she was doin'
Regardless of her intentions, it's clear that the girl knew how to dance or engage in activities in a fun and playful way.
Taught me how to walk this way
The girl he danced with taught him how to move or act in a certain way.
She told me to
The girl's instructions were clear and direct.
Walk this way, talk this way
The girl's instructions were to walk and talk in a particular manner.
Just give me a kiss
The artist ends by requesting a kiss from the girl he's been talking about.
Gimme some, gimme some, gimme some, yeah
This is likely a euphemism for wanting physical or romantic attention.
School girl sadie with the classy kinda sassy
The artist met another young woman in school who was stylish and confident.
Little skirt climbing way up her knees
This young woman wore a short skirt, with the hem ending just above her knees.
There was three young ladies in the school gym locker
The singer found themselves in a locker room with three other girls.
When I noticed they was lookin' at me
The singer realized that these girls were paying attention to him.
I was a high school loser
The artist believes that they were unpopular or not very successful in high school.
Never made it with a lady
The artist had not yet had a romantic encounter with a woman.
Till the boys told me something I missed
The singer's male friends gave them advice that they had not previously known.
Then my next door neighbour
The singer engaged in a romantic encounter with someone who lived next door to them.
With a daughter had a favour
This woman had a daughter who asked the artist for a favor.
Lyrics © BMG Rights Management
Written by: Joe Perry, Steven Tyler
Lyrics Licensed & Provided by LyricFind
@csabeey300
Who listening in 2022?
@christianmuller8714
Here
@sebastiansochal5307
I'am listening 🙂
@user-er1gq9zs5s
Каzakhstan 🇰🇿👍😍Run Dmc☝️
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@@sebastiansochal5307 🇰🇿 Kazakhstan ☝️😍
@samum5856
Here
@Tocaluna42
I got married in 2016, and i made sure this song was played at my wedding. My Dad who was 68 at the time tore up the dancefloor! He loves this song!
@OF_owner
thats so sweet
@andreazimmer1299
Cooler Vater ❤
@SabinUche
❤❤❤